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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0483000 it is the complementary color #0FB7CF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0483000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0483000 shade: #F5482B00, #FF5A3E00, #FF6C5100, #FF7E6400 and #FF907700

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0483000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0483000 shade: #F0483000, #DF361D00, #CE240A00, #BD120000 and #AC000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0483000 shade: #EF462E and #EF2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0483000 shade: #EF462E, #EF7A2E, #EFAF2E, #EFE32E and #C8EF2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0483000 shade matches the following richer shades: #EF462E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0483000 shade: #EF462E, #DD5440, #CB6253, #B96F65 and #A77D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0483000 shade: #EF2E7F, #EF2E4B, #EF452E, #EF782E and #EFAC2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0483000 shade: #BD240E, #E32B11, #EF462E, #F26855 and #F58A7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0483000 shade: #F04830, #B2EF2E and #2E65EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0483000 shade: #F04830, #2EEF45 and #452EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0483000 shade: #F04830, #B2EF2E, #2ED9EF and #6B2EEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0483000 shade: #F04830, #78EF2E, #2ED9EF and #A52EEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #F0483000

RGBA 240 72 48 0

HSLA 7.5, 0.86%, 0.56%, 0

LABA 55.45, 62.87, 50.34, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #0FB7CF00

RGBA 15 183 207 0

HSLA 187.5, 0.86%, 0.44%, 0

LABA 68.37, -29.41, -22.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F5482B00

RGBA 245 72 43 0

HSLA 8.61, 0.91%, 0.56%, 0

LABA 56.31, 64.29, 53.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5A3E00

RGBA 255 90 62 0

HSLA 8.7, 1%, 0.62%, 0

LABA 60.71, 61.24, 49.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6C5100

RGBA 255 108 81 0

HSLA 9.31, 1%, 0.66%, 0

LABA 63.82, 54.37, 42.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7E6400

RGBA 255 126 100 0

HSLA 10.06, 1%, 0.7%, 0

LABA 67.35, 47.02, 37.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF907700

RGBA 255 144 119 0

HSLA 11.03, 1%, 0.73%, 0

LABA 71.24, 39.46, 31.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F0483000

RGBA 240 72 48 0

HSLA 7.5, 0.86%, 0.56%, 0

LABA 55.45, 62.87, 50.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DF361D00

RGBA 223 54 29 0

HSLA 7.73, 0.77%, 0.49%, 0

LABA 50, 63.27, 53.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CE240A00

RGBA 206 36 10 0

HSLA 7.96, 0.91%, 0.42%, 0

LABA 44.81, 63.05, 54.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BD120000

RGBA 189 18 0 0

HSLA 5.71, 1%, 0.37%, 0

LABA 40, 61.86, 53.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AC000000

RGBA 172 0 0 0

HSLA 0, 1%, 0.34%, 0

LABA 35.54, 59.64, 49.89, 0

HEX #AC000000

CMYK 0 / 71 / 81 / 6

HEX #EF462E

RGB 239 70 46

HSL 7.46, 0.86%, 0.56%

LAB 55, 63.22, 50.83

 

CMYK 0 / 81 / 81 / 6

HEX #EF2E2E

RGB 239 46 46

HSL 0, 0.86%, 0.56%

LAB 52.4, 70.47, 48.33

 

CMYK 0 / 71 / 81 / 6

HEX #EF462E

RGB 239 70 46

HSL 7.46, 0.86%, 0.56%

LAB 55, 63.22, 50.83

 

CMYK 0 / 49 / 81 / 6

HEX #EF7A2E

RGB 239 122 46

HSL 23.63, 0.86%, 0.56%

LAB 63.73, 40.33, 58.97

 

CMYK 0 / 27 / 81 / 6

HEX #EFAF2E

RGB 239 175 46

HSL 40.1, 0.86%, 0.56%

LAB 75.58, 12.67, 69.59

 

CMYK 0 / 5 / 81 / 6

HEX #EFE32E

RGB 239 227 46

HSL 56.27, 0.86%, 0.56%

LAB 88.68, -13.97, 80.95

 

CMYK 16 / 0 / 81 / 6

HEX #C8EF2E

RGB 200 239 46

HSL 72.12, 0.86%, 0.56%

LAB 89.02, -35.57, 80.13

 

CMYK 0 / 71 / 81 / 6

HEX #EF462E

RGB 239 70 46

HSL 7.46, 0.86%, 0.56%

LAB 55, 63.22, 50.83

 

CMYK 0 / 71 / 81 / 6

HEX #EF462E

RGB 239 70 46

HSL 7.46, 0.86%, 0.56%

LAB 55, 63.22, 50.83

 

CMYK 0 / 62 / 71 / 13

HEX #DD5440

RGB 221 84 64

HSL 7.64, 0.7%, 0.56%

LAB 54.11, 52.42, 39.54

 

CMYK 0 / 52 / 59 / 20

HEX #CB6253

RGB 203 98 83

HSL 7.5, 0.54%, 0.56%

LAB 54.09, 40.43, 28.17

 

CMYK 0 / 40 / 45 / 27

HEX #B96F65

RGB 185 111 101

HSL 7.14, 0.38%, 0.56%

LAB 54.68, 28.19, 18.11

 

