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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0933ACE it is the complementary color #0F6CC5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0933ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0933ACE shade: #F59335CE, #FFA548CE, #FFB75BCE, #FFC96ECE and #FFDB81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0933ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0933ACE shade: #F0933ACE, #DF8127CE, #CE6F14CE, #BD5D01CE and #AC4B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0933ACE shade: #F09238, #F06038 and #F03838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0933ACE shade: #F09238, #F0C438, #EBF038, #B9F038 and #87F038

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0933ACE shade matches the following richer shades: #F09238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0933ACE shade: #F09238, #DF9249, #CD935A, #BC936C and #AB937D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0933ACE shade: #F03841, #F06038, #F09138, #F0C238 and #EDF038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0933ACE shade: #C6690F, #ED7D12, #F09238, #F3A75E and #F6BC85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0933ACE shade: #F0933A, #72F038 and #4738F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0933ACE shade: #F0933A, #38F091 and #9138F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0933ACE shade: #F0933A, #72F038, #3897F0 and #B638F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0933ACE shade: #F0933A, #3BF038, #3897F0 and #ED38F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 61 / 5

HEX #F0933ACE

RGBA 240 147 58 0.81

HSLA 29.34, 0.86%, 0.58%, 0.81

LABA 69.25, 28.28, 59.29, 0.81

 

Complementary color

CMYK 75 / 37 / 0 / 18

HEX #0F6CC5CE

RGBA 15 108 197 0.81

HSLA 209.34, 0.86%, 0.42%, 0.81

LABA 45.44, 9.15, -53.22, 0.81

 

CMYK 0 / 32 / 63 / 3

HEX #F59335CE

RGBA 245 147 53 0.81

HSLA 29.38, 0.91%, 0.58%, 0.81

LABA 69.85, 30.14, 62.13, 0.81

 

CMYK 0 / 29 / 58 / 0

HEX #FFA548CE

RGBA 255 165 72 0.81

HSLA 30.49, 1%, 0.64%, 0.81

LABA 75.23, 25.61, 59.89, 0.81

 

CMYK 0 / 23 / 52 / 0

HEX #FFB75BCE

RGBA 255 183 91 0.81

HSLA 33.66, 1%, 0.68%, 0.81

LABA 79.55, 17.23, 55.96, 0.81

 

CMYK 0 / 17 / 46 / 0

HEX #FFC96ECE

RGBA 255 201 110 0.81

HSLA 37.66, 1%, 0.72%, 0.81

LABA 84.05, 9.14, 52.17, 0.81

 

CMYK 0 / 11 / 40 / 0

HEX #FFDB81CE

RGBA 255 219 129 0.81

HSLA 42.86, 1%, 0.75%, 0.81

LABA 88.69, 1.43, 48.59, 0.81

 

CMYK 0 / 31 / 61 / 5

HEX #F0933ACE

RGBA 240 147 58 0.81

HSLA 29.34, 0.86%, 0.58%, 0.81

LABA 69.25, 28.28, 59.29, 0.81

 

CMYK 0 / 34 / 67 / 10

HEX #DF8127CE

RGBA 223 129 39 0.81

HSLA 29.35, 0.74%, 0.51%, 0.81

LABA 62.96, 30.09, 60.15, 0.81

 

CMYK 0 / 37 / 73 / 16

HEX #CE6F14CE

RGBA 206 111 20 0.81

HSLA 29.35, 0.82%, 0.44%, 0.81

LABA 56.63, 32.11, 60.14, 0.81

 

CMYK 0 / 41 / 81 / 21

HEX #BD5D01CE

RGBA 189 93 1 0.81

HSLA 29.36, 0.99%, 0.37%, 0.81

LABA 50.27, 34.29, 58.85, 0.81

 

CMYK 0 / 46 / 81 / 26

HEX #AC4B00CE

RGBA 172 75 0 0.81

HSLA 26.16, 1%, 0.34%, 0.81

LABA 43.95, 36.64, 54.02, 0.81

 

CMYK 0 / 39 / 77 / 6

HEX #F09238

RGB 240 146 56

HSL 29.35, 0.86%, 0.58%

LAB 69.02, 28.73, 59.89

 

CMYK 0 / 60 / 77 / 6

HEX #F06038

RGB 240 96 56

HSL 13.04, 0.86%, 0.58%

LAB 59.14, 53.41, 50.06

 

CMYK 0 / 77 / 77 / 6

HEX #F03838

RGB 240 56 56

HSL 0, 0.86%, 0.58%

LAB 53.64, 68.37, 44.34

 

CMYK 0 / 39 / 77 / 6

HEX #F09238

RGB 240 146 56

HSL 29.35, 0.86%, 0.58%

LAB 69.02, 28.73, 59.89

 

CMYK 0 / 18 / 77 / 6

HEX #F0C438

RGB 240 196 56

HSL 45.65, 0.86%, 0.58%

LAB 80.9, 2.46, 71.13

 

CMYK 2 / 0 / 77 / 6

HEX #EBF038

RGB 235 240 56

HSL 61.63, 0.86%, 0.58%

LAB 91.8, -21.61, 80.89

 

CMYK 23 / 0 / 77 / 6

HEX #B9F038

RGB 185 240 56

HSL 77.93, 0.86%, 0.58%

LAB 88.41, -41.41, 76.54

 

CMYK 44 / 0 / 77 / 6

HEX #87F038

RGB 135 240 56

HSL 94.24, 0.86%, 0.58%

LAB 85.88, -58.73, 73.27

 

CMYK 0 / 39 / 77 / 6

HEX #F09238

RGB 240 146 56

HSL 29.35, 0.86%, 0.58%

LAB 69.02, 28.73, 59.89

 

