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Color name
HEX #F0880D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0880D it is the complementary color #0F77F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0880D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0880D shade: #F58808, #FF9A1B, #FFAC2E, #FFBE41 and #FFD054

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0880D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0880D shade: #F0880D, #DF7600, #CE6400, #BD5200 and #AC4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0880D shade: #F2890D, #F24B0D and #F20D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0880D shade: #F2890D, #F2C70D, #E0F20D, #A2F20D and #64F20D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0880D shade matches the following richer shades: #F2890D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0880D shade: #F2890D, #DE8721, #C98636, #B4844B and #A0825F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0880D shade: #F20D0D, #F24A0D, #F2870D, #F2C40D and #E3F20D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0880D shade: #A45D09, #CB730B, #F2890D, #F49C34 and #F6AF5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0880D shade: #F0880D, #4AF20D and #2B0DF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0880D shade: #F0880D, #0DF287 and #870DF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0880D shade: #F0880D, #4AF20D, #0D78F2 and #B50DF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0880D shade: #F0880D, #0DF214, #0D78F2 and #F20DEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 95 / 6

HEX #F0880D

RGB 240 136 13

HSL 32.51, 0.9%, 0.5%

LAB 66.64, 32.93, 70.87

 

Complementary color

CMYK 94 / 51 / 0 / 5

HEX #0F77F2

RGB 15 119 242

HSL 212.51, 0.9%, 0.5%

LAB 51.5, 19.8, -68.92

 

CMYK 0 / 44 / 97 / 4

HEX #F58808

RGB 245 136 8

HSL 32.41, 0.94%, 0.5%

LAB 67.31, 34.92, 72.36

 

CMYK 0 / 40 / 89 / 0

HEX #FF9A1B

RGB 255 154 27

HSL 33.42, 1%, 0.55%

LAB 72.53, 29.94, 73.19

 

CMYK 0 / 33 / 82 / 0

HEX #FFAC2E

RGB 255 172 46

HSL 36.17, 1%, 0.59%

LAB 76.66, 20.99, 71.22

 

CMYK 0 / 25 / 75 / 0

HEX #FFBE41

RGB 255 190 65

HSL 39.47, 1%, 0.63%

LAB 81, 12.26, 68.52

 

CMYK 0 / 18 / 67 / 0

HEX #FFD054

RGB 255 208 84

HSL 43.51, 1%, 0.66%

LAB 85.51, 3.87, 65.51

 

CMYK 0 / 43 / 95 / 6

HEX #F0880D

RGB 240 136 13

HSL 32.51, 0.9%, 0.5%

LAB 66.64, 32.93, 70.87

 

CMYK 0 / 47 / 100 / 13

HEX #DF7600

RGB 223 118 0

HSL 31.75, 1%, 0.44%

LAB 60.47, 35.19, 67.75

 

CMYK 0 / 51 / 100 / 19

HEX #CE6400

RGB 206 100 0

HSL 29.13, 1%, 0.4%

LAB 54.28, 37.56, 62.77

 

CMYK 0 / 57 / 100 / 26

HEX #BD5200

RGB 189 82 0

HSL 26.03, 1%, 0.37%

LAB 48.07, 39.86, 57.81

 

CMYK 0 / 63 / 100 / 33

HEX #AC4000

RGB 172 64 0

HSL 22.33, 1%, 0.34%

LAB 41.9, 41.98, 52.9

 

CMYK 0 / 43 / 95 / 5

HEX #F2890D

RGB 242 137 13

HSL 32.49, 0.9%, 0.5%

LAB 67.12, 33.23, 71.33

 

CMYK 0 / 69 / 95 / 5

HEX #F24B0D

RGB 242 75 13

HSL 16.24, 0.9%, 0.5%

LAB 56.03, 61.74, 64.22

 

CMYK 0 / 95 / 95 / 5

HEX #F20D0D

RGB 242 13 13

HSL 0, 0.9%, 0.5%

LAB 50.91, 76.12, 61.36

 

CMYK 0 / 43 / 95 / 5

HEX #F2890D

RGB 242 137 13

HSL 32.49, 0.9%, 0.5%

LAB 67.12, 33.23, 71.33

 

CMYK 0 / 18 / 95 / 5

HEX #F2C70D

RGB 242 199 13

HSL 48.73, 0.9%, 0.5%

LAB 81.7, 0.79, 81.64

 

CMYK 7 / 0 / 95 / 5

HEX #E0F20D

RGB 224 242 13

HSL 64.72, 0.9%, 0.5%

LAB 91.41, -28.01, 88.23

 

CMYK 33 / 0 / 95 / 5

HEX #A2F20D

RGB 162 242 13

HSL 80.96, 0.9%, 0.5%

LAB 87.59, -51.89, 83.62

 

CMYK 59 / 0 / 95 / 5

HEX #64F20D

RGB 100 242 13

HSL 97.21, 0.9%, 0.5%

LAB 85.12, -70.52, 80.6

 

CMYK 0 / 43 / 95 / 5

HEX #F2890D

RGB 242 137 13

HSL 32.49, 0.9%, 0.5%

LAB 67.12, 33.23, 71.33

 

CMYK 0 / 43 / 95 / 5

HEX #F2890D

RGB 242 137 13

HSL 32.49, 0.9%, 0.5%

LAB 67.12, 33.23, 71.33

 

CMYK 0 / 39 / 85 / 13

HEX #DE8721

RGB 222 135 33

HSL 32.38, 0.74%, 0.5%

LAB 64.13, 26.34, 63.16

 

