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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0A89B it is the complementary color #0F5764. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0A89B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0A89B shade: #F5A896, #FFBAA9, #FFCCBC, #FFDECF and #FFF0E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0A89B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0A89B shade: #F0A89B, #DF9688, #CE8475, #BD7262 and #AC604F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0A89B shade: #F0A699 and #F09999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0A89B shade: #F0A699, #F0BE99, #F0D599, #F0EC99 and #DCF099

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0A89B shade matches the following richer shades: #F0A699 and #F9A08F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0A89B shade: #F0A699, #E6ADA2, #DDB3AC, #D3BAB5 and #CAC1BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0A89B shade: #F099BA, #F099A3, #F0A699, #F0BD99 and #F0D499

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0A89B shade: #E56851, #EA8775, #F0A699, #F5C5BD and #FAE5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0A89B shade: #F0A89B, #D1F099 and #99AFF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0A89B shade: #F0A89B, #99F0A6 and #A699F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0A89B shade: #F0A89B, #D1F099, #99E3F0 and #B799F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0A89B shade: #F0A89B, #B7F099, #99E3F0 and #D199F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 35 / 6

HEX #F0A89B

RGB 240 168 155

HSL 9.18, 0.74%, 0.77%

LAB 75.39, 24.89, 17.37

 

Complementary color

CMYK 85 / 13 / 0 / 61

HEX #0F5764

RGB 15 87 100

HSL 189.18, 0.74%, 0.23%

LAB 33.64, -15.94, -13.54

 

CMYK 0 / 31 / 39 / 4

HEX #F5A896

RGB 245 168 150

HSL 11.37, 0.83%, 0.77%

LAB 75.84, 26.21, 20.79

 

CMYK 0 / 27 / 34 / 0

HEX #FFBAA9

RGB 255 186 169

HSL 11.86, 1%, 0.83%

LAB 81.42, 22.74, 18.45

 

CMYK 0 / 20 / 26 / 0

HEX #FFCCBC

RGB 255 204 188

HSL 14.33, 1%, 0.87%

LAB 86.04, 15.76, 14.82

 

CMYK 0 / 13 / 19 / 0

HEX #FFDECF

RGB 255 222 207

HSL 18.75, 1%, 0.91%

LAB 90.78, 9.09, 11.54

 

CMYK 0 / 6 / 11 / 0

HEX #FFF0E2

RGB 255 240 226

HSL 28.97, 1%, 0.94%

LAB 95.61, 2.76, 8.56

 

CMYK 0 / 30 / 35 / 6

HEX #F0A89B

RGB 240 168 155

HSL 9.18, 0.74%, 0.77%

LAB 75.39, 24.89, 17.37

 

CMYK 0 / 33 / 39 / 13

HEX #DF9688

RGB 223 150 136

HSL 9.66, 0.58%, 0.7%

LAB 68.95, 25.77, 18.59

 

CMYK 0 / 36 / 43 / 19

HEX #CE8475

RGB 206 132 117

HSL 10.11, 0.48%, 0.63%

LAB 62.43, 26.74, 19.95

 

CMYK 0 / 40 / 48 / 26

HEX #BD7262

RGB 189 114 98

HSL 10.55, 0.41%, 0.56%

LAB 55.82, 27.83, 21.47

 

CMYK 0 / 44 / 54 / 33

HEX #AC604F

RGB 172 96 79

HSL 10.97, 0.37%, 0.49%

LAB 49.13, 29.06, 23.21

 

CMYK 0 / 31 / 36 / 6

HEX #F0A699

RGB 240 166 153

HSL 8.97, 0.74%, 0.77%

LAB 74.89, 25.71, 17.76

 

CMYK 0 / 36 / 36 / 6

HEX #F09999

RGB 240 153 153

HSL 0, 0.74%, 0.77%

LAB 71.97, 32.58, 13.68

 

CMYK 0 / 31 / 36 / 6

HEX #F0A699

RGB 240 166 153

HSL 8.97, 0.74%, 0.77%

LAB 74.89, 25.71, 17.76

 

CMYK 0 / 21 / 36 / 6

HEX #F0BE99

RGB 240 190 153

HSL 25.52, 0.74%, 0.77%

LAB 80.54, 13.01, 25.53

 

CMYK 0 / 11 / 36 / 6

HEX #F0D599

RGB 240 213 153

HSL 41.38, 0.74%, 0.77%

LAB 86.21, 1.02, 33.12

 

CMYK 0 / 2 / 36 / 6

HEX #F0EC99

RGB 240 236 153

HSL 57.24, 0.74%, 0.77%

LAB 92.05, -10.61, 40.75

 

CMYK 8 / 0 / 36 / 6

HEX #DCF099

RGB 220 240 153

HSL 73.79, 0.74%, 0.77%

LAB 91.61, -20.13, 39.9

 

CMYK 0 / 31 / 36 / 6

HEX #F0A699

RGB 240 166 153

HSL 8.97, 0.74%, 0.77%

LAB 74.89, 25.71, 17.76

 

CMYK 0 / 36 / 43 / 2

HEX #F9A08F

RGB 249 160 143

HSL 9.62, 0.9%, 0.77%

LAB 74.36, 31.17, 22.64

 

CMYK 0 / 31 / 36 / 6

HEX #F0A699

RGB 240 166 153

HSL 8.97, 0.74%, 0.77%

LAB 74.89, 25.71, 17.76

 

CMYK 0 / 25 / 30 / 10

HEX #E6ADA2

RGB 230 173 162

HSL 9.71, 0.58%, 0.77%

LAB 75.65, 19.33, 13.77

 

