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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F094BCCE it is the complementary color #0F6B43CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F094BCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F094BCCE shade: #F594B7CE, #FFA6CACE, #FFB8DDCE, #FFCAF0CE and #FFDCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F094BCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F094BCCE shade: #F094BCCE, #DF82A9CE, #CE7096CE, #BD5E83CE and #AC4C70CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F094BCCE shade: #F094BC, #F094A3 and #F09494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F094BCCE shade: #F094BC, #F094D5, #F094ED, #D994F0 and #C194F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F094BCCE shade matches the following richer shades: #F094BC and #FA8ABB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F094BCCE shade: #F094BC, #E69EBD, #DCA8BE, #D2B2C0 and #C8BCC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F094BCCE shade: #F094EE, #F094D6, #F094BD, #F094A5 and #F09C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F094BCCE shade: #E54C8F, #EB70A5, #F094BC, #F5B8D2 and #FADCE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F094BCCE shade: #F094BC, #F0D994 and #94E2F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F094BCCE shade: #F094BC, #BDF094 and #94BDF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F094BCCE shade: #F094BC, #F0D994, #94F0C6 and #94ABF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F094BCCE shade: #F094BC, #EBF094, #94F0C6 and #9894F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 18 / 5

HEX #F094BCCE

RGBA 240 148 188 0.81

HSLA 333.91, 0.75%, 0.76%, 0.81

LABA 71.78, 39.8, -5.99, 0.81

 

Complementary color

CMYK 70 / 0 / 30 / 47

HEX #0F6B43CE

RGBA 15 107 67 0.81

HSLA 153.91, 0.75%, 0.24%, 0.81

LABA 39.62, -35.6, 15.4, 0.81

 

CMYK 0 / 32 / 20 / 3

HEX #F594B7CE

RGBA 245 148 183 0.81

HSLA 338.35, 0.83%, 0.77%, 0.81

LABA 72.24, 40.81, -2.48, 0.81

 

CMYK 0 / 28 / 17 / 0

HEX #FFA6CACE

RGBA 255 166 202 0.81

HSLA 335.73, 1%, 0.83%, 0.81

LABA 77.75, 37.61, -4.67, 0.81

 

CMYK 0 / 23 / 11 / 0

HEX #FFB8DDCE

RGBA 255 184 221 0.81

HSLA 328.73, 1%, 0.86%, 0.81

LABA 82.25, 31.1, -8.3, 0.81

 

CMYK 0 / 17 / 5 / 0

HEX #FFCAF0CE

RGBA 255 202 240 0.81

HSLA 316.98, 1%, 0.9%, 0.81

LABA 86.89, 24.78, -11.53, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDCFFCE

RGBA 255 220 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.53, 17.99, -12.51, 0.81

 

CMYK 0 / 31 / 18 / 5

HEX #F094BCCE

RGBA 240 148 188 0.81

HSLA 333.91, 0.75%, 0.76%, 0.81

LABA 71.78, 39.8, -5.99, 0.81

 

CMYK 0 / 34 / 20 / 10

HEX #DF82A9CE

RGBA 223 130 169 0.81

HSLA 334.84, 0.59%, 0.69%, 0.81

LABA 65.37, 40.61, -5.06, 0.81

 

CMYK 0 / 37 / 22 / 16

HEX #CE7096CE

RGBA 206 112 150 0.81

HSLA 335.74, 0.49%, 0.62%, 0.81

LABA 58.89, 41.45, -4, 0.81

 

CMYK 0 / 41 / 25 / 21

HEX #BD5E83CE

RGBA 189 94 131 0.81

HSLA 336.63, 0.42%, 0.55%, 0.81

LABA 52.36, 42.3, -2.77, 0.81

 

CMYK 0 / 45 / 28 / 26

HEX #AC4C70CE

RGBA 172 76 112 0.81

HSLA 337.5, 0.39%, 0.49%, 0.81

LABA 45.78, 43.1, -1.29, 0.81

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 0 / 38 / 32 / 6

HEX #F094A3

RGB 240 148 163

HSL 350.22, 0.75%, 0.76%

LAB 71.11, 36.42, 6.92

 

CMYK 0 / 38 / 38 / 6

HEX #F09494

RGB 240 148 148

HSL 0, 0.75%, 0.76%

LAB 70.76, 34.62, 14.76

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 0 / 38 / 11 / 6

HEX #F094D5

RGB 240 148 213

HSL 317.61, 0.75%, 0.76%

LAB 72.57, 43.64, -18.63

 

CMYK 0 / 38 / 1 / 6

HEX #F094ED

RGB 240 148 237

HSL 301.96, 0.75%, 0.76%

LAB 73.43, 47.72, -30.48

 

CMYK 10 / 38 / 0 / 6

HEX #D994F0

RGB 217 148 240

HSL 285, 0.75%, 0.76%

LAB 71.02, 41.38, -36.04

 