CMYK 0 / 33 / 73 / 21

HEX #C98636

RGB 201 134 54

HSL 32.65, 0.58%, 0.5%

LAB 61.42, 18.68, 51.6

 

CMYK 0 / 27 / 58 / 29

HEX #B4844B

RGB 180 132 75

HSL 32.57, 0.41%, 0.5%

LAB 58.71, 12.03, 37.62

 

CMYK 0 / 19 / 41 / 37

HEX #A0825F

RGB 160 130 95

HSL 32.31, 0.25%, 0.5%

LAB 56.35, 6.54, 23.28

 

CMYK 0 / 95 / 95 / 5

HEX #F20D0D

RGB 242 13 13

HSL 0, 0.9%, 0.5%

LAB 50.91, 76.12, 61.36

 

CMYK 0 / 69 / 95 / 5

HEX #F24A0D

RGB 242 74 13

HSL 15.98, 0.9%, 0.5%

LAB 55.89, 62.11, 64.14

 

CMYK 0 / 44 / 95 / 5

HEX #F2870D

RGB 242 135 13

HSL 31.97, 0.9%, 0.5%

LAB 66.7, 34.26, 71.04

 

CMYK 0 / 19 / 95 / 5

HEX #F2C40D

RGB 242 196 13

HSL 47.95, 0.9%, 0.5%

LAB 80.95, 2.34, 81.1

 

CMYK 6 / 0 / 95 / 5

HEX #E3F20D

RGB 227 242 13

HSL 63.93, 0.9%, 0.5%

LAB 91.62, -26.79, 88.49

 

CMYK 0 / 43 / 95 / 36

HEX #A45D09

RGB 164 93 9

HSL 32.52, 0.9%, 0.34%

LAB 46.63, 23.78, 52.85

 

CMYK 0 / 43 / 95 / 20

HEX #CB730B

RGB 203 115 11

HSL 32.5, 0.9%, 0.42%

LAB 57.06, 28.6, 62.28

 

CMYK 0 / 43 / 95 / 5

HEX #F2890D

RGB 242 137 13

HSL 32.49, 0.9%, 0.5%

LAB 67.12, 33.23, 71.33

 

CMYK 0 / 36 / 79 / 4

HEX #F49C34

RGB 244 156 52

HSL 32.5, 0.9%, 0.58%

LAB 71.73, 24.99, 64.22

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5B

RGB 246 175 91

HSL 32.52, 0.9%, 0.66%

LAB 76.68, 17.72, 52.46

 

CMYK 0 / 43 / 95 / 6

HEX #F0880D

RGB 240 136 13

HSL 32.51, 0.9%, 0.5%

LAB 66.64, 32.93, 70.87

 

CMYK 69 / 0 / 95 / 5

HEX #4AF20D

RGB 74 242 13

HSL 104.02, 0.9%, 0.5%

LAB 84.48, -75.92, 79.81

 

CMYK 82 / 95 / 0 / 5

HEX #2B0DF2

RGB 43 13 242

HSL 247.86, 0.9%, 0.5%

LAB 32.29, 74.51, -100.54

 

CMYK 0 / 43 / 95 / 6

HEX #F0880D

RGB 240 136 13

HSL 32.51, 0.9%, 0.5%

LAB 66.64, 32.93, 70.87

 

CMYK 95 / 0 / 44 / 5

HEX #0DF287

RGB 13 242 135

HSL 151.97, 0.9%, 0.5%

LAB 84.66, -71.13, 38.37

 

CMYK 44 / 95 / 0 / 5

HEX #870DF2

RGB 135 13 242

HSL 271.97, 0.9%, 0.5%

LAB 40.98, 79.66, -85.86

 

CMYK 0 / 43 / 95 / 6

HEX #F0880D

RGB 240 136 13

HSL 32.51, 0.9%, 0.5%

LAB 66.64, 32.93, 70.87

 

CMYK 69 / 0 / 95 / 5

HEX #4AF20D

RGB 74 242 13

HSL 104.02, 0.9%, 0.5%

LAB 84.48, -75.92, 79.81

 

CMYK 95 / 50 / 0 / 5

HEX #0D78F2

RGB 13 120 242

HSL 211.97, 0.9%, 0.5%

LAB 51.76, 19.11, -68.51

 

CMYK 25 / 95 / 0 / 5

HEX #B50DF2

RGB 181 13 242

HSL 284.02, 0.9%, 0.5%

LAB 47.65, 84.79, -74.65

 

CMYK 0 / 43 / 95 / 6

HEX #F0880D

RGB 240 136 13

HSL 32.51, 0.9%, 0.5%

LAB 66.64, 32.93, 70.87

 

CMYK 95 / 0 / 92 / 5

HEX #0DF214

RGB 13 242 20

HSL 121.83, 0.9%, 0.5%

LAB 83.78, -82.08, 78.16

 

CMYK 95 / 50 / 0 / 5

HEX #0D78F2

RGB 13 120 242

HSL 211.97, 0.9%, 0.5%

LAB 51.76, 19.11, -68.51

 

CMYK 0 / 95 / 3 / 5

HEX #F20DEB

RGB 242 13 235

HSL 301.83, 0.9%, 0.5%

LAB 57.23, 92.64, -54.75

 

Description

Color code: HEX #F0880D | qconv.com Color code: HEX #F0880D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 136 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 136 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 95 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 95% 6% C M Y K

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