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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFFB05 it is the complementary color #1004FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFFB05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFFB05 shade: #F4FB00, #FFFF13, #FFFF26, #FFFF39 and #FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFFB05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFFB05 shade: #EFFB05, #DEE900, #CDD700, #BCC500 and #ABB300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFFB05 shade: #EFFB04, #FBC504, #FB8204, #FB3F04 and #FB0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFFB05 shade: #EFFB04, #ACFB04, #6AFB04, #27FB04 and #04FB23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFFB05 shade matches the following richer shades: #EFFB04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFFB05 shade: #EFFB04, #DCE718, #CAD22D, #B7BD42 and #A5A956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFFB05 shade: #FB8004, #FBC104, #F3FB04, #B1FB04 and #6FFB04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFFB05 shade: #A2AA03, #C8D303, #EFFB04, #F2FC2C and #F4FC55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFFB05 shade: #EFFB05, #04FB3E and #A004FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFFB05 shade: #EFFB05, #04F3FB and #FB04F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFFB05 shade: #EFFB05, #04FB3E, #0C04FB and #FB04C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFFB05 shade: #EFFB05, #04FB88, #0C04FB and #FB0477

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 98 / 2

HEX #EFFB05

RGB 239 251 5

HSL 62.93, 0.97%, 0.5%

LAB 94.89, -26.18, 91.93

 

Complementary color

CMYK 94 / 98 / 0 / 2

HEX #1004FA

RGB 16 4 250

HSL 242.93, 0.97%, 0.5%

LAB 32.03, 77.48, -105.5

 

CMYK 3 / 0 / 100 / 2

HEX #F4FB00

RGB 244 251 0

HSL 61.67, 1%, 0.49%

LAB 95.26, -24.17, 92.72

 

CMYK 0 / 0 / 93 / 0

HEX #FFFF13

RGB 255 255 19

HSL 60, 1%, 0.54%

LAB 97.16, -21.4, 93.04

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF26

RGB 255 255 38

HSL 60, 1%, 0.57%

LAB 97.2, -21.1, 90.31

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB05

RGB 239 251 5

HSL 62.93, 0.97%, 0.5%

LAB 94.89, -26.18, 91.93

 

CMYK 5 / 0 / 100 / 9

HEX #DEE900

RGB 222 233 0

HSL 62.83, 1%, 0.46%

LAB 88.83, -24.7, 87.25

 

CMYK 5 / 0 / 100 / 16

HEX #CDD700

RGB 205 215 0

HSL 62.79, 1%, 0.42%

LAB 82.69, -23.17, 82.14

 

CMYK 5 / 0 / 100 / 23

HEX #BCC500

RGB 188 197 0

HSL 62.74, 1%, 0.39%

LAB 76.45, -21.61, 76.96

 

CMYK 4 / 0 / 100 / 30

HEX #ABB300

RGB 171 179 0

HSL 62.68, 1%, 0.35%

LAB 70.1, -20.02, 71.68

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB04

RGB 239 251 4

HSL 62.91, 0.97%, 0.5%

LAB 94.89, -26.18, 92

 

CMYK 0 / 22 / 98 / 2

HEX #FBC504

RGB 251 197 4

HSL 46.88, 0.97%, 0.5%

LAB 82.08, 5.6, 83.19

 

CMYK 0 / 48 / 98 / 2

HEX #FB8204

RGB 251 130 4

HSL 30.61, 0.97%, 0.5%

LAB 66.89, 40.31, 73.06

 

CMYK 0 / 75 / 98 / 2

HEX #FB3F04

RGB 251 63 4

HSL 14.33, 0.97%, 0.5%

LAB 56.16, 68.54, 67.05

 

CMYK 0 / 98 / 98 / 2

HEX #FB0404

RGB 251 4 4

HSL 0, 0.97%, 0.5%

LAB 52.51, 78.9, 65.43

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB04

RGB 239 251 4

HSL 62.91, 0.97%, 0.5%

LAB 94.89, -26.18, 92

 

CMYK 31 / 0 / 98 / 2

HEX #ACFB04

RGB 172 251 4

HSL 79.19, 0.97%, 0.5%

LAB 90.68, -52.1, 86.95

 

CMYK 58 / 0 / 98 / 2

HEX #6AFB04

RGB 106 251 4

HSL 95.22, 0.97%, 0.5%

LAB 88, -72.15, 83.71

 

CMYK 84 / 0 / 98 / 2

HEX #27FB04

RGB 39 251 4

HSL 111.5, 0.97%, 0.5%

LAB 86.72, -83.16, 82.14

 

CMYK 98 / 0 / 86 / 2

HEX #04FB23

RGB 4 251 35

HSL 127.53, 0.97%, 0.5%

LAB 86.57, -84.26, 78.12

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB04

RGB 239 251 4

HSL 62.91, 0.97%, 0.5%

LAB 94.89, -26.18, 92

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB04

RGB 239 251 4

HSL 62.91, 0.97%, 0.5%

LAB 94.89, -26.18, 92

 

CMYK 5 / 0 / 90 / 9

HEX #DCE718

RGB 220 231 24

HSL 63.19, 0.81%, 0.5%

LAB 88.18, -24.32, 84.33

 

