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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B340 it is the complementary color #0F4CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B340 shade: #F5B33B, #FFC54E, #FFD761, #FFE974 and #FFFB87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B340 shade: #F0B340, #DFA12D, #CE8F1A, #BD7D07 and #AC6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B340 shade: #F0B442, #F08542, #F05642 and #F04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B340 shade: #F0B442, #F0E242, #CEF042, #A0F042 and #71F042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B340 shade matches the following richer shades: #F0B442

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B340 shade: #F0B442, #DFAF53, #CFA963, #BEA474 and #AE9F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B340 shade: #F05742, #F08542, #F0B342, #F0E142 and #D0F042

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B340 shade: #CF8D11, #EDA41C, #F0B442, #F3C368 and #F6D28F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B340 shade: #F0B340, #5CF042 and #6E42F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B340 shade: #F0B340, #42F0B3 and #B342F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B340 shade: #F0B340, #5CF042, #427FF0 and #D642F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B340 shade: #F0B340, #42F05C, #427FF0 and #F042D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 73 / 6

HEX #F0B340

RGB 240 179 64

HSL 39.2, 0.85%, 0.6%

LAB 76.76, 11.66, 64.24

 

Complementary color

CMYK 92 / 60 / 0 / 25

HEX #0F4CBF

RGB 15 76 191

HSL 219.2, 0.85%, 0.4%

LAB 36.05, 27.78, -64.97

 

CMYK 0 / 27 / 76 / 4

HEX #F5B33B

RGB 245 179 59

HSL 38.71, 0.9%, 0.6%

LAB 77.26, 13.57, 66.83

 

CMYK 0 / 23 / 69 / 0

HEX #FFC54E

RGB 255 197 78

HSL 40.34, 1%, 0.65%

LAB 82.78, 9.22, 65.15

 

CMYK 0 / 16 / 62 / 0

HEX #FFD761

RGB 255 215 97

HSL 44.81, 1%, 0.69%

LAB 87.35, 1.05, 61.92

 

CMYK 0 / 9 / 55 / 0

HEX #FFE974

RGB 255 233 116

HSL 50.5, 1%, 0.73%

LAB 92.04, -6.7, 58.73

 

CMYK 0 / 2 / 47 / 0

HEX #FFFB87

RGB 255 251 135

HSL 58, 1%, 0.76%

LAB 96.82, -14, 55.64

 

CMYK 0 / 25 / 73 / 6

HEX #F0B340

RGB 240 179 64

HSL 39.2, 0.85%, 0.6%

LAB 76.76, 11.66, 64.24

 

CMYK 0 / 28 / 80 / 13

HEX #DFA12D

RGB 223 161 45

HSL 39.1, 0.74%, 0.53%

LAB 70.43, 13.21, 64.68

 

CMYK 0 / 31 / 87 / 19

HEX #CE8F1A

RGB 206 143 26

HSL 39, 0.78%, 0.45%

LAB 64.03, 14.99, 64.29

 

CMYK 0 / 34 / 96 / 26

HEX #BD7D07

RGB 189 125 7

HSL 38.9, 0.93%, 0.38%

LAB 57.56, 17.03, 62.47

 

CMYK 0 / 38 / 100 / 33

HEX #AC6B00

RGB 172 107 0

HSL 37.33, 1%, 0.34%

LAB 51.02, 19.37, 58.34

 

CMYK 0 / 25 / 73 / 6

HEX #F0B442

RGB 240 180 66

HSL 39.31, 0.85%, 0.6%

LAB 77.02, 11.23, 63.69

 

CMYK 0 / 45 / 73 / 6

HEX #F08542

RGB 240 133 66

HSL 23.1, 0.85%, 0.6%

LAB 66.29, 35.9, 52.68

 

CMYK 0 / 64 / 73 / 6

HEX #F05642

RGB 240 86 66

HSL 6.9, 0.85%, 0.6%

LAB 57.63, 58.09, 43.29

 

CMYK 0 / 73 / 73 / 6

HEX #F04242

RGB 240 66 66

HSL 0, 0.85%, 0.6%

LAB 54.88, 65.6, 40.19

 

CMYK 0 / 25 / 73 / 6

HEX #F0B442

RGB 240 180 66

HSL 39.31, 0.85%, 0.6%

LAB 77.02, 11.23, 63.69

 

CMYK 0 / 6 / 73 / 6

HEX #F0E242

RGB 240 226 66

HSL 55.17, 0.85%, 0.6%

LAB 88.6, -12.34, 74.96

 

CMYK 14 / 0 / 73 / 6

HEX #CEF042

RGB 206 240 66

HSL 71.72, 0.85%, 0.6%

LAB 89.78, -32.85, 75.21

 

CMYK 33 / 0 / 73 / 6

HEX #A0F042

RGB 160 240 66

HSL 87.59, 0.85%, 0.6%

LAB 87.09, -49.97, 71.67

 

CMYK 53 / 0 / 73 / 6

HEX #71F042

RGB 113 240 66

HSL 103.79, 0.85%, 0.6%

LAB 85.11, -64.42, 69.05

 

CMYK 0 / 25 / 73 / 6

HEX #F0B442

RGB 240 180 66

HSL 39.31, 0.85%, 0.6%

LAB 77.02, 11.23, 63.69

 

CMYK 0 / 25 / 73 / 6

HEX #F0B442

RGB 240 180 66

HSL 39.31, 0.85%, 0.6%

LAB 77.02, 11.23, 63.69

 

