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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F08928 it is the complementary color #0F76D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F08928. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F08928 shade: #F58923, #FF9B36, #FFAD49, #FFBF5C and #FFD16F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F08928. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F08928 shade: #F08928, #DF7715, #CE6502, #BD5300 and #AC4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F08928 shade: #F08928, #F05328 and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F08928 shade: #F08928, #F0BF28, #EBF028, #B5F028 and #80F028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F08928 shade matches the following richer shades: #F08928

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F08928 shade: #F08928, #DE8A3B, #CB8A4E, #B88B60 and #A68B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F08928 shade: #F02832, #F05428, #F08928, #F0BE28 and #EDF028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F08928 shade: #B9600D, #E07410, #F08928, #F39E4F and #F5B476

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F08928 shade: #F08928, #68F028 and #3928F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F08928 shade: #F08928, #28F089 and #8928F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F08928 shade: #F08928, #68F028, #2890F0 and #B128F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F08928 shade: #F08928, #2CF028, #2890F0 and #ED28F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

Complementary color

CMYK 93 / 45 / 0 / 16

HEX #0F76D7

RGB 15 118 215

HSL 209.1, 0.87%, 0.45%

LAB 49.45, 9.93, -57.06

 

CMYK 0 / 44 / 86 / 4

HEX #F58923

RGB 245 137 35

HSL 29.14, 0.91%, 0.55%

LAB 67.59, 34.8, 66.6

 

CMYK 0 / 39 / 79 / 0

HEX #FF9B36

RGB 255 155 54

HSL 30.15, 1%, 0.61%

LAB 72.87, 30.09, 65.01

 

CMYK 0 / 32 / 71 / 0

HEX #FFAD49

RGB 255 173 73

HSL 32.97, 1%, 0.64%

LAB 77.06, 21.48, 61.35

 

CMYK 0 / 25 / 64 / 0

HEX #FFBF5C

RGB 255 191 92

HSL 36.44, 1%, 0.68%

LAB 81.45, 13.11, 57.62

 

CMYK 0 / 18 / 56 / 0

HEX #FFD16F

RGB 255 209 111

HSL 40.83, 1%, 0.72%

LAB 86.01, 5.09, 54

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 0 / 47 / 91 / 13

HEX #DF7715

RGB 223 119 21

HSL 29.11, 0.83%, 0.48%

LAB 60.72, 34.91, 63.99

 

CMYK 0 / 51 / 99 / 19

HEX #CE6502

RGB 206 101 2

HSL 29.12, 0.98%, 0.41%

LAB 54.48, 37.07, 62.49

 

CMYK 0 / 56 / 100 / 26

HEX #BD5300

RGB 189 83 0

HSL 26.35, 1%, 0.37%

LAB 48.27, 39.37, 57.92

 

CMYK 0 / 62 / 100 / 33

HEX #AC4100

RGB 172 65 0

HSL 22.67, 1%, 0.34%

LAB 42.08, 41.52, 52.99

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 0 / 65 / 83 / 6

HEX #F05328

RGB 240 83 40

HSL 12.9, 0.87%, 0.55%

LAB 56.94, 58.44, 55.46

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 0 / 20 / 83 / 6

HEX #F0BF28

RGB 240 191 40

HSL 45.3, 0.87%, 0.55%

LAB 79.58, 4.55, 74.83

 

CMYK 2 / 0 / 83 / 6

HEX #EBF028

RGB 235 240 40

HSL 61.5, 0.87%, 0.55%

LAB 91.75, -22.1, 84.81

 

CMYK 25 / 0 / 83 / 6

HEX #B5F028

RGB 181 240 40

HSL 77.7, 0.87%, 0.55%

LAB 88.11, -43.52, 80.28

 

CMYK 47 / 0 / 83 / 6

HEX #80F028

RGB 128 240 40

HSL 93.6, 0.87%, 0.55%

LAB 85.54, -61.57, 77.04

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 0 / 38 / 73 / 13

HEX #DE8A3B

RGB 222 138 59

HSL 29.08, 0.71%, 0.55%

LAB 64.98, 25.65, 53.82

 

CMYK 0 / 32 / 62 / 20

HEX #CB8A4E

RGB 203 138 78

HSL 28.8, 0.55%, 0.55%

LAB 62.86, 18.77, 41.64

 

