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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFF522 it is the complementary color #100ADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFF522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFF522 shade: #F4F51D, #FFFF30, #FFFF43, #FFFF56 and #FFFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFF522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFF522 shade: #EFF522, #DEE30F, #CDD100, #BCBF00 and #ABAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFF522 shade: #EFF524, #F5C224, #F58A24, #F55224 and #F52424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFF522 shade: #EFF524, #B6F524, #7EF524, #46F524 and #24F53A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFF522 shade matches the following richer shades: #EFF524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFF522 shade: #EFF524, #DDE236, #CCD049, #BABD5C and #A9AA6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFF522 shade: #F58924, #F5C024, #F1F524, #B9F524 and #82F524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFF522 shade: #B8BD09, #DEE40B, #EFF524, #F2F74B and #F5F873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFF522 shade: #EFF522, #24F551 and #A524F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFF522 shade: #EFF522, #24F1F5 and #F524F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFF522 shade: #EFF522, #24F551, #2724F5 and #F524C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFF522 shade: #EFF522, #24F590, #2724F5 and #F52489

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 86 / 4

HEX #EFF522

RGB 239 245 34

HSL 61.71, 0.91%, 0.55%

LAB 93.35, -22.97, 87.42

 

Complementary color

CMYK 93 / 95 / 0 / 13

HEX #100ADD

RGB 16 10 221

HSL 241.71, 0.91%, 0.45%

LAB 28.24, 69.36, -95.32

 

CMYK 0 / 0 / 88 / 4

HEX #F4F51D

RGB 244 245 29

HSL 60.28, 0.92%, 0.54%

LAB 93.72, -21.01, 88.72

 

CMYK 0 / 0 / 81 / 0

HEX #FFFF30

RGB 255 255 48

HSL 60, 1%, 0.59%

LAB 97.22, -20.86, 88.25

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 2 / 0 / 86 / 4

HEX #EFF522

RGB 239 245 34

HSL 61.71, 0.91%, 0.55%

LAB 93.35, -22.97, 87.42

 

CMYK 2 / 0 / 93 / 11

HEX #DEE30F

RGB 222 227 15

HSL 61.42, 0.88%, 0.47%

LAB 87.24, -21.7, 84.8

 

CMYK 2 / 0 / 100 / 18

HEX #CDD100

RGB 205 209 0

HSL 61.15, 1%, 0.41%

LAB 81.06, -20.25, 80.94

 

CMYK 2 / 0 / 100 / 25

HEX #BCBF00

RGB 188 191 0

HSL 60.94, 1%, 0.37%

LAB 74.8, -18.64, 75.74

 

CMYK 1 / 0 / 100 / 32

HEX #ABAD00

RGB 171 173 0

HSL 60.69, 1%, 0.34%

LAB 68.42, -17, 70.44

 

CMYK 2 / 0 / 85 / 4

HEX #EFF524

RGB 239 245 36

HSL 61.72, 0.91%, 0.55%

LAB 93.36, -22.93, 87.06

 

CMYK 0 / 21 / 85 / 4

HEX #F5C224

RGB 245 194 36

HSL 45.36, 0.91%, 0.55%

LAB 80.81, 5.03, 77.07

 

CMYK 0 / 44 / 85 / 4

HEX #F58A24

RGB 245 138 36

HSL 29.28, 0.91%, 0.55%

LAB 67.81, 34.31, 66.46

 

CMYK 0 / 67 / 85 / 4

HEX #F55224

RGB 245 82 36

HSL 13.21, 0.91%, 0.55%

LAB 57.63, 60.39, 58.08

 

CMYK 0 / 85 / 85 / 4

HEX #F52424

RGB 245 36 36

HSL 0, 0.91%, 0.55%

LAB 52.73, 74.03, 54.02

 

CMYK 2 / 0 / 85 / 4

HEX #EFF524

RGB 239 245 36

HSL 61.72, 0.91%, 0.55%

LAB 93.36, -22.93, 87.06

 

