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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F082D1 it is the complementary color #0F7D2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F082D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F082D1 shade: #F582CC, #FF94DF, #FFA6F2, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F082D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F082D1 shade: #F082D1, #DF70BE, #CE5EAB, #BD4C98 and #AC3A85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F082D1 shade: #F184D2, #F184B5, #F18497 and #F18484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F082D1 shade: #F184D2, #F184EF, #D584F1, #B784F1 and #9A84F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F082D1 shade matches the following richer shades: #F184D2 and #FC79D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F082D1 shade: #F184D2, #E58FCD, #DA9AC8, #CFA5C3 and #C4B0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F082D1 shade: #D484F1, #F184F1, #F184D4, #F184B7 and #F1849A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F082D1 shade: #E83AB7, #EC5FC4, #F184D2, #F5A9DF and #F9CEED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F082D1 shade: #F082D1, #F1B784 and #84F1E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F082D1 shade: #F082D1, #D4F184 and #84D4F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F082D1 shade: #F082D1, #F1B784, #84F1A1 and #84BEF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F082D1 shade: #F082D1, #F1D784, #84F1A1 and #849DF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 13 / 6

HEX #F082D1

RGB 240 130 209

HSL 316.91, 0.79%, 0.73%

LAB 68.82, 52.13, -22.12

 

Complementary color

CMYK 88 / 0 / 63 / 51

HEX #0F7D2E

RGB 15 125 46

HSL 136.91, 0.79%, 0.27%

LAB 45.59, -46.12, 34.32

 

CMYK 0 / 47 / 17 / 4

HEX #F582CC

RGB 245 130 204

HSL 321.39, 0.85%, 0.74%

LAB 69.28, 52.91, -18.57

 

CMYK 0 / 42 / 13 / 0

HEX #FF94DF

RGB 255 148 223

HSL 317.94, 1%, 0.79%

LAB 74.68, 50, -20.76

 

CMYK 0 / 35 / 5 / 0

HEX #FFA6F2

RGB 255 166 242

HSL 308.76, 1%, 0.83%

LAB 79.01, 43.95, -24.49

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 46 / 13 / 6

HEX #F082D1

RGB 240 130 209

HSL 316.91, 0.79%, 0.73%

LAB 68.82, 52.13, -22.12

 

CMYK 0 / 50 / 15 / 13

HEX #DF70BE

RGB 223 112 190

HSL 317.84, 0.63%, 0.66%

LAB 62.5, 52.82, -21.28

 

CMYK 0 / 54 / 17 / 19

HEX #CE5EAB

RGB 206 94 171

HSL 318.75, 0.53%, 0.59%

LAB 56.16, 53.43, -20.29

 

CMYK 0 / 60 / 20 / 26

HEX #BD4C98

RGB 189 76 152

HSL 319.65, 0.46%, 0.52%

LAB 49.8, 53.89, -19.08

 

CMYK 0 / 66 / 23 / 33

HEX #AC3A85

RGB 172 58 133

HSL 320.53, 0.5%, 0.45%

LAB 43.49, 54.06, -17.56

 

CMYK 0 / 45 / 13 / 5

HEX #F184D2

RGB 241 132 210

HSL 317.06, 0.8%, 0.73%

LAB 69.37, 51.6, -21.82

 

CMYK 0 / 45 / 25 / 5

HEX #F184B5

RGB 241 132 181

HSL 333.03, 0.8%, 0.73%

LAB 68.42, 47.34, -7.06

 

CMYK 0 / 45 / 37 / 5

HEX #F18497

RGB 241 132 151

HSL 349.54, 0.8%, 0.73%

LAB 67.6, 43.57, 8.64

 

CMYK 0 / 45 / 45 / 5

HEX #F18484

RGB 241 132 132

HSL 0, 0.8%, 0.73%

LAB 67.18, 41.55, 18.73

 

CMYK 0 / 45 / 13 / 5

HEX #F184D2

RGB 241 132 210

HSL 317.06, 0.8%, 0.73%

LAB 69.37, 51.6, -21.82

 

CMYK 0 / 45 / 1 / 5

HEX #F184EF

RGB 241 132 239

HSL 301.1, 0.8%, 0.73%

LAB 70.48, 56.41, -36.12

 

CMYK 12 / 45 / 0 / 5

HEX #D584F1

RGB 213 132 241

HSL 284.59, 0.8%, 0.73%

LAB 67.28, 48.85, -42.46

 

CMYK 24 / 45 / 0 / 5

HEX #B784F1

RGB 183 132 241

HSL 268.07, 0.8%, 0.73%

LAB 64.1, 40.54, -47.68

 

CMYK 36 / 45 / 0 / 5

HEX #9A84F1

RGB 154 132 241

HSL 252.11, 0.8%, 0.73%

LAB 61.41, 32.89, -52.1

 

CMYK 0 / 45 / 13 / 5

HEX #F184D2

RGB 241 132 210

HSL 317.06, 0.8%, 0.73%

LAB 69.37, 51.6, -21.82

 

CMYK 0 / 52 / 15 / 1

HEX #FC79D7

RGB 252 121 215

HSL 316.95, 0.96%, 0.73%

LAB 68.95, 60.95, -25.11

 

CMYK 0 / 45 / 13 / 5

HEX #F184D2

RGB 241 132 210

HSL 317.06, 0.8%, 0.73%

LAB 69.37, 51.6, -21.82

 

CMYK 0 / 38 / 10 / 10

HEX #E58FCD

RGB 229 143 205

HSL 316.74, 0.62%, 0.73%

LAB 69.97, 41.37, -18.26

 

