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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0ABC03F it is the complementary color #0F543F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0ABC03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0ABC03F shade: #F5ABBB3F, #FFBDCE3F, #FFCFE13F, #FFE1F43F and #FFF3FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0ABC03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0ABC03F shade: #F0ABC03F, #DF99AD3F, #CE879A3F, #BD75873F and #AC63743F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0ABC03F shade: #F0ADC1, #F0ADAF and #F0ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0ABC03F shade: #F0ADC1, #F0ADD4, #F0ADE6, #E9ADF0 and #D6ADF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0ABC03F shade matches the following richer shades: #F0ADC1 and #F8A5BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0ABC03F shade: #F0ADC1, #E9B4C4, #E1BCC7, #D9C4CA and #D1CCCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0ABC03F shade: #F0ADE6, #F0ADD4, #F0ADC2, #F0ADB0 and #F0BBAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0ABC03F shade: #E4668D, #EA8AA7, #F0ADC1, #F7D0DC and #FDF3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0ABC03F shade: #F0ABC0, #F0E9AD and #ADDDF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0ABC03F shade: #F0ABC0, #C2F0AD and #ADC2F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0ABC03F shade: #F0ABC0, #F0E9AD, #ADF0DB and #ADB5F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0ABC03F shade: #F0ABC0, #E4F0AD, #ADF0DB and #B9ADF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 5 / 1

HEX #F0ABC03F

RGBA 240 171 192 0.25

HSLA 341.74, 0.7%, 0.81%, 0.25

LABA 76.95, 28.28, -0.58, 0.25

 

Complementary color

CMYK 21 / 0 / 6 / 17

HEX #0F543F3F

RGBA 15 84 63 0.25

HSLA 161.74, 0.7%, 0.19%, 0.25

LABA 31.35, -26.42, 6.43, 0.25

 

CMYK 0 / 8 / 6 / 1

HEX #F5ABBB3F

RGBA 245 171 187 0.25

HSLA 347.03, 0.79%, 0.82%, 0.25

LABA 77.36, 29.33, 2.8, 0.25

 

CMYK 0 / 6 / 5 / 0

HEX #FFBDCE3F

RGBA 255 189 206 0.25

HSLA 344.55, 1%, 0.87%, 0.25

LABA 82.97, 26.17, 0.82, 0.25

 

CMYK 0 / 5 / 3 / 0

HEX #FFCFE13F

RGBA 255 207 225 0.25

HSLA 337.5, 1%, 0.91%, 0.25

LABA 87.64, 19.67, -2.48, 0.25

 

CMYK 0 / 3 / 1 / 0

HEX #FFE1F43F

RGBA 255 225 244 0.25

HSLA 322, 1%, 0.94%, 0.25

LABA 92.42, 13.45, -5.45, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 7 / 5 / 1

HEX #F0ABC03F

RGBA 240 171 192 0.25

HSLA 341.74, 0.7%, 0.81%, 0.25

LABA 76.95, 28.28, -0.58, 0.25

 

CMYK 0 / 8 / 6 / 3

HEX #DF99AD3F

RGBA 223 153 173 0.25

HSLA 342.86, 0.52%, 0.74%, 0.25

LABA 70.52, 29, 0.26, 0.25

 

CMYK 0 / 9 / 6 / 5

HEX #CE879A3F

RGBA 206 135 154 0.25

HSLA 343.94, 0.42%, 0.67%, 0.25

LABA 63.98, 29.78, 1.17, 0.25

 

CMYK 0 / 10 / 7 / 6

HEX #BD75873F

RGBA 189 117 135 0.25

HSLA 345, 0.35%, 0.6%, 0.25

LABA 57.36, 30.62, 2.19, 0.25

 

CMYK 0 / 11 / 8 / 8

HEX #AC63743F

RGBA 172 99 116 0.25

HSLA 346.03, 0.31%, 0.53%, 0.25

LABA 50.63, 31.54, 3.35, 0.25

 

