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Color name
HEX #F02AF4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F02AF4 it is the complementary color #0FD50B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F02AF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F02AF4 shade: #F52AEF, #FF3CFF, #FF4EFF, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F02AF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F02AF4 shade: #F02AF4, #DF18E1, #CE06CE, #BD00BB and #AC00A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F02AF4 shade: #F02AF4, #F42AC1, #F42A8B, #F42A54 and #F42A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F02AF4 shade: #F02AF4, #B92AF4, #832AF4, #4C2AF4 and #2A2AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F02AF4 shade matches the following richer shades: #F02AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F02AF4 shade: #F02AF4, #DE3CE2, #CD4ECF, #BB60BD and #AA72AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F02AF4 shade: #812AF4, #B72AF4, #ED2AF4, #F42AC5 and #F42A8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F02AF4 shade: #BD0AC1, #E40CE8, #F02AF4, #F351F6 and #F578F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F02AF4 shade: #F02AF4, #F44B2A and #2AF49C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F02AF4 shade: #F02AF4, #F4ED2A and #2AF4ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F02AF4 shade: #F02AF4, #F44B2A, #31F42A and #2AD2F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F02AF4 shade: #F02AF4, #F4882A, #31F42A and #2A96F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

Complementary color

CMYK 93 / 0 / 95 / 16

HEX #0FD50B

RGB 15 213 11

HSL 118.81, 0.9%, 0.44%

LAB 74.64, -74.45, 71.62

 

CMYK 0 / 83 / 2 / 4

HEX #F52AEF

RGB 245 42 239

HSL 301.77, 0.91%, 0.56%

LAB 59.25, 89.92, -53.75

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 1 / 89 / 0 / 12

HEX #DF18E1

RGB 223 24 225

HSL 299.4, 0.81%, 0.49%

LAB 53.79, 86.99, -54.8

 

CMYK 0 / 97 / 0 / 19

HEX #CE06CE

RGB 206 6 206

HSL 300, 0.94%, 0.42%

LAB 49.14, 83.18, -51.55

 

CMYK 0 / 100 / 1 / 26

HEX #BD00BB

RGB 189 0 187

HSL 300.63, 1%, 0.37%

LAB 44.81, 78.15, -47.6

 

CMYK 0 / 100 / 2 / 33

HEX #AC00A8

RGB 172 0 168

HSL 301.4, 1%, 0.34%

LAB 40.57, 72.55, -43.3

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 0 / 83 / 21 / 4

HEX #F42AC1

RGB 244 42 193

HSL 315.15, 0.9%, 0.56%

LAB 56.82, 83.63, -31.49

 

CMYK 0 / 83 / 43 / 4

HEX #F42A8B

RGB 244 42 139

HSL 331.19, 0.9%, 0.56%

LAB 54.82, 77.98, -2.87

 

CMYK 0 / 83 / 66 / 4

HEX #F42A54

RGB 244 42 84

HSL 347.52, 0.9%, 0.56%

LAB 53.52, 74.2, 28.3

 

CMYK 0 / 83 / 83 / 4

HEX #F42A2A

RGB 244 42 42

HSL 0, 0.9%, 0.56%

LAB 53.01, 72.66, 51.29

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 24 / 83 / 0 / 4

HEX #B92AF4

RGB 185 42 244

HSL 282.48, 0.9%, 0.56%

LAB 50.1, 80.71, -71.77

 

CMYK 46 / 83 / 0 / 4

HEX #832AF4

RGB 131 42 244

HSL 266.44, 0.9%, 0.56%

LAB 42.78, 73.34, -84.03

 

CMYK 69 / 83 / 0 / 4

HEX #4C2AF4

RGB 76 42 244

HSL 250.1, 0.9%, 0.56%

LAB 37.34, 68.15, -93.19

 

CMYK 83 / 83 / 0 / 4

HEX #2A2AF4

RGB 42 42 244

HSL 240, 0.9%, 0.56%

LAB 35.36, 66.34, -96.54

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 2 / 73 / 0 / 11

HEX #DE3CE2

RGB 222 60 226

HSL 298.55, 0.74%, 0.56%

LAB 56.34, 79.23, -51.3

 

CMYK 1 / 62 / 0 / 19

HEX #CD4ECF

RGB 205 78 207

HSL 299.07, 0.57%, 0.56%

LAB 55, 66.02, -42.81

 

