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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F05CA6 it is the complementary color #0FA359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F05CA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F05CA6 shade: #F55CA1, #FF6EB4, #FF80C7, #FF92DA and #FFA4ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F05CA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F05CA6 shade: #F05CA6, #DF4A93, #CE3880, #BD266D and #AC145A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F05CA6 shade: #F05CA6, #F05C7E and #F05C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F05CA6 shade: #F05CA6, #F05CCE, #EA5CF0, #C25CF0 and #9A5CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F05CA6 shade matches the following richer shades: #F05CA6 and #FE4DA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F05CA6 shade: #F05CA6, #E16AA6, #D379A6, #C587A6 and #B695A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F05CA6 shade: #EB5CF0, #F05CCD, #F05CA6, #F05C7E and #F0615C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F05CA6 shade: #E4157C, #EC3691, #F05CA6, #F381BA and #F7A7CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F05CA6 shade: #F05CA6, #F0C35C and #5CE1F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F05CA6 shade: #F05CA6, #A6F05C and #5CA6F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F05CA6 shade: #F05CA6, #F0C35C, #5CF0A6 and #5C88F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F05CA6 shade: #F05CA6, #F0F05C, #5CF0A6 and #5C5CF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

Complementary color

CMYK 91 / 0 / 45 / 36

HEX #0FA359

RGB 15 163 89

HSL 150, 0.83%, 0.35%

LAB 58.99, -52.45, 28.66

 

CMYK 0 / 62 / 34 / 4

HEX #F55CA1

RGB 245 92 161

HSL 332.94, 0.88%, 0.66%

LAB 61.34, 64.57, -6.11

 

CMYK 0 / 57 / 29 / 0

HEX #FF6EB4

RGB 255 110 180

HSL 331.03, 1%, 0.72%

LAB 66.3, 62.07, -9.44

 

CMYK 0 / 50 / 22 / 0

HEX #FF80C7

RGB 255 128 199

HSL 326.46, 1%, 0.75%

LAB 70.05, 56.26, -14.49

 

CMYK 0 / 43 / 15 / 0

HEX #FF92DA

RGB 255 146 218

HSL 320.37, 1%, 0.79%

LAB 74.11, 50.22, -18.87

 

CMYK 0 / 36 / 7 / 0

HEX #FFA4ED

RGB 255 164 237

HSL 311.87, 1%, 0.82%

LAB 78.42, 44.13, -22.69

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 67 / 34 / 13

HEX #DF4A93

RGB 223 74 147

HSL 330.6, 0.7%, 0.58%

LAB 54.75, 63.84, -8.11

 

CMYK 0 / 73 / 38 / 19

HEX #CE3880

RGB 206 56 128

HSL 331.2, 0.6%, 0.51%

LAB 48.89, 63.58, -5.79

 

CMYK 0 / 80 / 42 / 26

HEX #BD266D

RGB 189 38 109

HSL 331.79, 0.67%, 0.45%

LAB 43.23, 62.67, -2.87

 

CMYK 0 / 88 / 48 / 33

HEX #AC145A

RGB 172 20 90

HSL 332.37, 0.79%, 0.38%

LAB 37.86, 60.76, 0.86

HEX #AC145A

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 62 / 48 / 6

HEX #F05C7E

RGB 240 92 126

HSL 346.22, 0.83%, 0.65%

LAB 59.6, 59.52, 11.61

 

CMYK 0 / 62 / 62 / 6

HEX #F05C5C

RGB 240 92 92

HSL 0, 0.83%, 0.65%

LAB 58.93, 56.94, 30.38

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 62 / 14 / 6

HEX #F05CCE

RGB 240 92 206

HSL 313.78, 0.83%, 0.65%

LAB 62.2, 68.98, -30.61

 

CMYK 3 / 62 / 0 / 6

HEX #EA5CF0

RGB 234 92 240

HSL 297.57, 0.83%, 0.65%

LAB 62.88, 72.82, -48.66

 

CMYK 19 / 62 / 0 / 6

HEX #C25CF0

RGB 194 92 240

HSL 281.35, 0.83%, 0.65%

LAB 57.48, 63.53, -57.57

 

CMYK 36 / 62 / 0 / 6

HEX #9A5CF0

RGB 154 92 240

HSL 265.14, 0.83%, 0.65%

LAB 52.75, 54.68, -65.42

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 70 / 35 / 0

HEX #FE4DA6

RGB 254 77 166

HSL 329.83, 0.99%, 0.65%

LAB 60.9, 73.27, -9.51

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 53 / 26 / 12

HEX #E16AA6

RGB 225 106 166

HSL 329.75, 0.66%, 0.65%

LAB 60.84, 52.88, -10.05

 

