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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F044BA it is the complementary color #0FBB45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F044BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F044BA shade: #F544B5, #FF56C8, #FF68DB, #FF7AEE and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F044BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F044BA shade: #F044BA, #DF32A7, #CE2094, #BD0E81 and #AC006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F044BA shade: #F042B9, #F0428A, #F0425C and #F04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F044BA shade: #F042B9, #F042E8, #C942F0, #9A42F0 and #6B42F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F044BA shade matches the following richer shades: #F042B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F044BA shade: #F042B9, #DF53B3, #CF63AD, #BE74A7 and #AE84A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F044BA shade: #C742F0, #F042EA, #F042BC, #F0428D and #F0425F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F044BA shade: #CF1193, #ED1CAB, #F042B9, #F368C7 and #F68FD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F044BA shade: #F044BA, #F09942 and #42F0DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F044BA shade: #F044BA, #BCF042 and #42BCF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F044BA shade: #F044BA, #F09942, #42F076 and #4299F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F044BA shade: #F044BA, #F0CD42, #42F076 and #4265F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 23 / 6

HEX #F044BA

RGB 240 68 186

HSL 318.84, 0.85%, 0.6%

LAB 58.23, 75.05, -25.32

 

Complementary color

CMYK 92 / 0 / 63 / 27

HEX #0FBB45

RGB 15 187 69

HSL 138.84, 0.85%, 0.4%

LAB 66.57, -63.36, 47.59

 

CMYK 0 / 72 / 26 / 4

HEX #F544B5

RGB 245 68 181

HSL 321.69, 0.9%, 0.61%

LAB 58.87, 75.65, -21.39

 

CMYK 0 / 66 / 22 / 0

HEX #FF56C8

RGB 255 86 200

HSL 319.53, 1%, 0.67%

LAB 63.41, 74.34, -25.15

 

CMYK 0 / 59 / 14 / 0

HEX #FF68DB

RGB 255 104 219

HSL 314.3, 1%, 0.7%

LAB 66.73, 69.87, -30.72

 

CMYK 0 / 52 / 7 / 0

HEX #FF7AEE

RGB 255 122 238

HSL 307.67, 1%, 0.74%

LAB 70.42, 64.9, -35.52

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 72 / 23 / 6

HEX #F044BA

RGB 240 68 186

HSL 318.84, 0.85%, 0.6%

LAB 58.23, 75.05, -25.32

 

CMYK 0 / 78 / 25 / 13

HEX #DF32A7

RGB 223 50 167

HSL 319.42, 0.73%, 0.54%

LAB 52.68, 74.05, -23.05

 

CMYK 0 / 84 / 28 / 19

HEX #CE2094

RGB 206 32 148

HSL 320, 0.73%, 0.47%

LAB 47.36, 72.25, -20.2

 

CMYK 0 / 93 / 32 / 26

HEX #BD0E81

RGB 189 14 129

HSL 320.57, 0.86%, 0.4%

LAB 42.34, 69.37, -16.6

 

CMYK 0 / 100 / 36 / 33

HEX #AC006E

RGB 172 0 110

HSL 321.63, 1%, 0.34%

LAB 37.66, 65.26, -12.18

 

CMYK 0 / 73 / 23 / 6

HEX #F042B9

RGB 240 66 185

HSL 318.97, 0.85%, 0.6%

LAB 57.97, 75.56, -25.16

 

CMYK 0 / 73 / 43 / 6

HEX #F0428A

RGB 240 66 138

HSL 335.17, 0.85%, 0.6%

LAB 56.34, 70.43, -0.12

 

CMYK 0 / 73 / 62 / 6

HEX #F0425C

RGB 240 66 92

HSL 351.03, 0.85%, 0.6%

LAB 55.27, 66.91, 25.67

 

CMYK 0 / 73 / 73 / 6

HEX #F04242

RGB 240 66 66

HSL 0, 0.85%, 0.6%

LAB 54.88, 65.6, 40.19

 

CMYK 0 / 73 / 23 / 6

HEX #F042B9

RGB 240 66 185

HSL 318.97, 0.85%, 0.6%

LAB 57.97, 75.56, -25.16

 

CMYK 0 / 73 / 3 / 6

HEX #F042E8

RGB 240 66 232

HSL 302.76, 0.85%, 0.6%

LAB 60.11, 82.04, -48.51

 

CMYK 16 / 73 / 0 / 6

HEX #C942F0

RGB 201 66 240

HSL 286.55, 0.85%, 0.6%

LAB 54.66, 75.54, -62.03

 

CMYK 36 / 73 / 0 / 6

HEX #9A42F0

RGB 154 66 240

HSL 270.34, 0.85%, 0.6%

LAB 48.33, 66.89, -72.58

 

CMYK 55 / 73 / 0 / 6

HEX #6B42F0

RGB 107 66 240

HSL 254.14, 0.85%, 0.6%

LAB 43.23, 59.57, -81.13

 

CMYK 0 / 73 / 23 / 6

HEX #F042B9

RGB 240 66 185

HSL 318.97, 0.85%, 0.6%

LAB 57.97, 75.56, -25.16

 

CMYK 0 / 73 / 23 / 6

HEX #F042B9

RGB 240 66 185

HSL 318.97, 0.85%, 0.6%

LAB 57.97, 75.56, -25.16

 

CMYK 0 / 63 / 20 / 13

HEX #DF53B3

RGB 223 83 179

HSL 318.86, 0.69%, 0.6%

LAB 57.2, 64.29, -23.1

 

