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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F07BBC it is the complementary color #0F8443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F07BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F07BBC shade: #F57BB7, #FF8DCA, #FF9FDD, #FFB1F0 and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F07BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F07BBC shade: #F07BBC, #DF69A9, #CE5796, #BD4583 and #AC3370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F07BBC shade: #F07ABC, #F07A9C, #F07A7C and #F07A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F07BBC shade: #F07ABC, #F07ADC, #E57AF0, #C57AF0 and #A57AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F07BBC shade matches the following richer shades: #F07ABC and #FC6EBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F07BBC shade: #F07ABC, #E486BA, #D892B9, #CC9EB8 and #C0AAB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F07BBC shade: #E47AF0, #F07ADC, #F07ABD, #F07A9D and #F07A7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F07BBC shade: #E83096, #EC55A9, #F07ABC, #F49FCE and #F8C4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F07BBC shade: #F07BBC, #F0C57A and #7AECF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F07BBC shade: #F07BBC, #BDF07A and #7ABDF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F07BBC shade: #F07BBC, #F0C57A, #7AF0AD and #7AA5F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F07BBC shade: #F07BBC, #F0E87A, #7AF0AD and #7A82F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 22 / 6

HEX #F07BBC

RGB 240 123 188

HSL 326.67, 0.8%, 0.71%

LAB 66.77, 52.44, -13.47

 

Complementary color

CMYK 89 / 0 / 49 / 48

HEX #0F8443

RGB 15 132 67

HSL 146.67, 0.8%, 0.29%

LAB 48.27, -45.31, 26.72

 

CMYK 0 / 50 / 25 / 4

HEX #F57BB7

RGB 245 123 183

HSL 330.49, 0.86%, 0.72%

LAB 67.27, 53.34, -9.83

 

CMYK 0 / 45 / 21 / 0

HEX #FF8DCA

RGB 255 141 202

HSL 327.89, 1%, 0.78%

LAB 72.61, 50.35, -12.32

 

CMYK 0 / 38 / 13 / 0

HEX #FF9FDD

RGB 255 159 221

HSL 321.25, 1%, 0.81%

LAB 76.85, 44.1, -16.38

 

CMYK 0 / 31 / 6 / 0

HEX #FFB1F0

RGB 255 177 240

HSL 311.54, 1%, 0.85%

LAB 81.29, 37.9, -19.95

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 49 / 22 / 6

HEX #F07BBC

RGB 240 123 188

HSL 326.67, 0.8%, 0.71%

LAB 66.77, 52.44, -13.47

 

CMYK 0 / 53 / 24 / 13

HEX #DF69A9

RGB 223 105 169

HSL 327.46, 0.65%, 0.64%

LAB 60.48, 53.14, -12.36

 

CMYK 0 / 58 / 27 / 19

HEX #CE5796

RGB 206 87 150

HSL 328.24, 0.55%, 0.57%

LAB 54.18, 53.73, -11.03

 

CMYK 0 / 63 / 31 / 26

HEX #BD4583

RGB 189 69 131

HSL 329, 0.48%, 0.51%

LAB 47.9, 54.12, -9.4

 

CMYK 0 / 70 / 35 / 33

HEX #AC3370

RGB 172 51 112

HSL 329.75, 0.54%, 0.44%

LAB 41.7, 54.14, -7.34

 

CMYK 0 / 49 / 22 / 6

HEX #F07ABC

RGB 240 122 188

HSL 326.44, 0.8%, 0.71%

LAB 66.58, 52.93, -13.76

 

CMYK 0 / 49 / 35 / 6

HEX #F07A9C

RGB 240 122 156

HSL 342.71, 0.8%, 0.71%

LAB 65.63, 48.79, 2.95

 

CMYK 0 / 49 / 48 / 6

HEX #F07A7C

RGB 240 122 124

HSL 358.98, 0.8%, 0.71%

LAB 64.88, 45.44, 20.07

 

CMYK 0 / 49 / 49 / 6

HEX #F07A7A

RGB 240 122 122

HSL 0, 0.8%, 0.71%

LAB 64.84, 45.26, 21.14

 

CMYK 0 / 49 / 22 / 6

HEX #F07ABC

RGB 240 122 188

HSL 326.44, 0.8%, 0.71%

LAB 66.58, 52.93, -13.76

 

CMYK 0 / 49 / 8 / 6

HEX #F07ADC

RGB 240 122 220

HSL 310.17, 0.8%, 0.71%

LAB 67.73, 57.78, -29.9

 

CMYK 5 / 49 / 0 / 6

HEX #E57AF0

RGB 229 122 240

HSL 294.41, 0.8%, 0.71%

LAB 67.18, 58.13, -41.93

 

CMYK 18 / 49 / 0 / 6

HEX #C57AF0

RGB 197 122 240

HSL 278.14, 0.8%, 0.71%

LAB 63.41, 49.46, -48.12

 

CMYK 31 / 49 / 0 / 6

HEX #A57AF0

RGB 165 122 240

HSL 261.86, 0.8%, 0.71%

LAB 60.08, 41.08, -53.61

 

CMYK 0 / 49 / 22 / 6

HEX #F07ABC

RGB 240 122 188

HSL 326.44, 0.8%, 0.71%

LAB 66.58, 52.93, -13.76

 

CMYK 0 / 56 / 25 / 1

HEX #FC6EBD

RGB 252 110 189

HSL 326.62, 0.96%, 0.71%

LAB 66.15, 62.31, -14.8

 

CMYK 0 / 49 / 22 / 6

HEX #F07ABC

RGB 240 122 188

HSL 326.44, 0.8%, 0.71%

LAB 66.58, 52.93, -13.76

 

