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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B4BA00 it is the complementary color #0F4B4500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B4BA00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B4BA00 shade: #F5B4B500, #FFC6C800, #FFD8DB00, #FFEAEE00 and #FFFCFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B4BA00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B4BA00 shade: #F0B4BA00, #DFA2A700, #CE909400, #BD7E8100 and #AC6C6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B4BA00 shade: #F0B2B8 and #F0B2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B4BA00 shade: #F0B2B8, #F0B2C9, #F0B2DA, #F0B2EA and #E5B2F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B4BA00 shade matches the following richer shades: #F0B2B8, #F7ABB3 and #FFA3AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B4BA00 shade: #F0B2B8, #E8BABE, #E1C1C4, #DAC9CA and #D2D0D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B4BA00 shade: #F0B2D9, #F0B2C9, #F0B2B8, #F0BDB2 and #F0CDB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B4BA00 shade: #E26D79, #E99099, #F0B2B8, #F7D5D8 and #FDF7F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B4BA00 shade: #F0B4BA, #EAF0B2 and #B2D1F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B4BA00 shade: #F0B4BA, #B8F0B2 and #B2B8F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B4BA00 shade: #F0B4BA, #EAF0B2, #B2F0EA and #B8B2F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B4BA00 shade: #F0B4BA, #D7F0B2, #B2F0EA and #CBB2F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #F0B4BA00

RGBA 240 180 186 0

HSLA 354, 0.67%, 0.82%, 0

LABA 78.88, 22.62, 5.47, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #0F4B4500

RGBA 15 75 69 0

HSLA 174, 0.67%, 0.18%, 0

LABA 28.28, -20.1, -1.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F5B4B500

RGBA 245 180 181 0

HSLA 359.08, 0.76%, 0.83%, 0

LABA 79.27, 23.74, 8.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6C800

RGBA 255 198 200 0

HSLA 357.89, 1%, 0.89%, 0

LABA 84.9, 20.57, 6.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8DB00

RGBA 255 216 219 0

HSLA 355.38, 1%, 0.92%, 0

LABA 89.62, 14.02, 3.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEAEE00

RGBA 255 234 238 0

HSLA 348.57, 1%, 0.96%, 0

LABA 94.43, 7.79, 0.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCFF00

RGBA 255 252 255 0

HSLA 300, 1%, 0.99%, 0

LABA 99.26, 1.52, -1.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F0B4BA00

RGBA 240 180 186 0

HSLA 354, 0.67%, 0.82%, 0

LABA 78.88, 22.62, 5.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DFA2A700

RGBA 223 162 167 0

HSLA 355.08, 0.49%, 0.75%, 0

LABA 72.44, 23.29, 6.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CE909400

RGBA 206 144 148 0

HSLA 356.13, 0.39%, 0.69%, 0

LABA 65.91, 24.03, 7.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BD7E8100

RGBA 189 126 129 0

HSLA 357.14, 0.32%, 0.62%, 0

LABA 59.27, 24.85, 8.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AC6C6E00

RGBA 172 108 110 0

HSLA 358.13, 0.28%, 0.55%, 0

LABA 52.53, 25.77, 9.62, 0

 

CMYK 0 / 26 / 23 / 6

HEX #F0B2B8

RGB 240 178 184

HSL 354.19, 0.67%, 0.82%

LAB 78.36, 23.4, 5.81

 

CMYK 0 / 26 / 26 / 6

HEX #F0B2B2

RGB 240 178 178

HSL 0, 0.67%, 0.82%

LAB 78.22, 22.55, 8.86

 

CMYK 0 / 26 / 23 / 6

HEX #F0B2B8

RGB 240 178 184

HSL 354.19, 0.67%, 0.82%

LAB 78.36, 23.4, 5.81

 

CMYK 0 / 26 / 16 / 6

HEX #F0B2C9

RGB 240 178 201

HSL 337.74, 0.67%, 0.82%

LAB 78.8, 25.94, -2.77

 

CMYK 0 / 26 / 9 / 6

HEX #F0B2DA

RGB 240 178 218

HSL 321.29, 0.67%, 0.82%

LAB 79.29, 28.69, -11.26

 

CMYK 0 / 26 / 3 / 6

HEX #F0B2EA

RGB 240 178 234

HSL 305.81, 0.67%, 0.82%

LAB 79.79, 31.46, -19.14

 

CMYK 5 / 26 / 0 / 6

HEX #E5B2F0

RGB 229 178 240

HSL 289.35, 0.67%, 0.82%

LAB 78.92, 29.02, -23.79

 

CMYK 0 / 26 / 23 / 6

HEX #F0B2B8

RGB 240 178 184

HSL 354.19, 0.67%, 0.82%

LAB 78.36, 23.4, 5.81

 

CMYK 0 / 31 / 28 / 3

HEX #F7ABB3

RGB 247 171 179

HSL 353.68, 0.83%, 0.82%

LAB 77.37, 28.95, 7.21

 

CMYK 0 / 36 / 32 / 0

HEX #FFA3AD

RGB 255 163 173

HSL 353.48, 1%, 0.82%

LAB 76.36, 35.26, 9.15

 

CMYK 0 / 26 / 23 / 6

HEX #F0B2B8

RGB 240 178 184

HSL 354.19, 0.67%, 0.82%

LAB 78.36, 23.4, 5.81

 

CMYK 0 / 20 / 18 / 9

HEX #E8BABE

RGB 232 186 190

HSL 354.78, 0.5%, 0.82%

LAB 79.61, 17.12, 4.27

 

