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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F01A2D it is the complementary color #0FE5D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F01A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F01A2D shade: #F51A28, #FF2C3B, #FF3E4E, #FF5061 and #FF6274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F01A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F01A2D shade: #F01A2D, #DF081A, #CE0007, #BD0000 and #AC0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F01A2D shade: #F0192C and #F01919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F01A2D shade: #F0192C, #F01966, #F019A0, #F019DA and #CC19F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F01A2D shade matches the following richer shades: #F0192C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F01A2D shade: #F0192C, #DD2D3C, #C9404D, #B5545D and #A1686D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F01A2D shade: #F019A1, #F01968, #F0192E, #F03D19 and #F07619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F01A2D shade: #AC0B19, #D30D1F, #F0192C, #F34050 and #F56673

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F01A2D shade: #F01A2D, #DBF019 and #1985F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F01A2D shade: #F01A2D, #2EF019 and #192EF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F01A2D shade: #F01A2D, #DBF019, #19F0DB and #2E19F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F01A2D shade: #F01A2D, #9AF019, #19F0DB and #6F19F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 81 / 6

HEX #F01A2D

RGB 240 26 45

HSL 354.67, 0.88%, 0.52%

LAB 51.21, 74.64, 47.78

 

Complementary color

CMYK 93 / 0 / 8 / 10

HEX #0FE5D2

RGB 15 229 210

HSL 174.67, 0.88%, 0.48%

LAB 82.27, -49.34, -3.68

 

CMYK 0 / 89 / 84 / 4

HEX #F51A28

RGB 245 26 40

HSL 356.16, 0.92%, 0.53%

LAB 52.18, 75.78, 51.61

 

CMYK 0 / 83 / 77 / 0

HEX #FF2C3B

RGB 255 44 59

HSL 355.73, 1%, 0.59%

LAB 55.46, 75.62, 45.49

 

CMYK 0 / 76 / 69 / 0

HEX #FF3E4E

RGB 255 62 78

HSL 355.03, 1%, 0.62%

LAB 57.32, 71.73, 36.96

 

CMYK 0 / 69 / 62 / 0

HEX #FF5061

RGB 255 80 97

HSL 354.17, 1%, 0.66%

LAB 59.76, 66.76, 29.09

 

CMYK 0 / 62 / 55 / 0

HEX #FF6274

RGB 255 98 116

HSL 353.12, 1%, 0.69%

LAB 62.72, 60.94, 22.07

 

CMYK 0 / 89 / 81 / 6

HEX #F01A2D

RGB 240 26 45

HSL 354.67, 0.88%, 0.52%

LAB 51.21, 74.64, 47.78

 

CMYK 0 / 96 / 88 / 13

HEX #DF081A

RGB 223 8 26

HSL 354.98, 0.93%, 0.45%

LAB 46.89, 72, 52.08

 

CMYK 0 / 100 / 97 / 19

HEX #CE0007

RGB 206 0 7

HSL 357.96, 1%, 0.4%

LAB 42.97, 68.27, 54.89

 

CMYK 0 / 100 / 100 / 26

HEX #BD0000

RGB 189 0 0

HSL 0, 1%, 0.37%

LAB 39.27, 63.96, 53.67

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 90 / 82 / 6

HEX #F0192C

RGB 240 25 44

HSL 354.7, 0.88%, 0.52%

LAB 51.15, 74.76, 48.25

 

CMYK 0 / 90 / 90 / 6

HEX #F01919

RGB 240 25 25

HSL 0, 0.88%, 0.52%

LAB 51.03, 74.39, 57.08

 

CMYK 0 / 90 / 82 / 6

HEX #F0192C

RGB 240 25 44

HSL 354.7, 0.88%, 0.52%

LAB 51.15, 74.76, 48.25

 

CMYK 0 / 90 / 58 / 6

HEX #F01966

RGB 240 25 102

HSL 338.51, 0.88%, 0.52%

LAB 52.04, 77.25, 15.35

 

CMYK 0 / 90 / 33 / 6

HEX #F019A0

RGB 240 25 160

HSL 322.33, 0.88%, 0.52%

LAB 53.77, 81.99, -16.99

 

CMYK 0 / 90 / 9 / 6

HEX #F019DA

RGB 240 25 218

HSL 306.14, 0.88%, 0.52%

LAB 56.37, 88.81, -46.54

 

CMYK 15 / 90 / 0 / 6

HEX #CC19F0

RGB 204 25 240

HSL 289.95, 0.88%, 0.52%

LAB 51.64, 86.18, -66.89

 

CMYK 0 / 90 / 82 / 6

HEX #F0192C

RGB 240 25 44

HSL 354.7, 0.88%, 0.52%

LAB 51.15, 74.76, 48.25

 

CMYK 0 / 90 / 82 / 6

HEX #F0192C

RGB 240 25 44

HSL 354.7, 0.88%, 0.52%

LAB 51.15, 74.76, 48.25

 

CMYK 0 / 80 / 73 / 13

HEX #DD2D3C

RGB 221 45 60

HSL 354.89, 0.72%, 0.52%

LAB 48.98, 66.21, 35.91

 

CMYK 0 / 68 / 62 / 21

HEX #C9404D

RGB 201 64 77

HSL 354.31, 0.56%, 0.52%

LAB 47.78, 54.83, 23.52

 