CMYK 0 / 28 / 20 / 6

HEX #F0ADC1

RGB 240 173 193

HSL 342.09, 0.69%, 0.81%

LAB 77.44, 27.37, -0.42

 

CMYK 0 / 28 / 27 / 6

HEX #F0ADAF

RGB 240 173 175

HSL 358.21, 0.69%, 0.81%

LAB 76.99, 24.8, 8.73

 

CMYK 0 / 28 / 28 / 6

HEX #F0ADAD

RGB 240 173 173

HSL 0, 0.69%, 0.81%

LAB 76.94, 24.53, 9.75

 

CMYK 0 / 28 / 20 / 6

HEX #F0ADC1

RGB 240 173 193

HSL 342.09, 0.69%, 0.81%

LAB 77.44, 27.37, -0.42

 

CMYK 0 / 28 / 12 / 6

HEX #F0ADD4

RGB 240 173 212

HSL 325.07, 0.69%, 0.81%

LAB 77.97, 30.35, -9.97

 

CMYK 0 / 28 / 4 / 6

HEX #F0ADE6

RGB 240 173 230

HSL 308.96, 0.69%, 0.81%

LAB 78.53, 33.4, -18.88

 

CMYK 3 / 28 / 0 / 6

HEX #E9ADF0

RGB 233 173 240

HSL 293.73, 0.69%, 0.81%

LAB 78.17, 32.97, -24.9

 

CMYK 11 / 28 / 0 / 6

HEX #D6ADF0

RGB 214 173 240

HSL 276.72, 0.69%, 0.81%

LAB 76.36, 26.98, -27.83

 

CMYK 0 / 28 / 20 / 6

HEX #F0ADC1

RGB 240 173 193

HSL 342.09, 0.69%, 0.81%

LAB 77.44, 27.37, -0.42

 

CMYK 0 / 33 / 23 / 3

HEX #F8A5BE

RGB 248 165 190

HSL 341.93, 0.86%, 0.81%

LAB 76.43, 33.98, -0.16

 

CMYK 0 / 28 / 20 / 6

HEX #F0ADC1

RGB 240 173 193

HSL 342.09, 0.69%, 0.81%

LAB 77.44, 27.37, -0.42

 

CMYK 0 / 23 / 16 / 9

HEX #E9B4C4

RGB 233 180 196

HSL 341.89, 0.55%, 0.81%

LAB 78.43, 21.61, -0.68

 

CMYK 0 / 16 / 12 / 12

HEX #E1BCC7

RGB 225 188 199

HSL 342.16, 0.38%, 0.81%

LAB 79.67, 14.98, -0.59

 

CMYK 0 / 10 / 7 / 15

HEX #D9C4CA

RGB 217 196 202

HSL 342.86, 0.22%, 0.81%

LAB 81.01, 8.4, -0.32

 

CMYK 0 / 2 / 1 / 18

HEX #D1CCCE

RGB 209 204 206

HSL 336, 0.05%, 0.81%

LAB 82.48, 2.09, -0.39

 

CMYK 0 / 28 / 4 / 6

HEX #F0ADE6

RGB 240 173 230

HSL 308.96, 0.69%, 0.81%

LAB 78.53, 33.4, -18.88

 

CMYK 0 / 28 / 12 / 6

HEX #F0ADD4

RGB 240 173 212

HSL 325.07, 0.69%, 0.81%

LAB 77.97, 30.35, -9.97

 

CMYK 0 / 28 / 19 / 6

HEX #F0ADC2

RGB 240 173 194

HSL 341.19, 0.69%, 0.81%

LAB 77.46, 27.52, -0.93

 

CMYK 0 / 28 / 27 / 6

HEX #F0ADB0

RGB 240 173 176

HSL 357.31, 0.69%, 0.81%

LAB 77.01, 24.93, 8.22

 

CMYK 0 / 22 / 28 / 6

HEX #F0BBAD

RGB 240 187 173

HSL 12.54, 0.69%, 0.81%

LAB 80.23, 17.1, 14.41

 