CMYK 1 / 49 / 0 / 26

HEX #BB60BD

RGB 187 96 189

HSL 298.71, 0.41%, 0.56%

LAB 54.66, 49.87, -33.21

 

CMYK 1 / 33 / 0 / 33

HEX #AA72AB

RGB 170 114 171

HSL 298.95, 0.25%, 0.56%

LAB 55.6, 31.58, -21.54

 

CMYK 47 / 83 / 0 / 4

HEX #812AF4

RGB 129 42 244

HSL 265.84, 0.9%, 0.56%

LAB 42.54, 73.11, -84.43

 

CMYK 25 / 83 / 0 / 4

HEX #B72AF4

RGB 183 42 244

HSL 281.88, 0.9%, 0.56%

LAB 49.8, 80.41, -72.26

 

CMYK 3 / 83 / 0 / 4

HEX #ED2AF4

RGB 237 42 244

HSL 297.92, 0.9%, 0.56%

LAB 58.22, 89.24, -58.26

 

CMYK 0 / 83 / 19 / 4

HEX #F42AC5

RGB 244 42 197

HSL 313.96, 0.9%, 0.56%

LAB 57, 84.12, -33.51

 

CMYK 0 / 83 / 41 / 4

HEX #F42A8F

RGB 244 42 143

HSL 330, 0.9%, 0.56%

LAB 54.94, 78.34, -5.07

 

CMYK 2 / 95 / 0 / 24

HEX #BD0AC1

RGB 189 10 193

HSL 298.69, 0.9%, 0.4%

LAB 45.48, 78.15, -50.04

 

CMYK 2 / 95 / 0 / 9

HEX #E40CE8

RGB 228 12 232

HSL 298.91, 0.9%, 0.48%

LAB 54.64, 90.04, -57.35

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 1 / 67 / 0 / 4

HEX #F351F6

RGB 243 81 246

HSL 298.91, 0.9%, 0.64%

LAB 63.01, 79.97, -51.69

 

CMYK 1 / 52 / 0 / 3

HEX #F578F8

RGB 245 120 248

HSL 298.59, 0.9%, 0.72%

LAB 69.2, 64.79, -43.02

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 0 / 69 / 83 / 4

HEX #F44B2A

RGB 244 75 42

HSL 9.8, 0.9%, 0.56%

LAB 56.52, 62.87, 54.45

 

CMYK 83 / 0 / 36 / 4

HEX #2AF49C

RGB 42 244 156

HSL 153.86, 0.9%, 0.56%

LAB 85.8, -66.29, 29.44

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 0 / 3 / 83 / 4

HEX #F4ED2A

RGB 244 237 42

HSL 57.92, 0.9%, 0.56%

LAB 91.67, -16.88, 84.59

 

CMYK 83 / 0 / 3 / 4

HEX #2AF4ED

RGB 42 244 237

HSL 177.92, 0.9%, 0.56%

LAB 87.63, -46.9, -9.93

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 0 / 69 / 83 / 4

HEX #F44B2A

RGB 244 75 42

HSL 9.8, 0.9%, 0.56%

LAB 56.52, 62.87, 54.45

 

CMYK 80 / 0 / 83 / 4

HEX #31F42A

RGB 49 244 42

HSL 117.92, 0.9%, 0.56%

LAB 84.75, -79.22, 75.12

 

CMYK 83 / 14 / 0 / 4

HEX #2AD2F4

RGB 42 210 244

HSL 190.1, 0.9%, 0.56%

LAB 77.94, -29.21, -28.27

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 0 / 44 / 83 / 4

HEX #F4882A

RGB 244 136 42

HSL 27.92, 0.9%, 0.56%

LAB 67.28, 35.09, 63.93

 

CMYK 80 / 0 / 83 / 4

HEX #31F42A

RGB 49 244 42

HSL 117.92, 0.9%, 0.56%

LAB 84.75, -79.22, 75.12

 

CMYK 83 / 39 / 0 / 4

HEX #2A96F4

RGB 42 150 244

HSL 207.92, 0.9%, 0.56%

LAB 60.64, 3.11, -55.33

 

Description

Color code: HEX #F02AF4 | qconv.com Color code: HEX #F02AF4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 42 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 42 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 83 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 83% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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