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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F00CB7 it is the complementary color #0FF348. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F00CB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F00CB7 shade: #F50CB2, #FF1EC5, #FF30D8, #FF42EB and #FF54FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F00CB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F00CB7 shade: #F00CB7, #DF00A4, #CE0091, #BD007E and #AC006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F00CB7 shade: #ED0CB5, #ED0C79, #ED0C3C and #ED0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F00CB7 shade: #ED0CB5, #E90CED, #AC0CED, #700CED and #330CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F00CB7 shade matches the following richer shades: #ED0CB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F00CB7 shade: #ED0CB5, #D921AB, #C535A1, #B14997 and #9D5D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F00CB7 shade: #AE0CED, #EA0CED, #ED0CB5, #ED0C79 and #ED0C3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F00CB7 shade: #9F0879, #C60A97, #ED0CB5, #F42FC3 and #F656CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F00CB7 shade: #F00CB7, #ED720C and #0CEDCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F00CB7 shade: #F00CB7, #B5ED0C and #0CB5ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F00CB7 shade: #F00CB7, #ED720C, #0CED45 and #0C88ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F00CB7 shade: #F00CB7, #EDB50C, #0CED45 and #0C45ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 24 / 6

HEX #F00CB7

RGB 240 12 183

HSL 315, 0.9%, 0.49%

LAB 54.25, 85.8, -29.75

 

Complementary color

CMYK 94 / 0 / 70 / 5

HEX #0FF348

RGB 15 243 72

HSL 135, 0.9%, 0.51%

LAB 84.31, -79.49, 65.57

 

CMYK 0 / 95 / 27 / 4

HEX #F50CB2

RGB 245 12 178

HSL 317.25, 0.92%, 0.5%

LAB 54.96, 86.2, -25.66

 

CMYK 0 / 88 / 23 / 0

HEX #FF1EC5

RGB 255 30 197

HSL 315.47, 1%, 0.56%

LAB 58.25, 88.35, -31.42

 

CMYK 0 / 81 / 15 / 0

HEX #FF30D8

RGB 255 48 216

HSL 311.3, 1%, 0.59%

LAB 60.19, 87.48, -39.22

 

CMYK 0 / 74 / 8 / 0

HEX #FF42EB

RGB 255 66 235

HSL 306.35, 1%, 0.63%

LAB 62.64, 85.59, -46.04

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FE

RGB 255 84 254

HSL 300.35, 1%, 0.66%

LAB 65.56, 82.78, -51.95

 

CMYK 0 / 95 / 24 / 6

HEX #F00CB7

RGB 240 12 183

HSL 315, 0.9%, 0.49%

LAB 54.25, 85.8, -29.75

 

CMYK 0 / 100 / 26 / 13

HEX #DF00A4

RGB 223 0 164

HSL 315.87, 1%, 0.44%

LAB 49.94, 81.29, -25.51

 

CMYK 0 / 100 / 30 / 19

HEX #CE0091

RGB 206 0 145

HSL 317.77, 1%, 0.4%

LAB 45.86, 75.91, -20.68

 

CMYK 0 / 100 / 33 / 26

HEX #BD007E

RGB 189 0 126

HSL 320, 1%, 0.37%

LAB 41.73, 70.47, -15.68

 

CMYK 0 / 100 / 38 / 33

HEX #AC006B

RGB 172 0 107

HSL 322.67, 1%, 0.34%

LAB 37.54, 64.96, -10.46

 

CMYK 0 / 95 / 24 / 7

HEX #ED0CB5

RGB 237 12 181

HSL 314.93, 0.9%, 0.49%

LAB 53.6, 85, -29.63

 

CMYK 0 / 95 / 49 / 7

HEX #ED0C79

RGB 237 12 121

HSL 330.93, 0.9%, 0.49%

LAB 51.44, 79.3, 2.86

 

CMYK 0 / 95 / 75 / 7

HEX #ED0C3C

RGB 237 12 60

HSL 347.2, 0.9%, 0.49%

LAB 50.21, 75.95, 38.16

 

CMYK 0 / 95 / 95 / 7

HEX #ED0C0C

RGB 237 12 12

HSL 0, 0.9%, 0.49%

LAB 49.85, 74.96, 60.52

 

CMYK 0 / 95 / 24 / 7

HEX #ED0CB5

RGB 237 12 181

HSL 314.93, 0.9%, 0.49%

LAB 53.6, 85, -29.63

 

CMYK 2 / 95 / 0 / 7

HEX #E90CED

RGB 233 12 237

HSL 298.93, 0.9%, 0.49%

LAB 55.79, 91.55, -58.27

 

CMYK 27 / 95 / 0 / 7

HEX #AC0CED

RGB 172 12 237

HSL 282.67, 0.9%, 0.49%

LAB 45.84, 82.85, -74.85

 

CMYK 53 / 95 / 0 / 7

HEX #700CED

RGB 112 12 237

HSL 266.67, 0.9%, 0.49%

LAB 37.52, 76.76, -88.83

 

CMYK 78 / 95 / 0 / 7

HEX #330CED

RGB 51 12 237

HSL 250.4, 0.9%, 0.49%

LAB 31.99, 73.65, -98.18

 

CMYK 0 / 95 / 24 / 7

HEX #ED0CB5

RGB 237 12 181

HSL 314.93, 0.9%, 0.49%

LAB 53.6, 85, -29.63

 

CMYK 0 / 95 / 24 / 7

HEX #ED0CB5

RGB 237 12 181

HSL 314.93, 0.9%, 0.49%

LAB 53.6, 85, -29.63

 

