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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F07CCC it is the complementary color #0F8333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F07CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F07CCC shade: #F57CC7, #FF8EDA, #FFA0ED, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F07CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F07CCC shade: #F07CCC, #DF6AB9, #CE58A6, #BD4693 and #AC3480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F07CCC shade: #EF7BCB, #EF7BAC, #EF7B8C and #EF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F07CCC shade: #EF7BCB, #EF7BEB, #D57BEF, #B57BEF and #967BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F07CCC shade matches the following richer shades: #EF7BCB and #FB6FD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F07CCC shade: #EF7BCB, #E487C7, #D893C2, #CC9FBE and #C0AAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F07CCC shade: #D47BEF, #EF7BEC, #EF7BCC, #EF7BAD and #EF7B8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F07CCC shade: #E731AE, #EB56BD, #EF7BCB, #F4A0DA and #F8C4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F07CCC shade: #F07CCC, #EFB57B and #7BEFE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F07CCC shade: #F07CCC, #CCEF7B and #7BCCEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F07CCC shade: #F07CCC, #EFB57B, #7BEF9E and #7BB5EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F07CCC shade: #F07CCC, #EFD87B, #7BEF9E and #7B92EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 15 / 6

HEX #F07CCC

RGB 240 124 204

HSL 318.62, 0.79%, 0.71%

LAB 67.5, 54.3, -21.34

 

Complementary color

CMYK 89 / 0 / 61 / 49

HEX #0F8333

RGB 15 131 51

HSL 138.62, 0.79%, 0.29%

LAB 47.72, -47.5, 34.34

 

CMYK 0 / 49 / 19 / 4

HEX #F57CC7

RGB 245 124 199

HSL 322.81, 0.86%, 0.72%

LAB 67.98, 55.09, -17.74

 

CMYK 0 / 44 / 15 / 0

HEX #FF8EDA

RGB 255 142 218

HSL 319.65, 1%, 0.78%

LAB 73.33, 52.22, -20.06

 

CMYK 0 / 37 / 7 / 0

HEX #FFA0ED

RGB 255 160 237

HSL 311.37, 1%, 0.81%

LAB 77.59, 46.18, -23.95

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 48 / 15 / 6

HEX #F07CCC

RGB 240 124 204

HSL 318.62, 0.79%, 0.71%

LAB 67.5, 54.3, -21.34

 

CMYK 0 / 52 / 17 / 13

HEX #DF6AB9

RGB 223 106 185

HSL 319.49, 0.65%, 0.65%

LAB 61.22, 54.95, -20.39

 

CMYK 0 / 57 / 19 / 19

HEX #CE58A6

RGB 206 88 166

HSL 320.34, 0.55%, 0.58%

LAB 54.92, 55.48, -19.27

 

CMYK 0 / 63 / 22 / 26

HEX #BD4693

RGB 189 70 147

HSL 321.18, 0.47%, 0.51%

LAB 48.64, 55.8, -17.88

 

CMYK 0 / 70 / 26 / 33

HEX #AC3480

RGB 172 52 128

HSL 322, 0.54%, 0.44%

LAB 42.44, 55.75, -16.11

 

CMYK 0 / 49 / 15 / 6

HEX #EF7BCB

RGB 239 123 203

HSL 318.62, 0.78%, 0.71%

LAB 67.15, 54.33, -21.33

 

CMYK 0 / 49 / 28 / 6

HEX #EF7BAC

RGB 239 123 172

HSL 334.66, 0.78%, 0.71%

LAB 66.13, 49.95, -5.4

 

CMYK 0 / 49 / 41 / 6

HEX #EF7B8C

RGB 239 123 140

HSL 351.21, 0.78%, 0.71%

LAB 65.29, 46.17, 11.54

 

CMYK 0 / 49 / 49 / 6

HEX #EF7B7B

RGB 239 123 123

HSL 0, 0.78%, 0.71%

LAB 64.92, 44.49, 20.66

 

CMYK 0 / 49 / 15 / 6

HEX #EF7BCB

RGB 239 123 203

HSL 318.62, 0.78%, 0.71%

LAB 67.15, 54.33, -21.33

 

CMYK 0 / 49 / 2 / 6

HEX #EF7BEB

RGB 239 123 235

HSL 302.07, 0.78%, 0.71%

LAB 68.4, 59.52, -37.18

 

CMYK 11 / 49 / 0 / 6

HEX #D57BEF

RGB 213 123 239

HSL 286.55, 0.78%, 0.71%

LAB 65.39, 53.08, -44.32

 

CMYK 24 / 49 / 0 / 6

HEX #B57BEF

RGB 181 123 239

HSL 270, 0.78%, 0.71%

LAB 61.85, 44.45, -50.15

 

CMYK 37 / 49 / 0 / 6

HEX #967BEF

RGB 150 123 239

HSL 253.97, 0.78%, 0.71%

LAB 58.86, 36.51, -55.07

 

CMYK 0 / 49 / 15 / 6

HEX #EF7BCB

RGB 239 123 203

HSL 318.62, 0.78%, 0.71%

LAB 67.15, 54.33, -21.33

 

CMYK 0 / 56 / 17 / 2

HEX #FB6FD0

RGB 251 111 208

HSL 318.43, 0.95%, 0.71%

LAB 66.85, 64.18, -24.44

 

CMYK 0 / 49 / 15 / 6

HEX #EF7BCB

RGB 239 123 203

HSL 318.62, 0.78%, 0.71%

LAB 67.15, 54.33, -21.33

 

