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Color name
HEX #F0A72E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0A72E it is the complementary color #0F58D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0A72E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0A72E shade: #F5A729, #FFB93C, #FFCB4F, #FFDD62 and #FFEF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0A72E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0A72E shade: #F0A72E, #DF951B, #CE8308, #BD7100 and #AC5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0A72E shade: #F0A72D, #F0722D, #F03E2D and #F02D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0A72E shade: #F0A72D, #F0DC2D, #D1F02D, #9CF02D and #67F02D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0A72E shade matches the following richer shades: #F0A72D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0A72E shade: #F0A72D, #DEA23F, #CC9E51, #BA9964 and #A89576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0A72E shade: #F03D2D, #F0722D, #F0A62D, #F0DA2D and #D3F02D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0A72E shade: #BE7B0D, #E49410, #F0A72D, #F3B754 and #F6C77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0A72E shade: #F0A72E, #51F02D and #572DF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0A72E shade: #F0A72E, #2DF0A6 and #A62DF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0A72E shade: #F0A72E, #51F02D, #2D78F0 and #CD2DF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0A72E shade: #F0A72E, #2DF044, #2D78F0 and #F02DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 81 / 6

HEX #F0A72E

RGB 240 167 46

HSL 37.42, 0.87%, 0.56%

LAB 73.78, 17.31, 68.04

 

Complementary color

CMYK 93 / 58 / 0 / 18

HEX #0F58D1

RGB 15 88 209

HSL 217.42, 0.87%, 0.44%

LAB 40.71, 26.93, -67.79

 

CMYK 0 / 32 / 83 / 4

HEX #F5A729

RGB 245 167 41

HSL 37.06, 0.91%, 0.56%

LAB 74.32, 19.28, 70.33

 

CMYK 0 / 27 / 76 / 0

HEX #FFB93C

RGB 255 185 60

HSL 38.46, 1%, 0.62%

LAB 79.78, 14.67, 69.22

 

CMYK 0 / 20 / 69 / 0

HEX #FFCB4F

RGB 255 203 79

HSL 42.27, 1%, 0.65%

LAB 84.24, 6.17, 66.25

 

CMYK 0 / 13 / 62 / 0

HEX #FFDD62

RGB 255 221 98

HSL 47.01, 1%, 0.69%

LAB 88.85, -1.93, 63.14

 

CMYK 0 / 6 / 54 / 0

HEX #FFEF75

RGB 255 239 117

HSL 53.04, 1%, 0.73%

LAB 93.57, -9.6, 60.05

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72E

RGB 240 167 46

HSL 37.42, 0.87%, 0.56%

LAB 73.78, 17.31, 68.04

 

CMYK 0 / 33 / 88 / 13

HEX #DF951B

RGB 223 149 27

HSL 37.35, 0.78%, 0.49%

LAB 67.47, 19.15, 67.61

 

CMYK 0 / 36 / 96 / 19

HEX #CE8308

RGB 206 131 8

HSL 37.27, 0.93%, 0.42%

LAB 61.11, 21.22, 65.76

 

CMYK 0 / 40 / 100 / 26

HEX #BD7100

RGB 189 113 0

HSL 35.87, 1%, 0.37%

LAB 54.69, 23.55, 61.8

 

CMYK 0 / 45 / 100 / 33

HEX #AC5F00

RGB 172 95 0

HSL 33.14, 1%, 0.34%

LAB 48.2, 26.04, 56.55

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72D

RGB 240 167 45

HSL 37.54, 0.87%, 0.56%

LAB 73.77, 17.28, 68.37

 

CMYK 0 / 53 / 81 / 6

HEX #F0722D

RGB 240 114 45

HSL 21.23, 0.87%, 0.56%

LAB 62.3, 44.64, 58.12

 

CMYK 0 / 74 / 81 / 6

HEX #F03E2D

RGB 240 62 45

HSL 5.23, 0.87%, 0.56%

LAB 54.2, 66.2, 50.62

 

CMYK 0 / 81 / 81 / 6

HEX #F02D2D

RGB 240 45 45

HSL 0, 0.87%, 0.56%

LAB 52.5, 70.96, 49.01

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72D

RGB 240 167 45

HSL 37.54, 0.87%, 0.56%

LAB 73.77, 17.28, 68.37

 

CMYK 0 / 8 / 81 / 6

HEX #F0DC2D

RGB 240 220 45

HSL 53.85, 0.87%, 0.56%

LAB 86.95, -10.11, 79.76

 

CMYK 13 / 0 / 81 / 6

HEX #D1F02D

RGB 209 240 45

HSL 69.54, 0.87%, 0.56%

LAB 89.89, -32.5, 81.36

 

CMYK 35 / 0 / 81 / 6

HEX #9CF02D

RGB 156 240 45

HSL 85.85, 0.87%, 0.56%

LAB 86.79, -52.37, 77.44

 

CMYK 57 / 0 / 81 / 6

HEX #67F02D

RGB 103 240 45

HSL 102.15, 0.87%, 0.56%

LAB 84.69, -68.16, 74.76

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72D

RGB 240 167 45

HSL 37.54, 0.87%, 0.56%

LAB 73.77, 17.28, 68.37

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72D

RGB 240 167 45

HSL 37.54, 0.87%, 0.56%

LAB 73.77, 17.28, 68.37

 

