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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0814ACE it is the complementary color #0F7EB5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0814ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0814ACE shade: #F58145CE, #FF9358CE, #FFA56BCE, #FFB77ECE and #FFC991CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0814ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0814ACE shade: #F0814ACE, #DF6F37CE, #CE5D24CE, #BD4B11CE and #AC3900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0814ACE shade: #F0824C, #F0564C and #F04C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0814ACE shade: #F0824C, #F0AF4C, #F0DB4C, #D9F04C and #ADF04C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0814ACE shade matches the following richer shades: #F0824C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0814ACE shade: #F0824C, #E1885B, #D18D6B, #C1927B and #B2978A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0814ACE shade: #F04C6F, #F0544C, #F0804C, #F0AC4C and #F0D84C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0814ACE shade: #D85312, #ED6826, #F0824C, #F49D72 and #F7B798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0814ACE shade: #F0814A, #9BF04C and #4C59F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0814ACE shade: #F0814A, #4CF080 and #804CF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0814ACE shade: #F0814A, #9BF04C, #4CBCF0 and #A14CF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0814ACE shade: #F0814A, #6AF04C, #4CBCF0 and #D24CF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 56 / 5

HEX #F0814ACE

RGBA 240 129 74 0.81

HSLA 19.88, 0.85%, 0.62%, 0.81

LABA 65.53, 38.34, 47.97, 0.81

 

Complementary color

CMYK 74 / 25 / 0 / 24

HEX #0F7EB5CE

RGBA 15 126 181 0.81

HSLA 199.88, 0.85%, 0.38%, 0.81

LABA 49.93, -8.11, -36.85, 0.81

 

CMYK 0 / 38 / 58 / 3

HEX #F58145CE

RGBA 245 129 69 0.81

HSLA 20.45, 0.9%, 0.62%, 0.81

LABA 66.17, 40.03, 51.33, 0.81

 

CMYK 0 / 34 / 53 / 0

HEX #FF9358CE

RGBA 255 147 88 0.81

HSLA 21.2, 1%, 0.67%, 0.81

LABA 71.44, 35.77, 48.2, 0.81

 

CMYK 0 / 29 / 47 / 0

HEX #FFA56BCE

RGBA 255 165 107 0.81

HSLA 23.51, 1%, 0.71%, 0.81

LABA 75.6, 27.7, 43.5, 0.81

 

CMYK 0 / 23 / 41 / 0

HEX #FFB77ECE

RGBA 255 183 126 0.81

HSLA 26.51, 1%, 0.75%, 0.81

LABA 79.97, 19.81, 39.19, 0.81

 

CMYK 0 / 17 / 35 / 0

HEX #FFC991CE

RGBA 255 201 145 0.81

HSLA 30.55, 1%, 0.78%, 0.81

LABA 84.52, 12.22, 35.27, 0.81

 

CMYK 0 / 37 / 56 / 5

HEX #F0814ACE

RGBA 240 129 74 0.81

HSLA 19.88, 0.85%, 0.62%, 0.81

LABA 65.53, 38.34, 47.97, 0.81

 

CMYK 0 / 41 / 61 / 10

HEX #DF6F37CE

RGBA 223 111 55 0.81

HSLA 20, 0.72%, 0.55%, 0.81

LABA 59.28, 39.95, 49.86, 0.81

 

CMYK 0 / 44 / 67 / 16

HEX #CE5D24CE

RGBA 206 93 36 0.81

HSLA 20.12, 0.7%, 0.47%, 0.81

LABA 53.03, 41.68, 51.6, 0.81

 

CMYK 0 / 49 / 74 / 21

HEX #BD4B11CE

RGBA 189 75 17 0.81

HSLA 20.23, 0.83%, 0.4%, 0.81

LABA 46.83, 43.45, 52.62, 0.81

 