CMYK 0 / 41 / 18 / 11

HEX #E486BA

RGB 228 134 186

HSL 326.81, 0.64%, 0.71%

LAB 67.34, 42.72, -11.64

 

CMYK 0 / 32 / 14 / 15

HEX #D892B9

RGB 216 146 185

HSL 326.57, 0.47%, 0.71%

LAB 68.5, 32.14, -9.49

 

CMYK 0 / 23 / 10 / 20

HEX #CC9EB8

RGB 204 158 184

HSL 326.09, 0.31%, 0.71%

LAB 70, 21.24, -6.84

 

CMYK 0 / 11 / 5 / 25

HEX #C0AAB6

RGB 192 170 182

HSL 327.27, 0.15%, 0.71%

LAB 71.78, 10.05, -3.23

 

CMYK 5 / 49 / 0 / 6

HEX #E47AF0

RGB 228 122 240

HSL 293.9, 0.8%, 0.71%

LAB 67.05, 57.86, -42.13

 

CMYK 0 / 49 / 8 / 6

HEX #F07ADC

RGB 240 122 220

HSL 310.17, 0.8%, 0.71%

LAB 67.73, 57.78, -29.9

 

CMYK 0 / 49 / 21 / 6

HEX #F07ABD

RGB 240 122 189

HSL 325.93, 0.8%, 0.71%

LAB 66.61, 53.07, -14.27

 

CMYK 0 / 49 / 35 / 6

HEX #F07A9D

RGB 240 122 157

HSL 342.2, 0.8%, 0.71%

LAB 65.65, 48.91, 2.42

 

CMYK 0 / 49 / 48 / 6

HEX #F07A7E

RGB 240 122 126

HSL 357.97, 0.8%, 0.71%

LAB 64.92, 45.63, 18.99

 

CMYK 0 / 79 / 35 / 9

HEX #E83096

RGB 232 48 150

HSL 326.74, 0.8%, 0.55%

LAB 53.46, 74.79, -11.67

 

CMYK 0 / 64 / 28 / 7

HEX #EC55A9

RGB 236 85 169

HSL 326.62, 0.8%, 0.63%

LAB 59.15, 65.76, -14.16

 

CMYK 0 / 49 / 22 / 6

HEX #F07ABC

RGB 240 122 188

HSL 326.44, 0.8%, 0.71%

LAB 66.58, 52.93, -13.76

 

CMYK 0 / 35 / 16 / 4

HEX #F49FCE

RGB 244 159 206

HSL 326.82, 0.79%, 0.79%

LAB 75.13, 38.12, -10.89

 

CMYK 0 / 21 / 9 / 3

HEX #F8C4E1

RGB 248 196 225

HSL 326.54, 0.79%, 0.87%

LAB 84.42, 23.05, -7.31

 

CMYK 0 / 49 / 22 / 6

HEX #F07BBC

RGB 240 123 188

HSL 326.67, 0.8%, 0.71%

LAB 66.77, 52.44, -13.47

 

CMYK 0 / 18 / 49 / 6

HEX #F0C57A

RGB 240 197 122

HSL 38.14, 0.8%, 0.71%

LAB 81.76, 6.12, 43.16

 

CMYK 49 / 2 / 0 / 6

HEX #7AECF0

RGB 122 236 240

HSL 182.03, 0.8%, 0.71%

LAB 87.2, -31.36, -11.96

 

CMYK 0 / 49 / 22 / 6

HEX #F07BBC

RGB 240 123 188

HSL 326.67, 0.8%, 0.71%

LAB 66.77, 52.44, -13.47

 

CMYK 21 / 0 / 49 / 6

HEX #BDF07A

RGB 189 240 122

HSL 85.93, 0.8%, 0.71%

LAB 89.18, -35.04, 51.39

 

CMYK 49 / 21 / 0 / 6

HEX #7ABDF0

RGB 122 189 240

HSL 205.93, 0.8%, 0.71%

LAB 74.08, -7.57, -31.88

 

CMYK 0 / 49 / 22 / 6

HEX #F07BBC

RGB 240 123 188

HSL 326.67, 0.8%, 0.71%

LAB 66.77, 52.44, -13.47

 

CMYK 0 / 18 / 49 / 6

HEX #F0C57A

RGB 240 197 122

HSL 38.14, 0.8%, 0.71%

LAB 81.76, 6.12, 43.16

 

CMYK 49 / 0 / 28 / 6

HEX #7AF0AD

RGB 122 240 173

HSL 145.93, 0.8%, 0.71%

LAB 86.74, -48.21, 22.34

 

CMYK 49 / 31 / 0 / 6

HEX #7AA5F0

RGB 122 165 240

HSL 218.14, 0.8%, 0.71%

LAB 67.53, 5.72, -42.05

 

CMYK 0 / 49 / 22 / 6

HEX #F07BBC

RGB 240 123 188

HSL 326.67, 0.8%, 0.71%

LAB 66.77, 52.44, -13.47

 

CMYK 0 / 3 / 49 / 6

HEX #F0E87A

RGB 240 232 122

HSL 55.93, 0.8%, 0.71%

LAB 90.62, -11.7, 53.97

 

CMYK 49 / 0 / 28 / 6

HEX #7AF0AD

RGB 122 240 173

HSL 145.93, 0.8%, 0.71%

LAB 86.74, -48.21, 22.34

 

CMYK 49 / 46 / 0 / 6

HEX #7A82F0

RGB 122 130 240

HSL 235.93, 0.8%, 0.71%

LAB 58.41, 26.15, -56.48

 

Description

Color code: HEX #F07BBC | qconv.com Color code: HEX #F07BBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 123 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 123 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 22 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 22% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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