CMYK 0 / 41 / 13 / 11

HEX #E487C7

RGB 228 135 199

HSL 318.71, 0.63%, 0.71%

LAB 67.98, 44.23, -17.95

 

CMYK 0 / 32 / 10 / 15

HEX #D893C2

RGB 216 147 194

HSL 319.13, 0.47%, 0.71%

LAB 69.01, 33.09, -13.74

 

CMYK 0 / 22 / 7 / 20

HEX #CC9FBE

RGB 204 159 190

HSL 318.67, 0.31%, 0.71%

LAB 70.42, 21.74, -9.54

 

CMYK 0 / 11 / 4 / 25

HEX #C0AAB9

RGB 192 170 185

HSL 319.09, 0.15%, 0.71%

LAB 71.87, 10.59, -4.76

 

CMYK 11 / 49 / 0 / 6

HEX #D47BEF

RGB 212 123 239

HSL 286.03, 0.78%, 0.71%

LAB 65.27, 52.8, -44.51

 

CMYK 0 / 49 / 1 / 6

HEX #EF7BEC

RGB 239 123 236

HSL 301.55, 0.78%, 0.71%

LAB 68.44, 59.69, -37.66

 

CMYK 0 / 49 / 15 / 6

HEX #EF7BCC

RGB 239 123 204

HSL 318.1, 0.78%, 0.71%

LAB 67.18, 54.48, -21.83

 

CMYK 0 / 49 / 28 / 6

HEX #EF7BAD

RGB 239 123 173

HSL 334.14, 0.78%, 0.71%

LAB 66.16, 50.08, -5.92

 

CMYK 0 / 49 / 41 / 6

HEX #EF7B8E

RGB 239 123 142

HSL 350.17, 0.78%, 0.71%

LAB 65.33, 46.38, 10.47

 

CMYK 0 / 79 / 25 / 9

HEX #E731AE

RGB 231 49 174

HSL 318.79, 0.79%, 0.55%

LAB 54.28, 76.97, -24.57

 

CMYK 0 / 63 / 20 / 8

HEX #EB56BD

RGB 235 86 189

HSL 318.52, 0.79%, 0.63%

LAB 59.88, 67.68, -24.58

 

CMYK 0 / 49 / 15 / 6

HEX #EF7BCB

RGB 239 123 203

HSL 318.62, 0.78%, 0.71%

LAB 67.15, 54.33, -21.33

 

CMYK 0 / 34 / 11 / 4

HEX #F4A0DA

RGB 244 160 218

HSL 318.57, 0.79%, 0.79%

LAB 75.72, 39.52, -16.56

 

CMYK 0 / 21 / 6 / 3

HEX #F8C4E8

RGB 248 196 232

HSL 318.46, 0.79%, 0.87%

LAB 84.62, 24.23, -10.74

 

CMYK 0 / 48 / 15 / 6

HEX #F07CCC

RGB 240 124 204

HSL 318.62, 0.79%, 0.71%

LAB 67.5, 54.3, -21.34

 

CMYK 0 / 24 / 49 / 6

HEX #EFB57B

RGB 239 181 123

HSL 30, 0.78%, 0.71%

LAB 77.77, 14.21, 37.6

 

CMYK 49 / 0 / 5 / 6

HEX #7BEFE4

RGB 123 239 228

HSL 174.31, 0.78%, 0.71%

LAB 87.75, -35.55, -4.85

 

CMYK 0 / 48 / 15 / 6

HEX #F07CCC

RGB 240 124 204

HSL 318.62, 0.79%, 0.71%

LAB 67.5, 54.3, -21.34

 

CMYK 15 / 0 / 49 / 6

HEX #CCEF7B

RGB 204 239 123

HSL 78.1, 0.78%, 0.71%

LAB 89.86, -28.94, 51.97

 

CMYK 49 / 15 / 0 / 6

HEX #7BCCEF

RGB 123 204 239

HSL 198.1, 0.78%, 0.71%

LAB 78.24, -15.55, -24.94

 

CMYK 0 / 48 / 15 / 6

HEX #F07CCC

RGB 240 124 204

HSL 318.62, 0.79%, 0.71%

LAB 67.5, 54.3, -21.34

 

CMYK 0 / 24 / 49 / 6

HEX #EFB57B

RGB 239 181 123

HSL 30, 0.78%, 0.71%

LAB 77.77, 14.21, 37.6

 

CMYK 49 / 0 / 34 / 6

HEX #7BEF9E

RGB 123 239 158

HSL 138.1, 0.78%, 0.71%

LAB 86.21, -50.28, 29.3

 

CMYK 49 / 24 / 0 / 6

HEX #7BB5EF

RGB 123 181 239

HSL 210, 0.78%, 0.71%

LAB 71.89, -3.28, -34.72

 

CMYK 0 / 48 / 15 / 6

HEX #F07CCC

RGB 240 124 204

HSL 318.62, 0.79%, 0.71%

LAB 67.5, 54.3, -21.34

 

CMYK 0 / 10 / 49 / 6

HEX #EFD87B

RGB 239 216 123

HSL 48.1, 0.78%, 0.71%

LAB 86.45, -3.98, 48.44

 

CMYK 49 / 0 / 34 / 6

HEX #7BEF9E

RGB 123 239 158

HSL 138.1, 0.78%, 0.71%

LAB 86.21, -50.28, 29.3

 

CMYK 49 / 39 / 0 / 6

HEX #7B92EF

RGB 123 146 239

HSL 228.1, 0.78%, 0.71%

LAB 62.51, 16.63, -49.41

 

Description

Color code: HEX #F07CCC | qconv.com Color code: HEX #F07CCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 124 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 124 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 15 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 15% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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