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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F09D9F it is the complementary color #0F6260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F09D9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F09D9F shade: #F59D9A, #FFAFAD, #FFC1C0, #FFD3D3 and #FFE5E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F09D9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F09D9F shade: #F09D9F, #DF8B8C, #CE7979, #BD6766 and #AC5553

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F09D9F shade: #EF9D9F and #EF9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F09D9F shade: #EF9D9F, #EF9DB6, #EF9DCC, #EF9DE2 and #E79DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F09D9F shade matches the following richer shades: #EF9D9F and #F89497

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F09D9F shade: #EF9D9F, #E6A7A8, #DDB0B1, #D4B9B9 and #CBC2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F09D9F shade: #EF9DCC, #EF9DB6, #EF9DA0, #EFB19D and #EFC69D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F09D9F shade: #E4565A, #EA7A7C, #EF9D9F, #F5C1C2 and #FAE5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F09D9F shade: #F09D9F, #E2EF9D and #9DC1EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F09D9F shade: #F09D9F, #A0EF9D and #9DA0EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F09D9F shade: #F09D9F, #E2EF9D, #9DEFED and #AB9DEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F09D9F shade: #F09D9F, #C9EF9D, #9DEFED and #C49DEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 34 / 6

HEX #F09D9F

RGB 240 157 159

HSL 358.55, 0.73%, 0.78%

LAB 72.99, 31.2, 11.81

 

Complementary color

CMYK 85 / 0 / 2 / 62

HEX #0F6260

RGB 15 98 96

HSL 178.55, 0.73%, 0.22%

LAB 37.26, -23.29, -5.58

 

CMYK 0 / 36 / 37 / 4

HEX #F59D9A

RGB 245 157 154

HSL 1.98, 0.82%, 0.78%

LAB 73.45, 32.45, 15.3

 

CMYK 0 / 31 / 32 / 0

HEX #FFAFAD

RGB 255 175 173

HSL 1.46, 1%, 0.84%

LAB 79.01, 29, 12.91

 

CMYK 0 / 24 / 25 / 0

HEX #FFC1C0

RGB 255 193 192

HSL 0.95, 1%, 0.88%

LAB 83.55, 22.06, 9.15

 

CMYK 0 / 17 / 17 / 0

HEX #FFD3D3

RGB 255 211 211

HSL 0, 1%, 0.91%

LAB 88.23, 15.39, 5.78

 

CMYK 0 / 10 / 10 / 0

HEX #FFE5E6

RGB 255 229 230

HSL 357.69, 1%, 0.95%

LAB 93.02, 9.04, 2.75

 

CMYK 0 / 35 / 34 / 6

HEX #F09D9F

RGB 240 157 159

HSL 358.55, 0.73%, 0.78%

LAB 72.99, 31.2, 11.81

 

CMYK 0 / 38 / 37 / 13

HEX #DF8B8C

RGB 223 139 140

HSL 359.29, 0.57%, 0.71%

LAB 66.56, 32.11, 13.03

 

CMYK 0 / 41 / 41 / 19

HEX #CE7979

RGB 206 121 121

HSL 0, 0.46%, 0.64%

LAB 60.05, 33.1, 14.39

 

CMYK 0 / 46 / 46 / 26

HEX #BD6766

RGB 189 103 102

HSL 0.69, 0.4%, 0.57%

LAB 53.47, 34.18, 15.96

 

CMYK 0 / 51 / 52 / 33

HEX #AC5553

RGB 172 85 83

HSL 1.35, 0.35%, 0.5%

LAB 46.83, 35.34, 17.79

 

CMYK 0 / 34 / 33 / 6

HEX #EF9D9F

RGB 239 157 159

HSL 358.54, 0.72%, 0.78%

LAB 72.87, 30.83, 11.63

 

CMYK 0 / 34 / 34 / 6

HEX #EF9D9D

RGB 239 157 157

HSL 0, 0.72%, 0.78%

LAB 72.83, 30.58, 12.67

 

CMYK 0 / 34 / 33 / 6

HEX #EF9D9F

RGB 239 157 159

HSL 358.54, 0.72%, 0.78%

LAB 72.87, 30.83, 11.63

 

CMYK 0 / 34 / 24 / 6

HEX #EF9DB6

RGB 239 157 182

HSL 341.71, 0.72%, 0.78%

LAB 73.44, 33.88, -0.24

 

CMYK 0 / 34 / 15 / 6

HEX #EF9DCC

RGB 239 157 204

HSL 325.61, 0.72%, 0.78%

LAB 74.08, 37.18, -11.42

 

CMYK 0 / 34 / 5 / 6

HEX #EF9DE2

RGB 239 157 226

HSL 309.51, 0.72%, 0.78%

LAB 74.8, 40.82, -22.39

 

CMYK 3 / 34 / 0 / 6

HEX #E79DEF

RGB 231 157 239

HSL 294.15, 0.72%, 0.78%

LAB 74.4, 40.65, -30.15

 

CMYK 0 / 34 / 33 / 6

HEX #EF9D9F

RGB 239 157 159

HSL 358.54, 0.72%, 0.78%

LAB 72.87, 30.83, 11.63

 

CMYK 0 / 40 / 39 / 3

HEX #F89497

RGB 248 148 151

HSL 358.2, 0.88%, 0.78%

LAB 71.81, 37.9, 14.7

 

CMYK 0 / 34 / 33 / 6

HEX #EF9D9F

RGB 239 157 159

HSL 358.54, 0.72%, 0.78%

LAB 72.87, 30.83, 11.63

 