CMYK 0 / 25 / 29 / 35

HEX #A77D77

RGB 167 125 119

HSL 7.5, 0.21%, 0.56%

LAB 56.3, 15.4, 9.61

 

CMYK 0 / 81 / 47 / 6

HEX #EF2E7F

RGB 239 46 127

HSL 334.82, 0.86%, 0.56%

LAB 53.85, 74.86, 2.79

 

CMYK 0 / 81 / 69 / 6

HEX #EF2E4B

RGB 239 46 75

HSL 350.98, 0.86%, 0.56%

LAB 52.74, 71.53, 32.45

 

CMYK 0 / 71 / 81 / 6

HEX #EF452E

RGB 239 69 46

HSL 7.15, 0.86%, 0.56%

LAB 54.87, 63.57, 50.7

 

CMYK 0 / 50 / 81 / 6

HEX #EF782E

RGB 239 120 46

HSL 23.01, 0.86%, 0.56%

LAB 63.33, 41.33, 58.6

 

CMYK 0 / 28 / 81 / 6

HEX #EFAC2E

RGB 239 172 46

HSL 39.17, 0.86%, 0.56%

LAB 74.86, 14.25, 68.95

 

CMYK 0 / 81 / 93 / 26

HEX #BD240E

RGB 189 36 14

HSL 7.54, 0.86%, 0.4%

LAB 41.39, 58.19, 49.87

 

CMYK 0 / 81 / 93 / 11

HEX #E32B11

RGB 227 43 17

HSL 7.43, 0.86%, 0.48%

LAB 49.62, 67.32, 57.82

 

CMYK 0 / 71 / 81 / 6

HEX #EF462E

RGB 239 70 46

HSL 7.46, 0.86%, 0.56%

LAB 55, 63.22, 50.83

 

CMYK 0 / 57 / 65 / 5

HEX #F26855

RGB 242 104 85

HSL 7.26, 0.86%, 0.64%

LAB 61.16, 51.86, 37.15

 

CMYK 0 / 44 / 50 / 4

HEX #F58A7B

RGB 245 138 123

HSL 7.38, 0.86%, 0.72%

LAB 68.77, 39.12, 25.98

 

CMYK 0 / 70 / 80 / 6

HEX #F04830

RGB 240 72 48

HSL 7.5, 0.86%, 0.56%

LAB 55.45, 62.87, 50.34

 

CMYK 26 / 0 / 81 / 6

HEX #B2EF2E

RGB 178 239 46

HSL 78.96, 0.86%, 0.56%

LAB 87.68, -44.01, 78.42

 

CMYK 81 / 58 / 0 / 6

HEX #2E65EF

RGB 46 101 239

HSL 222.9, 0.86%, 0.56%

LAB 47.13, 31.87, -74.32

 

CMYK 0 / 70 / 80 / 6

HEX #F04830

RGB 240 72 48

HSL 7.5, 0.86%, 0.56%

LAB 55.45, 62.87, 50.34

 

CMYK 81 / 0 / 71 / 6

HEX #2EEF45

RGB 46 239 69

HSL 127.15, 0.86%, 0.56%

LAB 83.31, -76.39, 65.68

 

CMYK 71 / 81 / 0 / 6

HEX #452EEF

RGB 69 46 239

HSL 247.15, 0.86%, 0.56%

LAB 36.84, 64.66, -91.22

 

CMYK 0 / 70 / 80 / 6

HEX #F04830

RGB 240 72 48

HSL 7.5, 0.86%, 0.56%

LAB 55.45, 62.87, 50.34

 

CMYK 26 / 0 / 81 / 6

HEX #B2EF2E

RGB 178 239 46

HSL 78.96, 0.86%, 0.56%

LAB 87.68, -44.01, 78.42

 

CMYK 81 / 9 / 0 / 6

HEX #2ED9EF

RGB 46 217 239

HSL 186.84, 0.86%, 0.56%

LAB 79.86, -33.82, -22.67

 

CMYK 55 / 81 / 0 / 6

HEX #6B2EEF

RGB 107 46 239

HSL 258.96, 0.86%, 0.56%

LAB 40.1, 68.04, -85.72

 

CMYK 0 / 70 / 80 / 6

HEX #F04830

RGB 240 72 48

HSL 7.5, 0.86%, 0.56%

LAB 55.45, 62.87, 50.34

 

CMYK 50 / 0 / 81 / 6

HEX #78EF2E

RGB 120 239 46

HSL 96.99, 0.86%, 0.56%

LAB 84.96, -63.28, 74.96

 

CMYK 81 / 9 / 0 / 6

HEX #2ED9EF

RGB 46 217 239

HSL 186.84, 0.86%, 0.56%

LAB 79.86, -33.82, -22.67

 

CMYK 31 / 81 / 0 / 6

HEX #A52EEF

RGB 165 46 239

HSL 276.99, 0.86%, 0.56%

LAB 47.22, 75.62, -73.77

 

Description

Color code: HEX #F0483000 | qconv.com Color code: HEX #F0483000 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 72 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 72 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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