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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F04B7ACE it is the complementary color #0FB485CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F04B7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F04B7ACE shade: #F54B75CE, #FF5D88CE, #FF6F9BCE, #FF81AECE and #FF93C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F04B7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F04B7ACE shade: #F04B7ACE, #DF3967CE, #CE2754CE, #BD1541CE and #AC032ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F04B7ACE shade: #F04C7B, #F04C4E and #F04C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F04B7ACE shade: #F04C7B, #F04CA7, #F04CD3, #E14CF0 and #B54CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F04B7ACE shade matches the following richer shades: #F04C7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F04B7ACE shade: #F04C7B, #E15B81, #D16B88, #C17B8F and #B28A96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F04B7ACE shade: #F04CD5, #F04CA9, #F04C7D, #F04C51 and #F0724C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F04B7ACE shade: #D8124A, #ED265E, #F04C7B, #F47297 and #F798B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F04B7ACE shade: #F04B7A, #F0E04C and #4CBFF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F04B7ACE shade: #F04B7A, #7DF04C and #4C7DF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F04B7ACE shade: #F04B7A, #F0E04C, #4CF0BF and #4C5CF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F04B7ACE shade: #F04B7A, #D0F04C, #4CF0BF and #6D4CF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 40 / 5

HEX #F04B7ACE

RGBA 240 75 122 0.81

HSLA 342.91, 0.85%, 0.62%, 0.81

LABA 57.04, 65.91, 10.34, 0.81

 

Complementary color

CMYK 74 / 0 / 21 / 24

HEX #0FB485CE

RGBA 15 180 133 0.81

HSLA 162.91, 0.85%, 0.38%, 0.81

LABA 65.31, -49.39, 13.39, 0.81

 

CMYK 0 / 56 / 42 / 3

HEX #F54B75CE

RGBA 245 75 117 0.81

HSLA 345.18, 0.89%, 0.63%, 0.81

LABA 57.78, 66.96, 14.45, 0.81

 

CMYK 0 / 51 / 38 / 0

HEX #FF5D88CE

RGBA 255 93 136 0.81

HSLA 344.07, 1%, 0.68%, 0.81

LABA 62.39, 64.64, 10.08, 0.81

 

CMYK 0 / 46 / 32 / 0

HEX #FF6F9BCE

RGBA 255 111 155 0.81

HSLA 341.67, 1%, 0.72%, 0.81

LABA 65.75, 58.78, 3.96, 0.81

 

CMYK 0 / 40 / 26 / 0

HEX #FF81AECE

RGBA 255 129 174 0.81

HSLA 338.57, 1%, 0.75%, 0.81

LABA 69.48, 52.53, -1.35, 0.81

 

CMYK 0 / 34 / 20 / 0

HEX #FF93C1CE

RGBA 255 147 193 0.81

HSLA 334.44, 1%, 0.79%, 0.81

LABA 73.53, 46.08, -5.97, 0.81

 

CMYK 0 / 56 / 40 / 5

HEX #F04B7ACE

RGBA 240 75 122 0.81

HSLA 342.91, 0.85%, 0.62%, 0.81

LABA 57.04, 65.91, 10.34, 0.81

 

CMYK 0 / 60 / 44 / 10

HEX #DF3967CE

RGBA 223 57 103 0.81

HSLA 343.37, 0.72%, 0.55%, 0.81

LABA 51.37, 65.72, 13.32, 0.81

 

CMYK 0 / 66 / 48 / 16

HEX #CE2754CE

RGBA 206 39 84 0.81

HSLA 343.83, 0.68%, 0.48%, 0.81

LABA 45.92, 64.9, 16.95, 0.81

 

CMYK 0 / 72 / 53 / 21

HEX #BD1541CE

RGBA 189 21 65 0.81

HSLA 344.29, 0.8%, 0.41%, 0.81

LABA 40.79, 63.16, 21.41, 0.81

 

