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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F034BC it is the complementary color #0FCB43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F034BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F034BC shade: #F534B7, #FF46CA, #FF58DD, #FF6AF0 and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F034BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F034BC shade: #F034BC, #DF22A9, #CE1096, #BD0083 and #AC0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F034BC shade: #F033BB, #F03389, #F03356 and #F03333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F034BC shade: #F033BB, #F033EE, #BE33F0, #8B33F0 and #5833F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F034BC shade matches the following richer shades: #F033BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F034BC shade: #F033BB, #DE45B4, #CC57AC, #BA68A4 and #A97A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F034BC shade: #BD33F0, #F033F0, #F033BD, #F0338B and #F03359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F034BC shade: #C20F90, #E811AD, #F033BB, #F359C8 and #F580D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F034BC shade: #F034BC, #F08B33 and #33F0D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F034BC shade: #F034BC, #BDF033 and #33BDF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F034BC shade: #F034BC, #F08B33, #33F065 and #3398F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F034BC shade: #F034BC, #F0C433, #33F065 and #335FF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 22 / 6

HEX #F034BC

RGB 240 52 188

HSL 316.6, 0.86%, 0.57%

LAB 56.7, 79.9, -28.85

 

Complementary color

CMYK 93 / 0 / 67 / 20

HEX #0FCB43

RGB 15 203 67

HSL 136.6, 0.86%, 0.43%

LAB 71.7, -68.42, 54.11

 

CMYK 0 / 79 / 25 / 4

HEX #F534B7

RGB 245 52 183

HSL 319.27, 0.91%, 0.58%

LAB 57.35, 80.41, -24.87

 

CMYK 0 / 73 / 21 / 0

HEX #FF46CA

RGB 255 70 202

HSL 317.19, 1%, 0.64%

LAB 61.57, 79.99, -29.12

 

CMYK 0 / 65 / 13 / 0

HEX #FF58DD

RGB 255 88 221

HSL 312.22, 1%, 0.67%

LAB 64.53, 76.44, -35.25

 

CMYK 0 / 58 / 6 / 0

HEX #FF6AF0

RGB 255 106 240

HSL 306.04, 1%, 0.71%

LAB 67.92, 72.21, -40.53

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 78 / 22 / 6

HEX #F034BC

RGB 240 52 188

HSL 316.6, 0.86%, 0.57%

LAB 56.7, 79.9, -28.85

 

CMYK 0 / 85 / 24 / 13

HEX #DF22A9

RGB 223 34 169

HSL 317.14, 0.75%, 0.5%

LAB 51.49, 77.96, -26.06

 

CMYK 0 / 92 / 27 / 19

HEX #CE1096

RGB 206 16 150

HSL 317.68, 0.86%, 0.44%

LAB 46.57, 75, -22.61

 

CMYK 0 / 100 / 31 / 26

HEX #BD0083

RGB 189 0 131

HSL 318.41, 1%, 0.37%

LAB 41.93, 71, -18.45

 

CMYK 0 / 100 / 35 / 33

HEX #AC0070

RGB 172 0 112

HSL 320.93, 1%, 0.34%

LAB 37.74, 65.47, -13.32

 

CMYK 0 / 79 / 22 / 6

HEX #F033BB

RGB 240 51 187

HSL 316.83, 0.86%, 0.57%

LAB 56.57, 80.03, -28.47

 

CMYK 0 / 79 / 43 / 6

HEX #F03389

RGB 240 51 137

HSL 332.7, 0.86%, 0.57%

LAB 54.76, 74.73, -1.85

 

CMYK 0 / 79 / 64 / 6

HEX #F03356

RGB 240 51 86

HSL 348.89, 0.86%, 0.57%

LAB 53.56, 71.07, 27.01

 

CMYK 0 / 79 / 79 / 6

HEX #F03333

RGB 240 51 51

HSL 0, 0.86%, 0.57%

LAB 53.09, 69.61, 46.46

 

CMYK 0 / 79 / 22 / 6

HEX #F033BB

RGB 240 51 187

HSL 316.83, 0.86%, 0.57%

LAB 56.57, 80.03, -28.47

 

CMYK 0 / 79 / 1 / 6

HEX #F033EE

RGB 240 51 238

HSL 300.63, 0.86%, 0.57%

LAB 59.04, 86.95, -53.58

 

CMYK 21 / 79 / 0 / 6

HEX #BE33F0

RGB 190 51 240

HSL 284.13, 0.86%, 0.57%

LAB 51.39, 78.35, -67.4

 

CMYK 42 / 79 / 0 / 6

HEX #8B33F0

RGB 139 51 240

HSL 267.94, 0.86%, 0.57%

LAB 44.44, 70.4, -79.01

 

CMYK 63 / 79 / 0 / 6

HEX #5833F0

RGB 88 51 240

HSL 251.75, 0.86%, 0.57%

LAB 39.13, 64.34, -87.95

 

CMYK 0 / 79 / 22 / 6

HEX #F033BB

RGB 240 51 187

HSL 316.83, 0.86%, 0.57%

LAB 56.57, 80.03, -28.47

 

CMYK 0 / 79 / 22 / 6

HEX #F033BB

RGB 240 51 187

HSL 316.83, 0.86%, 0.57%

LAB 56.57, 80.03, -28.47

 

CMYK 0 / 69 / 19 / 13

HEX #DE45B4

RGB 222 69 180

HSL 316.47, 0.7%, 0.57%

LAB 55.16, 69.51, -26.84

 

