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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F07CDB it is the complementary color #0F8324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F07CDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F07CDB shade: #F57CD6, #FF8EE9, #FFA0FC, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F07CDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F07CDB shade: #F07CDB, #DF6AC8, #CE58B5, #BD46A2 and #AC348F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F07CDB shade: #EF7BDA, #EF7BBB, #EF7B9B, #EF7B7C and #EF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F07CDB shade: #EF7BDA, #E57BEF, #C67BEF, #A67BEF and #877BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F07CDB shade matches the following richer shades: #EF7BDA and #FB6FE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F07CDB shade: #EF7BDA, #E487D3, #D893CB, #CC9FC3 and #C0AABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F07CDB shade: #C57BEF, #E47BEF, #EF7BDC, #EF7BBD and #EF7B9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F07CDB shade: #E731C6, #EB56D0, #EF7BDA, #F4A0E5 and #F8C4EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F07CDB shade: #F07CDB, #EFA57B and #7BEFD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F07CDB shade: #F07CDB, #DCEF7B and #7BDCEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F07CDB shade: #F07CDB, #EFA57B, #7BEF8E and #7BC5EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F07CDB shade: #F07CDB, #EFC97B, #7BEF8E and #7BA2EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 9 / 6

HEX #F07CDB

RGB 240 124 219

HSL 310.86, 0.79%, 0.71%

LAB 68.06, 56.66, -28.84

 

Complementary color

CMYK 89 / 0 / 73 / 49

HEX #0F8324

RGB 15 131 36

HSL 130.86, 0.79%, 0.29%

LAB 47.57, -49.28, 41.02

 

CMYK 0 / 49 / 13 / 4

HEX #F57CD6

RGB 245 124 214

HSL 315.37, 0.86%, 0.72%

LAB 68.52, 57.34, -25.3

 

CMYK 0 / 44 / 9 / 0

HEX #FF8EE9

RGB 255 142 233

HSL 311.68, 1%, 0.78%

LAB 73.86, 54.58, -27.47

 

CMYK 0 / 37 / 1 / 0

HEX #FFA0FC

RGB 255 160 252

HSL 301.89, 1%, 0.81%

LAB 78.13, 48.76, -31.24

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 48 / 9 / 6

HEX #F07CDB

RGB 240 124 219

HSL 310.86, 0.79%, 0.71%

LAB 68.06, 56.66, -28.84

 

CMYK 0 / 52 / 10 / 13

HEX #DF6AC8

RGB 223 106 200

HSL 311.79, 0.65%, 0.65%

LAB 61.8, 57.26, -28.03

 

CMYK 0 / 57 / 12 / 19

HEX #CE58B5

RGB 206 88 181

HSL 312.71, 0.55%, 0.58%

LAB 55.52, 57.74, -27.06

 

CMYK 0 / 63 / 14 / 26

HEX #BD46A2

RGB 189 70 162

HSL 313.61, 0.47%, 0.51%

LAB 49.26, 57.98, -25.85

 

CMYK 0 / 70 / 17 / 33

HEX #AC348F

RGB 172 52 143

HSL 314.5, 0.54%, 0.44%

LAB 43.08, 57.83, -24.28

 

CMYK 0 / 49 / 9 / 6

HEX #EF7BDA

RGB 239 123 218

HSL 310.86, 0.78%, 0.71%

LAB 67.71, 56.69, -28.83

 

CMYK 0 / 49 / 22 / 6

HEX #EF7BBB

RGB 239 123 187

HSL 326.9, 0.78%, 0.71%

LAB 66.6, 51.98, -13.17

 

CMYK 0 / 49 / 35 / 6

HEX #EF7B9B

RGB 239 123 155

HSL 343.45, 0.78%, 0.71%

LAB 65.66, 47.84, 3.55

 

CMYK 0 / 49 / 48 / 6

HEX #EF7B7C

RGB 239 123 124

HSL 359.48, 0.78%, 0.71%

LAB 64.94, 44.58, 20.12

 

CMYK 0 / 49 / 49 / 6

HEX #EF7B7B

RGB 239 123 123

HSL 0, 0.78%, 0.71%

LAB 64.92, 44.49, 20.66

 

CMYK 0 / 49 / 9 / 6

HEX #EF7BDA

RGB 239 123 218

HSL 310.86, 0.78%, 0.71%

LAB 67.71, 56.69, -28.83

 

CMYK 4 / 49 / 0 / 6

HEX #E57BEF

RGB 229 123 239

HSL 294.83, 0.78%, 0.71%

LAB 67.32, 57.46, -41.16

 

CMYK 17 / 49 / 0 / 6

HEX #C67BEF

RGB 198 123 239

HSL 278.79, 0.78%, 0.71%

LAB 63.68, 49, -47.14

 

CMYK 31 / 49 / 0 / 6

HEX #A67BEF

RGB 166 123 239

HSL 262.24, 0.78%, 0.71%

LAB 60.34, 40.53, -52.63

 

CMYK 44 / 49 / 0 / 6

HEX #877BEF

RGB 135 123 239

HSL 246.21, 0.78%, 0.71%

LAB 57.61, 32.92, -57.15

 

CMYK 0 / 49 / 9 / 6

HEX #EF7BDA

RGB 239 123 218

HSL 310.86, 0.78%, 0.71%

LAB 67.71, 56.69, -28.83

 

CMYK 0 / 56 / 10 / 2

HEX #FB6FE2

RGB 251 111 226

HSL 310.71, 0.95%, 0.71%

LAB 67.55, 66.85, -33.39

 

CMYK 0 / 49 / 9 / 6

HEX #EF7BDA

RGB 239 123 218

HSL 310.86, 0.78%, 0.71%

LAB 67.71, 56.69, -28.83

 