CMYK 0 / 22 / 63 / 13

HEX #DFAF53

RGB 223 175 83

HSL 39.43, 0.69%, 0.6%

LAB 74.17, 7.62, 52.74

 

CMYK 0 / 18 / 52 / 19

HEX #CFA963

RGB 207 169 99

HSL 38.89, 0.53%, 0.6%

LAB 71.24, 5.31, 41.08

 

CMYK 0 / 14 / 39 / 25

HEX #BEA474

RGB 190 164 116

HSL 38.92, 0.36%, 0.6%

LAB 68.58, 2.7, 28.43

 

CMYK 0 / 9 / 24 / 32

HEX #AE9F84

RGB 174 159 132

HSL 38.57, 0.21%, 0.6%

LAB 66.11, 1.1, 16.1

 

CMYK 0 / 64 / 73 / 6

HEX #F05742

RGB 240 87 66

HSL 7.24, 0.85%, 0.6%

LAB 57.78, 57.67, 43.46

 

CMYK 0 / 45 / 73 / 6

HEX #F08542

RGB 240 133 66

HSL 23.1, 0.85%, 0.6%

LAB 66.29, 35.9, 52.68

 

CMYK 0 / 25 / 73 / 6

HEX #F0B342

RGB 240 179 66

HSL 38.97, 0.85%, 0.6%

LAB 76.78, 11.75, 63.45

 

CMYK 0 / 6 / 73 / 6

HEX #F0E142

RGB 240 225 66

HSL 54.83, 0.85%, 0.6%

LAB 88.34, -11.84, 74.72

 

CMYK 13 / 0 / 73 / 6

HEX #D0F042

RGB 208 240 66

HSL 71.03, 0.85%, 0.6%

LAB 89.92, -32.06, 75.38

 

CMYK 0 / 32 / 92 / 19

HEX #CF8D11

RGB 207 141 17

HSL 39.16, 0.85%, 0.44%

LAB 63.64, 16.34, 66.11

 

CMYK 0 / 31 / 88 / 7

HEX #EDA41C

RGB 237 164 28

HSL 39.04, 0.85%, 0.52%

LAB 72.65, 17.17, 72.11

 

CMYK 0 / 25 / 73 / 6

HEX #F0B442

RGB 240 180 66

HSL 39.31, 0.85%, 0.6%

LAB 77.02, 11.23, 63.69

 

CMYK 0 / 20 / 57 / 5

HEX #F3C368

RGB 243 195 104

HSL 39.28, 0.85%, 0.68%

LAB 81.34, 6.9, 51.55

 

CMYK 0 / 15 / 42 / 4

HEX #F6D28F

RGB 246 210 143

HSL 39.03, 0.85%, 0.76%

LAB 85.84, 3.82, 37.85

 

CMYK 0 / 25 / 73 / 6

HEX #F0B340

RGB 240 179 64

HSL 39.2, 0.85%, 0.6%

LAB 76.76, 11.66, 64.24

 

CMYK 62 / 0 / 73 / 6

HEX #5CF042

RGB 92 240 66

HSL 111.03, 0.85%, 0.6%

LAB 84.48, -69.47, 68.2

 

CMYK 54 / 73 / 0 / 6

HEX #6E42F0

RGB 110 66 240

HSL 255.17, 0.85%, 0.6%

LAB 43.51, 59.98, -80.66

 

CMYK 0 / 25 / 73 / 6

HEX #F0B340

RGB 240 179 64

HSL 39.2, 0.85%, 0.6%

LAB 76.76, 11.66, 64.24

 

CMYK 73 / 0 / 25 / 6

HEX #42F0B3

RGB 66 240 179

HSL 158.97, 0.85%, 0.6%

LAB 85.37, -57.48, 17.11

 

CMYK 25 / 73 / 0 / 6

HEX #B342F0

RGB 179 66 240

HSL 278.97, 0.85%, 0.6%

LAB 51.58, 71.37, -67.17

 

CMYK 0 / 25 / 73 / 6

HEX #F0B340

RGB 240 179 64

HSL 39.2, 0.85%, 0.6%

LAB 76.76, 11.66, 64.24

 

CMYK 62 / 0 / 73 / 6

HEX #5CF042

RGB 92 240 66

HSL 111.03, 0.85%, 0.6%

LAB 84.48, -69.47, 68.2

 

CMYK 73 / 47 / 0 / 6

HEX #427FF0

RGB 66 127 240

HSL 218.97, 0.85%, 0.6%

LAB 54.69, 18.06, -62.61

 

CMYK 11 / 73 / 0 / 6

HEX #D642F0

RGB 214 66 240

HSL 291.03, 0.85%, 0.6%

LAB 56.57, 78.07, -58.87

 

CMYK 0 / 25 / 73 / 6

HEX #F0B340

RGB 240 179 64

HSL 39.2, 0.85%, 0.6%

LAB 76.76, 11.66, 64.24

 

CMYK 73 / 0 / 62 / 6

HEX #42F05C

RGB 66 240 92

HSL 128.97, 0.85%, 0.6%

LAB 84.1, -71.92, 57.65

 

CMYK 73 / 47 / 0 / 6

HEX #427FF0

RGB 66 127 240

HSL 218.97, 0.85%, 0.6%

LAB 54.69, 18.06, -62.61

 

CMYK 0 / 73 / 11 / 6

HEX #F042D6

RGB 240 66 214

HSL 308.97, 0.85%, 0.6%

LAB 59.23, 79.42, -39.77

 

Description

Color code: HEX #F0B340 | qconv.com Color code: HEX #F0B340 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 179 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 179 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 73 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 73% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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