CMYK 20 / 38 / 0 / 6

HEX #C194F0

RGB 193 148 240

HSL 269.35, 0.75%, 0.76%

LAB 68.61, 34.32, -39.98

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 0 / 45 / 25 / 2

HEX #FA8ABB

RGB 250 138 187

HSL 333.75, 0.92%, 0.76%

LAB 70.93, 48.13, -6.56

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 0 / 31 / 18 / 10

HEX #E69EBD

RGB 230 158 189

HSL 334.17, 0.59%, 0.76%

LAB 72.86, 31.22, -5.08

 

CMYK 0 / 24 / 14 / 14

HEX #DCA8BE

RGB 220 168 190

HSL 334.62, 0.43%, 0.76%

LAB 74.15, 22.48, -3.84

 

CMYK 0 / 15 / 9 / 18

HEX #D2B2C0

RGB 210 178 192

HSL 333.75, 0.26%, 0.76%

LAB 75.67, 13.86, -2.81

 

CMYK 0 / 6 / 4 / 22

HEX #C8BCC1

RGB 200 188 193

HSL 335, 0.1%, 0.76%

LAB 77.34, 5.11, -1.01

 

CMYK 0 / 38 / 1 / 6

HEX #F094EE

RGB 240 148 238

HSL 301.3, 0.75%, 0.76%

LAB 73.47, 47.9, -30.96

 

CMYK 0 / 38 / 11 / 6

HEX #F094D6

RGB 240 148 214

HSL 316.96, 0.75%, 0.76%

LAB 72.6, 43.81, -19.13

 

CMYK 0 / 38 / 21 / 6

HEX #F094BD

RGB 240 148 189

HSL 333.26, 0.75%, 0.76%

LAB 71.81, 39.94, -6.5

 

CMYK 0 / 38 / 31 / 6

HEX #F094A5

RGB 240 148 165

HSL 348.91, 0.75%, 0.76%

LAB 71.16, 36.67, 5.88

 

CMYK 0 / 35 / 38 / 6

HEX #F09C94

RGB 240 156 148

HSL 5.22, 0.75%, 0.76%

LAB 72.52, 30.42, 17.21

 

CMYK 0 / 67 / 38 / 10

HEX #E54C8F

RGB 229 76 143

HSL 333.73, 0.75%, 0.6%

LAB 55.9, 64.34, -3.95

 

CMYK 0 / 52 / 30 / 8

HEX #EB70A5

RGB 235 112 165

HSL 334.15, 0.75%, 0.68%

LAB 63.32, 53.08, -5.65

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 0 / 25 / 14 / 4

HEX #F5B8D2

RGB 245 184 210

HSL 334.43, 0.75%, 0.84%

LAB 80.93, 25.92, -4.44

 

CMYK 0 / 12 / 7 / 2

HEX #FADCE9

RGB 250 220 233

HSL 334, 0.75%, 0.92%

LAB 90.5, 12.48, -2.55

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 0 / 10 / 38 / 6

HEX #F0D994

RGB 240 217 148

HSL 45, 0.75%, 0.76%

LAB 87.14, -1.59, 36.89

 

CMYK 38 / 6 / 0 / 6

HEX #94E2F0

RGB 148 226 240

HSL 189.13, 0.75%, 0.76%

LAB 85.49, -20.47, -14.4

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 21 / 0 / 38 / 6

HEX #BDF094

RGB 189 240 148

HSL 93.26, 0.75%, 0.76%

LAB 89.52, -31.98, 39.28

 

CMYK 38 / 21 / 0 / 6

HEX #94BDF0

RGB 148 189 240

HSL 213.26, 0.75%, 0.76%

LAB 75.44, -1.18, -29.67

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 0 / 10 / 38 / 6

HEX #F0D994

RGB 240 217 148

HSL 45, 0.75%, 0.76%

LAB 87.14, -1.59, 36.89

 

CMYK 38 / 0 / 18 / 6

HEX #94F0C6

RGB 148 240 198

HSL 152.61, 0.75%, 0.76%

LAB 88.3, -36.57, 11.74

 

CMYK 38 / 29 / 0 / 6

HEX #94ABF0

RGB 148 171 240

HSL 225, 0.75%, 0.76%

LAB 70.67, 8.77, -37.04

 

CMYK 0 / 38 / 22 / 6

HEX #F094BC

RGB 240 148 188

HSL 333.91, 0.75%, 0.76%

LAB 71.78, 39.8, -5.99

 

CMYK 2 / 0 / 38 / 6

HEX #EBF094

RGB 235 240 148

HSL 63.26, 0.75%, 0.76%

LAB 92.63, -15.05, 43.89

 

CMYK 38 / 0 / 18 / 6

HEX #94F0C6

RGB 148 240 198

HSL 152.61, 0.75%, 0.76%

LAB 88.3, -36.57, 11.74

 

CMYK 37 / 38 / 0 / 6

HEX #9894F0

RGB 152 148 240

HSL 242.61, 0.75%, 0.76%

LAB 65.08, 22.91, -45.77

 

Description

Color code: HEX #F094BCCE | qconv.com Color code: HEX #F094BCCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 148 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 148 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 18 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 18% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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