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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B563 it is the complementary color #0F4A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B563 shade: #F5B55E, #FFC771, #FFD984, #FFEB97 and #FFFDAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B563 shade: #F0B563, #DFA350, #CE913D, #BD7F2A and #AC6D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B563 shade: #EFB461, #EF8E61, #EF6761 and #EF6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B563 shade: #EFB461, #EFDA61, #DEEF61, #B8EF61 and #92EF61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B563 shade matches the following richer shades: #EFB461 and #FDB653

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B563 shade: #EFB461, #E1B26F, #D3AF7D, #C5AD8B and #B7AB99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B563 shade: #EF6661, #EF8C61, #EFB261, #EFD861 and #E1EF61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B563 shade: #E79017, #ECA23C, #EFB461, #F3C687 and #F7D8AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B563 shade: #F0B563, #82EF61 and #7961EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B563 shade: #F0B563, #61EFB2 and #B261EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B563 shade: #F0B563, #82EF61, #619FEF and #CE61EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B563 shade: #F0B563, #61EF6B, #619FEF and #EF61E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 59 / 6

HEX #F0B563

RGB 240 181 99

HSL 34.89, 0.82%, 0.66%

LAB 77.56, 12.64, 49.46

 

Complementary color

CMYK 90 / 53 / 0 / 39

HEX #0F4A9C

RGB 15 74 156

HSL 214.89, 0.82%, 0.34%

LAB 32.7, 14.96, -49.59

 

CMYK 0 / 26 / 62 / 4

HEX #F5B55E

RGB 245 181 94

HSL 34.57, 0.88%, 0.66%

LAB 78.03, 14.35, 52.54

 

CMYK 0 / 22 / 56 / 0

HEX #FFC771

RGB 255 199 113

HSL 36.34, 1%, 0.72%

LAB 83.6, 10.4, 50.19

 

CMYK 0 / 15 / 48 / 0

HEX #FFD984

RGB 255 217 132

HSL 41.46, 1%, 0.76%

LAB 88.23, 2.72, 46.56

 

CMYK 0 / 8 / 41 / 0

HEX #FFEB97

RGB 255 235 151

HSL 48.46, 1%, 0.8%

LAB 92.98, -4.55, 43.17

 

CMYK 0 / 1 / 33 / 0

HEX #FFFDAA

RGB 255 253 170

HSL 58.59, 1%, 0.83%

LAB 97.8, -11.41, 40.03

 

CMYK 0 / 25 / 59 / 6

HEX #F0B563

RGB 240 181 99

HSL 34.89, 0.82%, 0.66%

LAB 77.56, 12.64, 49.46

 

CMYK 0 / 27 / 64 / 13

HEX #DFA350

RGB 223 163 80

HSL 34.83, 0.69%, 0.59%

LAB 71.19, 13.82, 50.81

 

CMYK 0 / 30 / 70 / 19

HEX #CE913D

RGB 206 145 61

HSL 34.76, 0.6%, 0.52%

LAB 64.73, 15.19, 52.06

 

CMYK 0 / 33 / 78 / 26

HEX #BD7F2A

RGB 189 127 42

HSL 34.69, 0.64%, 0.45%

LAB 58.19, 16.78, 53.05

 

CMYK 0 / 37 / 87 / 33

HEX #AC6D17

RGB 172 109 23

HSL 34.63, 0.76%, 0.38%

LAB 51.58, 18.65, 53.32

 

CMYK 0 / 25 / 59 / 6

HEX #EFB461

RGB 239 180 97

HSL 35.07, 0.82%, 0.66%

LAB 77.19, 12.61, 49.97

 

CMYK 0 / 41 / 59 / 6

HEX #EF8E61

RGB 239 142 97

HSL 19.01, 0.82%, 0.66%

LAB 68.43, 32.65, 39.48

 

CMYK 0 / 57 / 59 / 6

HEX #EF6761

RGB 239 103 97

HSL 2.54, 0.82%, 0.66%

LAB 60.71, 52.03, 29.78

 

CMYK 0 / 59 / 59 / 6

HEX #EF6161

RGB 239 97 97

HSL 0, 0.82%, 0.66%

LAB 59.67, 54.74, 28.45

 

CMYK 0 / 25 / 59 / 6

HEX #EFB461

RGB 239 180 97

HSL 35.07, 0.82%, 0.66%

LAB 77.19, 12.61, 49.97

 

CMYK 0 / 9 / 59 / 6

HEX #EFDA61

RGB 239 218 97

HSL 51.13, 0.82%, 0.66%

LAB 86.68, -7.04, 60.78

 

CMYK 7 / 0 / 59 / 6

HEX #DEEF61

RGB 222 239 97

HSL 67.18, 0.82%, 0.66%

LAB 90.84, -24.21, 64.99

 

CMYK 23 / 0 / 59 / 6

HEX #B8EF61

RGB 184 239 97

HSL 83.24, 0.82%, 0.66%

LAB 88.35, -38.76, 61.53

 

CMYK 39 / 0 / 59 / 6

HEX #92EF61

RGB 146 239 97

HSL 99.3, 0.82%, 0.66%

LAB 86.36, -51.86, 58.76

 

CMYK 0 / 25 / 59 / 6

HEX #EFB461

RGB 239 180 97

HSL 35.07, 0.82%, 0.66%

LAB 77.19, 12.61, 49.97

 

CMYK 0 / 28 / 67 / 1

HEX #FDB653

RGB 253 182 83

HSL 34.94, 0.98%, 0.66%

LAB 79.02, 16.46, 58.97

 

CMYK 0 / 25 / 59 / 6

HEX #EFB461

RGB 239 180 97

HSL 35.07, 0.82%, 0.66%

LAB 77.19, 12.61, 49.97

 