CMYK 0 / 54 / 81 / 26

HEX #AC3900CE

RGBA 172 57 0 0.81

HSLA 19.88, 1%, 0.34%, 0.81

LABA 40.73, 45.12, 52.29, 0.81

 

CMYK 0 / 46 / 68 / 6

HEX #F0824C

RGB 240 130 76

HSL 19.76, 0.85%, 0.62%

LAB 65.76, 37.93, 47.22

 

CMYK 0 / 64 / 68 / 6

HEX #F0564C

RGB 240 86 76

HSL 3.66, 0.85%, 0.62%

LAB 57.75, 58.55, 37.96

 

CMYK 0 / 68 / 68 / 6

HEX #F04C4C

RGB 240 76 76

HSL 0, 0.85%, 0.62%

LAB 56.3, 62.49, 36.23

 

CMYK 0 / 46 / 68 / 6

HEX #F0824C

RGB 240 130 76

HSL 19.76, 0.85%, 0.62%

LAB 65.76, 37.93, 47.22

 

CMYK 0 / 27 / 68 / 6

HEX #F0AF4C

RGB 240 175 76

HSL 36.22, 0.85%, 0.62%

LAB 75.89, 14.35, 58.31

 

CMYK 0 / 9 / 68 / 6

HEX #F0DB4C

RGB 240 219 76

HSL 52.32, 0.85%, 0.62%

LAB 86.85, -8.38, 69.65

 

CMYK 10 / 0 / 68 / 6

HEX #D9F04C

RGB 217 240 76

HSL 68.41, 0.85%, 0.62%

LAB 90.59, -27.98, 72.82

 

CMYK 28 / 0 / 68 / 6

HEX #ADF04C

RGB 173 240 76

HSL 84.51, 0.85%, 0.62%

LAB 87.84, -44.76, 69.14

 

CMYK 0 / 46 / 68 / 6

HEX #F0824C

RGB 240 130 76

HSL 19.76, 0.85%, 0.62%

LAB 65.76, 37.93, 47.22

 

CMYK 0 / 46 / 68 / 6

HEX #F0824C

RGB 240 130 76

HSL 19.76, 0.85%, 0.62%

LAB 65.76, 37.93, 47.22

 

CMYK 0 / 40 / 60 / 12

HEX #E1885B

RGB 225 136 91

HSL 20.15, 0.69%, 0.62%

LAB 65.26, 29.82, 38.36

 

CMYK 0 / 33 / 49 / 18

HEX #D18D6B

RGB 209 141 107

HSL 20, 0.53%, 0.62%

LAB 64.7, 22.03, 28.6

 

CMYK 0 / 24 / 36 / 24

HEX #C1927B

RGB 193 146 123

HSL 19.71, 0.36%, 0.62%

LAB 64.42, 14.6, 19.07

 

CMYK 0 / 15 / 22 / 30

HEX #B2978A

RGB 178 151 138

HSL 19.5, 0.21%, 0.62%

LAB 64.51, 7.96, 10.57

 

CMYK 0 / 68 / 54 / 6

HEX #F04C6F

RGB 240 76 111

HSL 347.2, 0.85%, 0.62%

LAB 56.92, 64.67, 16.67

 

CMYK 0 / 65 / 68 / 6

HEX #F0544C

RGB 240 84 76

HSL 2.93, 0.85%, 0.62%

LAB 57.45, 59.37, 37.6

 

CMYK 0 / 47 / 68 / 6

HEX #F0804C

RGB 240 128 76

HSL 19.02, 0.85%, 0.62%

LAB 65.35, 38.95, 46.75

 

CMYK 0 / 28 / 68 / 6

HEX #F0AC4C

RGB 240 172 76

HSL 35.12, 0.85%, 0.62%

LAB 75.17, 15.94, 57.54

 

CMYK 0 / 10 / 68 / 6

HEX #F0D84C

RGB 240 216 76

HSL 51.22, 0.85%, 0.62%

LAB 86.09, -6.87, 68.88

 

