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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F073EC it is the complementary color #0F8C13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F073EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F073EC shade: #F573E7, #FF85FA, #FF97FF, #FFA9FF and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F073EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F073EC shade: #F073EC, #DF61D9, #CE4FC6, #BD3DB3 and #AC2BA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F073EC shade: #F075EC, #F075CB, #F075AA, #F07588 and #F07575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F073EC shade: #F075EC, #D375F0, #B275F0, #9075F0 and #7575F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F073EC shade matches the following richer shades: #F075EC and #FD68F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F073EC shade: #F075EC, #E481E1, #D88DD5, #CB9ACA and #BFA6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F073EC shade: #B075F0, #D175F0, #F075EE, #F075CD and #F075AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F073EC shade: #E92AE3, #ED4FE8, #F075EC, #F49AF1 and #F8BFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F073EC shade: #F073EC, #F08F75 and #75F0C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F073EC shade: #F073EC, #EEF075 and #75EEF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F073EC shade: #F073EC, #F08F75, #75F077 and #75D6F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F073EC shade: #F073EC, #F0B575, #75F077 and #75B0F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 2 / 6

HEX #F073EC

RGB 240 115 236

HSL 301.92, 0.81%, 0.7%

LAB 67.16, 63.71, -39.65

 

Complementary color

CMYK 89 / 0 / 86 / 45

HEX #0F8C13

RGB 15 140 19

HSL 121.92, 0.81%, 0.3%

LAB 50.58, -53.36, 49.69

 

CMYK 0 / 53 / 6 / 4

HEX #F573E7

RGB 245 115 231

HSL 306.46, 0.87%, 0.71%

LAB 67.61, 64.23, -36.14

 

CMYK 0 / 48 / 2 / 0

HEX #FF85FA

RGB 255 133 250

HSL 302.46, 1%, 0.76%

LAB 72.85, 61.75, -38.32

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 52 / 2 / 6

HEX #F073EC

RGB 240 115 236

HSL 301.92, 0.81%, 0.7%

LAB 67.16, 63.71, -39.65

 

CMYK 0 / 57 / 3 / 13

HEX #DF61D9

RGB 223 97 217

HSL 302.86, 0.66%, 0.63%

LAB 61, 64.14, -38.87

 

CMYK 0 / 62 / 4 / 19

HEX #CE4FC6

RGB 206 79 198

HSL 303.78, 0.56%, 0.56%

LAB 54.86, 64.35, -37.88

 

CMYK 0 / 68 / 5 / 26

HEX #BD3DB3

RGB 189 61 179

HSL 304.69, 0.51%, 0.49%

LAB 48.77, 64.2, -36.62

 

CMYK 0 / 75 / 7 / 33

HEX #AC2BA0

RGB 172 43 160

HSL 305.58, 0.6%, 0.42%

LAB 42.82, 63.48, -34.93

 

CMYK 0 / 51 / 2 / 6

HEX #F075EC

RGB 240 117 236

HSL 301.95, 0.8%, 0.7%

LAB 67.5, 62.79, -39.11

 

CMYK 0 / 51 / 15 / 6

HEX #F075CB

RGB 240 117 203

HSL 318.05, 0.8%, 0.7%

LAB 66.18, 57.51, -22.79

 

CMYK 0 / 51 / 29 / 6

HEX #F075AA

RGB 240 117 170

HSL 334.15, 0.8%, 0.7%

LAB 65.08, 52.93, -5.8

 

CMYK 0 / 51 / 43 / 6

HEX #F07588

RGB 240 117 136

HSL 350.73, 0.8%, 0.7%

LAB 64.18, 49.05, 12.28

 

CMYK 0 / 51 / 51 / 6

HEX #F07575

RGB 240 117 117

HSL 0, 0.8%, 0.7%

LAB 63.78, 47.28, 22.53

 

CMYK 0 / 51 / 2 / 6

HEX #F075EC

RGB 240 117 236

HSL 301.95, 0.8%, 0.7%

LAB 67.5, 62.79, -39.11

 

CMYK 12 / 51 / 0 / 6

HEX #D375F0

RGB 211 117 240

HSL 285.85, 0.8%, 0.7%

LAB 64.05, 55.75, -47

 

CMYK 26 / 51 / 0 / 6

HEX #B275F0

RGB 178 117 240

HSL 269.76, 0.8%, 0.7%

LAB 60.32, 47.13, -53.15

 

CMYK 40 / 51 / 0 / 6

HEX #9075F0

RGB 144 117 240

HSL 253.17, 0.8%, 0.7%

LAB 57.02, 38.77, -58.61

 

CMYK 51 / 51 / 0 / 6

HEX #7575F0

RGB 117 117 240

HSL 240, 0.8%, 0.7%

LAB 54.86, 32.81, -62.19

 

CMYK 0 / 51 / 2 / 6

HEX #F075EC

RGB 240 117 236

HSL 301.95, 0.8%, 0.7%

LAB 67.5, 62.79, -39.11

 

CMYK 0 / 59 / 2 / 1

HEX #FD68F8

RGB 253 104 248

HSL 302.01, 0.97%, 0.7%

LAB 67.7, 73.81, -45.3

 

CMYK 0 / 51 / 2 / 6

HEX #F075EC

RGB 240 117 236

HSL 301.95, 0.8%, 0.7%

LAB 67.5, 62.79, -39.11

 

