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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0A91B it is the complementary color #0F56E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0A91B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0A91B shade: #F5A916, #FFBB29, #FFCD3C, #FFDF4F and #FFF162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0A91B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0A91B shade: #F0A91B, #DF9708, #CE8500, #BD7300 and #AC6100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0A91B shade: #F0A919, #F06E19, #F03419 and #F01919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0A91B shade: #F0A919, #F0E319, #C4F019, #8AF019 and #50F019

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0A91B shade matches the following richer shades: #F0A919

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0A91B shade: #F0A919, #DDA22D, #C99B40, #B59554 and #A18E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0A91B shade: #F03619, #F06F19, #F0A919, #F0E219 and #C5F019

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0A91B shade: #AC760B, #D3910D, #F0A919, #F3B740 and #F5C666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0A91B shade: #F0A91B, #36F019 and #5219F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0A91B shade: #F0A91B, #19F0A9 and #A919F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0A91B shade: #F0A91B, #36F019, #1961F0 and #D419F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0A91B shade: #F0A91B, #19F03D, #1961F0 and #F019CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 89 / 6

HEX #F0A91B

RGB 240 169 27

HSL 40, 0.88%, 0.52%

LAB 74.18, 15.79, 73.67

 

Complementary color

CMYK 93 / 62 / 0 / 11

HEX #0F56E4

RGB 15 86 228

HSL 220, 0.88%, 0.48%

LAB 41.78, 35.55, -76.9

 

CMYK 0 / 31 / 91 / 4

HEX #F5A916

RGB 245 169 22

HSL 39.55, 0.92%, 0.52%

LAB 74.73, 17.84, 75.35

 

CMYK 0 / 27 / 84 / 0

HEX #FFBB29

RGB 255 187 41

HSL 40.93, 1%, 0.58%

LAB 80.16, 13.04, 75.67

 

CMYK 0 / 20 / 76 / 0

HEX #FFCD3C

RGB 255 205 60

HSL 44.62, 1%, 0.62%

LAB 84.61, 4.32, 73.73

 

CMYK 0 / 13 / 69 / 0

HEX #FFDF4F

RGB 255 223 79

HSL 49.09, 1%, 0.65%

LAB 89.21, -4.01, 71.3

 

CMYK 0 / 5 / 62 / 0

HEX #FFF162

RGB 255 241 98

HSL 54.65, 1%, 0.69%

LAB 93.91, -11.9, 68.64

 

CMYK 0 / 30 / 89 / 6

HEX #F0A91B

RGB 240 169 27

HSL 40, 0.88%, 0.52%

LAB 74.18, 15.79, 73.67

 

CMYK 0 / 32 / 96 / 13

HEX #DF9708

RGB 223 151 8

HSL 39.91, 0.93%, 0.45%

LAB 67.9, 17.8, 71.43

 

CMYK 0 / 35 / 100 / 19

HEX #CE8500

RGB 206 133 0

HSL 38.74, 1%, 0.4%

LAB 61.57, 20.05, 67.32

 

CMYK 0 / 39 / 100 / 26

HEX #BD7300

RGB 189 115 0

HSL 36.51, 1%, 0.37%

LAB 55.15, 22.46, 62.1

 

CMYK 0 / 44 / 100 / 33

HEX #AC6100

RGB 172 97 0

HSL 33.84, 1%, 0.34%

LAB 48.66, 24.94, 56.84

 

CMYK 0 / 30 / 90 / 6

HEX #F0A919

RGB 240 169 25

HSL 40.19, 0.88%, 0.52%

LAB 74.17, 15.76, 74.09

 

CMYK 0 / 54 / 90 / 6

HEX #F06E19

RGB 240 110 25

HSL 23.72, 0.88%, 0.52%

LAB 61.44, 46.11, 64.54

 

CMYK 0 / 78 / 90 / 6

HEX #F03419

RGB 240 52 25

HSL 7.53, 0.88%, 0.52%

LAB 53.01, 68.75, 58.47

 

CMYK 0 / 90 / 90 / 6

HEX #F01919

RGB 240 25 25

HSL 0, 0.88%, 0.52%

LAB 51.03, 74.39, 57.08

 

CMYK 0 / 30 / 90 / 6

HEX #F0A919

RGB 240 169 25

HSL 40.19, 0.88%, 0.52%

LAB 74.17, 15.76, 74.09

 

CMYK 0 / 5 / 90 / 6

HEX #F0E319

RGB 240 227 25

HSL 56.37, 0.88%, 0.52%

LAB 88.7, -14.02, 85.27

 

CMYK 18 / 0 / 90 / 6

HEX #C4F019

RGB 196 240 25

HSL 72.28, 0.88%, 0.52%

LAB 88.98, -38.14, 84.12

 

CMYK 43 / 0 / 90 / 6

HEX #8AF019

RGB 138 240 25

HSL 88.47, 0.88%, 0.52%

LAB 85.9, -58.95, 80.34

 

CMYK 67 / 0 / 90 / 6

HEX #50F019

RGB 80 240 25

HSL 104.65, 0.88%, 0.52%

LAB 84.02, -73.94, 78

 

CMYK 0 / 30 / 90 / 6

HEX #F0A919

RGB 240 169 25

HSL 40.19, 0.88%, 0.52%

LAB 74.17, 15.76, 74.09

 

CMYK 0 / 30 / 90 / 6

HEX #F0A919

RGB 240 169 25

HSL 40.19, 0.88%, 0.52%

LAB 74.17, 15.76, 74.09

 