CMYK 0 / 27 / 27 / 10

HEX #E6A7A8

RGB 230 167 168

HSL 359.05, 0.56%, 0.78%

LAB 74.37, 23.34, 8.68

 

CMYK 0 / 20 / 20 / 13

HEX #DDB0B1

RGB 221 176 177

HSL 358.67, 0.4%, 0.78%

LAB 75.82, 16.49, 5.72

 

CMYK 0 / 13 / 13 / 17

HEX #D4B9B9

RGB 212 185 185

HSL 0, 0.24%, 0.78%

LAB 77.4, 9.63, 3.54

 

CMYK 0 / 4 / 4 / 20

HEX #CBC2C2

RGB 203 194 194

HSL 0, 0.08%, 0.78%

LAB 79.14, 3.14, 1.11

 

CMYK 0 / 34 / 15 / 6

HEX #EF9DCC

RGB 239 157 204

HSL 325.61, 0.72%, 0.78%

LAB 74.08, 37.18, -11.42

 

CMYK 0 / 34 / 24 / 6

HEX #EF9DB6

RGB 239 157 182

HSL 341.71, 0.72%, 0.78%

LAB 73.44, 33.88, -0.24

 

CMYK 0 / 34 / 33 / 6

HEX #EF9DA0

RGB 239 157 160

HSL 357.8, 0.72%, 0.78%

LAB 72.89, 30.95, 11.11

 

CMYK 0 / 26 / 34 / 6

HEX #EFB19D

RGB 239 177 157

HSL 14.63, 0.72%, 0.78%

LAB 77.42, 19.98, 19.09

 

CMYK 0 / 17 / 34 / 6

HEX #EFC69D

RGB 239 198 157

HSL 30, 0.72%, 0.78%

LAB 82.47, 8.9, 26.01

 

CMYK 0 / 62 / 61 / 11

HEX #E4565A

RGB 228 86 90

HSL 358.31, 0.72%, 0.62%

LAB 55.98, 55.4, 27.35

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7C

RGB 234 122 124

HSL 358.93, 0.73%, 0.7%

LAB 64.05, 43.28, 18.8

 

CMYK 0 / 34 / 33 / 6

HEX #EF9D9F

RGB 239 157 159

HSL 358.54, 0.72%, 0.78%

LAB 72.87, 30.83, 11.63

 

CMYK 0 / 21 / 21 / 4

HEX #F5C1C2

RGB 245 193 194

HSL 358.85, 0.72%, 0.86%

LAB 82.62, 18.72, 6.62

 

CMYK 0 / 8 / 8 / 2

HEX #FAE5E5

RGB 250 229 229

HSL 0, 0.68%, 0.94%

LAB 92.58, 7.15, 2.58

 

CMYK 0 / 35 / 34 / 6

HEX #F09D9F

RGB 240 157 159

HSL 358.55, 0.73%, 0.78%

LAB 72.99, 31.2, 11.81

 

CMYK 5 / 0 / 34 / 6

HEX #E2EF9D

RGB 226 239 157

HSL 69.51, 0.72%, 0.78%

LAB 91.84, -16.92, 38.28

 

CMYK 34 / 19 / 0 / 6

HEX #9DC1EF

RGB 157 193 239

HSL 213.66, 0.72%, 0.78%

LAB 77, -1.18, -26.68

 

CMYK 0 / 35 / 34 / 6

HEX #F09D9F

RGB 240 157 159

HSL 358.55, 0.73%, 0.78%

LAB 72.99, 31.2, 11.81

 

CMYK 33 / 0 / 34 / 6

HEX #A0EF9D

RGB 160 239 157

HSL 117.8, 0.72%, 0.78%

LAB 87.8, -39.9, 32.21

 

CMYK 34 / 33 / 0 / 6

HEX #9DA0EF

RGB 157 160 239

HSL 237.8, 0.72%, 0.78%

LAB 68.42, 17.13, -39.96

 

CMYK 0 / 35 / 34 / 6

HEX #F09D9F

RGB 240 157 159

HSL 358.55, 0.73%, 0.78%

LAB 72.99, 31.2, 11.81

 

CMYK 5 / 0 / 34 / 6

HEX #E2EF9D

RGB 226 239 157

HSL 69.51, 0.72%, 0.78%

LAB 91.84, -16.92, 38.28

 

CMYK 34 / 0 / 1 / 6

HEX #9DEFED

RGB 157 239 237

HSL 178.54, 0.72%, 0.78%

LAB 89.4, -25.26, -6.96

 

CMYK 28 / 34 / 0 / 6

HEX #AB9DEF

RGB 171 157 239

HSL 250.24, 0.72%, 0.78%

LAB 68.75, 22.73, -39.35

 

CMYK 0 / 35 / 34 / 6

HEX #F09D9F

RGB 240 157 159

HSL 358.55, 0.73%, 0.78%

LAB 72.99, 31.2, 11.81

 

CMYK 16 / 0 / 34 / 6

HEX #C9EF9D

RGB 201 239 157

HSL 87.8, 0.72%, 0.78%

LAB 90.13, -26.08, 35.72

 

CMYK 34 / 0 / 1 / 6

HEX #9DEFED

RGB 157 239 237

HSL 178.54, 0.72%, 0.78%

LAB 89.4, -25.26, -6.96

 

CMYK 18 / 34 / 0 / 6

HEX #C49DEF

RGB 196 157 239

HSL 268.54, 0.72%, 0.78%

LAB 70.93, 30.02, -35.8

 

Description

Color code: HEX #F09D9F | qconv.com Color code: HEX #F09D9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 157 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 157 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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