CMYK 0 / 21 / 51 / 12

HEX #E1B26F

RGB 225 178 111

HSL 35.26, 0.66%, 0.66%

LAB 75.45, 9.02, 40.54

 

CMYK 0 / 17 / 41 / 17

HEX #D3AF7D

RGB 211 175 125

HSL 34.88, 0.49%, 0.66%

LAB 73.54, 6.32, 30.52

 

CMYK 0 / 12 / 29 / 23

HEX #C5AD8B

RGB 197 173 139

HSL 35.17, 0.33%, 0.66%

LAB 71.97, 3.53, 20.68

 

CMYK 0 / 7 / 16 / 28

HEX #B7AB99

RGB 183 171 153

HSL 36, 0.17%, 0.66%

LAB 70.52, 1.27, 10.82

 

CMYK 0 / 57 / 59 / 6

HEX #EF6661

RGB 239 102 97

HSL 2.11, 0.82%, 0.66%

LAB 60.53, 52.49, 29.55

 

CMYK 0 / 41 / 59 / 6

HEX #EF8C61

RGB 239 140 97

HSL 18.17, 0.82%, 0.66%

LAB 68, 33.7, 38.95

 

CMYK 0 / 26 / 59 / 6

HEX #EFB261

RGB 239 178 97

HSL 34.23, 0.82%, 0.66%

LAB 76.71, 13.66, 49.41

 

CMYK 0 / 10 / 59 / 6

HEX #EFD861

RGB 239 216 97

HSL 50.28, 0.82%, 0.66%

LAB 86.17, -6.03, 60.21

 

CMYK 6 / 0 / 59 / 6

HEX #E1EF61

RGB 225 239 97

HSL 65.92, 0.82%, 0.66%

LAB 91.05, -23.02, 65.29

 

CMYK 0 / 38 / 90 / 9

HEX #E79017

RGB 231 144 23

HSL 34.9, 0.82%, 0.5%

LAB 67.28, 25.14, 68.84

 

CMYK 0 / 31 / 75 / 7

HEX #ECA23C

RGB 236 162 60

HSL 34.77, 0.82%, 0.58%

LAB 72.23, 18.78, 61.22

 

CMYK 0 / 25 / 59 / 6

HEX #EFB461

RGB 239 180 97

HSL 35.07, 0.82%, 0.66%

LAB 77.19, 12.61, 49.97

 

CMYK 0 / 19 / 44 / 5

HEX #F3C687

RGB 243 198 135

HSL 35, 0.82%, 0.74%

LAB 82.48, 8.04, 37.53

 

CMYK 0 / 13 / 30 / 3

HEX #F7D8AC

RGB 247 216 172

HSL 35.2, 0.82%, 0.82%

LAB 87.9, 4.45, 25.68

 

CMYK 0 / 25 / 59 / 6

HEX #F0B563

RGB 240 181 99

HSL 34.89, 0.82%, 0.66%

LAB 77.56, 12.64, 49.46

 

CMYK 46 / 0 / 59 / 6

HEX #82EF61

RGB 130 239 97

HSL 106.06, 0.82%, 0.66%

LAB 85.68, -56.73, 57.8

 

CMYK 49 / 59 / 0 / 6

HEX #7961EF

RGB 121 97 239

HSL 250.14, 0.82%, 0.66%

LAB 50.51, 44.99, -68.64

 

CMYK 0 / 25 / 59 / 6

HEX #F0B563

RGB 240 181 99

HSL 34.89, 0.82%, 0.66%

LAB 77.56, 12.64, 49.46

 

CMYK 59 / 0 / 26 / 6

HEX #61EFB2

RGB 97 239 178

HSL 154.23, 0.82%, 0.66%

LAB 85.75, -52.28, 18.27

 

CMYK 26 / 59 / 0 / 6

HEX #B261EF

RGB 178 97 239

HSL 274.23, 0.82%, 0.66%

LAB 56.33, 57.25, -58.95

 

CMYK 0 / 25 / 59 / 6

HEX #F0B563

RGB 240 181 99

HSL 34.89, 0.82%, 0.66%

LAB 77.56, 12.64, 49.46

 

CMYK 46 / 0 / 59 / 6

HEX #82EF61

RGB 130 239 97

HSL 106.06, 0.82%, 0.66%

LAB 85.68, -56.73, 57.8

 

CMYK 59 / 33 / 0 / 6

HEX #619FEF

RGB 97 159 239

HSL 213.8, 0.82%, 0.66%

LAB 64.62, 3.6, -46.17

 

CMYK 14 / 59 / 0 / 6

HEX #CE61EF

RGB 206 97 239

HSL 286.06, 0.82%, 0.66%

LAB 59.8, 63.86, -53.22

 

CMYK 0 / 25 / 59 / 6

HEX #F0B563

RGB 240 181 99

HSL 34.89, 0.82%, 0.66%

LAB 77.56, 12.64, 49.46

 

CMYK 59 / 0 / 55 / 6

HEX #61EF6B

RGB 97 239 107

HSL 124.23, 0.82%, 0.66%

LAB 84.66, -64.07, 51.91

 

CMYK 59 / 33 / 0 / 6

HEX #619FEF

RGB 97 159 239

HSL 213.8, 0.82%, 0.66%

LAB 64.62, 3.6, -46.17

 

CMYK 0 / 59 / 4 / 6

HEX #EF61E6

RGB 239 97 230

HSL 303.8, 0.82%, 0.66%

LAB 63.85, 70.34, -41.52

 

Description

Color code: HEX #F0B563 | qconv.com Color code: HEX #F0B563 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 181 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 181 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 59 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 59% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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