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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F09CF83F it is the complementary color #0F63073F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F09CF83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F09CF83F shade: #F59CF33F, #FFAEFF3F, #FFC0FF3F, #FFD2FF3F and #FFE4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F09CF83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F09CF83F shade: #F09CF83F, #DF8AE53F, #CE78D23F, #BD66BF3F and #AC54AC3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F09CF83F shade: #F09BF8, #F89BE7, #F89BCE, #F89BB5 and #F89B9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F09CF83F shade: #F09BF8, #D79BF8, #BE9BF8, #A59BF8 and #9B9BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F09CF83F shade matches the following richer shades: #F09BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F09CF83F shade: #F09BF8, #E9A4EF, #E2ACE7, #DAB5DE and #D3BED5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F09CF83F shade: #BD9BF8, #D69BF8, #EF9BF8, #F89BE9 and #F89BD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F09CF83F shade: #E44EF3, #EA74F5, #F09BF8, #F6C1FB and #FCE8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F09CF83F shade: #F09CF8, #F8A49B and #9BF8C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F09CF83F shade: #F09CF8, #F8EF9B and #9BF8EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F09CF83F shade: #F09CF8, #F8A49B, #A4F89B and #9BEFF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F09CF83F shade: #F09CF8, #F8C09B, #A4F89B and #9BD3F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 9 / 0 / 1

HEX #F09CF83F

RGBA 240 156 248 0.25

HSLA 294.78, 0.87%, 0.79%, 0.25

LABA 75.5, 45.59, -33.26, 0.25

 

Complementary color

CMYK 21 / 0 / 23 / 15

HEX #0F63073F

RGBA 15 99 7 0.25

HSLA 114.78, 0.87%, 0.21%, 0.25

LABA 36.06, -40.92, 39.79, 0.25

 

CMYK 0 / 9 / 0 / 1

HEX #F59CF33F

RGBA 245 156 243 0.25

HSLA 301.35, 0.82%, 0.79%, 0.25

LABA 75.86, 46.19, -29.95, 0.25

 

CMYK 0 / 8 / 0 / 0

HEX #FFAEFF3F

RGBA 255 174 255 0.25

HSLA 300, 1%, 0.84%, 0.25

LABA 81.16, 42.08, -28.2, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FFC0FF3F

RGBA 255 192 255 0.25

HSLA 300, 1%, 0.88%, 0.25

LABA 85.09, 32.67, -22.21, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 1 / 9 / 0 / 1

HEX #F09CF83F

RGBA 240 156 248 0.25

HSLA 294.78, 0.87%, 0.79%, 0.25

LABA 75.5, 45.59, -33.26, 0.25

 

CMYK 1 / 10 / 0 / 3

HEX #DF8AE53F

RGBA 223 138 229 0.25

HSLA 296.04, 0.64%, 0.72%, 0.25

LABA 69.13, 46.32, -32.89, 0.25

 

CMYK 0 / 11 / 0 / 4

HEX #CE78D23F

RGBA 206 120 210 0.25

HSLA 297.33, 0.5%, 0.65%, 0.25

LABA 62.68, 47.06, -32.47, 0.25

 

CMYK 0 / 12 / 0 / 6

HEX #BD66BF3F

RGBA 189 102 191 0.25

HSLA 298.65, 0.41%, 0.57%, 0.25

LABA 56.17, 47.78, -31.98, 0.25

 

CMYK 0 / 13 / 0 / 8

HEX #AC54AC3F

RGBA 172 84 172 0.25

HSLA 300, 0.35%, 0.5%, 0.25

LABA 49.6, 48.44, -31.39, 0.25

 

CMYK 3 / 38 / 0 / 3

HEX #F09BF8

RGB 240 155 248

HSL 294.84, 0.87%, 0.79%

LAB 75.29, 46.11, -33.58

 