CMYK 0 / 27 / 80 / 13

HEX #DDA22D

RGB 221 162 45

HSL 39.89, 0.72%, 0.52%

LAB 70.46, 11.81, 64.62

 

CMYK 0 / 23 / 68 / 21

HEX #C99B40

RGB 201 155 64

HSL 39.85, 0.56%, 0.52%

LAB 66.7, 7.76, 52.62

 

CMYK 0 / 18 / 54 / 29

HEX #B59554

RGB 181 149 84

HSL 40.21, 0.4%, 0.52%

LAB 63.31, 3.81, 38.51

 

CMYK 0 / 12 / 35 / 37

HEX #A18E68

RGB 161 142 104

HSL 40, 0.23%, 0.52%

LAB 59.82, 1.35, 22.88

 

CMYK 0 / 78 / 90 / 6

HEX #F03619

RGB 240 54 25

HSL 8.09, 0.88%, 0.52%

LAB 53.2, 68.2, 58.61

 

CMYK 0 / 54 / 90 / 6

HEX #F06F19

RGB 240 111 25

HSL 24, 0.88%, 0.52%

LAB 61.62, 45.63, 64.68

 

CMYK 0 / 30 / 90 / 6

HEX #F0A919

RGB 240 169 25

HSL 40.19, 0.88%, 0.52%

LAB 74.17, 15.76, 74.09

 

CMYK 0 / 6 / 90 / 6

HEX #F0E219

RGB 240 226 25

HSL 56.09, 0.88%, 0.52%

LAB 88.44, -13.52, 85.07

 

CMYK 18 / 0 / 90 / 6

HEX #C5F019

RGB 197 240 25

HSL 72, 0.88%, 0.52%

LAB 89.05, -37.74, 84.2

 

CMYK 0 / 31 / 94 / 33

HEX #AC760B

RGB 172 118 11

HSL 39.88, 0.88%, 0.36%

LAB 53.76, 13.35, 58.09

 

CMYK 0 / 31 / 94 / 17

HEX #D3910D

RGB 211 145 13

HSL 40, 0.88%, 0.44%

LAB 65.06, 15.87, 68.08

 

CMYK 0 / 30 / 90 / 6

HEX #F0A919

RGB 240 169 25

HSL 40.19, 0.88%, 0.52%

LAB 74.17, 15.76, 74.09

 

CMYK 0 / 25 / 74 / 5

HEX #F3B740

RGB 243 183 64

HSL 39.89, 0.88%, 0.6%

LAB 78.05, 10.83, 65.61

 

CMYK 0 / 19 / 58 / 4

HEX #F5C666

RGB 245 198 102

HSL 40.28, 0.88%, 0.68%

LAB 82.25, 6.02, 53.62

 

CMYK 0 / 30 / 89 / 6

HEX #F0A91B

RGB 240 169 27

HSL 40, 0.88%, 0.52%

LAB 74.18, 15.79, 73.67

 

CMYK 78 / 0 / 90 / 6

HEX #36F019

RGB 54 240 25

HSL 111.91, 0.88%, 0.52%

LAB 83.53, -78.11, 77.4

 

CMYK 66 / 90 / 0 / 6

HEX #5219F0

RGB 82 25 240

HSL 255.91, 0.88%, 0.52%

LAB 35.56, 72.94, -93.88

 

CMYK 0 / 30 / 89 / 6

HEX #F0A91B

RGB 240 169 27

HSL 40, 0.88%, 0.52%

LAB 74.18, 15.79, 73.67

 

CMYK 90 / 0 / 30 / 6

HEX #19F0A9

RGB 25 240 169

HSL 160.19, 0.88%, 0.52%

LAB 84.69, -63.33, 21.26

 

CMYK 30 / 90 / 0 / 6

HEX #A919F0

RGB 169 25 240

HSL 280.19, 0.88%, 0.52%

LAB 46.21, 81.28, -75.96

 

CMYK 0 / 30 / 89 / 6

HEX #F0A91B

RGB 240 169 27

HSL 40, 0.88%, 0.52%

LAB 74.18, 15.79, 73.67

 

CMYK 78 / 0 / 90 / 6

HEX #36F019

RGB 54 240 25

HSL 111.91, 0.88%, 0.52%

LAB 83.53, -78.11, 77.4

 

CMYK 90 / 60 / 0 / 6

HEX #1961F0

RGB 25 97 240

HSL 219.91, 0.88%, 0.52%

LAB 45.7, 33.44, -77.25

 

CMYK 12 / 90 / 0 / 6

HEX #D419F0

RGB 212 25 240

HSL 292.19, 0.88%, 0.52%

LAB 52.93, 87.39, -64.74

 

CMYK 0 / 30 / 89 / 6

HEX #F0A91B

RGB 240 169 27

HSL 40, 0.88%, 0.52%

LAB 74.18, 15.79, 73.67

 

CMYK 90 / 0 / 75 / 6

HEX #19F03D

RGB 25 240 61

HSL 130.05, 0.88%, 0.52%

LAB 83.37, -79.03, 68.4

 

CMYK 90 / 60 / 0 / 6

HEX #1961F0

RGB 25 97 240

HSL 219.91, 0.88%, 0.52%

LAB 45.7, 33.44, -77.25

 

CMYK 0 / 90 / 15 / 6

HEX #F019CC

RGB 240 25 204

HSL 310.05, 0.88%, 0.52%

LAB 55.66, 87, -39.67

 

Description

Color code: HEX #F0A91B | qconv.com Color code: HEX #F0A91B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 169 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 169 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 89 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 89% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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