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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F07CFA it is the complementary color #0F8305. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F07CFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F07CFA shade: #F57CF5, #FF8EFF, #FFA0FF, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F07CFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F07CFA shade: #F07CFA, #DF6AE7, #CE58D4, #BD46C1 and #AC34AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F07CFA shade: #F07AFA, #FA7AE2, #FA7ABF, #FA7A9D and #FA7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F07CFA shade: #F07AFA, #CD7AFA, #AB7AFA, #887AFA and #7A7AFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F07CFA shade matches the following richer shades: #F07AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F07CFA shade: #F07AFA, #E785EF, #DD90E4, #D49CD9 and #CBA7CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F07CFA shade: #AB7AFA, #CD7AFA, #F07AFA, #FA7AE3 and #FA7AC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F07CFA shade: #E72AF7, #EC52F9, #F07AFA, #F5A2FC and #F9CAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F07CFA shade: #F07CFA, #FA897A and #7AFABC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F07CFA shade: #F07CFA, #FAF07A and #7AFAF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F07CFA shade: #F07CFA, #FA897A, #85FA7A and #7AEBFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F07CFA shade: #F07CFA, #FAAF7A, #85FA7A and #7AC5FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 50 / 0 / 2

HEX #F07CFA

RGB 240 124 250

HSL 295.24, 0.93%, 0.73%

LAB 69.36, 61.95, -43.91

 

Complementary color

CMYK 89 / 0 / 96 / 49

HEX #0F8305

RGB 15 131 5

HSL 115.24, 0.93%, 0.27%

LAB 47.42, -51.19, 49.91

 

CMYK 0 / 49 / 0 / 4

HEX #F57CF5

RGB 245 124 245

HSL 300, 0.86%, 0.72%

LAB 69.77, 62.41, -40.48

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 4 / 50 / 0 / 2

HEX #F07CFA

RGB 240 124 250

HSL 295.24, 0.93%, 0.73%

LAB 69.36, 61.95, -43.91

 

CMYK 3 / 54 / 0 / 9

HEX #DF6AE7

RGB 223 106 231

HSL 296.16, 0.72%, 0.66%

LAB 63.15, 62.49, -43.33

 

CMYK 3 / 58 / 0 / 17

HEX #CE58D4

RGB 206 88 212

HSL 297.1, 0.59%, 0.59%

LAB 56.93, 62.89, -42.6

 

CMYK 2 / 64 / 0 / 24

HEX #BD46C1

RGB 189 70 193

HSL 298.05, 0.5%, 0.52%

LAB 50.74, 63.02, -41.65

 

CMYK 1 / 70 / 0 / 32

HEX #AC34AE

RGB 172 52 174

HSL 299.02, 0.54%, 0.44%

LAB 44.64, 62.72, -40.39

 

CMYK 4 / 51 / 0 / 2

HEX #F07AFA

RGB 240 122 250

HSL 295.31, 0.93%, 0.73%

LAB 69, 62.89, -44.47

 

CMYK 0 / 51 / 10 / 2

HEX #FA7AE2

RGB 250 122 226

HSL 311.25, 0.93%, 0.73%

LAB 69.28, 61.6, -30.73

 

CMYK 0 / 51 / 24 / 2

HEX #FA7ABF

RGB 250 122 191

HSL 327.66, 0.93%, 0.73%

LAB 68.02, 56.46, -13.13

 

CMYK 0 / 51 / 37 / 2

HEX #FA7A9D

RGB 250 122 157

HSL 343.59, 0.93%, 0.73%

LAB 67.03, 52.26, 4.59

 

CMYK 0 / 51 / 51 / 2

HEX #FA7A7A

RGB 250 122 122

HSL 0, 0.93%, 0.73%

LAB 66.25, 48.82, 23.28

 

CMYK 4 / 51 / 0 / 2

HEX #F07AFA

RGB 240 122 250

HSL 295.31, 0.93%, 0.73%

LAB 69, 62.89, -44.47

 

CMYK 18 / 51 / 0 / 2

HEX #CD7AFA

RGB 205 122 250

HSL 278.91, 0.93%, 0.73%

LAB 64.8, 53.69, -51.37

 

CMYK 32 / 51 / 0 / 2

HEX #AB7AFA

RGB 171 122 250

HSL 262.97, 0.93%, 0.73%

LAB 61.2, 45.05, -57.31

 

CMYK 46 / 51 / 0 / 2

HEX #887AFA

RGB 136 122 250

HSL 246.56, 0.93%, 0.73%

LAB 58.09, 36.86, -62.47

 

CMYK 51 / 51 / 0 / 2

HEX #7A7AFA

RGB 122 122 250

HSL 240, 0.93%, 0.73%

LAB 57.04, 33.9, -64.22

 

CMYK 4 / 51 / 0 / 2

HEX #F07AFA

RGB 240 122 250

HSL 295.31, 0.93%, 0.73%

LAB 69, 62.89, -44.47

 

CMYK 4 / 51 / 0 / 2

HEX #F07AFA

RGB 240 122 250

HSL 295.31, 0.93%, 0.73%

LAB 69, 62.89, -44.47

 

CMYK 3 / 44 / 0 / 6

HEX #E785EF

RGB 231 133 239

HSL 295.47, 0.77%, 0.73%

LAB 69.47, 53.06, -37.79

 