CMYK 0 / 41 / 7 / 11

HEX #E487D3

RGB 228 135 211

HSL 310.97, 0.63%, 0.71%

LAB 68.41, 46.21, -23.99

 

CMYK 0 / 32 / 6 / 15

HEX #D893CB

RGB 216 147 203

HSL 311.3, 0.47%, 0.71%

LAB 69.31, 34.64, -18.3

 

CMYK 0 / 22 / 4 / 20

HEX #CC9FC3

RGB 204 159 195

HSL 312, 0.31%, 0.71%

LAB 70.58, 22.64, -12.08

 

CMYK 0 / 11 / 2 / 25

HEX #C0AABC

RGB 192 170 188

HSL 310.91, 0.15%, 0.71%

LAB 71.95, 11.14, -6.29

 

CMYK 18 / 49 / 0 / 6

HEX #C57BEF

RGB 197 123 239

HSL 278.28, 0.78%, 0.71%

LAB 63.56, 48.73, -47.32

 

CMYK 5 / 49 / 0 / 6

HEX #E47BEF

RGB 228 123 239

HSL 294.31, 0.78%, 0.71%

LAB 67.2, 57.19, -41.36

 

CMYK 0 / 49 / 8 / 6

HEX #EF7BDC

RGB 239 123 220

HSL 309.83, 0.78%, 0.71%

LAB 67.79, 57.01, -29.83

 

CMYK 0 / 49 / 21 / 6

HEX #EF7BBD

RGB 239 123 189

HSL 325.86, 0.78%, 0.71%

LAB 66.67, 52.27, -14.2

 

CMYK 0 / 49 / 34 / 6

HEX #EF7B9E

RGB 239 123 158

HSL 341.9, 0.78%, 0.71%

LAB 65.74, 48.2, 1.96

 

CMYK 0 / 79 / 14 / 9

HEX #E731C6

RGB 231 49 198

HSL 310.88, 0.79%, 0.55%

LAB 55.34, 80, -36.84

 

CMYK 0 / 63 / 11 / 8

HEX #EB56D0

RGB 235 86 208

HSL 310.87, 0.79%, 0.63%

LAB 60.67, 70.38, -34.18

 

CMYK 0 / 49 / 9 / 6

HEX #EF7BDA

RGB 239 123 218

HSL 310.86, 0.78%, 0.71%

LAB 67.71, 56.69, -28.83

 

CMYK 0 / 34 / 6 / 4

HEX #F4A0E5

RGB 244 160 229

HSL 310.71, 0.79%, 0.79%

LAB 76.09, 41.36, -22.01

 

CMYK 0 / 21 / 4 / 3

HEX #F8C4EF

RGB 248 196 239

HSL 310.38, 0.79%, 0.87%

LAB 84.83, 25.44, -14.16

 

CMYK 0 / 48 / 9 / 6

HEX #F07CDB

RGB 240 124 219

HSL 310.86, 0.79%, 0.71%

LAB 68.06, 56.66, -28.84

 

CMYK 0 / 31 / 49 / 6

HEX #EFA57B

RGB 239 165 123

HSL 21.72, 0.78%, 0.71%

LAB 73.99, 22.68, 32.73

 

CMYK 49 / 0 / 11 / 6

HEX #7BEFD4

RGB 123 239 212

HSL 166.03, 0.78%, 0.71%

LAB 87.34, -39.34, 2.92

 

CMYK 0 / 48 / 9 / 6

HEX #F07CDB

RGB 240 124 219

HSL 310.86, 0.79%, 0.71%

LAB 68.06, 56.66, -28.84

 

CMYK 8 / 0 / 49 / 6

HEX #DCEF7B

RGB 220 239 123

HSL 69.83, 0.78%, 0.71%

LAB 90.95, -22.86, 53.54

 

CMYK 49 / 8 / 0 / 6

HEX #7BDCEF

RGB 123 220 239

HSL 189.83, 0.78%, 0.71%

LAB 82.72, -23.65, -18.16

 

CMYK 0 / 48 / 9 / 6

HEX #F07CDB

RGB 240 124 219

HSL 310.86, 0.79%, 0.71%

LAB 68.06, 56.66, -28.84

 

CMYK 0 / 31 / 49 / 6

HEX #EFA57B

RGB 239 165 123

HSL 21.72, 0.78%, 0.71%

LAB 73.99, 22.68, 32.73

 

CMYK 49 / 0 / 41 / 6

HEX #7BEF8E

RGB 123 239 142

HSL 129.83, 0.78%, 0.71%

LAB 85.95, -52.91, 37

 

CMYK 49 / 18 / 0 / 6

HEX #7BC5EF

RGB 123 197 239

HSL 201.72, 0.78%, 0.71%

LAB 76.3, -11.89, -27.92

 

CMYK 0 / 48 / 9 / 6

HEX #F07CDB

RGB 240 124 219

HSL 310.86, 0.79%, 0.71%

LAB 68.06, 56.66, -28.84

 

CMYK 0 / 16 / 49 / 6

HEX #EFC97B

RGB 239 201 123

HSL 40.34, 0.78%, 0.71%

LAB 82.68, 3.73, 43.78

 

CMYK 49 / 0 / 41 / 6

HEX #7BEF8E

RGB 123 239 142

HSL 129.83, 0.78%, 0.71%

LAB 85.95, -52.91, 37

 

CMYK 49 / 32 / 0 / 6

HEX #7BA2EF

RGB 123 162 239

HSL 219.83, 0.78%, 0.71%

LAB 66.74, 7.37, -42.75

 

Description

Color code: HEX #F07CDB | qconv.com Color code: HEX #F07CDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 124 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 124 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 9 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 9% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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