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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F092FD it is the complementary color #0F6D02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F092FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F092FD shade: #F592F8, #FFA4FF, #FFB6FF, #FFC8FF and #FFDAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F092FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F092FD shade: #F092FD, #DF80EA, #CE6ED7, #BD5CC4 and #AC4AB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F092FD shade: #F091FD, #FD91ED, #FD91D0, #FD91B3 and #FD9196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F092FD shade: #F091FD, #D391FD, #B691FD, #9991FD and #9191FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F092FD shade matches the following richer shades: #F091FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F092FD shade: #F091FD, #E99AF4, #E2A3EB, #DBACE2 and #D4B5D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F092FD shade: #B591FD, #D291FD, #EE91FD, #FD91EE and #FD91D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F092FD shade: #E440FB, #EA69FC, #F091FD, #F5B9FE and #FBE2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F092FD shade: #F092FD, #FD9891 and #91FDC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F092FD shade: #F092FD, #FDEE91 and #91FDEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F092FD shade: #F092FD, #FD9891, #9FFD91 and #91F6FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F092FD shade: #F092FD, #FDB991, #9FFD91 and #91D5FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 42 / 0 / 1

HEX #F092FD

RGB 240 146 253

HSL 292.71, 0.96%, 0.78%

LAB 73.66, 51.66, -38.83

 

Complementary color

CMYK 86 / 0 / 98 / 57

HEX #0F6D02

RGB 15 109 2

HSL 112.71, 0.96%, 0.22%

LAB 39.65, -44.44, 44.17

 

CMYK 1 / 41 / 0 / 3

HEX #F592F8

RGB 245 146 248

HSL 298.24, 0.88%, 0.77%

LAB 74.03, 52.19, -35.49

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 5 / 42 / 0 / 1

HEX #F092FD

RGB 240 146 253

HSL 292.71, 0.96%, 0.78%

LAB 73.66, 51.66, -38.83

 

CMYK 5 / 45 / 0 / 8

HEX #DF80EA

RGB 223 128 234

HSL 293.77, 0.72%, 0.71%

LAB 67.33, 52.38, -38.44

 

CMYK 4 / 49 / 0 / 16

HEX #CE6ED7

RGB 206 110 215

HSL 294.86, 0.57%, 0.64%

LAB 60.94, 53.07, -38

 

CMYK 4 / 53 / 0 / 23

HEX #BD5CC4

RGB 189 92 196

HSL 295.96, 0.47%, 0.56%

LAB 54.51, 53.7, -37.45

 

CMYK 3 / 58 / 0 / 31

HEX #AC4AB1

RGB 172 74 177

HSL 297.09, 0.41%, 0.49%

LAB 48.06, 54.17, -36.74

 

CMYK 5 / 43 / 0 / 1

HEX #F091FD

RGB 240 145 253

HSL 292.78, 0.96%, 0.78%

LAB 73.46, 52.16, -39.14

 

CMYK 0 / 43 / 6 / 1

HEX #FD91ED

RGB 253 145 237

HSL 308.89, 0.96%, 0.78%

LAB 74.35, 53.15, -28.93

 

CMYK 0 / 43 / 18 / 1

HEX #FD91D0

RGB 253 145 208

HSL 325, 0.96%, 0.78%

LAB 73.34, 48.58, -14.56

 

CMYK 0 / 43 / 29 / 1

HEX #FD91B3

RGB 253 145 179

HSL 341.11, 0.96%, 0.78%

LAB 72.49, 44.56, 0.22

 

CMYK 0 / 43 / 41 / 1

HEX #FD9196

RGB 253 145 150

HSL 357.22, 0.96%, 0.78%

LAB 71.78, 41.14, 15.32

 

CMYK 5 / 43 / 0 / 1

HEX #F091FD

RGB 240 145 253

HSL 292.78, 0.96%, 0.78%

LAB 73.46, 52.16, -39.14

 

CMYK 17 / 43 / 0 / 1

HEX #D391FD

RGB 211 145 253

HSL 276.67, 0.96%, 0.78%

LAB 70.31, 43.92, -44.29

 

CMYK 28 / 43 / 0 / 1

HEX #B691FD

RGB 182 145 253

HSL 260.56, 0.96%, 0.78%

LAB 67.49, 35.92, -48.91

 

CMYK 40 / 43 / 0 / 1

HEX #9991FD

RGB 153 145 253

HSL 244.44, 0.96%, 0.78%

LAB 65.05, 28.4, -52.93

 

CMYK 43 / 43 / 0 / 1

HEX #9191FD

RGB 145 145 253

HSL 240, 0.96%, 0.78%

LAB 64.45, 26.45, -53.92

 

CMYK 5 / 43 / 0 / 1

HEX #F091FD

RGB 240 145 253

HSL 292.78, 0.96%, 0.78%

LAB 73.46, 52.16, -39.14

 

CMYK 5 / 43 / 0 / 1

HEX #F091FD

RGB 240 145 253

HSL 292.78, 0.96%, 0.78%

LAB 73.46, 52.16, -39.14

 

CMYK 5 / 37 / 0 / 4

HEX #E99AF4

RGB 233 154 244

HSL 292.67, 0.8%, 0.78%

LAB 74.17, 43.78, -33.21

 

CMYK 4 / 31 / 0 / 8

HEX #E2A3EB

RGB 226 163 235

HSL 292.5, 0.64%, 0.78%

LAB 75.05, 35.15, -27.02

 