CMYK 0 / 14 / 13 / 12

HEX #E1C1C4

RGB 225 193 196

HSL 354.38, 0.35%, 0.82%

LAB 80.81, 11.82, 2.7

 

CMYK 0 / 8 / 7 / 15

HEX #DAC9CA

RGB 218 201 202

HSL 356.47, 0.19%, 0.82%

LAB 82.35, 6.1, 1.64

 

CMYK 0 / 1 / 1 / 18

HEX #D2D0D0

RGB 210 208 208

HSL 0, 0.02%, 0.82%

LAB 83.64, 0.69, 0.23

 

CMYK 0 / 26 / 10 / 6

HEX #F0B2D9

RGB 240 178 217

HSL 322.26, 0.67%, 0.82%

LAB 79.26, 28.52, -10.76

 

CMYK 0 / 26 / 16 / 6

HEX #F0B2C9

RGB 240 178 201

HSL 337.74, 0.67%, 0.82%

LAB 78.8, 25.94, -2.77

 

CMYK 0 / 26 / 23 / 6

HEX #F0B2B8

RGB 240 178 184

HSL 354.19, 0.67%, 0.82%

LAB 78.36, 23.4, 5.81

 

CMYK 0 / 21 / 26 / 6

HEX #F0BDB2

RGB 240 189 178

HSL 10.65, 0.67%, 0.82%

LAB 80.81, 16.72, 12.55

 

CMYK 0 / 15 / 26 / 6

HEX #F0CDB2

RGB 240 205 178

HSL 26.13, 0.67%, 0.82%

LAB 84.69, 8.31, 18

 

CMYK 0 / 52 / 46 / 11

HEX #E26D79

RGB 226 109 121

HSL 353.85, 0.67%, 0.66%

LAB 60.33, 46.59, 15.2

 

CMYK 0 / 38 / 34 / 9

HEX #E99099

RGB 233 144 153

HSL 353.93, 0.67%, 0.74%

LAB 69.16, 34.73, 9.6

 

CMYK 0 / 26 / 23 / 6

HEX #F0B2B8

RGB 240 178 184

HSL 354.19, 0.67%, 0.82%

LAB 78.36, 23.4, 5.81

 

CMYK 0 / 14 / 13 / 3

HEX #F7D5D8

RGB 247 213 216

HSL 354.71, 0.68%, 0.9%

LAB 88.12, 12.3, 2.9

 

CMYK 0 / 2 / 2 / 1

HEX #FDF7F8

RGB 253 247 248

HSL 350, 0.6%, 0.98%

LAB 97.71, 2.17, 0.22

 

CMYK 0 / 25 / 23 / 6

HEX #F0B4BA

RGB 240 180 186

HSL 354, 0.67%, 0.82%

LAB 78.88, 22.62, 5.47

 

CMYK 3 / 0 / 26 / 6

HEX #EAF0B2

RGB 234 240 178

HSL 65.81, 0.67%, 0.82%

LAB 93.03, -11.78, 29.38

 

CMYK 26 / 13 / 0 / 6

HEX #B2D1F0

RGB 178 209 240

HSL 210, 0.67%, 0.82%

LAB 82.57, -3.5, -18.64

 

CMYK 0 / 25 / 23 / 6

HEX #F0B4BA

RGB 240 180 186

HSL 354, 0.67%, 0.82%

LAB 78.88, 22.62, 5.47

 

CMYK 23 / 0 / 26 / 6

HEX #B8F0B2

RGB 184 240 178

HSL 114.19, 0.67%, 0.82%

LAB 89.73, -29.31, 24.35

 

CMYK 26 / 23 / 0 / 6

HEX #B2B8F0

RGB 178 184 240

HSL 234.19, 0.67%, 0.82%

LAB 76.09, 9.96, -28.5

 

CMYK 0 / 25 / 23 / 6

HEX #F0B4BA

RGB 240 180 186

HSL 354, 0.67%, 0.82%

LAB 78.88, 22.62, 5.47

 

CMYK 3 / 0 / 26 / 6

HEX #EAF0B2

RGB 234 240 178

HSL 65.81, 0.67%, 0.82%

LAB 93.03, -11.78, 29.38

 

CMYK 26 / 0 / 3 / 6

HEX #B2F0EA

RGB 178 240 234

HSL 174.19, 0.67%, 0.82%

LAB 90.65, -20.63, -3.43

 

CMYK 23 / 26 / 0 / 6

HEX #B8B2F0

RGB 184 178 240

HSL 245.81, 0.67%, 0.82%

LAB 75.03, 15.04, -30.09

 

CMYK 0 / 25 / 23 / 6

HEX #F0B4BA

RGB 240 180 186

HSL 354, 0.67%, 0.82%

LAB 78.88, 22.62, 5.47

 

CMYK 10 / 0 / 26 / 6

HEX #D7F0B2

RGB 215 240 178

HSL 84.19, 0.67%, 0.82%

LAB 91.68, -18.65, 27.33

 

CMYK 26 / 0 / 3 / 6

HEX #B2F0EA

RGB 178 240 234

HSL 174.19, 0.67%, 0.82%

LAB 90.65, -20.63, -3.43

 

CMYK 15 / 26 / 0 / 6

HEX #CBB2F0

RGB 203 178 240

HSL 264.19, 0.67%, 0.82%

LAB 76.58, 20.83, -27.59

 

Description

Color code: HEX #F0B4BA00 | qconv.com Color code: HEX #F0B4BA00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 180 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 180 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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