CMYK 0 / 85 / 21 / 15

HEX #D921AB

RGB 217 33 171

HSL 315, 0.74%, 0.49%

LAB 50.43, 77.13, -28.98

 

CMYK 0 / 73 / 18 / 23

HEX #C535A1

RGB 197 53 161

HSL 315, 0.58%, 0.49%

LAB 48.25, 66.25, -26.72

 

CMYK 0 / 59 / 15 / 31

HEX #B14997

RGB 177 73 151

HSL 315, 0.42%, 0.49%

LAB 47.43, 51.6, -22.3

 

CMYK 0 / 41 / 10 / 38

HEX #9D5D8D

RGB 157 93 141

HSL 315, 0.26%, 0.49%

LAB 48.16, 33.34, -15.45

 

CMYK 27 / 95 / 0 / 7

HEX #AE0CED

RGB 174 12 237

HSL 283.2, 0.9%, 0.49%

LAB 46.14, 83.1, -74.34

 

CMYK 1 / 95 / 0 / 7

HEX #EA0CED

RGB 234 12 237

HSL 299.2, 0.9%, 0.49%

LAB 55.96, 91.71, -57.99

 

CMYK 0 / 95 / 24 / 7

HEX #ED0CB5

RGB 237 12 181

HSL 314.93, 0.9%, 0.49%

LAB 53.6, 85, -29.63

 

CMYK 0 / 95 / 49 / 7

HEX #ED0C79

RGB 237 12 121

HSL 330.93, 0.9%, 0.49%

LAB 51.44, 79.3, 2.86

 

CMYK 0 / 95 / 74 / 7

HEX #ED0C3D

RGB 237 12 61

HSL 346.93, 0.9%, 0.49%

LAB 50.22, 75.99, 37.59

 

CMYK 0 / 95 / 24 / 38

HEX #9F0879

RGB 159 8 121

HSL 315.1, 0.9%, 0.33%

LAB 35.84, 62.81, -22.13

 

CMYK 0 / 95 / 24 / 22

HEX #C60A97

RGB 198 10 151

HSL 315, 0.9%, 0.41%

LAB 44.88, 74.12, -25.95

 

CMYK 0 / 95 / 24 / 7

HEX #ED0CB5

RGB 237 12 181

HSL 314.93, 0.9%, 0.49%

LAB 53.6, 85, -29.63

 

CMYK 0 / 81 / 20 / 4

HEX #F42FC3

RGB 244 47 195

HSL 314.92, 0.9%, 0.57%

LAB 57.28, 82.81, -31.93

 

CMYK 0 / 65 / 16 / 4

HEX #F656CE

RGB 246 86 206

HSL 315, 0.9%, 0.65%

LAB 62.26, 72.86, -30.44

 

CMYK 0 / 95 / 24 / 6

HEX #F00CB7

RGB 240 12 183

HSL 315, 0.9%, 0.49%

LAB 54.25, 85.8, -29.75

 

CMYK 0 / 52 / 95 / 7

HEX #ED720C

RGB 237 114 12

HSL 27.2, 0.9%, 0.49%

LAB 61.71, 42.86, 67.56

 

CMYK 95 / 0 / 14 / 7

HEX #0CEDCC

RGB 12 237 204

HSL 171.2, 0.9%, 0.49%

LAB 84.49, -54.32, 2.72

 

CMYK 0 / 95 / 24 / 6

HEX #F00CB7

RGB 240 12 183

HSL 315, 0.9%, 0.49%

LAB 54.25, 85.8, -29.75

 

CMYK 24 / 0 / 95 / 7

HEX #B5ED0C

RGB 181 237 12

HSL 74.93, 0.9%, 0.49%

LAB 87.2, -42.81, 83.85

 

CMYK 95 / 24 / 0 / 7

HEX #0CB5ED

RGB 12 181 237

HSL 194.93, 0.9%, 0.49%

LAB 68.92, -18.36, -38.46

 

CMYK 0 / 95 / 24 / 6

HEX #F00CB7

RGB 240 12 183

HSL 315, 0.9%, 0.49%

LAB 54.25, 85.8, -29.75

 

CMYK 0 / 52 / 95 / 7

HEX #ED720C

RGB 237 114 12

HSL 27.2, 0.9%, 0.49%

LAB 61.71, 42.86, 67.56

 

CMYK 95 / 0 / 71 / 7

HEX #0CED45

RGB 12 237 69

HSL 135.2, 0.9%, 0.49%

LAB 82.42, -78.17, 64.68

 

CMYK 95 / 43 / 0 / 7

HEX #0C88ED

RGB 12 136 237

HSL 206.93, 0.9%, 0.49%

LAB 55.89, 7.23, -59.07

 

CMYK 0 / 95 / 24 / 6

HEX #F00CB7

RGB 240 12 183

HSL 315, 0.9%, 0.49%

LAB 54.25, 85.8, -29.75

 

CMYK 0 / 24 / 95 / 7

HEX #EDB50C

RGB 237 181 12

HSL 45.07, 0.9%, 0.49%

LAB 76.73, 7.98, 77.92

 

CMYK 95 / 0 / 71 / 7

HEX #0CED45

RGB 12 237 69

HSL 135.2, 0.9%, 0.49%

LAB 82.42, -78.17, 64.68

 

CMYK 95 / 71 / 0 / 7

HEX #0C45ED

RGB 12 69 237

HSL 224.8, 0.9%, 0.49%

LAB 38.64, 49.3, -87.18

 

Description

Color code: HEX #F00CB7 | qconv.com Color code: HEX #F00CB7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 12 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 12 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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