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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F095E3 it is the complementary color #0F6A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F095E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F095E3 shade: #F595DE, #FFA7F1, #FFB9FF, #FFCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F095E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F095E3 shade: #F095E3, #DF83D0, #CE71BD, #BD5FAA and #AC4D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F095E3 shade: #EF93E2, #EF93C9, #EF93B1, #EF9398 and #EF9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F095E3 shade: #EF93E2, #E493EF, #CB93EF, #B293EF and #9993EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F095E3 shade matches the following richer shades: #EF93E2 and #F989E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F095E3 shade: #EF93E2, #E59DDB, #DBA7D4, #D1B1CD and #C8BBC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F095E3 shade: #CA93EF, #E393EF, #EF93E3, #EF93CA and #EF93B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F095E3 shade: #E54BCF, #EA6FD9, #EF93E2, #F4B8EC and #FADCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F095E3 shade: #F095E3, #EFB293 and #93EFD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F095E3 shade: #F095E3, #E3EF93 and #93E3EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F095E3 shade: #F095E3, #EFB293, #93EFA0 and #93D1EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F095E3 shade: #F095E3, #EFCE93, #93EFA0 and #93B5EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 5 / 6

HEX #F095E3

RGB 240 149 227

HSL 308.57, 0.75%, 0.76%

LAB 73.26, 45.46, -25.26

 

Complementary color

CMYK 86 / 0 / 74 / 58

HEX #0F6A1C

RGB 15 106 28

HSL 128.57, 0.75%, 0.24%

LAB 38.71, -41.73, 35.08

 

CMYK 0 / 39 / 9 / 4

HEX #F595DE

RGB 245 149 222

HSL 314.38, 0.83%, 0.77%

LAB 73.66, 46.19, -21.86

 

CMYK 0 / 35 / 5 / 0

HEX #FFA7F1

RGB 255 167 241

HSL 309.55, 1%, 0.83%

LAB 79.18, 43.26, -23.69

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 38 / 5 / 6

HEX #F095E3

RGB 240 149 227

HSL 308.57, 0.75%, 0.76%

LAB 73.26, 45.46, -25.26

 

CMYK 0 / 41 / 7 / 13

HEX #DF83D0

RGB 223 131 208

HSL 309.78, 0.59%, 0.69%

LAB 66.88, 46.2, -24.71

 

CMYK 0 / 45 / 8 / 19

HEX #CE71BD

RGB 206 113 189

HSL 310.97, 0.49%, 0.63%

LAB 60.43, 46.94, -24.08

 

CMYK 0 / 50 / 10 / 26

HEX #BD5FAA

RGB 189 95 170

HSL 312.13, 0.42%, 0.56%

LAB 53.93, 47.63, -23.34

 

CMYK 0 / 55 / 12 / 33

HEX #AC4D97

RGB 172 77 151

HSL 313.26, 0.38%, 0.49%

LAB 47.38, 48.24, -22.43

 

CMYK 0 / 38 / 5 / 6

HEX #EF93E2

RGB 239 147 226

HSL 308.48, 0.74%, 0.76%

LAB 72.7, 46.01, -25.59

 

CMYK 0 / 38 / 16 / 6

HEX #EF93C9

RGB 239 147 201

HSL 324.78, 0.74%, 0.76%

LAB 71.85, 41.93, -13.1

 

CMYK 0 / 38 / 26 / 6

HEX #EF93B1

RGB 239 147 177

HSL 340.43, 0.74%, 0.76%

LAB 71.14, 38.42, -0.84

 

CMYK 0 / 38 / 36 / 6

HEX #EF9398

RGB 239 147 152

HSL 356.74, 0.74%, 0.76%

LAB 70.51, 35.24, 12.17

 

CMYK 0 / 38 / 38 / 6

HEX #EF9393

RGB 239 147 147

HSL 0, 0.74%, 0.76%

LAB 70.4, 34.66, 14.8

 

CMYK 0 / 38 / 5 / 6

HEX #EF93E2

RGB 239 147 226

HSL 308.48, 0.74%, 0.76%

LAB 72.7, 46.01, -25.59

 

CMYK 5 / 38 / 0 / 6

HEX #E493EF

RGB 228 147 239

HSL 292.83, 0.74%, 0.76%

LAB 71.96, 45, -33.95

 

CMYK 15 / 38 / 0 / 6

HEX #CB93EF

RGB 203 147 239

HSL 276.52, 0.74%, 0.76%

LAB 69.32, 37.57, -38.25

 

CMYK 26 / 38 / 0 / 6

HEX #B293EF

RGB 178 147 239

HSL 260.22, 0.74%, 0.76%

LAB 66.95, 30.34, -42.13

 

CMYK 36 / 38 / 0 / 6

HEX #9993EF

RGB 153 147 239

HSL 243.91, 0.74%, 0.76%

LAB 64.86, 23.49, -45.56

 

CMYK 0 / 38 / 5 / 6

HEX #EF93E2

RGB 239 147 226

HSL 308.48, 0.74%, 0.76%

LAB 72.7, 46.01, -25.59

 

CMYK 0 / 45 / 6 / 2

HEX #F989E9

RGB 249 137 233

HSL 308.57, 0.9%, 0.76%

LAB 72.17, 55.26, -30.14

 

CMYK 0 / 38 / 5 / 6

HEX #EF93E2

RGB 239 147 226

HSL 308.48, 0.74%, 0.76%

LAB 72.7, 46.01, -25.59

 