CMYK 0 / 43 / 21 / 17

HEX #D379A6

RGB 211 121 166

HSL 330, 0.51%, 0.65%

LAB 61.89, 40.77, -8.68

 

CMYK 0 / 31 / 16 / 23

HEX #C587A6

RGB 197 135 166

HSL 330, 0.35%, 0.65%

LAB 63.3, 28.36, -6.76

 

CMYK 0 / 18 / 9 / 29

HEX #B695A6

RGB 182 149 166

HSL 329.09, 0.18%, 0.65%

LAB 65.12, 15.19, -4.25

 

CMYK 2 / 62 / 0 / 6

HEX #EB5CF0

RGB 235 92 240

HSL 297.97, 0.83%, 0.65%

LAB 63.02, 73.05, -48.42

 

CMYK 0 / 62 / 15 / 6

HEX #F05CCD

RGB 240 92 205

HSL 314.19, 0.83%, 0.65%

LAB 62.16, 68.83, -30.11

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 62 / 48 / 6

HEX #F05C7E

RGB 240 92 126

HSL 346.22, 0.83%, 0.65%

LAB 59.6, 59.52, 11.61

 

CMYK 0 / 60 / 62 / 6

HEX #F0615C

RGB 240 97 92

HSL 2.03, 0.83%, 0.65%

LAB 59.75, 54.75, 31.42

 

CMYK 0 / 91 / 46 / 11

HEX #E4157C

RGB 228 21 124

HSL 330.14, 0.83%, 0.49%

LAB 50.08, 76.61, -1.15

 

CMYK 0 / 77 / 39 / 7

HEX #EC3691

RGB 236 54 145

HSL 330, 0.83%, 0.57%

LAB 54.57, 73.68, -6.97

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 47 / 23 / 5

HEX #F381BA

RGB 243 129 186

HSL 330, 0.83%, 0.73%

LAB 68.24, 50.17, -10.1

 

CMYK 0 / 32 / 16 / 3

HEX #F7A7CF

RGB 247 167 207

HSL 330, 0.83%, 0.81%

LAB 77.23, 35.1, -8.27

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 19 / 62 / 6

HEX #F0C35C

RGB 240 195 92

HSL 41.76, 0.83%, 0.65%

LAB 80.92, 4.82, 56.61

 

CMYK 62 / 6 / 0 / 6

HEX #5CE1F0

RGB 92 225 240

HSL 186.08, 0.83%, 0.65%

LAB 83.13, -31.73, -18.16

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 31 / 0 / 62 / 6

HEX #A6F05C

RGB 166 240 92

HSL 90, 0.83%, 0.65%

LAB 87.58, -46.05, 62.5

 

CMYK 62 / 31 / 0 / 6

HEX #5CA6F0

RGB 92 166 240

HSL 210, 0.83%, 0.65%

LAB 66.4, -1, -43.93

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 19 / 62 / 6

HEX #F0C35C

RGB 240 195 92

HSL 41.76, 0.83%, 0.65%

LAB 80.92, 4.82, 56.61

 

CMYK 62 / 0 / 31 / 6

HEX #5CF0A6

RGB 92 240 166

HSL 150, 0.83%, 0.65%

LAB 85.68, -56.06, 24.33

 

CMYK 62 / 43 / 0 / 6

HEX #5C88F0

RGB 92 136 240

HSL 222.16, 0.83%, 0.65%

LAB 58.2, 16.56, -56.91

 

CMYK 0 / 62 / 31 / 6

HEX #F05CA6

RGB 240 92 166

HSL 330, 0.83%, 0.65%

LAB 60.72, 63.69, -10

 

CMYK 0 / 0 / 62 / 6

HEX #F0F05C

RGB 240 240 92

HSL 60, 0.83%, 0.65%

LAB 92.41, -17.84, 69.12

 

CMYK 62 / 0 / 31 / 6

HEX #5CF0A6

RGB 92 240 166

HSL 150, 0.83%, 0.65%

LAB 85.68, -56.06, 24.33

 

CMYK 62 / 62 / 0 / 6

HEX #5C5CF0

RGB 92 92 240

HSL 240, 0.83%, 0.65%

LAB 47.26, 43.21, -74.58

 

Description

Color code: HEX #F05CA6 | qconv.com Color code: HEX #F05CA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 92 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 92 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 31 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 31% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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