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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F08317 it is the complementary color #0F7CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F08317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F08317 shade: #F58312, #FF9525, #FFA738, #FFB94B and #FFCB5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F08317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F08317 shade: #F08317, #DF7104, #CE5F00, #BD4D00 and #AC3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F08317 shade: #F08419, #F04A19 and #F01919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F08317 shade: #F08419, #F0BE19, #E8F019, #AEF019 and #74F019

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F08317 shade matches the following richer shades: #F08419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F08317 shade: #F08419, #DD842D, #C98440, #B58454 and #A18468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F08317 shade: #F01924, #F04819, #F08119, #F0BA19 and #EDF019

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F08317 shade: #AC5B0B, #D3700D, #F08419, #F39940 and #F5AE66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F08317 shade: #F08317, #5DF019 and #2B19F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F08317 shade: #F08317, #19F081 and #8119F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F08317 shade: #F08317, #5DF019, #1988F0 and #AC19F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F08317 shade: #F08317, #1CF019, #1988F0 and #ED19F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 90 / 6

HEX #F08317

RGB 240 131 23

HSL 29.86, 0.88%, 0.52%

LAB 65.61, 35.63, 68.13

 

Complementary color

CMYK 94 / 47 / 0 / 9

HEX #0F7CE8

RGB 15 124 232

HSL 209.86, 0.88%, 0.48%

LAB 52.22, 12.79, -62.18

 

CMYK 0 / 47 / 93 / 4

HEX #F58312

RGB 245 131 18

HSL 29.87, 0.92%, 0.52%

LAB 66.28, 37.57, 70.04

 

CMYK 0 / 42 / 85 / 0

HEX #FF9525

RGB 255 149 37

HSL 30.83, 1%, 0.57%

LAB 71.48, 32.71, 69.69

 

CMYK 0 / 35 / 78 / 0

HEX #FFA738

RGB 255 167 56

HSL 33.47, 1%, 0.61%

LAB 75.57, 23.92, 66.76

 

CMYK 0 / 27 / 71 / 0

HEX #FFB94B

RGB 255 185 75

HSL 36.67, 1%, 0.65%

LAB 79.88, 15.31, 63.41

 

CMYK 0 / 20 / 63 / 0

HEX #FFCB5E

RGB 255 203 94

HSL 40.62, 1%, 0.68%

LAB 84.37, 7.02, 59.96

 

CMYK 0 / 45 / 90 / 6

HEX #F08317

RGB 240 131 23

HSL 29.86, 0.88%, 0.52%

LAB 65.61, 35.63, 68.13

 

CMYK 0 / 49 / 98 / 13

HEX #DF7104

RGB 223 113 4

HSL 29.86, 0.96%, 0.45%

LAB 59.44, 37.78, 66.43

 

CMYK 0 / 54 / 100 / 19

HEX #CE5F00

RGB 206 95 0

HSL 27.67, 1%, 0.4%

LAB 53.28, 40.07, 62.19

 

CMYK 0 / 59 / 100 / 26

HEX #BD4D00

RGB 189 77 0

HSL 24.44, 1%, 0.37%

LAB 47.14, 42.29, 57.29

 

CMYK 0 / 66 / 100 / 33

HEX #AC3B00

RGB 172 59 0

HSL 20.58, 1%, 0.34%

LAB 41.05, 44.24, 52.45

 

CMYK 0 / 45 / 90 / 6

HEX #F08419

RGB 240 132 25

HSL 29.86, 0.88%, 0.52%

LAB 65.82, 35.15, 67.8

 

CMYK 0 / 69 / 90 / 6

HEX #F04A19

RGB 240 74 25

HSL 13.67, 0.88%, 0.52%

LAB 55.58, 61.62, 60.29

 

CMYK 0 / 90 / 90 / 6

HEX #F01919

RGB 240 25 25

HSL 0, 0.88%, 0.52%

LAB 51.03, 74.39, 57.08

 

CMYK 0 / 45 / 90 / 6

HEX #F08419

RGB 240 132 25

HSL 29.86, 0.88%, 0.52%

LAB 65.82, 35.15, 67.8

 

CMYK 0 / 21 / 90 / 6

HEX #F0BE19

RGB 240 190 25

HSL 46.05, 0.88%, 0.52%

LAB 79.28, 4.74, 78

 

CMYK 3 / 0 / 90 / 6

HEX #E8F019

RGB 232 240 25

HSL 62.23, 0.88%, 0.52%

LAB 91.48, -23.64, 87.16

 

CMYK 28 / 0 / 90 / 6

HEX #AEF019

RGB 174 240 25

HSL 78.42, 0.88%, 0.52%

LAB 87.67, -46.52, 82.52

 

CMYK 52 / 0 / 90 / 6

HEX #74F019

RGB 116 240 25

HSL 94.6, 0.88%, 0.52%

LAB 85.05, -65.48, 79.28

 

CMYK 0 / 45 / 90 / 6

HEX #F08419

RGB 240 132 25

HSL 29.86, 0.88%, 0.52%

LAB 65.82, 35.15, 67.8

 

CMYK 0 / 45 / 90 / 6

HEX #F08419

RGB 240 132 25

HSL 29.86, 0.88%, 0.52%

LAB 65.82, 35.15, 67.8

 

CMYK 0 / 40 / 80 / 13

HEX #DD842D

RGB 221 132 45

HSL 29.66, 0.72%, 0.52%

LAB 63.4, 27.87, 58.17

 

