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Color name
HEX #F06F2B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F06F2B it is the complementary color #0F90D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F06F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F06F2B shade: #F56F26, #FF8139, #FF934C, #FFA55F and #FFB772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F06F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F06F2B shade: #F06F2B, #DF5D18, #CE4B05, #BD3900 and #AC2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F06F2B shade: #F06D28, #F03728 and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F06F2B shade: #F06D28, #F0A328, #F0D928, #D1F028 and #9BF028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F06F2B shade matches the following richer shades: #F06D28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F06F2B shade: #F06D28, #DE733B, #CB794E, #B87F60 and #A68473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F06F2B shade: #F02850, #F03628, #F06B28, #F0A028 and #F0D528

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F06F2B shade: #B9480D, #E05710, #F06D28, #F3884F and #F5A276

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F06F2B shade: #F06F2B, #86F028 and #2836F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F06F2B shade: #F06F2B, #28F06B and #6B28F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F06F2B shade: #F06F2B, #86F028, #28AEF0 and #9328F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F06F2B shade: #F06F2B, #4AF028, #28AEF0 and #CF28F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 82 / 6

HEX #F06F2B

RGB 240 111 43

HSL 20.71, 0.87%, 0.55%

LAB 61.71, 46.03, 58.42

 

Complementary color

CMYK 93 / 32 / 0 / 17

HEX #0F90D4

RGB 15 144 212

HSL 200.71, 0.87%, 0.45%

LAB 56.88, -6.9, -43.53

 

CMYK 0 / 55 / 84 / 4

HEX #F56F26

RGB 245 111 38

HSL 21.16, 0.91%, 0.55%

LAB 62.44, 47.77, 61.31

 

CMYK 0 / 49 / 78 / 0

HEX #FF8139

RGB 255 129 57

HSL 21.82, 1%, 0.61%

LAB 67.47, 43.39, 58.65

 

CMYK 0 / 42 / 70 / 0

HEX #FF934C

RGB 255 147 76

HSL 23.8, 1%, 0.65%

LAB 71.32, 35.12, 53.92

 

CMYK 0 / 35 / 63 / 0

HEX #FFA55F

RGB 255 165 95

HSL 26.25, 1%, 0.69%

LAB 75.45, 26.88, 49.36

 

CMYK 0 / 28 / 55 / 0

HEX #FFB772

RGB 255 183 114

HSL 29.36, 1%, 0.72%

LAB 79.81, 18.82, 45.1

 

CMYK 0 / 54 / 82 / 6

HEX #F06F2B

RGB 240 111 43

HSL 20.71, 0.87%, 0.55%

LAB 61.71, 46.03, 58.42

 

CMYK 0 / 58 / 89 / 13

HEX #DF5D18

RGB 223 93 24

HSL 20.8, 0.81%, 0.48%

LAB 55.67, 47.79, 59.39

 

CMYK 0 / 64 / 98 / 19

HEX #CE4B05

RGB 206 75 5

HSL 20.9, 0.95%, 0.41%

LAB 49.7, 49.51, 59.01

 

CMYK 0 / 70 / 100 / 26

HEX #BD3900

RGB 189 57 0

HSL 18.1, 1%, 0.37%

LAB 43.87, 51.03, 55.59

 

CMYK 0 / 77 / 100 / 33

HEX #AC2700

RGB 172 39 0

HSL 13.6, 1%, 0.34%

LAB 38.24, 51.95, 51.1

 

CMYK 0 / 55 / 83 / 6

HEX #F06D28

RGB 240 109 40

HSL 20.7, 0.87%, 0.55%

LAB 61.32, 46.91, 59.28

 

CMYK 0 / 77 / 83 / 6

HEX #F03728

RGB 240 55 40

HSL 4.5, 0.87%, 0.55%

LAB 53.4, 68.2, 52.32

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 55 / 83 / 6

HEX #F06D28

RGB 240 109 40

HSL 20.7, 0.87%, 0.55%

LAB 61.32, 46.91, 59.28

 

CMYK 0 / 32 / 83 / 6

HEX #F0A328

RGB 240 163 40

HSL 36.9, 0.87%, 0.55%

LAB 72.81, 19.25, 69.13

 

CMYK 0 / 10 / 83 / 6

HEX #F0D928

RGB 240 217 40

HSL 53.1, 0.87%, 0.55%

LAB 86.16, -8.74, 80.33

 

CMYK 13 / 0 / 83 / 6

HEX #D1F028

RGB 209 240 40

HSL 69.3, 0.87%, 0.55%

LAB 89.87, -32.65, 82.48

 

CMYK 35 / 0 / 83 / 6

HEX #9BF028

RGB 155 240 40

HSL 85.5, 0.87%, 0.55%

LAB 86.72, -52.9, 78.53

 

CMYK 0 / 55 / 83 / 6

HEX #F06D28

RGB 240 109 40

HSL 20.7, 0.87%, 0.55%

LAB 61.32, 46.91, 59.28

 

CMYK 0 / 55 / 83 / 6

HEX #F06D28

RGB 240 109 40

HSL 20.7, 0.87%, 0.55%

LAB 61.32, 46.91, 59.28

 

CMYK 0 / 48 / 73 / 13

HEX #DE733B

RGB 222 115 59

HSL 20.61, 0.71%, 0.55%

LAB 59.99, 37.71, 48.62

 