CMYK 0 / 19 / 22 / 13

HEX #DDB3AC

RGB 221 179 172

HSL 8.57, 0.42%, 0.77%

LAB 76.43, 14.13, 9.31

 

CMYK 0 / 12 / 14 / 17

HEX #D3BAB5

RGB 211 186 181

HSL 10, 0.25%, 0.77%

LAB 77.46, 8.08, 5.79

 

CMYK 0 / 4 / 5 / 21

HEX #CAC1BF

RGB 202 193 191

HSL 10.91, 0.09%, 0.77%

LAB 78.73, 2.8, 2.12

 

CMYK 0 / 36 / 23 / 6

HEX #F099BA

RGB 240 153 186

HSL 337.24, 0.74%, 0.77%

LAB 72.79, 36.9, -3.39

 

CMYK 0 / 36 / 32 / 6

HEX #F099A3

RGB 240 153 163

HSL 353.1, 0.74%, 0.77%

LAB 72.2, 33.8, 8.48

 

CMYK 0 / 31 / 36 / 6

HEX #F0A699

RGB 240 166 153

HSL 8.97, 0.74%, 0.77%

LAB 74.89, 25.71, 17.76

 

CMYK 0 / 21 / 36 / 6

HEX #F0BD99

RGB 240 189 153

HSL 24.83, 0.74%, 0.77%

LAB 80.3, 13.54, 25.2

 

CMYK 0 / 12 / 36 / 6

HEX #F0D499

RGB 240 212 153

HSL 40.69, 0.74%, 0.77%

LAB 85.96, 1.54, 32.79

 

CMYK 0 / 55 / 65 / 10

HEX #E56851

RGB 229 104 81

HSL 9.32, 0.74%, 0.61%

LAB 59.12, 46.97, 36.41

 

CMYK 0 / 42 / 50 / 8

HEX #EA8775

RGB 234 135 117

HSL 9.23, 0.74%, 0.69%

LAB 66.6, 35.98, 26.16

 

CMYK 0 / 31 / 36 / 6

HEX #F0A699

RGB 240 166 153

HSL 8.97, 0.74%, 0.77%

LAB 74.89, 25.71, 17.76

 

CMYK 0 / 20 / 23 / 4

HEX #F5C5BD

RGB 245 197 189

HSL 8.57, 0.74%, 0.85%

LAB 83.45, 15.89, 10.48

 

CMYK 0 / 8 / 10 / 2

HEX #FAE5E1

RGB 250 229 225

HSL 9.6, 0.71%, 0.93%

LAB 92.49, 6.5, 4.53

 

CMYK 0 / 30 / 35 / 6

HEX #F0A89B

RGB 240 168 155

HSL 9.18, 0.74%, 0.77%

LAB 75.39, 24.89, 17.37

 

CMYK 13 / 0 / 36 / 6

HEX #D1F099

RGB 209 240 153

HSL 81.38, 0.74%, 0.77%

LAB 90.86, -24.18, 38.77

 

CMYK 36 / 27 / 0 / 6

HEX #99AFF0

RGB 153 175 240

HSL 224.83, 0.74%, 0.77%

LAB 72.04, 7.86, -34.88

 

CMYK 0 / 30 / 35 / 6

HEX #F0A89B

RGB 240 168 155

HSL 9.18, 0.74%, 0.77%

LAB 75.39, 24.89, 17.37

 

CMYK 36 / 0 / 31 / 6

HEX #99F0A6

RGB 153 240 166

HSL 128.97, 0.74%, 0.77%

LAB 87.89, -41.04, 27.71

 

CMYK 31 / 36 / 0 / 6

HEX #A699F0

RGB 166 153 240

HSL 248.97, 0.74%, 0.77%

LAB 67.41, 23.84, -42.03

 

CMYK 0 / 30 / 35 / 6

HEX #F0A89B

RGB 240 168 155

HSL 9.18, 0.74%, 0.77%

LAB 75.39, 24.89, 17.37

 

CMYK 13 / 0 / 36 / 6

HEX #D1F099

RGB 209 240 153

HSL 81.38, 0.74%, 0.77%

LAB 90.86, -24.18, 38.77

 

CMYK 36 / 5 / 0 / 6

HEX #99E3F0

RGB 153 227 240

HSL 188.97, 0.74%, 0.77%

LAB 86.01, -19.69, -13.61

 

CMYK 24 / 36 / 0 / 6

HEX #B799F0

RGB 183 153 240

HSL 260.69, 0.74%, 0.77%

LAB 68.85, 28.65, -39.67

 

CMYK 0 / 30 / 35 / 6

HEX #F0A89B

RGB 240 168 155

HSL 9.18, 0.74%, 0.77%

LAB 75.39, 24.89, 17.37

 

CMYK 24 / 0 / 36 / 6

HEX #B7F099

RGB 183 240 153

HSL 99.31, 0.74%, 0.77%

LAB 89.25, -33.39, 36.36

 

CMYK 36 / 5 / 0 / 6

HEX #99E3F0

RGB 153 227 240

HSL 188.97, 0.74%, 0.77%

LAB 86.01, -19.69, -13.61

 

CMYK 13 / 36 / 0 / 6

HEX #D199F0

RGB 209 153 240

HSL 278.62, 0.74%, 0.77%

LAB 71.3, 36.31, -35.67

 

Description

Color code: HEX #F0A89B | qconv.com Color code: HEX #F0A89B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 168 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 168 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 35 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 35% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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