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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F06CACCE it is the complementary color #0F9353CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F06CACCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F06CACCE shade: #F56CA7CE, #FF7EBACE, #FF90CDCE, #FFA2E0CE and #FFB4F3CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F06CACCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F06CACCE shade: #F06CACCE, #DF5A99CE, #CE4886CE, #BD3673CE and #AC2460CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F06CACCE shade: #EF6BAB, #EF6B88 and #EF6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F06CACCE shade: #EF6BAB, #EF6BCF, #EC6BEF, #C96BEF and #A56BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F06CACCE shade matches the following richer shades: #EF6BAB and #FD5EAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F06CACCE shade: #EF6BAB, #E279AC, #D586AC, #C893AD and #BBA0AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F06CACCE shade: #EB6BEF, #EF6BD1, #EF6BAD, #EF6B8A and #EF706B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F06CACCE shade: #E82181, #EC4696, #EF6BAB, #F391C1 and #F7B6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F06CACCE shade: #F06CAC, #EFC86B and #6BE2EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F06CACCE shade: #F06CAC, #ADEF6B and #6BADEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F06CACCE shade: #F06CAC, #EFC86B, #6BEFAD and #6B93EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F06CACCE shade: #F06CAC, #EFEF6B, #6BEFAD and #6B6BEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 23 / 5

HEX #F06CACCE

RGBA 240 108 172 0.81

HSLA 330.91, 0.81%, 0.68%, 0.81

LABA 63.53, 57.41, -9.25, 0.81

 

Complementary color

CMYK 73 / 0 / 35 / 34

HEX #0F9353CE

RGBA 15 147 83 0.81

HSLA 150.91, 0.81%, 0.32%, 0.81

LABA 53.59, -47.81, 24.88, 0.81

 

CMYK 0 / 45 / 26 / 3

HEX #F56CA7CE

RGBA 245 108 167 0.81

HSLA 334.16, 0.87%, 0.69%, 0.81

LABA 64.1, 58.34, -5.47, 0.81

 

CMYK 0 / 41 / 22 / 0

HEX #FF7EBACE

RGBA 255 126 186 0.81

HSLA 332.09, 1%, 0.75%, 0.81

LABA 69.27, 55.47, -8.39, 0.81

 

CMYK 0 / 35 / 16 / 0

HEX #FF90CDCE

RGBA 255 144 205 0.81

HSLA 327.03, 1%, 0.78%, 0.81

LABA 73.29, 49.28, -12.95, 0.81

 

CMYK 0 / 30 / 10 / 0

HEX #FFA2E0CE

RGBA 255 162 224 0.81

HSLA 320, 1%, 0.82%, 0.81

LABA 77.57, 43.03, -16.93, 0.81

 

CMYK 0 / 24 / 4 / 0

HEX #FFB4F3CE

RGBA 255 180 243 0.81

HSLA 309.6, 1%, 0.85%, 0.81

LABA 82.04, 36.84, -20.42, 0.81

 

CMYK 0 / 45 / 23 / 5

HEX #F06CACCE

RGBA 240 108 172 0.81

HSLA 330.91, 0.81%, 0.68%, 0.81

LABA 63.53, 57.41, -9.25, 0.81

 

CMYK 0 / 48 / 25 / 10

HEX #DF5A99CE

RGBA 223 90 153 0.81

HSLA 331.58, 0.68%, 0.61%, 0.81

LABA 57.37, 57.95, -7.74, 0.81

 

CMYK 0 / 53 / 28 / 16

HEX #CE4886CE

RGBA 206 72 134 0.81

HSLA 332.24, 0.58%, 0.55%, 0.81

LABA 51.24, 58.27, -5.92, 0.81

 

CMYK 0 / 58 / 32 / 21

HEX #BD3673CE

RGBA 189 54 115 0.81

HSLA 332.89, 0.56%, 0.48%, 0.81

LABA 45.21, 58.21, -3.65, 0.81

 