CMYK 0 / 43 / 1 / 11

HEX #E481E1

RGB 228 129 225

HSL 301.82, 0.65%, 0.7%

LAB 67.75, 51.69, -32.77

 

CMYK 0 / 35 / 1 / 15

HEX #D88DD5

RGB 216 141 213

HSL 302.4, 0.49%, 0.7%

LAB 68.35, 39.64, -25.3

 

CMYK 0 / 24 / 0 / 20

HEX #CB9ACA

RGB 203 154 202

HSL 301.22, 0.32%, 0.7%

LAB 69.52, 26.33, -17.55

 

CMYK 0 / 13 / 1 / 25

HEX #BFA6BE

RGB 191 166 190

HSL 302.4, 0.16%, 0.7%

LAB 70.92, 13.36, -8.93

 

CMYK 27 / 51 / 0 / 6

HEX #B075F0

RGB 176 117 240

HSL 268.78, 0.8%, 0.7%

LAB 60.11, 46.62, -53.5

 

CMYK 13 / 51 / 0 / 6

HEX #D175F0

RGB 209 117 240

HSL 284.88, 0.8%, 0.7%

LAB 63.81, 55.22, -47.39

 

CMYK 0 / 51 / 1 / 6

HEX #F075EE

RGB 240 117 238

HSL 300.98, 0.8%, 0.7%

LAB 67.59, 63.13, -40.08

 

CMYK 0 / 51 / 15 / 6

HEX #F075CD

RGB 240 117 205

HSL 317.07, 0.8%, 0.7%

LAB 66.26, 57.81, -23.8

 

CMYK 0 / 51 / 28 / 6

HEX #F075AC

RGB 240 117 172

HSL 333.17, 0.8%, 0.7%

LAB 65.14, 53.18, -6.85

 

CMYK 0 / 82 / 3 / 9

HEX #E92AE3

RGB 233 42 227

HSL 301.88, 0.81%, 0.54%

LAB 56.61, 86.02, -51.33

 

CMYK 0 / 67 / 2 / 7

HEX #ED4FE8

RGB 237 79 232

HSL 301.9, 0.81%, 0.62%

LAB 61.15, 77.13, -46.9

 

CMYK 0 / 51 / 2 / 6

HEX #F075EC

RGB 240 117 236

HSL 301.95, 0.8%, 0.7%

LAB 67.5, 62.79, -39.11

 

CMYK 0 / 37 / 1 / 4

HEX #F49AF1

RGB 244 154 241

HSL 302, 0.8%, 0.78%

LAB 75.26, 46.56, -29.8

 

CMYK 0 / 23 / 1 / 3

HEX #F8BFF6

RGB 248 191 246

HSL 302.11, 0.8%, 0.86%

LAB 83.9, 29.33, -19.28

 

CMYK 0 / 52 / 2 / 6

HEX #F073EC

RGB 240 115 236

HSL 301.92, 0.81%, 0.7%

LAB 67.16, 63.71, -39.65

 

CMYK 0 / 40 / 51 / 6

HEX #F08F75

RGB 240 143 117

HSL 12.68, 0.8%, 0.7%

LAB 69.08, 34.11, 29.57

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 0 / 52 / 2 / 6

HEX #F073EC

RGB 240 115 236

HSL 301.92, 0.81%, 0.7%

LAB 67.16, 63.71, -39.65

 

CMYK 1 / 0 / 51 / 6

HEX #EEF075

RGB 238 240 117

HSL 60.98, 0.8%, 0.7%

LAB 92.48, -16.84, 58.43

 

CMYK 51 / 1 / 0 / 6

HEX #75EEF0

RGB 117 238 240

HSL 180.98, 0.8%, 0.7%

LAB 87.59, -33.33, -11.39

 

CMYK 0 / 52 / 2 / 6

HEX #F073EC

RGB 240 115 236

HSL 301.92, 0.81%, 0.7%

LAB 67.16, 63.71, -39.65

 

CMYK 0 / 40 / 51 / 6

HEX #F08F75

RGB 240 143 117

HSL 12.68, 0.8%, 0.7%

LAB 69.08, 34.11, 29.57

 

CMYK 51 / 0 / 50 / 6

HEX #75F077

RGB 117 240 119

HSL 120.98, 0.8%, 0.7%

LAB 85.72, -58.15, 47.8

 

CMYK 51 / 11 / 0 / 6

HEX #75D6F0

RGB 117 214 240

HSL 192.68, 0.8%, 0.7%

LAB 80.83, -21.68, -21.57

 

CMYK 0 / 52 / 2 / 6

HEX #F073EC

RGB 240 115 236

HSL 301.92, 0.81%, 0.7%

LAB 67.16, 63.71, -39.65

 

CMYK 0 / 25 / 51 / 6

HEX #F0B575

RGB 240 181 117

HSL 31.22, 0.8%, 0.7%

LAB 77.79, 14.07, 40.73

 

CMYK 51 / 0 / 50 / 6

HEX #75F077

RGB 117 240 119

HSL 120.98, 0.8%, 0.7%

LAB 85.72, -58.15, 47.8

 

CMYK 51 / 27 / 0 / 6

HEX #75B0F0

RGB 117 176 240

HSL 211.22, 0.8%, 0.7%

LAB 70.26, -1.58, -37.81

 

Description

Color code: HEX #F073EC | qconv.com Color code: HEX #F073EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 115 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 115 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 2 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 2% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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