CMYK 0 / 24 / 48 / 28

HEX #B88B60

RGB 184 139 96

HSL 29.32, 0.38%, 0.55%

LAB 61.22, 11.74, 29.57

 

CMYK 0 / 16 / 31 / 35

HEX #A68B73

RGB 166 139 115

HSL 28.24, 0.22%, 0.55%

LAB 59.72, 6.54, 16.65

 

CMYK 0 / 83 / 79 / 6

HEX #F02832

RGB 240 40 50

HSL 357, 0.87%, 0.55%

LAB 52.14, 72.24, 46.03

 

CMYK 0 / 65 / 83 / 6

HEX #F05428

RGB 240 84 40

HSL 13.2, 0.87%, 0.55%

LAB 57.09, 58.03, 55.59

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 0 / 21 / 83 / 6

HEX #F0BE28

RGB 240 190 40

HSL 45, 0.87%, 0.55%

LAB 79.33, 5.07, 74.62

 

CMYK 1 / 0 / 83 / 6

HEX #EDF028

RGB 237 240 40

HSL 60.9, 0.87%, 0.55%

LAB 91.9, -21.27, 85

 

CMYK 0 / 48 / 93 / 27

HEX #B9600D

RGB 185 96 13

HSL 28.95, 0.87%, 0.39%

LAB 50.35, 31.21, 55.97

 

CMYK 0 / 48 / 93 / 12

HEX #E07410

RGB 224 116 16

HSL 28.85, 0.87%, 0.47%

LAB 60.23, 36.78, 64.87

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 0 / 35 / 67 / 5

HEX #F39E4F

RGB 243 158 79

HSL 28.9, 0.87%, 0.63%

LAB 72.28, 24.73, 53.12

 

CMYK 0 / 27 / 52 / 4

HEX #F5B476

RGB 245 180 118

HSL 29.29, 0.86%, 0.71%

LAB 78.09, 16.7, 40.7

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 57 / 0 / 83 / 6

HEX #68F028

RGB 104 240 40

HSL 100.8, 0.87%, 0.55%

LAB 84.7, -68.13, 75.97

 

CMYK 76 / 83 / 0 / 6

HEX #3928F0

RGB 57 40 240

HSL 245.1, 0.87%, 0.55%

LAB 35.36, 66.68, -94.26

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 83 / 0 / 43 / 6

HEX #28F089

RGB 40 240 137

HSL 149.1, 0.87%, 0.55%

LAB 84.27, -68.58, 36.91

 

CMYK 43 / 83 / 0 / 6

HEX #8928F0

RGB 137 40 240

HSL 269.1, 0.87%, 0.55%

LAB 42.95, 73.77, -81.46

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 57 / 0 / 83 / 6

HEX #68F028

RGB 104 240 40

HSL 100.8, 0.87%, 0.55%

LAB 84.7, -68.13, 75.97

 

CMYK 83 / 40 / 0 / 6

HEX #2890F0

RGB 40 144 240

HSL 208.8, 0.87%, 0.55%

LAB 58.69, 5.04, -56.24

 

CMYK 26 / 83 / 0 / 6

HEX #B128F0

RGB 177 40 240

HSL 281.1, 0.87%, 0.55%

LAB 48.46, 79.25, -72.24

 

CMYK 0 / 43 / 83 / 6

HEX #F08928

RGB 240 137 40

HSL 29.1, 0.87%, 0.55%

LAB 66.95, 32.9, 64.14

 

CMYK 82 / 0 / 83 / 6

HEX #2CF028

RGB 44 240 40

HSL 118.8, 0.87%, 0.55%

LAB 83.45, -78.72, 74.38

 

CMYK 83 / 40 / 0 / 6

HEX #2890F0

RGB 40 144 240

HSL 208.8, 0.87%, 0.55%

LAB 58.69, 5.04, -56.24

 

CMYK 1 / 83 / 0 / 6

HEX #ED28F0

RGB 237 40 240

HSL 299.1, 0.87%, 0.55%

LAB 57.86, 89.03, -56.6

 

Description

Color code: HEX #F08928 | qconv.com Color code: HEX #F08928 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 137 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 137 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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