CMYK 0 / 27 / 72 / 13

HEX #DEA23F

RGB 222 162 63

HSL 37.36, 0.71%, 0.56%

LAB 70.68, 12.98, 57.91

 

CMYK 0 / 23 / 60 / 20

HEX #CC9E51

RGB 204 158 81

HSL 37.56, 0.55%, 0.56%

LAB 67.94, 8.52, 46.08

 

CMYK 0 / 18 / 46 / 27

HEX #BA9964

RGB 186 153 100

HSL 36.98, 0.38%, 0.56%

LAB 65.07, 5.27, 32.39

 

CMYK 0 / 11 / 30 / 34

HEX #A89576

RGB 168 149 118

HSL 37.2, 0.22%, 0.56%

LAB 62.62, 2.2, 18.98

 

CMYK 0 / 75 / 81 / 6

HEX #F03D2D

RGB 240 61 45

HSL 4.92, 0.87%, 0.56%

LAB 54.08, 66.51, 50.51

 

CMYK 0 / 53 / 81 / 6

HEX #F0722D

RGB 240 114 45

HSL 21.23, 0.87%, 0.56%

LAB 62.3, 44.64, 58.12

 

CMYK 0 / 31 / 81 / 6

HEX #F0A62D

RGB 240 166 45

HSL 37.23, 0.87%, 0.56%

LAB 73.54, 17.81, 68.16

 

CMYK 0 / 9 / 81 / 6

HEX #F0DA2D

RGB 240 218 45

HSL 53.23, 0.87%, 0.56%

LAB 86.43, -9.11, 79.32

 

CMYK 12 / 0 / 81 / 6

HEX #D3F02D

RGB 211 240 45

HSL 68.92, 0.87%, 0.56%

LAB 90.03, -31.7, 81.53

 

CMYK 0 / 35 / 93 / 25

HEX #BE7B0D

RGB 190 123 13

HSL 37.29, 0.87%, 0.4%

LAB 57.21, 18.66, 61.23

 

CMYK 0 / 35 / 93 / 11

HEX #E49410

RGB 228 148 16

HSL 37.36, 0.87%, 0.48%

LAB 67.81, 21.64, 70.47

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72D

RGB 240 167 45

HSL 37.54, 0.87%, 0.56%

LAB 73.77, 17.28, 68.37

 

CMYK 0 / 25 / 65 / 5

HEX #F3B754

RGB 243 183 84

HSL 37.36, 0.87%, 0.64%

LAB 78.21, 11.85, 57.32

 

CMYK 0 / 19 / 50 / 4

HEX #F6C77A

RGB 246 199 122

HSL 37.26, 0.87%, 0.72%

LAB 82.83, 7.5, 44.62

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72E

RGB 240 167 46

HSL 37.42, 0.87%, 0.56%

LAB 73.78, 17.31, 68.04

 

CMYK 66 / 0 / 81 / 6

HEX #51F02D

RGB 81 240 45

HSL 108.92, 0.87%, 0.56%

LAB 84.1, -72.99, 74

 

CMYK 64 / 81 / 0 / 6

HEX #572DF0

RGB 87 45 240

HSL 252.92, 0.87%, 0.56%

LAB 38.19, 66.75, -89.5

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72E

RGB 240 167 46

HSL 37.42, 0.87%, 0.56%

LAB 73.78, 17.31, 68.04

 

CMYK 81 / 0 / 31 / 6

HEX #2DF0A6

RGB 45 240 166

HSL 157.23, 0.87%, 0.56%

LAB 84.81, -62.57, 23

 

CMYK 31 / 81 / 0 / 6

HEX #A62DF0

RGB 166 45 240

HSL 277.23, 0.87%, 0.56%

LAB 47.33, 76.26, -74.14

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72E

RGB 240 167 46

HSL 37.42, 0.87%, 0.56%

LAB 73.78, 17.31, 68.04

 

CMYK 66 / 0 / 81 / 6

HEX #51F02D

RGB 81 240 45

HSL 108.92, 0.87%, 0.56%

LAB 84.1, -72.99, 74

 

CMYK 81 / 50 / 0 / 6

HEX #2D78F0

RGB 45 120 240

HSL 216.92, 0.87%, 0.56%

LAB 52.15, 20.17, -66.73

 

CMYK 15 / 81 / 0 / 6

HEX #CD2DF0

RGB 205 45 240

HSL 289.23, 0.87%, 0.56%

LAB 53.11, 82.48, -64.5

 

CMYK 0 / 30 / 81 / 6

HEX #F0A72E

RGB 240 167 46

HSL 37.42, 0.87%, 0.56%

LAB 73.78, 17.31, 68.04

 

CMYK 81 / 0 / 72 / 6

HEX #2DF044

RGB 45 240 68

HSL 127.08, 0.87%, 0.56%

LAB 83.6, -76.87, 66.33

 

CMYK 81 / 50 / 0 / 6

HEX #2D78F0

RGB 45 120 240

HSL 216.92, 0.87%, 0.56%

LAB 52.15, 20.17, -66.73

 

CMYK 0 / 81 / 9 / 6

HEX #F02DDA

RGB 240 45 218

HSL 306.77, 0.87%, 0.56%

LAB 57.52, 85.44, -44.72

 

Description

Color code: HEX #F0A72E | qconv.com Color code: HEX #F0A72E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 167 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 167 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 81 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 81% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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