CMYK 4 / 0 / 79 / 18

HEX #CAD22D

RGB 202 210 45

HSL 62.91, 0.65%, 0.5%

LAB 81.2, -21.15, 73.56

 

CMYK 3 / 0 / 65 / 26

HEX #B7BD42

RGB 183 189 66

HSL 62.93, 0.48%, 0.5%

LAB 74.1, -17.73, 59.03

 

CMYK 2 / 0 / 49 / 34

HEX #A5A956

RGB 165 169 86

HSL 62.89, 0.33%, 0.5%

LAB 67.31, -13.51, 41.98

 

CMYK 0 / 49 / 98 / 2

HEX #FB8004

RGB 251 128 4

HSL 30.12, 0.97%, 0.5%

LAB 66.49, 41.31, 72.81

 

CMYK 0 / 23 / 98 / 2

HEX #FBC104

RGB 251 193 4

HSL 45.91, 0.97%, 0.5%

LAB 81.1, 7.67, 82.5

 

CMYK 3 / 0 / 98 / 2

HEX #F3FB04

RGB 243 251 4

HSL 61.94, 0.97%, 0.5%

LAB 95.19, -24.55, 92.35

 

CMYK 29 / 0 / 98 / 2

HEX #B1FB04

RGB 177 251 4

HSL 77.98, 0.97%, 0.5%

LAB 90.94, -50.31, 87.27

 

CMYK 56 / 0 / 98 / 2

HEX #6FFB04

RGB 111 251 4

HSL 94.01, 0.97%, 0.5%

LAB 88.15, -70.91, 83.89

 

CMYK 5 / 0 / 98 / 33

HEX #A2AA03

RGB 162 170 3

HSL 62.87, 0.97%, 0.34%

LAB 66.85, -19.39, 68.58

 

CMYK 5 / 0 / 99 / 17

HEX #C8D303

RGB 200 211 3

HSL 63.17, 0.97%, 0.42%

LAB 81.22, -23.31, 80.61

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB04

RGB 239 251 4

HSL 62.91, 0.97%, 0.5%

LAB 94.89, -26.18, 92

 

CMYK 4 / 0 / 83 / 1

HEX #F2FC2C

RGB 242 252 44

HSL 62.88, 0.97%, 0.58%

LAB 95.45, -24.83, 87.25

 

CMYK 3 / 0 / 66 / 1

HEX #F4FC55

RGB 244 252 85

HSL 62.87, 0.97%, 0.66%

LAB 95.79, -22.39, 75.42

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB05

RGB 239 251 5

HSL 62.93, 0.97%, 0.5%

LAB 94.89, -26.18, 91.93

 

CMYK 98 / 0 / 75 / 2

HEX #04FB3E

RGB 4 251 62

HSL 134.09, 0.97%, 0.5%

LAB 86.69, -82.81, 71.33

 

CMYK 36 / 98 / 0 / 2

HEX #A004FB

RGB 160 4 251

HSL 277.89, 0.97%, 0.5%

LAB 44.98, 84.83, -84.21

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB05

RGB 239 251 5

HSL 62.93, 0.97%, 0.5%

LAB 94.89, -26.18, 91.93

 

CMYK 98 / 3 / 0 / 2

HEX #04F3FB

RGB 4 243 251

HSL 181.94, 0.97%, 0.5%

LAB 87.53, -43.94, -17.44

 

CMYK 0 / 98 / 3 / 2

HEX #FB04F3

RGB 251 4 243

HSL 301.94, 0.97%, 0.5%

LAB 59.04, 95.75, -56.26

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB05

RGB 239 251 5

HSL 62.93, 0.97%, 0.5%

LAB 94.89, -26.18, 91.93

 

CMYK 98 / 0 / 75 / 2

HEX #04FB3E

RGB 4 251 62

HSL 134.09, 0.97%, 0.5%

LAB 86.69, -82.81, 71.33

 

CMYK 95 / 98 / 0 / 2

HEX #0C04FB

RGB 12 4 251

HSL 241.94, 0.97%, 0.5%

LAB 32.1, 77.7, -105.95

 

CMYK 0 / 98 / 23 / 2

HEX #FB04C1

RGB 251 4 193

HSL 314.09, 0.97%, 0.5%

LAB 56.53, 89.51, -31.84

 

CMYK 5 / 0 / 98 / 2

HEX #EFFB05

RGB 239 251 5

HSL 62.93, 0.97%, 0.5%

LAB 94.89, -26.18, 91.93

 

CMYK 98 / 0 / 46 / 2

HEX #04FB88

RGB 4 251 136

HSL 152.06, 0.97%, 0.5%

LAB 87.39, -74.11, 41.38

 

CMYK 95 / 98 / 0 / 2

HEX #0C04FB

RGB 12 4 251

HSL 241.94, 0.97%, 0.5%

LAB 32.1, 77.7, -105.95

 

CMYK 0 / 98 / 53 / 2

HEX #FB0477

RGB 251 4 119

HSL 332.06, 0.97%, 0.5%

LAB 53.95, 82.79, 8.04

 

Description

Color code: HEX #EFFB05 | qconv.com Color code: HEX #EFFB05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 251 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 251 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 98 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 98% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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