CMYK 0 / 39 / 77 / 6

HEX #F09238

RGB 240 146 56

HSL 29.35, 0.86%, 0.58%

LAB 69.02, 28.73, 59.89

 

CMYK 0 / 35 / 67 / 13

HEX #DF9249

RGB 223 146 73

HSL 29.2, 0.7%, 0.58%

LAB 67.07, 22.51, 49.56

 

CMYK 0 / 28 / 56 / 20

HEX #CD935A

RGB 205 147 90

HSL 29.74, 0.53%, 0.58%

LAB 65.42, 15.61, 38.55

 

CMYK 0 / 22 / 43 / 26

HEX #BC936C

RGB 188 147 108

HSL 29.25, 0.37%, 0.58%

LAB 63.87, 10.25, 26.53

 

CMYK 0 / 14 / 27 / 33

HEX #AB937D

RGB 171 147 125

HSL 28.7, 0.21%, 0.58%

LAB 62.51, 5.5, 14.96

 

CMYK 0 / 77 / 73 / 6

HEX #F03841

RGB 240 56 65

HSL 357.07, 0.86%, 0.58%

LAB 53.74, 68.7, 39.46

 

CMYK 0 / 60 / 77 / 6

HEX #F06038

RGB 240 96 56

HSL 13.04, 0.86%, 0.58%

LAB 59.14, 53.41, 50.06

 

CMYK 0 / 40 / 77 / 6

HEX #F09138

RGB 240 145 56

HSL 29.02, 0.86%, 0.58%

LAB 68.8, 29.25, 59.68

 

CMYK 0 / 19 / 77 / 6

HEX #F0C238

RGB 240 194 56

HSL 45, 0.86%, 0.58%

LAB 80.4, 3.5, 70.66

 

CMYK 1 / 0 / 77 / 6

HEX #EDF038

RGB 237 240 56

HSL 60.98, 0.86%, 0.58%

LAB 91.96, -20.79, 81.08

 

CMYK 0 / 47 / 92 / 22

HEX #C6690F

RGB 198 105 15

HSL 29.51, 0.86%, 0.42%

LAB 54.18, 31.88, 59.1

 

CMYK 0 / 47 / 92 / 7

HEX #ED7D12

RGB 237 125 18

HSL 29.32, 0.86%, 0.5%

LAB 63.93, 37.42, 67.88

 

CMYK 0 / 39 / 77 / 6

HEX #F09238

RGB 240 146 56

HSL 29.35, 0.86%, 0.58%

LAB 69.02, 28.73, 59.89

 

CMYK 0 / 31 / 61 / 5

HEX #F3A75E

RGB 243 167 94

HSL 29.4, 0.86%, 0.66%

LAB 74.51, 20.91, 48.41

 

CMYK 0 / 24 / 46 / 4

HEX #F6BC85

RGB 246 188 133

HSL 29.2, 0.86%, 0.74%

LAB 80.32, 14.27, 35.83

 

CMYK 0 / 39 / 76 / 6

HEX #F0933A

RGB 240 147 58

HSL 29.34, 0.86%, 0.58%

LAB 69.25, 28.28, 59.29

 

CMYK 53 / 0 / 77 / 6

HEX #72F038

RGB 114 240 56

HSL 101.09, 0.86%, 0.58%

LAB 85.09, -64.78, 72.23

 

CMYK 70 / 77 / 0 / 6

HEX #4738F0

RGB 71 56 240

HSL 244.89, 0.86%, 0.58%

LAB 38.65, 60.53, -88.77

 

CMYK 0 / 39 / 76 / 6

HEX #F0933A

RGB 240 147 58

HSL 29.34, 0.86%, 0.58%

LAB 69.25, 28.28, 59.29

 

CMYK 77 / 0 / 40 / 6

HEX #38F091

RGB 56 240 145

HSL 149.02, 0.86%, 0.58%

LAB 84.59, -65.55, 33.39

 

CMYK 40 / 77 / 0 / 6

HEX #9138F0

RGB 145 56 240

HSL 269.02, 0.86%, 0.58%

LAB 45.82, 69.42, -76.72

 

CMYK 0 / 39 / 76 / 6

HEX #F0933A

RGB 240 147 58

HSL 29.34, 0.86%, 0.58%

LAB 69.25, 28.28, 59.29

 

CMYK 53 / 0 / 77 / 6

HEX #72F038

RGB 114 240 56

HSL 101.09, 0.86%, 0.58%

LAB 85.09, -64.78, 72.23

 

CMYK 77 / 37 / 0 / 6

HEX #3897F0

RGB 56 151 240

HSL 209.02, 0.86%, 0.58%

LAB 61.02, 2.41, -52.51

 

CMYK 24 / 77 / 0 / 6

HEX #B638F0

RGB 182 56 240

HSL 281.09, 0.86%, 0.58%

LAB 50.76, 75.44, -68.47

 

CMYK 0 / 39 / 76 / 6

HEX #F0933A

RGB 240 147 58

HSL 29.34, 0.86%, 0.58%

LAB 69.25, 28.28, 59.29

 

CMYK 75 / 0 / 77 / 6

HEX #3BF038

RGB 59 240 56

HSL 119.02, 0.86%, 0.58%

LAB 83.72, -76.03, 70.44

 

CMYK 77 / 37 / 0 / 6

HEX #3897F0

RGB 56 151 240

HSL 209.02, 0.86%, 0.58%

LAB 61.02, 2.41, -52.51

 

CMYK 1 / 77 / 0 / 6

HEX #ED38F0

RGB 237 56 240

HSL 299.02, 0.86%, 0.58%

LAB 59.09, 85.46, -54.64

 

Description

Color code: HEX #F0933ACE | qconv.com Color code: HEX #F0933ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 147 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 147 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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