CMYK 0 / 34 / 68 / 21

HEX #C98440

RGB 201 132 64

HSL 29.78, 0.56%, 0.52%

LAB 61.04, 20.3, 46.51

 

CMYK 0 / 27 / 54 / 29

HEX #B58454

RGB 181 132 84

HSL 29.69, 0.4%, 0.52%

LAB 58.94, 13.22, 33.14

 

CMYK 0 / 18 / 35 / 37

HEX #A18468

RGB 161 132 104

HSL 29.47, 0.23%, 0.52%

LAB 57.15, 6.95, 19.29

 

CMYK 0 / 90 / 85 / 6

HEX #F01924

RGB 240 25 36

HSL 356.93, 0.88%, 0.52%

LAB 51.09, 74.58, 52.24

 

CMYK 0 / 70 / 90 / 6

HEX #F04819

RGB 240 72 25

HSL 13.12, 0.88%, 0.52%

LAB 55.31, 62.36, 60.1

 

CMYK 0 / 46 / 90 / 6

HEX #F08119

RGB 240 129 25

HSL 29.02, 0.88%, 0.52%

LAB 65.2, 36.69, 67.33

 

CMYK 0 / 23 / 90 / 6

HEX #F0BA19

RGB 240 186 25

HSL 44.93, 0.88%, 0.52%

LAB 78.29, 6.83, 77.24

 

CMYK 1 / 0 / 90 / 6

HEX #EDF019

RGB 237 240 25

HSL 60.84, 0.88%, 0.52%

LAB 91.86, -21.58, 87.63

 

CMYK 0 / 47 / 94 / 33

HEX #AC5B0B

RGB 172 91 11

HSL 29.81, 0.88%, 0.36%

LAB 47.34, 28.38, 53.43

 

CMYK 0 / 47 / 94 / 17

HEX #D3700D

RGB 211 112 13

HSL 30, 0.88%, 0.44%

LAB 57.53, 33.54, 62.75

 

CMYK 0 / 45 / 90 / 6

HEX #F08419

RGB 240 132 25

HSL 29.86, 0.88%, 0.52%

LAB 65.82, 35.15, 67.8

 

CMYK 0 / 37 / 74 / 5

HEX #F39940

RGB 243 153 64

HSL 29.83, 0.88%, 0.6%

LAB 71.01, 26.62, 58.6

 

CMYK 0 / 29 / 58 / 4

HEX #F5AE66

RGB 245 174 102

HSL 30.21, 0.88%, 0.68%

LAB 76.46, 18.59, 46.81

 

CMYK 0 / 45 / 90 / 6

HEX #F08317

RGB 240 131 23

HSL 29.86, 0.88%, 0.52%

LAB 65.61, 35.63, 68.13

 

CMYK 61 / 0 / 90 / 6

HEX #5DF019

RGB 93 240 25

HSL 101.02, 0.88%, 0.52%

LAB 84.34, -71.23, 78.4

 

CMYK 82 / 90 / 0 / 6

HEX #2B19F0

RGB 43 25 240

HSL 245.02, 0.88%, 0.52%

LAB 32.92, 71.25, -98.34

 

CMYK 0 / 45 / 90 / 6

HEX #F08317

RGB 240 131 23

HSL 29.86, 0.88%, 0.52%

LAB 65.61, 35.63, 68.13

 

CMYK 90 / 0 / 46 / 6

HEX #19F081

RGB 25 240 129

HSL 149.02, 0.88%, 0.52%

LAB 84.02, -70.98, 40.5

 

CMYK 46 / 90 / 0 / 6

HEX #8119F0

RGB 129 25 240

HSL 269.02, 0.88%, 0.52%

LAB 40.66, 76.68, -85.27

 

CMYK 0 / 45 / 90 / 6

HEX #F08317

RGB 240 131 23

HSL 29.86, 0.88%, 0.52%

LAB 65.61, 35.63, 68.13

 

CMYK 61 / 0 / 90 / 6

HEX #5DF019

RGB 93 240 25

HSL 101.02, 0.88%, 0.52%

LAB 84.34, -71.23, 78.4

 

CMYK 90 / 43 / 0 / 6

HEX #1988F0

RGB 25 136 240

HSL 209.02, 0.88%, 0.52%

LAB 56.19, 8.89, -60.24

 

CMYK 28 / 90 / 0 / 6

HEX #AC19F0

RGB 172 25 240

HSL 281.02, 0.88%, 0.52%

LAB 46.65, 81.68, -75.21

 

CMYK 0 / 45 / 90 / 6

HEX #F08317

RGB 240 131 23

HSL 29.86, 0.88%, 0.52%

LAB 65.61, 35.63, 68.13

 

CMYK 88 / 0 / 90 / 6

HEX #1CF019

RGB 28 240 25

HSL 119.16, 0.88%, 0.52%

LAB 83.25, -80.64, 77.04

 

CMYK 90 / 43 / 0 / 6

HEX #1988F0

RGB 25 136 240

HSL 209.02, 0.88%, 0.52%

LAB 56.19, 8.89, -60.24

 

CMYK 1 / 90 / 0 / 6

HEX #ED19F0

RGB 237 25 240

HSL 299.16, 0.88%, 0.52%

LAB 57.07, 91.36, -57.87

 

Description

Color code: HEX #F08317 | qconv.com Color code: HEX #F08317 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 131 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 131 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 90% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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