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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F00F5E it is the complementary color #0FF0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F00F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F00F5E shade: #F50F59, #FF216C, #FF337F, #FF4592 and #FF57A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F00F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F00F5E shade: #F00F5E, #DF004B, #CE0038, #BD0025 and #AC0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F00F5E shade: #F00F5E, #F00F22 and #F00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F00F5E shade: #F00F5E, #F00F9B, #F00FD7, #CC0FF0 and #8F0FF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F00F5E shade matches the following richer shades: #F00F5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F00F5E shade: #F00F5E, #DB2464, #C6396A, #B24D71 and #9D6277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F00F5E shade: #F00FD9, #F00F9D, #F00F62, #F00F26 and #F0350F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F00F5E shade: #A20A40, #C90D4F, #F00F5E, #F23678 and #F55D92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F00F5E shade: #F00F5E, #F0CA0F and #0FBBF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F00F5E shade: #F00F5E, #62F00F and #0F62F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F00F5E shade: #F00F5E, #F0CA0F, #0FF09D and #0F35F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F00F5E shade: #F00F5E, #D2F00F, #0FF09D and #2D0FF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

Complementary color

CMYK 94 / 0 / 33 / 6

HEX #0FF0A1

RGB 15 240 161

HSL 158.93, 0.88%, 0.5%

LAB 84.48, -65.45, 25.08

 

CMYK 0 / 94 / 64 / 4

HEX #F50F59

RGB 245 15 89

HSL 340.7, 0.92%, 0.51%

LAB 52.37, 78.84, 23.85

 

CMYK 0 / 87 / 58 / 0

HEX #FF216C

RGB 255 33 108

HSL 339.73, 1%, 0.56%

LAB 55.51, 79.98, 16.96

 

CMYK 0 / 80 / 50 / 0

HEX #FF337F

RGB 255 51 127

HSL 337.65, 1%, 0.6%

LAB 57.23, 77.64, 8.02

 

CMYK 0 / 73 / 43 / 0

HEX #FF4592

RGB 255 69 146

HSL 335.16, 1%, 0.64%

LAB 59.52, 74.2, 0.12

 

CMYK 0 / 66 / 35 / 0

HEX #FF57A5

RGB 255 87 165

HSL 332.14, 1%, 0.67%

LAB 62.33, 69.82, -6.77

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 0 / 100 / 66 / 13

HEX #DF004B

RGB 223 0 75

HSL 339.82, 1%, 0.44%

LAB 47.23, 74.2, 24.86

 

CMYK 0 / 100 / 73 / 19

HEX #CE0038

RGB 206 0 56

HSL 343.69, 1%, 0.4%

LAB 43.37, 69.36, 30.98

 

CMYK 0 / 100 / 80 / 26

HEX #BD0025

RGB 189 0 37

HSL 348.25, 1%, 0.37%

LAB 39.5, 64.58, 37.08

 

CMYK 0 / 100 / 90 / 33

HEX #AC0012

RGB 172 0 18

HSL 353.72, 1%, 0.34%

LAB 35.62, 59.87, 42.48

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 0 / 94 / 86 / 6

HEX #F00F22

RGB 240 15 34

HSL 354.93, 0.88%, 0.5%

LAB 50.67, 75.72, 52.84

 

CMYK 0 / 94 / 94 / 6

HEX #F00F0F

RGB 240 15 15

HSL 0, 0.88%, 0.5%

LAB 50.57, 75.46, 60.37

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 0 / 94 / 35 / 6

HEX #F00F9B

RGB 240 15 155

HSL 322.67, 0.88%, 0.5%

LAB 53.2, 82.61, -14.88

 

CMYK 0 / 94 / 10 / 6

HEX #F00FD7

RGB 240 15 215

HSL 306.67, 0.88%, 0.5%

LAB 55.86, 89.46, -45.65

 

CMYK 15 / 94 / 0 / 6

HEX #CC0FF0

RGB 204 15 240

HSL 290.4, 0.88%, 0.5%

LAB 51.23, 87.38, -67.54

 

CMYK 40 / 94 / 0 / 6

HEX #8F0FF0

RGB 143 15 240

HSL 274.13, 0.88%, 0.5%

LAB 41.96, 79.78, -83.07

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 0 / 84 / 54 / 14

HEX #DB2464

RGB 219 36 100

HSL 339.02, 0.72%, 0.5%

LAB 48.56, 70.07, 11.12

 

CMYK 0 / 71 / 46 / 22

HEX #C6396A

RGB 198 57 106

HSL 339.15, 0.55%, 0.5%

LAB 46.94, 58.82, 4.59

 