CMYK 0 / 54 / 49 / 29

HEX #B5545D

RGB 181 84 93

HSL 354.43, 0.4%, 0.52%

LAB 48.2, 40.18, 13.87

 

CMYK 0 / 35 / 32 / 37

HEX #A1686D

RGB 161 104 109

HSL 354.74, 0.23%, 0.52%

LAB 50.19, 23.56, 6.7

 

CMYK 0 / 90 / 33 / 6

HEX #F019A1

RGB 240 25 161

HSL 322.05, 0.88%, 0.52%

LAB 53.81, 82.1, -17.52

 

CMYK 0 / 90 / 57 / 6

HEX #F01968

RGB 240 25 104

HSL 337.95, 0.88%, 0.52%

LAB 52.09, 77.38, 14.2

 

CMYK 0 / 90 / 81 / 6

HEX #F0192E

RGB 240 25 46

HSL 354.14, 0.88%, 0.52%

LAB 51.17, 74.81, 47.21

 

CMYK 0 / 75 / 90 / 6

HEX #F03D19

RGB 240 61 25

HSL 10.05, 0.88%, 0.52%

LAB 53.96, 66.09, 59.14

 

CMYK 0 / 51 / 90 / 6

HEX #F07619

RGB 240 118 25

HSL 25.95, 0.88%, 0.52%

LAB 62.97, 42.22, 65.68

 

CMYK 0 / 94 / 85 / 33

HEX #AC0B19

RGB 172 11 25

HSL 354.78, 0.88%, 0.36%

LAB 36.14, 58.67, 39.32

 

CMYK 0 / 94 / 85 / 17

HEX #D30D1F

RGB 211 13 31

HSL 354.55, 0.88%, 0.44%

LAB 44.57, 68.64, 46.78

 

CMYK 0 / 90 / 82 / 6

HEX #F0192C

RGB 240 25 44

HSL 354.7, 0.88%, 0.52%

LAB 51.15, 74.76, 48.25

 

CMYK 0 / 74 / 67 / 5

HEX #F34050

RGB 243 64 80

HSL 354.64, 0.88%, 0.6%

LAB 55.38, 67.78, 32.94

 

CMYK 0 / 58 / 53 / 4

HEX #F56673

RGB 245 102 115

HSL 354.55, 0.88%, 0.68%

LAB 61.79, 55.86, 21.11

 

CMYK 0 / 89 / 81 / 6

HEX #F01A2D

RGB 240 26 45

HSL 354.67, 0.88%, 0.52%

LAB 51.21, 74.64, 47.78

 

CMYK 9 / 0 / 90 / 6

HEX #DBF019

RGB 219 240 25

HSL 65.86, 0.88%, 0.52%

LAB 90.53, -28.95, 86.01

 

CMYK 90 / 45 / 0 / 6

HEX #1985F0

RGB 25 133 240

HSL 209.86, 0.88%, 0.52%

LAB 55.35, 10.73, -61.59

 

CMYK 0 / 89 / 81 / 6

HEX #F01A2D

RGB 240 26 45

HSL 354.67, 0.88%, 0.52%

LAB 51.21, 74.64, 47.78

 

CMYK 81 / 0 / 90 / 6

HEX #2EF019

RGB 46 240 25

HSL 114.14, 0.88%, 0.52%

LAB 83.43, -79.06, 77.26

 

CMYK 90 / 81 / 0 / 6

HEX #192EF0

RGB 25 46 240

HSL 234.14, 0.88%, 0.52%

LAB 34.91, 62.87, -95.05

 

CMYK 0 / 89 / 81 / 6

HEX #F01A2D

RGB 240 26 45

HSL 354.67, 0.88%, 0.52%

LAB 51.21, 74.64, 47.78

 

CMYK 9 / 0 / 90 / 6

HEX #DBF019

RGB 219 240 25

HSL 65.86, 0.88%, 0.52%

LAB 90.53, -28.95, 86.01

 

CMYK 90 / 0 / 9 / 6

HEX #19F0DB

RGB 25 240 219

HSL 174.14, 0.88%, 0.52%

LAB 85.83, -51.1, -3.19

 

CMYK 81 / 90 / 0 / 6

HEX #2E19F0

RGB 46 25 240

HSL 245.86, 0.88%, 0.52%

LAB 33.07, 71.34, -98.1

 

CMYK 0 / 89 / 81 / 6

HEX #F01A2D

RGB 240 26 45

HSL 354.67, 0.88%, 0.52%

LAB 51.21, 74.64, 47.78

 

CMYK 36 / 0 / 90 / 6

HEX #9AF019

RGB 154 240 25

HSL 84, 0.88%, 0.52%

LAB 86.63, -53.66, 81.24

 

CMYK 90 / 0 / 9 / 6

HEX #19F0DB

RGB 25 240 219

HSL 174.14, 0.88%, 0.52%

LAB 85.83, -51.1, -3.19

 

CMYK 54 / 90 / 0 / 6

HEX #6F19F0

RGB 111 25 240

HSL 264, 0.88%, 0.52%

LAB 38.49, 75.03, -88.93

 

Description

Color code: HEX #F01A2D | qconv.com Color code: HEX #F01A2D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 26 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 26 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 81 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 81% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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