CMYK 3 / 37 / 0 / 11

HEX #DD90E4

RGB 221 144 228

HSL 295, 0.61%, 0.73%

LAB 70.12, 42.39, -30.82

 

CMYK 2 / 28 / 0 / 15

HEX #D49CD9

RGB 212 156 217

HSL 295.08, 0.45%, 0.73%

LAB 71.41, 31.03, -22.88

 

CMYK 1 / 19 / 0 / 19

HEX #CBA7CE

RGB 203 167 206

HSL 295.38, 0.28%, 0.73%

LAB 72.75, 19.96, -14.88

 

CMYK 32 / 51 / 0 / 2

HEX #AB7AFA

RGB 171 122 250

HSL 262.97, 0.93%, 0.73%

LAB 61.2, 45.05, -57.31

 

CMYK 18 / 51 / 0 / 2

HEX #CD7AFA

RGB 205 122 250

HSL 278.91, 0.93%, 0.73%

LAB 64.8, 53.69, -51.37

 

CMYK 4 / 51 / 0 / 2

HEX #F07AFA

RGB 240 122 250

HSL 295.31, 0.93%, 0.73%

LAB 69, 62.89, -44.47

 

CMYK 0 / 51 / 9 / 2

HEX #FA7AE3

RGB 250 122 227

HSL 310.78, 0.93%, 0.73%

LAB 69.32, 61.76, -31.22

 

CMYK 0 / 51 / 23 / 2

HEX #FA7AC1

RGB 250 122 193

HSL 326.72, 0.93%, 0.73%

LAB 68.09, 56.74, -14.16

 

CMYK 6 / 83 / 0 / 3

HEX #E72AF7

RGB 231 42 247

HSL 295.32, 0.93%, 0.57%

LAB 57.42, 88.67, -61.26

 

CMYK 5 / 67 / 0 / 2

HEX #EC52F9

RGB 236 82 249

HSL 295.33, 0.93%, 0.65%

LAB 62.26, 78.59, -54.6

 

CMYK 4 / 51 / 0 / 2

HEX #F07AFA

RGB 240 122 250

HSL 295.31, 0.93%, 0.73%

LAB 69, 62.89, -44.47

 

CMYK 3 / 36 / 0 / 1

HEX #F5A2FC

RGB 245 162 252

HSL 295.33, 0.94%, 0.81%

LAB 77.45, 44.72, -32.37

 

CMYK 2 / 20 / 0 / 1

HEX #F9CAFD

RGB 249 202 253

HSL 295.29, 0.93%, 0.89%

LAB 86.74, 25.12, -18.71

 

CMYK 4 / 50 / 0 / 2

HEX #F07CFA

RGB 240 124 250

HSL 295.24, 0.93%, 0.73%

LAB 69.36, 61.95, -43.91

 

CMYK 0 / 45 / 51 / 2

HEX #FA897A

RGB 250 137 122

HSL 7.03, 0.93%, 0.73%

LAB 69.2, 41.4, 27.22

 

CMYK 51 / 0 / 25 / 2

HEX #7AFABC

RGB 122 250 188

HSL 150.94, 0.93%, 0.73%

LAB 89.92, -49.5, 19.05

 

CMYK 4 / 50 / 0 / 2

HEX #F07CFA

RGB 240 124 250

HSL 295.24, 0.93%, 0.73%

LAB 69.36, 61.95, -43.91

 

CMYK 0 / 4 / 51 / 2

HEX #FAF07A

RGB 250 240 122

HSL 55.31, 0.93%, 0.73%

LAB 93.47, -11.68, 57.56

 

CMYK 51 / 0 / 4 / 2

HEX #7AFAF0

RGB 122 250 240

HSL 175.31, 0.93%, 0.73%

LAB 91.14, -37.87, -6.11

 

CMYK 4 / 50 / 0 / 2

HEX #F07CFA

RGB 240 124 250

HSL 295.24, 0.93%, 0.73%

LAB 69.36, 61.95, -43.91

 

CMYK 0 / 45 / 51 / 2

HEX #FA897A

RGB 250 137 122

HSL 7.03, 0.93%, 0.73%

LAB 69.2, 41.4, 27.22

 

CMYK 47 / 0 / 51 / 2

HEX #85FA7A

RGB 133 250 122

HSL 114.84, 0.93%, 0.73%

LAB 89.28, -57.37, 50.88

 

CMYK 51 / 6 / 0 / 2

HEX #7AEBFA

RGB 122 235 250

HSL 187.03, 0.93%, 0.73%

LAB 87.22, -28.28, -17.18

 

CMYK 4 / 50 / 0 / 2

HEX #F07CFA

RGB 240 124 250

HSL 295.24, 0.93%, 0.73%

LAB 69.36, 61.95, -43.91

 

CMYK 0 / 30 / 51 / 2

HEX #FAAF7A

RGB 250 175 122

HSL 24.84, 0.93%, 0.73%

LAB 77.51, 21.68, 38.02

 

CMYK 47 / 0 / 51 / 2

HEX #85FA7A

RGB 133 250 122

HSL 114.84, 0.93%, 0.73%

LAB 89.28, -57.37, 50.88

 

CMYK 51 / 21 / 0 / 2

HEX #7AC5FA

RGB 122 197 250

HSL 204.84, 0.93%, 0.73%

LAB 76.66, -8.99, -33.27

 

Description

Color code: HEX #F07CFA | qconv.com Color code: HEX #F07CFA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 124 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 124 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 50 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 50% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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