CMYK 0 / 57 / 37 / 30

HEX #B24D71

RGB 178 77 113

HSL 338.61, 0.4%, 0.5%

LAB 46.93, 44.76, -0.12

 

CMYK 0 / 38 / 24 / 38

HEX #9D6277

RGB 157 98 119

HSL 338.64, 0.23%, 0.5%

LAB 48.56, 26.88, -1.7

 

CMYK 0 / 94 / 10 / 6

HEX #F00FD9

RGB 240 15 217

HSL 306.13, 0.88%, 0.5%

LAB 55.96, 89.72, -46.62

 

CMYK 0 / 94 / 35 / 6

HEX #F00F9D

RGB 240 15 157

HSL 322.13, 0.88%, 0.5%

LAB 53.28, 82.81, -15.96

 

CMYK 0 / 94 / 59 / 6

HEX #F00F62

RGB 240 15 98

HSL 337.87, 0.88%, 0.5%

LAB 51.55, 78.17, 17.12

 

CMYK 0 / 94 / 84 / 6

HEX #F00F26

RGB 240 15 38

HSL 353.87, 0.88%, 0.5%

LAB 50.7, 75.8, 50.91

 

CMYK 0 / 78 / 94 / 6

HEX #F0350F

RGB 240 53 15

HSL 10.13, 0.88%, 0.5%

LAB 53.07, 68.35, 61.78

 

CMYK 0 / 94 / 60 / 36

HEX #A20A40

RGB 162 10 64

HSL 338.68, 0.88%, 0.34%

LAB 34.54, 57.87, 12.72

 

CMYK 0 / 94 / 61 / 21

HEX #C90D4F

RGB 201 13 79

HSL 338.94, 0.88%, 0.42%

LAB 43.17, 68.05, 16.18

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 0 / 78 / 50 / 5

HEX #F23678

RGB 242 54 120

HSL 338.94, 0.88%, 0.58%

LAB 54.94, 73.02, 8.61

 

CMYK 0 / 62 / 40 / 4

HEX #F55D92

RGB 245 93 146

HSL 339.08, 0.88%, 0.66%

LAB 61.06, 62.56, 2.16

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 0 / 16 / 94 / 6

HEX #F0CA0F

RGB 240 202 15

HSL 49.87, 0.88%, 0.5%

LAB 82.27, -1.59, 81.75

 

CMYK 94 / 22 / 0 / 6

HEX #0FBBF0

RGB 15 187 240

HSL 194.13, 0.88%, 0.5%

LAB 70.83, -20.37, -37.13

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 59 / 0 / 94 / 6

HEX #62F00F

RGB 98 240 15

HSL 97.87, 0.88%, 0.5%

LAB 84.46, -70.3, 79.84

 

CMYK 94 / 59 / 0 / 6

HEX #0F62F0

RGB 15 98 240

HSL 217.87, 0.88%, 0.5%

LAB 45.81, 32.42, -77.07

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 0 / 16 / 94 / 6

HEX #F0CA0F

RGB 240 202 15

HSL 49.87, 0.88%, 0.5%

LAB 82.27, -1.59, 81.75

 

CMYK 94 / 0 / 35 / 6

HEX #0FF09D

RGB 15 240 157

HSL 157.87, 0.88%, 0.5%

LAB 84.41, -66.27, 27.02

 

CMYK 94 / 78 / 0 / 6

HEX #0F35F0

RGB 15 53 240

HSL 229.87, 0.88%, 0.5%

LAB 35.87, 59.24, -93.46

 

CMYK 0 / 94 / 61 / 6

HEX #F00F5E

RGB 240 15 94

HSL 338.93, 0.88%, 0.5%

LAB 51.47, 77.94, 19.44

 

CMYK 13 / 0 / 94 / 6

HEX #D2F00F

RGB 210 240 15

HSL 68, 0.88%, 0.5%

LAB 89.89, -32.73, 86.45

 

CMYK 94 / 0 / 35 / 6

HEX #0FF09D

RGB 15 240 157

HSL 157.87, 0.88%, 0.5%

LAB 84.41, -66.27, 27.02

 

CMYK 81 / 94 / 0 / 6

HEX #2D0FF0

RGB 45 15 240

HSL 248, 0.88%, 0.5%

LAB 32.24, 73.69, -99.48

 

Description

Color code: HEX #F00F5E | qconv.com Color code: HEX #F00F5E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 15 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 15 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 61 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 61% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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