CMYK 0 / 80 / 59 / 26

HEX #AC032ECE

RGBA 172 3 46 0.81

HSLA 344.73, 0.97%, 0.34%, 0.81

LABA 36.05, 60.32, 26.73, 0.81

 

CMYK 0 / 68 / 49 / 6

HEX #F04C7B

RGB 240 76 123

HSL 342.8, 0.85%, 0.62%

LAB 57.2, 65.62, 9.97

 

CMYK 0 / 68 / 68 / 6

HEX #F04C4E

RGB 240 76 78

HSL 359.27, 0.85%, 0.62%

LAB 56.33, 62.59, 35.13

 

CMYK 0 / 68 / 68 / 6

HEX #F04C4C

RGB 240 76 76

HSL 0, 0.85%, 0.62%

LAB 56.3, 62.49, 36.23

 

CMYK 0 / 68 / 49 / 6

HEX #F04C7B

RGB 240 76 123

HSL 342.8, 0.85%, 0.62%

LAB 57.2, 65.62, 9.97

 

CMYK 0 / 68 / 30 / 6

HEX #F04CA7

RGB 240 76 167

HSL 326.71, 0.85%, 0.62%

LAB 58.49, 70.03, -13.93

 

CMYK 0 / 68 / 12 / 6

HEX #F04CD3

RGB 240 76 211

HSL 310.61, 0.85%, 0.62%

LAB 60.25, 75.73, -36.48

 

CMYK 6 / 68 / 0 / 6

HEX #E14CF0

RGB 225 76 240

HSL 294.51, 0.85%, 0.62%

LAB 59.4, 76.89, -54.25

 

CMYK 25 / 68 / 0 / 6

HEX #B54CF0

RGB 181 76 240

HSL 278.41, 0.85%, 0.62%

LAB 53.26, 67.76, -64.44

 

CMYK 0 / 68 / 49 / 6

HEX #F04C7B

RGB 240 76 123

HSL 342.8, 0.85%, 0.62%

LAB 57.2, 65.62, 9.97

 

CMYK 0 / 68 / 49 / 6

HEX #F04C7B

RGB 240 76 123

HSL 342.8, 0.85%, 0.62%

LAB 57.2, 65.62, 9.97

 

CMYK 0 / 60 / 43 / 12

HEX #E15B81

RGB 225 91 129

HSL 342.99, 0.69%, 0.62%

LAB 57.15, 55.47, 6.04

 

CMYK 0 / 49 / 35 / 18

HEX #D16B88

RGB 209 107 136

HSL 342.94, 0.53%, 0.62%

LAB 57.89, 43.25, 2.71

 

CMYK 0 / 36 / 26 / 24

HEX #C17B8F

RGB 193 123 143

HSL 342.86, 0.36%, 0.62%

LAB 59.42, 29.96, 0.63

 

CMYK 0 / 22 / 16 / 30

HEX #B28A96

RGB 178 138 150

HSL 342, 0.21%, 0.62%

LAB 61.52, 17.12, -0.52

 

CMYK 0 / 68 / 11 / 6

HEX #F04CD5

RGB 240 76 213

HSL 309.88, 0.85%, 0.62%

LAB 60.34, 76.01, -37.47

 

CMYK 0 / 68 / 30 / 6

HEX #F04CA9

RGB 240 76 169

HSL 325.98, 0.85%, 0.62%

LAB 58.56, 70.26, -14.99

 

CMYK 0 / 68 / 48 / 6

HEX #F04C7D

RGB 240 76 125

HSL 342.07, 0.85%, 0.62%

LAB 57.25, 65.79, 8.86

 

CMYK 0 / 68 / 66 / 6

HEX #F04C51

RGB 240 76 81

HSL 358.17, 0.85%, 0.62%

LAB 56.38, 62.75, 33.47

 

CMYK 0 / 53 / 68 / 6

HEX #F0724C

RGB 240 114 76

HSL 13.9, 0.85%, 0.62%

LAB 62.58, 45.91, 43.6

 