CMYK 0 / 40 / 62 / 20

HEX #CB794E

RGB 203 121 78

HSL 20.64, 0.55%, 0.55%

LAB 58.9, 28.01, 36.92

 

CMYK 0 / 31 / 48 / 28

HEX #B87F60

RGB 184 127 96

HSL 21.14, 0.38%, 0.55%

LAB 58.24, 18.41, 25.69

 

CMYK 0 / 20 / 31 / 35

HEX #A68473

RGB 166 132 115

HSL 20, 0.22%, 0.55%

LAB 57.89, 10.48, 14.13

 

CMYK 0 / 83 / 67 / 6

HEX #F02850

RGB 240 40 80

HSL 348, 0.87%, 0.55%

LAB 52.53, 73.4, 29.27

 

CMYK 0 / 78 / 83 / 6

HEX #F03628

RGB 240 54 40

HSL 4.2, 0.87%, 0.55%

LAB 53.29, 68.48, 52.23

 

CMYK 0 / 55 / 83 / 6

HEX #F06B28

RGB 240 107 40

HSL 20.1, 0.87%, 0.55%

LAB 60.95, 47.86, 58.96

 

CMYK 0 / 33 / 83 / 6

HEX #F0A028

RGB 240 160 40

HSL 36, 0.87%, 0.55%

LAB 72.11, 20.84, 68.53

 

CMYK 0 / 11 / 83 / 6

HEX #F0D528

RGB 240 213 40

HSL 51.9, 0.87%, 0.55%

LAB 85.13, -6.73, 79.47

 

CMYK 0 / 61 / 93 / 27

HEX #B9480D

RGB 185 72 13

HSL 20.58, 0.87%, 0.39%

LAB 45.6, 43.3, 52.65

 

CMYK 0 / 61 / 93 / 12

HEX #E05710

RGB 224 87 16

HSL 20.48, 0.87%, 0.47%

LAB 54.76, 50.76, 61.15

 

CMYK 0 / 55 / 83 / 6

HEX #F06D28

RGB 240 109 40

HSL 20.7, 0.87%, 0.55%

LAB 61.32, 46.91, 59.28

 

CMYK 0 / 44 / 67 / 5

HEX #F3884F

RGB 243 136 79

HSL 20.85, 0.87%, 0.63%

LAB 67.45, 36.2, 47.73

 

CMYK 0 / 34 / 52 / 4

HEX #F5A276

RGB 245 162 118

HSL 20.79, 0.86%, 0.71%

LAB 73.91, 26.19, 35.41

 

CMYK 0 / 54 / 82 / 6

HEX #F06F2B

RGB 240 111 43

HSL 20.71, 0.87%, 0.55%

LAB 61.71, 46.03, 58.42

 

CMYK 44 / 0 / 83 / 6

HEX #86F028

RGB 134 240 40

HSL 91.8, 0.87%, 0.55%

LAB 85.78, -59.75, 77.34

 

CMYK 83 / 78 / 0 / 6

HEX #2836F0

RGB 40 54 240

HSL 235.8, 0.87%, 0.55%

LAB 36.71, 59.53, -92.05

 

CMYK 0 / 54 / 82 / 6

HEX #F06F2B

RGB 240 111 43

HSL 20.71, 0.87%, 0.55%

LAB 61.71, 46.03, 58.42

 

CMYK 83 / 0 / 55 / 6

HEX #28F06B

RGB 40 240 107

HSL 140.1, 0.87%, 0.55%

LAB 83.88, -73.19, 50.72

 

CMYK 55 / 83 / 0 / 6

HEX #6B28F0

RGB 107 40 240

HSL 260.1, 0.87%, 0.55%

LAB 39.47, 70.44, -87.32

 

CMYK 0 / 54 / 82 / 6

HEX #F06F2B

RGB 240 111 43

HSL 20.71, 0.87%, 0.55%

LAB 61.71, 46.03, 58.42

 

CMYK 44 / 0 / 83 / 6

HEX #86F028

RGB 134 240 40

HSL 91.8, 0.87%, 0.55%

LAB 85.78, -59.75, 77.34

 

CMYK 83 / 28 / 0 / 6

HEX #28AEF0

RGB 40 174 240

HSL 199.8, 0.87%, 0.55%

LAB 67.29, -12.11, -42.63

 

CMYK 39 / 83 / 0 / 6

HEX #9328F0

RGB 147 40 240

HSL 272.1, 0.87%, 0.55%

LAB 44.25, 75.04, -79.29

 

CMYK 0 / 54 / 82 / 6

HEX #F06F2B

RGB 240 111 43

HSL 20.71, 0.87%, 0.55%

LAB 61.71, 46.03, 58.42

 

CMYK 69 / 0 / 83 / 6

HEX #4AF028

RGB 74 240 40

HSL 109.8, 0.87%, 0.55%

LAB 83.93, -74.52, 75

 

CMYK 83 / 28 / 0 / 6

HEX #28AEF0

RGB 40 174 240

HSL 199.8, 0.87%, 0.55%

LAB 67.29, -12.11, -42.63

 

CMYK 14 / 83 / 0 / 6

HEX #CF28F0

RGB 207 40 240

HSL 290.1, 0.87%, 0.55%

LAB 53.03, 83.95, -64.62

 

Description

Color code: HEX #F06F2B | qconv.com Color code: HEX #F06F2B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 111 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 111 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 82 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 82% 6% C M Y K

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