CMYK 0 / 55 / 38 / 11

HEX #E4668D

RGB 228 102 141

HSL 341.43, 0.7%, 0.65%

LAB 59.82, 52.69, 2.93

 

CMYK 0 / 41 / 29 / 8

HEX #EA8AA7

RGB 234 138 167

HSL 341.88, 0.7%, 0.73%

LAB 68.36, 40, 0.61

 

CMYK 0 / 28 / 20 / 6

HEX #F0ADC1

RGB 240 173 193

HSL 342.09, 0.69%, 0.81%

LAB 77.44, 27.37, -0.42

 

CMYK 0 / 16 / 11 / 3

HEX #F7D0DC

RGB 247 208 220

HSL 341.54, 0.71%, 0.89%

LAB 87.02, 15.56, -0.82

 

CMYK 0 / 4 / 3 / 1

HEX #FDF3F6

RGB 253 243 246

HSL 342, 0.71%, 0.97%

LAB 96.67, 3.86, -0.26

 

CMYK 0 / 29 / 20 / 6

HEX #F0ABC0

RGB 240 171 192

HSL 341.74, 0.7%, 0.81%

LAB 76.95, 28.28, -0.58

 

CMYK 0 / 3 / 28 / 6

HEX #F0E9AD

RGB 240 233 173

HSL 53.73, 0.69%, 0.81%

LAB 91.6, -6.72, 30.09

 

CMYK 28 / 8 / 0 / 6

HEX #ADDDF0

RGB 173 221 240

HSL 197.01, 0.69%, 0.81%

LAB 85.45, -11.19, -14.34

 

CMYK 0 / 29 / 20 / 6

HEX #F0ABC0

RGB 240 171 192

HSL 341.74, 0.7%, 0.81%

LAB 76.95, 28.28, -0.58

 

CMYK 19 / 0 / 28 / 6

HEX #C2F0AD

RGB 194 240 173

HSL 101.19, 0.69%, 0.81%

LAB 90.23, -26.73, 27.69

 

CMYK 28 / 19 / 0 / 6

HEX #ADC2F0

RGB 173 194 240

HSL 221.19, 0.69%, 0.81%

LAB 78.32, 3.05, -25.12

 

CMYK 0 / 29 / 20 / 6

HEX #F0ABC0

RGB 240 171 192

HSL 341.74, 0.7%, 0.81%

LAB 76.95, 28.28, -0.58

 

CMYK 0 / 3 / 28 / 6

HEX #F0E9AD

RGB 240 233 173

HSL 53.73, 0.69%, 0.81%

LAB 91.6, -6.72, 30.09

 

CMYK 28 / 0 / 9 / 6

HEX #ADF0DB

RGB 173 240 219

HSL 161.19, 0.69%, 0.81%

LAB 90.01, -25.22, 3.42

 

CMYK 28 / 25 / 0 / 6

HEX #ADB5F0

RGB 173 181 240

HSL 232.84, 0.69%, 0.81%

LAB 74.97, 10.15, -30.26

 

CMYK 0 / 29 / 20 / 6

HEX #F0ABC0

RGB 240 171 192

HSL 341.74, 0.7%, 0.81%

LAB 76.95, 28.28, -0.58

 

CMYK 5 / 0 / 28 / 6

HEX #E4F0AD

RGB 228 240 173

HSL 70.75, 0.69%, 0.81%

LAB 92.5, -14.65, 31.14

 

CMYK 28 / 0 / 9 / 6

HEX #ADF0DB

RGB 173 240 219

HSL 161.19, 0.69%, 0.81%

LAB 90.01, -25.22, 3.42

 

CMYK 23 / 28 / 0 / 6

HEX #B9ADF0

RGB 185 173 240

HSL 250.75, 0.69%, 0.81%

LAB 73.86, 18.1, -31.88

 

Description

Color code: HEX #F0ABC03F | qconv.com Color code: HEX #F0ABC03F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 171 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 171 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 5 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 5% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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