CMYK 0 / 92 / 66 / 15

HEX #D8124A

RGB 216 18 74

HSL 343.03, 0.85%, 0.46%

LAB 46.35, 70.83, 24.06

 

CMYK 0 / 84 / 60 / 7

HEX #ED265E

RGB 237 38 94

HSL 343.12, 0.85%, 0.54%

LAB 52.06, 73.8, 20.13

 

CMYK 0 / 68 / 49 / 6

HEX #F04C7B

RGB 240 76 123

HSL 342.8, 0.85%, 0.62%

LAB 57.2, 65.62, 9.97

 

CMYK 0 / 53 / 38 / 4

HEX #F47297

RGB 244 114 151

HSL 342.92, 0.86%, 0.7%

LAB 64.57, 53.41, 4.34

 

CMYK 0 / 38 / 28 / 3

HEX #F798B3

RGB 247 152 179

HSL 342.95, 0.86%, 0.78%

LAB 73.21, 38.89, 1.19

 

CMYK 0 / 69 / 49 / 6

HEX #F04B7A

RGB 240 75 122

HSL 342.91, 0.85%, 0.62%

LAB 57.04, 65.91, 10.34

 

CMYK 0 / 7 / 68 / 6

HEX #F0E04C

RGB 240 224 76

HSL 54.15, 0.85%, 0.62%

LAB 88.14, -10.88, 70.95

 

CMYK 68 / 20 / 0 / 6

HEX #4CBFF0

RGB 76 191 240

HSL 197.93, 0.85%, 0.62%

LAB 72.95, -17.21, -33.76

 

CMYK 0 / 69 / 49 / 6

HEX #F04B7A

RGB 240 75 122

HSL 342.91, 0.85%, 0.62%

LAB 57.04, 65.91, 10.34

 

CMYK 48 / 0 / 68 / 6

HEX #7DF04C

RGB 125 240 76

HSL 102.07, 0.85%, 0.62%

LAB 85.61, -60.4, 66.13

 

CMYK 68 / 48 / 0 / 6

HEX #4C7DF0

RGB 76 125 240

HSL 222.07, 0.85%, 0.62%

LAB 54.55, 20.66, -62.81

 

CMYK 0 / 69 / 49 / 6

HEX #F04B7A

RGB 240 75 122

HSL 342.91, 0.85%, 0.62%

LAB 57.04, 65.91, 10.34

 

CMYK 0 / 7 / 68 / 6

HEX #F0E04C

RGB 240 224 76

HSL 54.15, 0.85%, 0.62%

LAB 88.14, -10.88, 70.95

 

CMYK 68 / 0 / 20 / 6

HEX #4CF0BF

RGB 76 240 191

HSL 162.07, 0.85%, 0.62%

LAB 85.82, -53.41, 11.53

 

CMYK 68 / 62 / 0 / 6

HEX #4C5CF0

RGB 76 92 240

HSL 234.15, 0.85%, 0.62%

LAB 46.29, 40.99, -76.21

 

CMYK 0 / 69 / 49 / 6

HEX #F04B7A

RGB 240 75 122

HSL 342.91, 0.85%, 0.62%

LAB 57.04, 65.91, 10.34

 

CMYK 13 / 0 / 68 / 6

HEX #D0F04C

RGB 208 240 76

HSL 71.71, 0.85%, 0.62%

LAB 89.98, -31.54, 72

 

CMYK 68 / 0 / 20 / 6

HEX #4CF0BF

RGB 76 240 191

HSL 162.07, 0.85%, 0.62%

LAB 85.82, -53.41, 11.53

 

CMYK 55 / 68 / 0 / 6

HEX #6D4CF0

RGB 109 76 240

HSL 252.07, 0.85%, 0.62%

LAB 45.24, 54.78, -77.84

 

Description

Color code: HEX #F04B7ACE | qconv.com Color code: HEX #F04B7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 75 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 75 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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