CMYK 0 / 57 / 16 / 20

HEX #CC57AC

RGB 204 87 172

HSL 316.41, 0.53%, 0.57%

LAB 54.69, 56.24, -23.14

 

CMYK 0 / 44 / 12 / 27

HEX #BA68A4

RGB 186 104 164

HSL 316.1, 0.37%, 0.57%

LAB 55.09, 41.04, -18.09

 

CMYK 0 / 28 / 8 / 34

HEX #A97A9C

RGB 169 122 156

HSL 316.6, 0.21%, 0.57%

LAB 56.84, 23.9, -11.01

 

CMYK 21 / 79 / 0 / 6

HEX #BD33F0

RGB 189 51 240

HSL 283.81, 0.86%, 0.57%

LAB 51.24, 78.18, -67.64

 

CMYK 0 / 79 / 0 / 6

HEX #F033F0

RGB 240 51 240

HSL 300, 0.86%, 0.57%

LAB 59.14, 87.25, -54.52

 

CMYK 0 / 79 / 21 / 6

HEX #F033BD

RGB 240 51 189

HSL 316.19, 0.86%, 0.57%

LAB 56.65, 80.28, -29.5

 

CMYK 0 / 79 / 42 / 6

HEX #F0338B

RGB 240 51 139

HSL 332.06, 0.86%, 0.57%

LAB 54.82, 74.91, -2.95

 

CMYK 0 / 79 / 63 / 6

HEX #F03359

RGB 240 51 89

HSL 347.94, 0.86%, 0.57%

LAB 53.62, 71.23, 25.29

 

CMYK 0 / 92 / 26 / 24

HEX #C20F90

RGB 194 15 144

HSL 316.76, 0.86%, 0.41%

LAB 43.98, 71.98, -23.17

 

CMYK 0 / 93 / 25 / 9

HEX #E811AD

RGB 232 17 173

HSL 316.47, 0.86%, 0.49%

LAB 52.48, 82.69, -26.76

 

CMYK 0 / 79 / 22 / 6

HEX #F033BB

RGB 240 51 187

HSL 316.83, 0.86%, 0.57%

LAB 56.57, 80.03, -28.47

 

CMYK 0 / 63 / 18 / 5

HEX #F359C8

RGB 243 89 200

HSL 316.75, 0.87%, 0.65%

LAB 61.97, 70.11, -27.52

 

CMYK 0 / 48 / 13 / 4

HEX #F580D5

RGB 245 128 213

HSL 316.41, 0.85%, 0.73%

LAB 69.22, 55.25, -23.67

 

CMYK 0 / 78 / 22 / 6

HEX #F034BC

RGB 240 52 188

HSL 316.6, 0.86%, 0.57%

LAB 56.7, 79.9, -28.85

 

CMYK 0 / 42 / 79 / 6

HEX #F08B33

RGB 240 139 51

HSL 27.94, 0.86%, 0.57%

LAB 67.45, 32.2, 60.44

 

CMYK 79 / 0 / 10 / 6

HEX #33F0D7

RGB 51 240 215

HSL 172.06, 0.86%, 0.57%

LAB 85.97, -50.44, -0.85

 

CMYK 0 / 78 / 22 / 6

HEX #F034BC

RGB 240 52 188

HSL 316.6, 0.86%, 0.57%

LAB 56.7, 79.9, -28.85

 

CMYK 21 / 0 / 79 / 6

HEX #BDF033

RGB 189 240 51

HSL 76.19, 0.86%, 0.57%

LAB 88.63, -40.1, 78.22

 

CMYK 79 / 21 / 0 / 6

HEX #33BDF0

RGB 51 189 240

HSL 196.19, 0.86%, 0.57%

LAB 71.82, -19.16, -35.55

 

CMYK 0 / 78 / 22 / 6

HEX #F034BC

RGB 240 52 188

HSL 316.6, 0.86%, 0.57%

LAB 56.7, 79.9, -28.85

 

CMYK 0 / 42 / 79 / 6

HEX #F08B33

RGB 240 139 51

HSL 27.94, 0.86%, 0.57%

LAB 67.45, 32.2, 60.44

 

CMYK 79 / 0 / 58 / 6

HEX #33F065

RGB 51 240 101

HSL 135.87, 0.86%, 0.57%

LAB 83.95, -72.85, 53.52

 

CMYK 79 / 37 / 0 / 6

HEX #3398F0

RGB 51 152 240

HSL 207.94, 0.86%, 0.57%

LAB 61.18, 1.3, -52.26

 

CMYK 0 / 78 / 22 / 6

HEX #F034BC

RGB 240 52 188

HSL 316.6, 0.86%, 0.57%

LAB 56.7, 79.9, -28.85

 

CMYK 0 / 18 / 79 / 6

HEX #F0C433

RGB 240 196 51

HSL 46.03, 0.86%, 0.57%

LAB 80.87, 2.28, 72.74

 

CMYK 79 / 0 / 58 / 6

HEX #33F065

RGB 51 240 101

HSL 135.87, 0.86%, 0.57%

LAB 83.95, -72.85, 53.52

 

CMYK 79 / 60 / 0 / 6

HEX #335FF0

RGB 51 95 240

HSL 226.03, 0.86%, 0.57%

LAB 45.88, 36.44, -76.92

 

Description

Color code: HEX #F034BC | qconv.com Color code: HEX #F034BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 52 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 52 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 22 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 22% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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