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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F04470 it is the complementary color #0FBB8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F04470. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F04470 shade: #F5446B, #FF567E, #FF6891, #FF7AA4 and #FF8CB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F04470. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F04470 shade: #F04470, #DF325D, #CE204A, #BD0E37 and #AC0024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F04470 shade: #F0426F and #F04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F04470 shade: #F0426F, #F0429D, #F042CC, #E442F0 and #B642F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F04470 shade matches the following richer shades: #F0426F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F04470 shade: #F0426F, #DF5377, #CF637F, #BE7487 and #AE848F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F04470 shade: #F042CD, #F0429F, #F04271, #F04242 and #F07142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F04470 shade: #CF1141, #ED1C51, #F0426F, #F3688C and #F68FA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F04470 shade: #F04470, #F0E442 and #42B6F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F04470 shade: #F04470, #71F042 and #4271F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F04470 shade: #F04470, #F0E442, #42F0C1 and #424EF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F04470 shade: #F04470, #C7F042, #42F0C1 and #6B42F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 53 / 6

HEX #F04470

RGB 240 68 112

HSL 344.65, 0.85%, 0.6%

LAB 55.92, 67.58, 14.69

 

Complementary color

CMYK 92 / 0 / 24 / 27

HEX #0FBB8F

RGB 15 187 143

HSL 164.65, 0.85%, 0.4%

LAB 67.74, -49.72, 11.36

 

CMYK 0 / 72 / 56 / 4

HEX #F5446B

RGB 245 68 107

HSL 346.78, 0.9%, 0.61%

LAB 56.69, 68.65, 18.86

 

CMYK 0 / 66 / 51 / 0

HEX #FF567E

RGB 255 86 126

HSL 345.8, 1%, 0.67%

LAB 61.15, 66.54, 14.13

 

CMYK 0 / 59 / 43 / 0

HEX #FF6891

RGB 255 104 145

HSL 343.71, 1%, 0.7%

LAB 64.33, 60.86, 7.64

 

CMYK 0 / 52 / 36 / 0

HEX #FF7AA4

RGB 255 122 164

HSL 341.05, 1%, 0.74%

LAB 67.92, 54.69, 2

 

CMYK 0 / 45 / 28 / 0

HEX #FF8CB7

RGB 255 140 183

HSL 337.57, 1%, 0.77%

LAB 71.85, 48.26, -2.9

 

CMYK 0 / 72 / 53 / 6

HEX #F04470

RGB 240 68 112

HSL 344.65, 0.85%, 0.6%

LAB 55.92, 67.58, 14.69

 

CMYK 0 / 78 / 58 / 13

HEX #DF325D

RGB 223 50 93

HSL 345.09, 0.73%, 0.54%

LAB 50.4, 67.13, 18.05

 

CMYK 0 / 84 / 64 / 19

HEX #CE204A

RGB 206 32 74

HSL 345.52, 0.73%, 0.47%

LAB 45.15, 65.94, 22.11

 

CMYK 0 / 93 / 71 / 26

HEX #BD0E37

RGB 189 14 55

HSL 345.94, 0.86%, 0.4%

LAB 40.26, 63.71, 27.01

 

CMYK 0 / 100 / 79 / 33

HEX #AC0024

RGB 172 0 36

HSL 347.44, 1%, 0.34%

LAB 35.79, 60.31, 32.65

 

CMYK 0 / 73 / 54 / 6

HEX #F0426F

RGB 240 66 111

HSL 344.48, 0.85%, 0.6%

LAB 55.65, 68.18, 14.93

 

CMYK 0 / 73 / 73 / 6

HEX #F04242

RGB 240 66 66

HSL 0, 0.85%, 0.6%

LAB 54.88, 65.6, 40.19

 

CMYK 0 / 73 / 54 / 6

HEX #F0426F

RGB 240 66 111

HSL 344.48, 0.85%, 0.6%

LAB 55.65, 68.18, 14.93

 

CMYK 0 / 73 / 35 / 6

HEX #F0429D

RGB 240 66 157

HSL 328.62, 0.85%, 0.6%

LAB 56.93, 72.32, -10.44

 

CMYK 0 / 73 / 15 / 6

HEX #F042CC

RGB 240 66 204

HSL 312.41, 0.85%, 0.6%

LAB 58.77, 78.03, -34.8

 

CMYK 5 / 73 / 0 / 6

HEX #E442F0

RGB 228 66 240

HSL 295.86, 0.85%, 0.6%

LAB 58.68, 80.85, -55.38

 

CMYK 24 / 73 / 0 / 6

HEX #B642F0

RGB 182 66 240

HSL 280, 0.85%, 0.6%

LAB 51.99, 71.93, -66.48

 

CMYK 0 / 73 / 54 / 6

HEX #F0426F

RGB 240 66 111

HSL 344.48, 0.85%, 0.6%

LAB 55.65, 68.18, 14.93

 

CMYK 0 / 73 / 54 / 6

HEX #F0426F

RGB 240 66 111

HSL 344.48, 0.85%, 0.6%

LAB 55.65, 68.18, 14.93

 

CMYK 0 / 63 / 47 / 13

HEX #DF5377

RGB 223 83 119

HSL 344.57, 0.69%, 0.6%

LAB 55.28, 57.34, 9.23

 