CMYK 0 / 64 / 36 / 26

HEX #AC2460CE

RGBA 172 36 96 0.81

HSLA 333.53, 0.65%, 0.41%, 0.81

LABA 39.37, 57.5, -0.75, 0.81

 

CMYK 0 / 55 / 28 / 6

HEX #EF6BAB

RGB 239 107 171

HSL 330.91, 0.8%, 0.68%

LAB 63.18, 57.43, -9.21

 

CMYK 0 / 55 / 43 / 6

HEX #EF6B88

RGB 239 107 136

HSL 346.82, 0.8%, 0.68%

LAB 62.21, 53.46, 9.47

 

CMYK 0 / 55 / 55 / 6

HEX #EF6B6B

RGB 239 107 107

HSL 0, 0.8%, 0.68%

LAB 61.59, 50.9, 25.26

 

CMYK 0 / 55 / 28 / 6

HEX #EF6BAB

RGB 239 107 171

HSL 330.91, 0.8%, 0.68%

LAB 63.18, 57.43, -9.21

 

CMYK 0 / 55 / 13 / 6

HEX #EF6BCF

RGB 239 107 207

HSL 314.55, 0.8%, 0.68%

LAB 64.46, 62.43, -27.69

 

CMYK 1 / 55 / 0 / 6

HEX #EC6BEF

RGB 236 107 239

HSL 298.64, 0.8%, 0.68%

LAB 65.42, 66.79, -44.07

 

CMYK 16 / 55 / 0 / 6

HEX #C96BEF

RGB 201 107 239

HSL 282.73, 0.8%, 0.68%

LAB 60.93, 57.9, -51.47

 

CMYK 31 / 55 / 0 / 6

HEX #A56BEF

RGB 165 107 239

HSL 266.36, 0.8%, 0.68%

LAB 56.83, 49.03, -58.24

 

CMYK 0 / 55 / 28 / 6

HEX #EF6BAB

RGB 239 107 171

HSL 330.91, 0.8%, 0.68%

LAB 63.18, 57.43, -9.21

 

CMYK 0 / 63 / 32 / 1

HEX #FD5EAB

RGB 253 94 171

HSL 330.94, 0.98%, 0.68%

LAB 63.2, 67.19, -8.96

 

CMYK 0 / 55 / 28 / 6

HEX #EF6BAB

RGB 239 107 171

HSL 330.91, 0.8%, 0.68%

LAB 63.18, 57.43, -9.21

 

CMYK 0 / 46 / 24 / 11

HEX #E279AC

RGB 226 121 172

HSL 330.86, 0.64%, 0.68%

LAB 64.02, 46.66, -8.73

 

CMYK 0 / 37 / 19 / 16

HEX #D586AC

RGB 213 134 172

HSL 331.14, 0.48%, 0.68%

LAB 65.1, 35.49, -7.29

 

CMYK 0 / 27 / 14 / 22

HEX #C893AD

RGB 200 147 173

HSL 330.57, 0.33%, 0.68%

LAB 66.64, 23.99, -5.72

 

CMYK 0 / 14 / 7 / 27

HEX #BBA0AD

RGB 187 160 173

HSL 331.11, 0.17%, 0.68%

LAB 68.55, 12.14, -3.05

 

CMYK 2 / 55 / 0 / 6

HEX #EB6BEF

RGB 235 107 239

HSL 298.18, 0.8%, 0.68%

LAB 65.29, 66.53, -44.29

 

CMYK 0 / 55 / 13 / 6

HEX #EF6BD1

RGB 239 107 209

HSL 313.64, 0.8%, 0.68%

LAB 64.54, 62.74, -28.69

 

CMYK 0 / 55 / 28 / 6

HEX #EF6BAD

RGB 239 107 173

HSL 330, 0.8%, 0.68%

LAB 63.25, 57.69, -10.26

 

CMYK 0 / 55 / 42 / 6

HEX #EF6B8A

RGB 239 107 138

HSL 345.91, 0.8%, 0.68%

LAB 62.25, 53.67, 8.38

 