CMYK 0 / 29 / 8 / 15

HEX #DA9AC8

RGB 218 154 200

HSL 316.88, 0.46%, 0.73%

LAB 71, 31.02, -14.06

 

CMYK 0 / 20 / 6 / 19

HEX #CFA5C3

RGB 207 165 195

HSL 317.14, 0.3%, 0.73%

LAB 72.31, 20.39, -9.46

 

CMYK 0 / 10 / 3 / 23

HEX #C4B0BE

RGB 196 176 190

HSL 318, 0.14%, 0.73%

LAB 73.87, 9.64, -4.51

 

CMYK 12 / 45 / 0 / 5

HEX #D484F1

RGB 212 132 241

HSL 284.04, 0.8%, 0.73%

LAB 67.16, 48.57, -42.65

 

CMYK 0 / 45 / 0 / 5

HEX #F184F1

RGB 241 132 241

HSL 300, 0.8%, 0.73%

LAB 70.56, 56.76, -37.09

 

CMYK 0 / 45 / 12 / 5

HEX #F184D4

RGB 241 132 212

HSL 315.96, 0.8%, 0.73%

LAB 69.44, 51.92, -22.83

 

CMYK 0 / 45 / 24 / 5

HEX #F184B7

RGB 241 132 183

HSL 331.93, 0.8%, 0.73%

LAB 68.48, 47.61, -8.09

 

CMYK 0 / 45 / 36 / 5

HEX #F1849A

RGB 241 132 154

HSL 347.89, 0.8%, 0.73%

LAB 67.68, 43.91, 7.06

 

CMYK 0 / 75 / 21 / 9

HEX #E83AB7

RGB 232 58 183

HSL 316.9, 0.79%, 0.57%

LAB 55.69, 75.85, -27.63

 

CMYK 0 / 60 / 17 / 7

HEX #EC5FC4

RGB 236 95 196

HSL 317.02, 0.79%, 0.65%

LAB 61.66, 65.23, -25.83

 

CMYK 0 / 45 / 13 / 5

HEX #F184D2

RGB 241 132 210

HSL 317.06, 0.8%, 0.73%

LAB 69.37, 51.6, -21.82

 

CMYK 0 / 31 / 9 / 4

HEX #F5A9DF

RGB 245 169 223

HSL 317.37, 0.79%, 0.81%

LAB 77.94, 35.96, -15.93

 

CMYK 0 / 17 / 5 / 2

HEX #F9CEED

RGB 249 206 237

HSL 316.74, 0.78%, 0.89%

LAB 87.19, 20.16, -9.56

 

CMYK 0 / 46 / 13 / 6

HEX #F082D1

RGB 240 130 209

HSL 316.91, 0.79%, 0.73%

LAB 68.82, 52.13, -22.12

 

CMYK 0 / 24 / 45 / 5

HEX #F1B784

RGB 241 183 132

HSL 28.07, 0.8%, 0.73%

LAB 78.6, 14.82, 34.02

 

CMYK 45 / 0 / 6 / 5

HEX #84F1E2

RGB 132 241 226

HSL 171.74, 0.8%, 0.73%

LAB 88.59, -34.94, -2.52

 

CMYK 0 / 46 / 13 / 6

HEX #F082D1

RGB 240 130 209

HSL 316.91, 0.79%, 0.73%

LAB 68.82, 52.13, -22.12

 

CMYK 12 / 0 / 45 / 5

HEX #D4F184

RGB 212 241 132

HSL 75.96, 0.8%, 0.73%

LAB 91.04, -25.96, 49.28

 

CMYK 45 / 12 / 0 / 5

HEX #84D4F1

RGB 132 212 241

HSL 195.96, 0.8%, 0.73%

LAB 80.93, -17.05, -21.89

 

CMYK 0 / 46 / 13 / 6

HEX #F082D1

RGB 240 130 209

HSL 316.91, 0.79%, 0.73%

LAB 68.82, 52.13, -22.12

 

CMYK 0 / 24 / 45 / 5

HEX #F1B784

RGB 241 183 132

HSL 28.07, 0.8%, 0.73%

LAB 78.6, 14.82, 34.02

 

CMYK 45 / 0 / 33 / 5

HEX #84F1A1

RGB 132 241 161

HSL 135.96, 0.8%, 0.73%

LAB 87.19, -48.26, 29.15

 

CMYK 45 / 21 / 0 / 5

HEX #84BEF1

RGB 132 190 241

HSL 208.07, 0.8%, 0.73%

LAB 74.88, -5.49, -31.14

 

CMYK 0 / 46 / 13 / 6

HEX #F082D1

RGB 240 130 209

HSL 316.91, 0.79%, 0.73%

LAB 68.82, 52.13, -22.12

 

CMYK 0 / 11 / 45 / 5

HEX #F1D784

RGB 241 215 132

HSL 45.69, 0.8%, 0.73%

LAB 86.49, -1.83, 44.11

 

CMYK 45 / 0 / 33 / 5

HEX #84F1A1

RGB 132 241 161

HSL 135.96, 0.8%, 0.73%

LAB 87.19, -48.26, 29.15

 

CMYK 45 / 35 / 0 / 5

HEX #849DF1

RGB 132 157 241

HSL 226.24, 0.8%, 0.73%

LAB 66.04, 12.95, -44.91

 

Description

Color code: HEX #F082D1 | qconv.com Color code: HEX #F082D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 130 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 130 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 13 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 13% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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