CMYK 0 / 52 / 16 / 19

HEX #CF63AD

RGB 207 99 173

HSL 318.89, 0.53%, 0.6%

LAB 57.28, 51.65, -19.72

 

CMYK 0 / 39 / 12 / 25

HEX #BE74A7

RGB 190 116 167

HSL 318.65, 0.36%, 0.6%

LAB 58.25, 36.46, -14.99

 

CMYK 0 / 24 / 7 / 32

HEX #AE84A1

RGB 174 132 161

HSL 318.57, 0.21%, 0.6%

LAB 59.96, 20.95, -9.16

 

CMYK 17 / 73 / 0 / 6

HEX #C742F0

RGB 199 66 240

HSL 285.86, 0.85%, 0.6%

LAB 54.38, 75.15, -62.51

 

CMYK 0 / 73 / 3 / 6

HEX #F042EA

RGB 240 66 234

HSL 302.07, 0.85%, 0.6%

LAB 60.21, 82.34, -49.47

 

CMYK 0 / 73 / 22 / 6

HEX #F042BC

RGB 240 66 188

HSL 317.93, 0.85%, 0.6%

LAB 58.09, 75.94, -26.7

 

CMYK 0 / 73 / 41 / 6

HEX #F0428D

RGB 240 66 141

HSL 334.14, 0.85%, 0.6%

LAB 56.43, 70.71, -1.77

 

CMYK 0 / 73 / 60 / 6

HEX #F0425F

RGB 240 66 95

HSL 350, 0.85%, 0.6%

LAB 55.33, 67.09, 23.97

 

CMYK 0 / 92 / 29 / 19

HEX #CF1193

RGB 207 17 147

HSL 318.95, 0.85%, 0.44%

LAB 46.68, 74.76, -20.62

 

CMYK 0 / 88 / 28 / 7

HEX #ED1CAB

RGB 237 28 171

HSL 318.95, 0.85%, 0.52%

LAB 53.79, 82.11, -23.49

 

CMYK 0 / 73 / 23 / 6

HEX #F042B9

RGB 240 66 185

HSL 318.97, 0.85%, 0.6%

LAB 57.97, 75.56, -25.16

 

CMYK 0 / 57 / 18 / 5

HEX #F368C7

RGB 243 104 199

HSL 318.99, 0.85%, 0.68%

LAB 64.22, 63.72, -23.5

 

CMYK 0 / 42 / 13 / 4

HEX #F68FD5

RGB 246 143 213

HSL 319.22, 0.85%, 0.76%

LAB 72.26, 48.12, -19.04

 

CMYK 0 / 72 / 23 / 6

HEX #F044BA

RGB 240 68 186

HSL 318.84, 0.85%, 0.6%

LAB 58.23, 75.05, -25.32

 

CMYK 0 / 36 / 73 / 6

HEX #F09942

RGB 240 153 66

HSL 30, 0.85%, 0.6%

LAB 70.66, 25.47, 57.25

 

CMYK 73 / 0 / 8 / 6

HEX #42F0DE

RGB 66 240 222

HSL 173.79, 0.85%, 0.6%

LAB 86.38, -47.06, -3.89

 

CMYK 0 / 72 / 23 / 6

HEX #F044BA

RGB 240 68 186

HSL 318.84, 0.85%, 0.6%

LAB 58.23, 75.05, -25.32

 

CMYK 22 / 0 / 73 / 6

HEX #BCF042

RGB 188 240 66

HSL 77.93, 0.85%, 0.6%

LAB 88.64, -39.8, 73.71

 

CMYK 73 / 22 / 0 / 6

HEX #42BCF0

RGB 66 188 240

HSL 197.93, 0.85%, 0.6%

LAB 71.84, -16.98, -35.5

 

CMYK 0 / 72 / 23 / 6

HEX #F044BA

RGB 240 68 186

HSL 318.84, 0.85%, 0.6%

LAB 58.23, 75.05, -25.32

 

CMYK 0 / 36 / 73 / 6

HEX #F09942

RGB 240 153 66

HSL 30, 0.85%, 0.6%

LAB 70.66, 25.47, 57.25

 

CMYK 73 / 0 / 51 / 6

HEX #42F076

RGB 66 240 118

HSL 137.93, 0.85%, 0.6%

LAB 84.37, -68.63, 46.31

 

CMYK 73 / 36 / 0 / 6

HEX #4299F0

RGB 66 153 240

HSL 210, 0.85%, 0.6%

LAB 61.85, 2.44, -51.16

 

CMYK 0 / 72 / 23 / 6

HEX #F044BA

RGB 240 68 186

HSL 318.84, 0.85%, 0.6%

LAB 58.23, 75.05, -25.32

 

CMYK 0 / 15 / 73 / 6

HEX #F0CD42

RGB 240 205 66

HSL 47.93, 0.85%, 0.6%

LAB 83.22, -1.76, 69.8

 

CMYK 73 / 0 / 51 / 6

HEX #42F076

RGB 66 240 118

HSL 137.93, 0.85%, 0.6%

LAB 84.37, -68.63, 46.31

 

CMYK 73 / 58 / 0 / 6

HEX #4265F0

RGB 66 101 240

HSL 227.93, 0.85%, 0.6%

LAB 47.95, 34.24, -73.52

 

Description

Color code: HEX #F044BA | qconv.com Color code: HEX #F044BA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 68 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 68 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 23 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 23% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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