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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F062FA it is the complementary color #0F9D05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F062FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F062FA: #F562F5, #FF74FF, #FF86FF, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F062FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F062FA: #F062FA, #DF50E7, #CE3ED4, #BD2CC1 and #AC1AAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 61 / 0 / 2

HEX #F062FA

RGB 240 98 250

HSL 296.05, 0.94%, 0.68%

LAB 65.09, 73.49, -50.63

 

Complementary color

CMYK 90 / 0 / 97 / 38

HEX #0F9D05

RGB 15 157 5

HSL 116.05, 0.94%, 0.32%

LAB 56.31, -58.92, 57.25

 

CMYK 0 / 60 / 0 / 4

HEX #F562F5

RGB 245 98 245

HSL 300, 0.88%, 0.67%

LAB 65.55, 73.83, -47.11

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 4 / 61 / 0 / 2

HEX #F062FA

RGB 240 98 250

HSL 296.05, 0.94%, 0.68%

LAB 65.09, 73.49, -50.63

 

CMYK 3 / 65 / 0 / 9

HEX #DF50E7

RGB 223 80 231

HSL 296.82, 0.76%, 0.61%

LAB 59.15, 73.47, -49.63

 

CMYK 3 / 71 / 0 / 17

HEX #CE3ED4

RGB 206 62 212

HSL 297.6, 0.64%, 0.54%

LAB 53.3, 73.04, -48.35

 

CMYK 2 / 77 / 0 / 24

HEX #BD2CC1

RGB 189 44 193

HSL 298.39, 0.63%, 0.46%

LAB 47.59, 71.98, -46.67

 

CMYK 1 / 85 / 0 / 32

HEX #AC1AAE

RGB 172 26 174

HSL 299.19, 0.74%, 0.39%

LAB 42.1, 70.02, -44.43

 

CMYK 4 / 61 / 0 / 2

HEX #F062FA

RGB 240 98 250

HSL 296.05, 0.94%, 0.68%

LAB 65.09, 73.49, -50.63

 

CMYK 0 / 62 / 6 / 2

HEX #FA60EA

RGB 250 96 234

HSL 306.23, 0.94%, 0.68%

LAB 65.46, 74.09, -41.1

 

CMYK 0 / 62 / 16 / 2

HEX #FA60D1

RGB 250 96 209

HSL 315.97, 0.94%, 0.68%

LAB 64.4, 70.41, -28.78

 

CMYK 0 / 62 / 27 / 2

HEX #FA60B7

RGB 250 96 183

HSL 326.1, 0.94%, 0.68%

LAB 63.43, 66.96, -15.52

 

CMYK 0 / 62 / 37 / 2

HEX #FA609E

RGB 250 96 158

HSL 335.84, 0.94%, 0.68%

LAB 62.64, 64.06, -2.37

 

CMYK 4 / 61 / 0 / 2

HEX #F062FA

RGB 240 98 250

HSL 296.05, 0.94%, 0.68%

LAB 65.09, 73.49, -50.63

 

CMYK 4 / 61 / 0 / 82

HEX #2C122E

RGB 44 18 46

HSL 295.71, 0.44%, 0.13%

LAB 10.3, 18.62, -13.1

 

CMYK 4 / 61 / 0 / 62

HEX #5D2661

RGB 93 38 97

HSL 295.93, 0.44%, 0.26%

LAB 25.49, 34.32, -23.83

 

CMYK 4 / 61 / 0 / 42

HEX #8E3A94

RGB 142 58 148

HSL 296, 0.44%, 0.4%

LAB 39.44, 48.25, -33.36

 

CMYK 4 / 61 / 0 / 22

HEX #BF4EC7

RGB 191 78 199

HSL 296.03, 0.52%, 0.54%

LAB 52.56, 61.2, -42.22

 

CMYK 4 / 61 / 0 / 2

HEX #F062FA

RGB 240 98 250

HSL 296.05, 0.94%, 0.68%

LAB 65.09, 73.49, -50.63

 

CMYK 0 / 53 / 62 / 2

HEX #FA7560

RGB 250 117 96

HSL 8.18, 0.94%, 0.68%

LAB 64.88, 49.28, 35.96

 

CMYK 62 / 0 / 29 / 2

HEX #60FAB2

RGB 96 250 178

HSL 151.95, 0.94%, 0.68%

LAB 88.96, -56.88, 22.71

 

CMYK 4 / 61 / 0 / 2

HEX #F062FA

RGB 240 98 250

HSL 296.05, 0.94%, 0.68%

LAB 65.09, 73.49, -50.63

 

CMYK 0 / 4 / 62 / 2

HEX #FAEF60

RGB 250 239 96

HSL 55.71, 0.94%, 0.68%

LAB 92.97, -13.06, 68.34

 

CMYK 62 / 0 / 4 / 2

HEX #60FAEF

RGB 96 250 239

HSL 175.71, 0.94%, 0.68%

LAB 90.36, -42.84, -6.83

 

CMYK 4 / 61 / 0 / 2

HEX #F062FA

RGB 240 98 250

HSL 296.05, 0.94%, 0.68%

LAB 65.09, 73.49, -50.63

 

CMYK 0 / 53 / 62 / 2

HEX #FA7560

RGB 250 117 96

HSL 8.18, 0.94%, 0.68%

LAB 64.88, 49.28, 35.96

 

CMYK 58 / 0 / 62 / 2

HEX #6AFA60

RGB 106 250 96

HSL 116.1, 0.94%, 0.68%

LAB 88.1, -67.16, 60.74

 

CMYK 62 / 8 / 0 / 2

HEX #60E5FA

RGB 96 229 250

HSL 188.18, 0.94%, 0.68%

LAB 84.7, -30.17, -21.06

 

CMYK 4 / 61 / 0 / 2

HEX #F062FA

RGB 240 98 250

HSL 296.05, 0.94%, 0.68%

LAB 65.09, 73.49, -50.63

 

CMYK 0 / 35 / 62 / 2

HEX #FAA360

RGB 250 163 96

HSL 26.1, 0.94%, 0.68%

LAB 74.42, 25.98, 47.51

 

CMYK 58 / 0 / 62 / 2

HEX #6AFA60

RGB 106 250 96

HSL 116.1, 0.94%, 0.68%

LAB 88.1, -67.16, 60.74

 

CMYK 62 / 27 / 0 / 2

HEX #60B7FA

RGB 96 183 250

HSL 206.1, 0.94%, 0.68%

LAB 71.73, -6.55, -41.01

 

Description

Color code: HEX #F062FA | qconv.com Color code: HEX #F062FA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 98 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 98 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 61 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 61% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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