CMYK 0 / 53 / 55 / 6

HEX #EF706B

RGB 239 112 107

HSL 2.27, 0.8%, 0.68%

LAB 62.51, 48.52, 26.47

 

CMYK 0 / 86 / 44 / 9

HEX #E82181

RGB 232 33 129

HSL 331.06, 0.81%, 0.52%

LAB 51.64, 76.08, -1.8

 

CMYK 0 / 70 / 36 / 7

HEX #EC4696

RGB 236 70 150

HSL 331.08, 0.81%, 0.6%

LAB 56.5, 69.2, -7.05

 

CMYK 0 / 55 / 28 / 6

HEX #EF6BAB

RGB 239 107 171

HSL 330.91, 0.8%, 0.68%

LAB 63.18, 57.43, -9.21

 

CMYK 0 / 40 / 21 / 5

HEX #F391C1

RGB 243 145 193

HSL 330.61, 0.8%, 0.76%

LAB 71.66, 43.09, -8.9

 

CMYK 0 / 26 / 13 / 3

HEX #F7B6D6

RGB 247 182 214

HSL 330.46, 0.8%, 0.84%

LAB 80.79, 28.3, -6.79

 

CMYK 0 / 55 / 28 / 6

HEX #F06CAC

RGB 240 108 172

HSL 330.91, 0.81%, 0.68%

LAB 63.53, 57.41, -9.25

 

CMYK 0 / 16 / 55 / 6

HEX #EFC86B

RGB 239 200 107

HSL 42.27, 0.8%, 0.68%

LAB 82.23, 2.89, 51.07

 

CMYK 55 / 5 / 0 / 6

HEX #6BE2EF

RGB 107 226 239

HSL 185.91, 0.8%, 0.68%

LAB 83.84, -29.85, -16.53

 

CMYK 0 / 55 / 28 / 6

HEX #F06CAC

RGB 240 108 172

HSL 330.91, 0.81%, 0.68%

LAB 63.53, 57.41, -9.25

 

CMYK 28 / 0 / 55 / 6

HEX #ADEF6B

RGB 173 239 107

HSL 90, 0.8%, 0.68%

LAB 87.81, -41.83, 56.41

 

CMYK 55 / 28 / 0 / 6

HEX #6BADEF

RGB 107 173 239

HSL 210, 0.8%, 0.68%

LAB 68.93, -2.35, -39.38

 

CMYK 0 / 55 / 28 / 6

HEX #F06CAC

RGB 240 108 172

HSL 330.91, 0.81%, 0.68%

LAB 63.53, 57.41, -9.25

 

CMYK 0 / 16 / 55 / 6

HEX #EFC86B

RGB 239 200 107

HSL 42.27, 0.8%, 0.68%

LAB 82.23, 2.89, 51.07

 

CMYK 55 / 0 / 28 / 6

HEX #6BEFAD

RGB 107 239 173

HSL 150, 0.8%, 0.68%

LAB 85.94, -51.25, 21.17

 

CMYK 55 / 38 / 0 / 6

HEX #6B93EF

RGB 107 147 239

HSL 221.82, 0.8%, 0.68%

LAB 61.85, 12.56, -50.51

 

CMYK 0 / 55 / 28 / 6

HEX #F06CAC

RGB 240 108 172

HSL 330.91, 0.81%, 0.68%

LAB 63.53, 57.41, -9.25

 

CMYK 0 / 0 / 55 / 6

HEX #EFEF6B

RGB 239 239 107

HSL 60, 0.8%, 0.68%

LAB 92.2, -16.74, 62.58

 

CMYK 55 / 0 / 28 / 6

HEX #6BEFAD

RGB 107 239 173

HSL 150, 0.8%, 0.68%

LAB 85.94, -51.25, 21.17

 

CMYK 55 / 55 / 0 / 6

HEX #6B6BEF

RGB 107 107 239

HSL 240, 0.8%, 0.68%

LAB 51.69, 36.5, -66.77

 

Description

Color code: HEX #F06CACCE | qconv.com Color code: HEX #F06CACCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 108 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 108 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 23 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 23% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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