CMYK 3 / 24 / 0 / 11

HEX #DBACE2

RGB 219 172 226

HSL 292.22, 0.48%, 0.78%

LAB 76.1, 26.35, -20.59

 

CMYK 2 / 16 / 0 / 15

HEX #D4B5D8

RGB 212 181 216

HSL 293.14, 0.31%, 0.78%

LAB 77.28, 17.26, -13.45

 

CMYK 28 / 43 / 0 / 1

HEX #B591FD

RGB 181 145 253

HSL 260, 0.96%, 0.78%

LAB 67.4, 35.65, -49.06

 

CMYK 17 / 43 / 0 / 1

HEX #D291FD

RGB 210 145 253

HSL 276.11, 0.96%, 0.78%

LAB 70.21, 43.64, -44.46

 

CMYK 6 / 43 / 0 / 1

HEX #EE91FD

RGB 238 145 253

HSL 291.67, 0.96%, 0.78%

LAB 73.23, 51.59, -39.51

 

CMYK 0 / 43 / 6 / 1

HEX #FD91EE

RGB 253 145 238

HSL 308.33, 0.96%, 0.78%

LAB 74.39, 53.32, -29.42

 

CMYK 0 / 43 / 17 / 1

HEX #FD91D2

RGB 253 145 210

HSL 323.89, 0.96%, 0.78%

LAB 73.41, 48.88, -15.56

 

CMYK 9 / 75 / 0 / 2

HEX #E440FB

RGB 228 64 251

HSL 292.62, 0.96%, 0.62%

LAB 59.09, 83.27, -60.84

 

CMYK 7 / 58 / 0 / 1

HEX #EA69FC

RGB 234 105 252

HSL 292.65, 0.96%, 0.7%

LAB 65.45, 69.45, -51.2

 

CMYK 5 / 43 / 0 / 1

HEX #F091FD

RGB 240 145 253

HSL 292.78, 0.96%, 0.78%

LAB 73.46, 52.16, -39.14

 

CMYK 4 / 27 / 0 / 0

HEX #F5B9FE

RGB 245 185 254

HSL 292.17, 0.97%, 0.86%

LAB 82.52, 33.01, -25.67

 

CMYK 1 / 11 / 0 / 0

HEX #FBE2FE

RGB 251 226 254

HSL 293.57, 0.93%, 0.94%

LAB 92.6, 13.37, -10.43

 

CMYK 5 / 42 / 0 / 1

HEX #F092FD

RGB 240 146 253

HSL 292.71, 0.96%, 0.78%

LAB 73.66, 51.66, -38.83

 

CMYK 0 / 40 / 43 / 1

HEX #FD9891

RGB 253 152 145

HSL 3.89, 0.96%, 0.78%

LAB 73.14, 37.03, 19.96

 

CMYK 43 / 0 / 23 / 1

HEX #91FDC3

RGB 145 253 195

HSL 147.78, 0.96%, 0.78%

LAB 91.78, -43.78, 18.18

 

CMYK 5 / 42 / 0 / 1

HEX #F092FD

RGB 240 146 253

HSL 292.71, 0.96%, 0.78%

LAB 73.66, 51.66, -38.83

 

CMYK 0 / 6 / 43 / 1

HEX #FDEE91

RGB 253 238 145

HSL 51.67, 0.96%, 0.78%

LAB 93.48, -7.44, 46.73

 

CMYK 43 / 0 / 6 / 1

HEX #91FDEE

RGB 145 253 238

HSL 171.67, 0.96%, 0.78%

LAB 92.77, -34.66, -2.58

 

CMYK 5 / 42 / 0 / 1

HEX #F092FD

RGB 240 146 253

HSL 292.71, 0.96%, 0.78%

LAB 73.66, 51.66, -38.83

 

CMYK 0 / 40 / 43 / 1

HEX #FD9891

RGB 253 152 145

HSL 3.89, 0.96%, 0.78%

LAB 73.14, 37.03, 19.96

 

CMYK 37 / 0 / 43 / 1

HEX #9FFD91

RGB 159 253 145

HSL 112.22, 0.96%, 0.78%

LAB 91.53, -48.03, 43.02

 

CMYK 43 / 3 / 0 / 1

HEX #91F6FD

RGB 145 246 253

HSL 183.89, 0.96%, 0.78%

LAB 91.24, -27.79, -12.62

 

CMYK 5 / 42 / 0 / 1

HEX #F092FD

RGB 240 146 253

HSL 292.71, 0.96%, 0.78%

LAB 73.66, 51.66, -38.83

 

CMYK 0 / 27 / 43 / 1

HEX #FDB991

RGB 253 185 145

HSL 22.22, 0.96%, 0.78%

LAB 80.53, 19.8, 29.96

 

CMYK 37 / 0 / 43 / 1

HEX #9FFD91

RGB 159 253 145

HSL 112.22, 0.96%, 0.78%

LAB 91.53, -48.03, 43.02

 

CMYK 43 / 16 / 0 / 1

HEX #91D5FD

RGB 145 213 253

HSL 202.22, 0.96%, 0.78%

LAB 82.22, -11.29, -26.25

 

Description

Color code: HEX #F092FD | qconv.com Color code: HEX #F092FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 146 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 146 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 42 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 42% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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