CMYK 0 / 38 / 7 / 3

HEX #F89BE7

RGB 248 155 231

HSL 310.97, 0.87%, 0.79%

LAB 75.56, 45.55, -23.86

 

CMYK 0 / 38 / 17 / 3

HEX #F89BCE

RGB 248 155 206

HSL 327.1, 0.87%, 0.79%

LAB 74.73, 41.54, -11.43

 

CMYK 0 / 38 / 27 / 3

HEX #F89BB5

RGB 248 155 181

HSL 343.23, 0.87%, 0.79%

LAB 74.02, 37.96, 1.28

 

CMYK 0 / 38 / 37 / 3

HEX #F89B9C

RGB 248 155 156

HSL 359.35, 0.87%, 0.79%

LAB 73.42, 34.83, 14.2

 

CMYK 3 / 38 / 0 / 3

HEX #F09BF8

RGB 240 155 248

HSL 294.84, 0.87%, 0.79%

LAB 75.29, 46.11, -33.58

 

CMYK 13 / 38 / 0 / 3

HEX #D79BF8

RGB 215 155 248

HSL 278.71, 0.87%, 0.79%

LAB 72.67, 38.67, -37.85

 

CMYK 23 / 38 / 0 / 3

HEX #BE9BF8

RGB 190 155 248

HSL 262.58, 0.87%, 0.79%

LAB 70.29, 31.41, -41.74

 

CMYK 33 / 38 / 0 / 3

HEX #A59BF8

RGB 165 155 248

HSL 246.45, 0.87%, 0.79%

LAB 68.18, 24.47, -45.2

 

CMYK 38 / 38 / 0 / 3

HEX #9B9BF8

RGB 155 155 248

HSL 240, 0.87%, 0.79%

LAB 67.42, 21.83, -46.45

 

CMYK 3 / 38 / 0 / 3

HEX #F09BF8

RGB 240 155 248

HSL 294.84, 0.87%, 0.79%

LAB 75.29, 46.11, -33.58

 

CMYK 3 / 38 / 0 / 3

HEX #F09BF8

RGB 240 155 248

HSL 294.84, 0.87%, 0.79%

LAB 75.29, 46.11, -33.58

 

CMYK 3 / 31 / 0 / 6

HEX #E9A4EF

RGB 233 164 239

HSL 295.2, 0.7%, 0.79%

LAB 76.13, 37.57, -27.47

 

CMYK 2 / 26 / 0 / 9

HEX #E2ACE7

RGB 226 172 231

HSL 294.92, 0.55%, 0.79%

LAB 76.95, 29.57, -21.96

 

CMYK 2 / 18 / 0 / 13

HEX #DAB5DE

RGB 218 181 222

HSL 294.15, 0.38%, 0.79%

LAB 78.01, 20.4, -15.55

 

CMYK 1 / 11 / 0 / 16

HEX #D3BED5

RGB 211 190 213

HSL 294.78, 0.21%, 0.79%

LAB 79.32, 11.51, -8.8

 

CMYK 24 / 38 / 0 / 3

HEX #BD9BF8

RGB 189 155 248

HSL 261.94, 0.87%, 0.79%

LAB 70.2, 31.12, -41.89

 

CMYK 14 / 38 / 0 / 3

HEX #D69BF8

RGB 214 155 248

HSL 278.06, 0.87%, 0.79%

LAB 72.57, 38.38, -38.01

 

CMYK 4 / 38 / 0 / 3

HEX #EF9BF8

RGB 239 155 248

HSL 294.19, 0.87%, 0.79%

LAB 75.18, 45.81, -33.76

 

CMYK 0 / 38 / 6 / 3

HEX #F89BE9

RGB 248 155 233

HSL 309.68, 0.87%, 0.79%

LAB 75.63, 45.89, -24.85

 

CMYK 0 / 38 / 16 / 3

HEX #F89BD0

RGB 248 155 208

HSL 325.81, 0.87%, 0.79%

LAB 74.8, 41.85, -12.44

 