CMYK 0 / 62 / 92 / 15

HEX #D85312

RGB 216 83 18

HSL 19.7, 0.85%, 0.46%

LAB 52.76, 49.7, 58.61

 

CMYK 0 / 56 / 84 / 7

HEX #ED6826

RGB 237 104 38

HSL 19.9, 0.85%, 0.54%

LAB 59.93, 48.11, 58.69

 

CMYK 0 / 46 / 68 / 6

HEX #F0824C

RGB 240 130 76

HSL 19.76, 0.85%, 0.62%

LAB 65.76, 37.93, 47.22

 

CMYK 0 / 36 / 53 / 4

HEX #F49D72

RGB 244 157 114

HSL 19.85, 0.86%, 0.7%

LAB 72.6, 28.08, 35.83

 

CMYK 0 / 26 / 38 / 3

HEX #F7B798

RGB 247 183 152

HSL 19.58, 0.86%, 0.78%

LAB 79.56, 19.29, 24.84

 

CMYK 0 / 46 / 69 / 6

HEX #F0814A

RGB 240 129 74

HSL 19.88, 0.85%, 0.62%

LAB 65.53, 38.34, 47.97

 

CMYK 35 / 0 / 68 / 6

HEX #9BF04C

RGB 155 240 76

HSL 91.1, 0.85%, 0.62%

LAB 86.9, -51.04, 67.88

 

CMYK 68 / 63 / 0 / 6

HEX #4C59F0

RGB 76 89 240

HSL 235.24, 0.85%, 0.62%

LAB 45.6, 42.79, -77.34

 

CMYK 0 / 46 / 69 / 6

HEX #F0814A

RGB 240 129 74

HSL 19.88, 0.85%, 0.62%

LAB 65.53, 38.34, 47.97

 

CMYK 68 / 0 / 47 / 6

HEX #4CF080

RGB 76 240 128

HSL 139.02, 0.85%, 0.62%

LAB 84.7, -65.58, 41.98

 

CMYK 47 / 68 / 0 / 6

HEX #804CF0

RGB 128 76 240

HSL 259.02, 0.85%, 0.62%

LAB 47.04, 57.83, -74.82

 

CMYK 0 / 46 / 69 / 6

HEX #F0814A

RGB 240 129 74

HSL 19.88, 0.85%, 0.62%

LAB 65.53, 38.34, 47.97

 

CMYK 35 / 0 / 68 / 6

HEX #9BF04C

RGB 155 240 76

HSL 91.1, 0.85%, 0.62%

LAB 86.9, -51.04, 67.88

 

CMYK 68 / 22 / 0 / 6

HEX #4CBCF0

RGB 76 188 240

HSL 199.02, 0.85%, 0.62%

LAB 72.09, -15.64, -35.09

 

CMYK 33 / 68 / 0 / 6

HEX #A14CF0

RGB 161 76 240

HSL 271.1, 0.85%, 0.62%

LAB 50.73, 63.83, -68.65

 

CMYK 0 / 46 / 69 / 6

HEX #F0814A

RGB 240 129 74

HSL 19.88, 0.85%, 0.62%

LAB 65.53, 38.34, 47.97

 

CMYK 56 / 0 / 68 / 6

HEX #6AF04C

RGB 106 240 76

HSL 109.02, 0.85%, 0.62%

LAB 84.95, -65.47, 65.24

 

CMYK 68 / 22 / 0 / 6

HEX #4CBCF0

RGB 76 188 240

HSL 199.02, 0.85%, 0.62%

LAB 72.09, -15.64, -35.09

 

CMYK 13 / 68 / 0 / 6

HEX #D24CF0

RGB 210 76 240

HSL 289.02, 0.85%, 0.62%

LAB 57.23, 73.72, -57.84

 

Description

Color code: HEX #F0814ACE | qconv.com Color code: HEX #F0814ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 129 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 129 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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