CMYK 0 / 31 / 4 / 10

HEX #E59DDB

RGB 229 157 219

HSL 308.33, 0.58%, 0.76%

LAB 73.47, 36.38, -20.67

 

CMYK 0 / 24 / 3 / 14

HEX #DBA7D4

RGB 219 167 212

HSL 308.08, 0.42%, 0.76%

LAB 74.48, 26.46, -15.42

 

CMYK 0 / 15 / 2 / 18

HEX #D1B1CD

RGB 209 177 205

HSL 307.5, 0.26%, 0.76%

LAB 75.7, 16.36, -9.86

 

CMYK 0 / 7 / 1 / 22

HEX #C8BBC6

RGB 200 187 198

HSL 309.23, 0.11%, 0.76%

LAB 77.22, 6.56, -3.89

 

CMYK 15 / 38 / 0 / 6

HEX #CA93EF

RGB 202 147 239

HSL 275.87, 0.74%, 0.76%

LAB 69.22, 37.28, -38.41

 

CMYK 5 / 38 / 0 / 6

HEX #E393EF

RGB 227 147 239

HSL 292.17, 0.74%, 0.76%

LAB 71.85, 44.7, -34.13

 

CMYK 0 / 38 / 5 / 6

HEX #EF93E3

RGB 239 147 227

HSL 307.83, 0.74%, 0.76%

LAB 72.74, 46.18, -26.08

 

CMYK 0 / 38 / 15 / 6

HEX #EF93CA

RGB 239 147 202

HSL 324.13, 0.74%, 0.76%

LAB 71.88, 42.09, -13.61

 

CMYK 0 / 38 / 26 / 6

HEX #EF93B2

RGB 239 147 178

HSL 339.78, 0.74%, 0.76%

LAB 71.17, 38.56, -1.35

 

CMYK 0 / 67 / 10 / 10

HEX #E54BCF

RGB 229 75 207

HSL 308.57, 0.75%, 0.6%

LAB 58.22, 72.9, -37.5

 

CMYK 0 / 53 / 7 / 8

HEX #EA6FD9

RGB 234 111 217

HSL 308.29, 0.75%, 0.68%

LAB 64.86, 60.77, -32.73

 

CMYK 0 / 38 / 5 / 6

HEX #EF93E2

RGB 239 147 226

HSL 308.48, 0.74%, 0.76%

LAB 72.7, 46.01, -25.59

 

CMYK 0 / 25 / 3 / 4

HEX #F4B8EC

RGB 244 184 236

HSL 308, 0.73%, 0.84%

LAB 81.6, 29.94, -17.44

 

CMYK 0 / 12 / 2 / 2

HEX #FADCF5

RGB 250 220 245

HSL 310, 0.75%, 0.92%

LAB 90.83, 14.56, -8.37

 

CMYK 0 / 38 / 5 / 6

HEX #F095E3

RGB 240 149 227

HSL 308.57, 0.75%, 0.76%

LAB 73.26, 45.46, -25.26

 

CMYK 0 / 26 / 38 / 6

HEX #EFB293

RGB 239 178 147

HSL 20.22, 0.74%, 0.76%

LAB 77.46, 18.27, 24.52

 

CMYK 38 / 0 / 10 / 6

HEX #93EFD7

RGB 147 239 215

HSL 164.35, 0.74%, 0.76%

LAB 88.37, -32.81, 2.98

 

CMYK 0 / 38 / 5 / 6

HEX #F095E3

RGB 240 149 227

HSL 308.57, 0.75%, 0.76%

LAB 73.26, 45.46, -25.26

 

CMYK 5 / 0 / 38 / 6

HEX #E3EF93

RGB 227 239 147

HSL 67.83, 0.74%, 0.76%

LAB 91.76, -17.71, 43.15

 

CMYK 38 / 5 / 0 / 6

HEX #93E3EF

RGB 147 227 239

HSL 187.83, 0.74%, 0.76%

LAB 85.69, -21.47, -13.58

 

CMYK 0 / 38 / 5 / 6

HEX #F095E3

RGB 240 149 227

HSL 308.57, 0.75%, 0.76%

LAB 73.26, 45.46, -25.26

 

CMYK 0 / 26 / 38 / 6

HEX #EFB293

RGB 239 178 147

HSL 20.22, 0.74%, 0.76%

LAB 77.46, 18.27, 24.52

 

CMYK 38 / 0 / 33 / 6

HEX #93EFA0

RGB 147 239 160

HSL 128.48, 0.74%, 0.76%

LAB 87.23, -43.37, 29.82

 

CMYK 38 / 13 / 0 / 6

HEX #93D1EF

RGB 147 209 239

HSL 199.57, 0.74%, 0.76%

LAB 80.76, -12.33, -21.01

 

CMYK 0 / 38 / 5 / 6

HEX #F095E3

RGB 240 149 227

HSL 308.57, 0.75%, 0.76%

LAB 73.26, 45.46, -25.26

 

CMYK 0 / 14 / 38 / 6

HEX #EFCE93

RGB 239 206 147

HSL 38.48, 0.74%, 0.76%

LAB 84.28, 3.57, 33.63

 

CMYK 38 / 0 / 33 / 6

HEX #93EFA0

RGB 147 239 160

HSL 128.48, 0.74%, 0.76%

LAB 87.23, -43.37, 29.82

 

CMYK 38 / 24 / 0 / 6

HEX #93B5EF

RGB 147 181 239

HSL 217.83, 0.74%, 0.76%

LAB 73.21, 2.67, -32.57

 

Description

Color code: HEX #F095E3 | qconv.com Color code: HEX #F095E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 149 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 149 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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