CMYK 6 / 68 / 0 / 5

HEX #E44EF3

RGB 228 78 243

HSL 294.55, 0.87%, 0.63%

LAB 60.26, 77.32, -54.53

 

CMYK 4 / 53 / 0 / 4

HEX #EA74F5

RGB 234 116 245

HSL 294.88, 0.87%, 0.71%

LAB 66.96, 63.23, -44.99

 

CMYK 3 / 38 / 0 / 3

HEX #F09BF8

RGB 240 155 248

HSL 294.84, 0.87%, 0.79%

LAB 75.29, 46.11, -33.58

 

CMYK 2 / 23 / 0 / 2

HEX #F6C1FB

RGB 246 193 251

HSL 294.83, 0.88%, 0.87%

LAB 84.33, 28.54, -21.32

 

CMYK 0 / 8 / 0 / 1

HEX #FCE8FD

RGB 252 232 253

HSL 297.14, 0.84%, 0.95%

LAB 94.1, 10.41, -7.68

 

CMYK 3 / 37 / 0 / 3

HEX #F09CF8

RGB 240 156 248

HSL 294.78, 0.87%, 0.79%

LAB 75.5, 45.59, -33.26

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49B

RGB 248 164 155

HSL 5.81, 0.87%, 0.79%

LAB 75.37, 30.01, 17.48

 

CMYK 38 / 0 / 19 / 3

HEX #9BF8C9

RGB 155 248 201

HSL 149.68, 0.87%, 0.79%

LAB 90.93, -37.7, 13.96

 

CMYK 3 / 37 / 0 / 3

HEX #F09CF8

RGB 240 156 248

HSL 294.78, 0.87%, 0.79%

LAB 75.5, 45.59, -33.26

 

CMYK 0 / 4 / 38 / 3

HEX #F8EF9B

RGB 248 239 155

HSL 54.19, 0.87%, 0.79%

LAB 93.47, -8.82, 41.72

 

CMYK 38 / 0 / 4 / 3

HEX #9BF8EF

RGB 155 248 239

HSL 174.19, 0.87%, 0.79%

LAB 91.84, -29.63, -4.42

 

CMYK 3 / 37 / 0 / 3

HEX #F09CF8

RGB 240 156 248

HSL 294.78, 0.87%, 0.79%

LAB 75.5, 45.59, -33.26

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49B

RGB 248 164 155

HSL 5.81, 0.87%, 0.79%

LAB 75.37, 30.01, 17.48

 

CMYK 34 / 0 / 38 / 3

HEX #A4F89B

RGB 164 248 155

HSL 114.19, 0.87%, 0.79%

LAB 90.5, -42.93, 36.82

 

CMYK 38 / 4 / 0 / 3

HEX #9BEFF8

RGB 155 239 248

HSL 185.81, 0.87%, 0.79%

LAB 89.62, -23.19, -12.4

 

CMYK 3 / 37 / 0 / 3

HEX #F09CF8

RGB 240 156 248

HSL 294.78, 0.87%, 0.79%

LAB 75.5, 45.59, -33.26

 

CMYK 0 / 23 / 38 / 3

HEX #F8C09B

RGB 248 192 155

HSL 23.87, 0.87%, 0.79%

LAB 81.85, 15.28, 26.37

 

CMYK 34 / 0 / 38 / 3

HEX #A4F89B

RGB 164 248 155

HSL 114.19, 0.87%, 0.79%

LAB 90.5, -42.93, 36.82

 

CMYK 38 / 15 / 0 / 3

HEX #9BD3F8

RGB 155 211 248

HSL 203.87, 0.87%, 0.79%

LAB 82.02, -9.01, -23.85

 

Description

Color code: HEX #F09CF83F | qconv.com Color code: HEX #F09CF83F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 156 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 156 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 9 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 9% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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