CMYK 0 / 52 / 39 / 19

HEX #CF637F

RGB 207 99 127

HSL 344.44, 0.53%, 0.6%

LAB 55.81, 45.51, 4.93

 

CMYK 0 / 39 / 29 / 25

HEX #BE7487

RGB 190 116 135

HSL 344.59, 0.36%, 0.6%

LAB 57.26, 31.54, 2.06

 

CMYK 0 / 24 / 18 / 32

HEX #AE848F

RGB 174 132 143

HSL 344.29, 0.21%, 0.6%

LAB 59.42, 17.84, 0.36

 

CMYK 0 / 73 / 15 / 6

HEX #F042CD

RGB 240 66 205

HSL 312.07, 0.85%, 0.6%

LAB 58.82, 78.17, -35.3

 

CMYK 0 / 73 / 34 / 6

HEX #F0429F

RGB 240 66 159

HSL 327.93, 0.85%, 0.6%

LAB 57, 72.54, -11.51

 

CMYK 0 / 73 / 53 / 6

HEX #F04271

RGB 240 66 113

HSL 343.79, 0.85%, 0.6%

LAB 55.7, 68.32, 13.8

 

CMYK 0 / 73 / 73 / 6

HEX #F04242

RGB 240 66 66

HSL 0, 0.85%, 0.6%

LAB 54.88, 65.6, 40.19

 

CMYK 0 / 53 / 73 / 6

HEX #F07142

RGB 240 113 66

HSL 16.21, 0.85%, 0.6%

LAB 62.28, 45.91, 48.4

 

CMYK 0 / 92 / 69 / 19

HEX #CF1141

RGB 207 17 65

HSL 344.84, 0.85%, 0.44%

LAB 44.3, 68.3, 26.63

 

CMYK 0 / 88 / 66 / 7

HEX #ED1C51

RGB 237 28 81

HSL 344.78, 0.85%, 0.52%

LAB 51.19, 74.92, 26.84

 

CMYK 0 / 73 / 54 / 6

HEX #F0426F

RGB 240 66 111

HSL 344.48, 0.85%, 0.6%

LAB 55.65, 68.18, 14.93

 

CMYK 0 / 57 / 42 / 5

HEX #F3688C

RGB 243 104 140

HSL 344.46, 0.85%, 0.68%

LAB 62.38, 56.55, 7.49

 

CMYK 0 / 42 / 31 / 4

HEX #F68FA9

RGB 246 143 169

HSL 344.85, 0.85%, 0.76%

LAB 70.94, 41.88, 3.43

 

CMYK 0 / 72 / 53 / 6

HEX #F04470

RGB 240 68 112

HSL 344.65, 0.85%, 0.6%

LAB 55.92, 67.58, 14.69

 

CMYK 0 / 5 / 73 / 6

HEX #F0E442

RGB 240 228 66

HSL 55.86, 0.85%, 0.6%

LAB 89.11, -13.33, 75.45

 

CMYK 73 / 24 / 0 / 6

HEX #42B6F0

RGB 66 182 240

HSL 200, 0.85%, 0.6%

LAB 70.11, -13.8, -38.19

 

CMYK 0 / 72 / 53 / 6

HEX #F04470

RGB 240 68 112

HSL 344.65, 0.85%, 0.6%

LAB 55.92, 67.58, 14.69

 

CMYK 53 / 0 / 73 / 6

HEX #71F042

RGB 113 240 66

HSL 103.79, 0.85%, 0.6%

LAB 85.11, -64.42, 69.05

 

CMYK 73 / 53 / 0 / 6

HEX #4271F0

RGB 66 113 240

HSL 223.79, 0.85%, 0.6%

LAB 50.99, 26.75, -68.58

 

CMYK 0 / 72 / 53 / 6

HEX #F04470

RGB 240 68 112

HSL 344.65, 0.85%, 0.6%

LAB 55.92, 67.58, 14.69

 

CMYK 0 / 5 / 73 / 6

HEX #F0E442

RGB 240 228 66

HSL 55.86, 0.85%, 0.6%

LAB 89.11, -13.33, 75.45

 

CMYK 73 / 0 / 20 / 6

HEX #42F0C1

RGB 66 240 193

HSL 163.79, 0.85%, 0.6%

LAB 85.67, -54.3, 10.26

 

CMYK 73 / 68 / 0 / 6

HEX #424EF0

RGB 66 78 240

HSL 235.86, 0.85%, 0.6%

LAB 42.61, 48.19, -82.26

 

CMYK 0 / 72 / 53 / 6

HEX #F04470

RGB 240 68 112

HSL 344.65, 0.85%, 0.6%

LAB 55.92, 67.58, 14.69

 

CMYK 17 / 0 / 73 / 6

HEX #C7F042

RGB 199 240 66

HSL 74.14, 0.85%, 0.6%

LAB 89.33, -35.58, 74.61

 

CMYK 73 / 0 / 20 / 6

HEX #42F0C1

RGB 66 240 193

HSL 163.79, 0.85%, 0.6%

LAB 85.67, -54.3, 10.26

 

CMYK 55 / 73 / 0 / 6

HEX #6B42F0

RGB 107 66 240

HSL 254.14, 0.85%, 0.6%

LAB 43.23, 59.57, -81.13

 

Description

Color code: HEX #F04470 | qconv.com Color code: HEX #F04470 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 68 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 68 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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