CMYK 26 / 0 / 85 / 4

HEX #B6F524

RGB 182 245 36

HSL 78.09, 0.91%, 0.55%

LAB 89.57, -45.42, 82.38

 

CMYK 49 / 0 / 85 / 4

HEX #7EF524

RGB 126 245 36

HSL 94.16, 0.91%, 0.55%

LAB 86.93, -64.12, 79.08

 

CMYK 71 / 0 / 85 / 4

HEX #46F524

RGB 70 245 36

HSL 110.24, 0.91%, 0.55%

LAB 85.37, -76.87, 77.11

 

CMYK 85 / 0 / 76 / 4

HEX #24F53A

RGB 36 245 58

HSL 126.32, 0.91%, 0.55%

LAB 84.99, -79.86, 70.96

 

CMYK 2 / 0 / 85 / 4

HEX #EFF524

RGB 239 245 36

HSL 61.72, 0.91%, 0.55%

LAB 93.36, -22.93, 87.06

 

CMYK 2 / 0 / 85 / 4

HEX #EFF524

RGB 239 245 36

HSL 61.72, 0.91%, 0.55%

LAB 93.36, -22.93, 87.06

 

CMYK 2 / 0 / 76 / 11

HEX #DDE236

RGB 221 226 54

HSL 61.74, 0.75%, 0.55%

LAB 87.01, -20.7, 76.74

 

CMYK 2 / 0 / 65 / 18

HEX #CCD049

RGB 204 208 73

HSL 61.78, 0.59%, 0.55%

LAB 80.98, -18.02, 63.87

 

CMYK 2 / 0 / 51 / 26

HEX #BABD5C

RGB 186 189 92

HSL 61.86, 0.42%, 0.55%

LAB 74.58, -14.54, 48.08

 

CMYK 1 / 0 / 35 / 33

HEX #A9AA6E

RGB 169 170 110

HSL 61, 0.26%, 0.55%

LAB 68.25, -9.77, 30.85

 

CMYK 0 / 44 / 85 / 4

HEX #F58924

RGB 245 137 36

HSL 29, 0.91%, 0.55%

LAB 67.6, 34.82, 66.29

 

CMYK 0 / 22 / 85 / 4

HEX #F5C024

RGB 245 192 36

HSL 44.78, 0.91%, 0.55%

LAB 80.31, 6.07, 76.67

 

CMYK 2 / 0 / 85 / 4

HEX #F1F524

RGB 241 245 36

HSL 61.15, 0.91%, 0.55%

LAB 93.51, -22.11, 87.24

 

CMYK 24 / 0 / 85 / 4

HEX #B9F524

RGB 185 245 36

HSL 77.22, 0.91%, 0.55%

LAB 89.74, -44.29, 82.59

 

CMYK 47 / 0 / 85 / 4

HEX #82F524

RGB 130 245 36

HSL 93.01, 0.91%, 0.55%

LAB 87.08, -62.96, 79.27

 

CMYK 3 / 0 / 95 / 26

HEX #B8BD09

RGB 184 189 9

HSL 61.67, 0.91%, 0.39%

LAB 73.94, -19.27, 74

 

CMYK 3 / 0 / 95 / 11

HEX #DEE40B

RGB 222 228 11

HSL 61.66, 0.91%, 0.47%

LAB 87.5, -22.22, 85.38

 

CMYK 2 / 0 / 85 / 4

HEX #EFF524

RGB 239 245 36

HSL 61.72, 0.91%, 0.55%

LAB 93.36, -22.93, 87.06

 

CMYK 2 / 0 / 70 / 3

HEX #F2F74B

RGB 242 247 75

HSL 61.74, 0.91%, 0.63%

LAB 94.27, -21.32, 77.41

 

CMYK 1 / 0 / 54 / 3

HEX #F5F873

RGB 245 248 115

HSL 61.35, 0.9%, 0.71%

LAB 95.07, -18.12, 62.46

 

CMYK 2 / 0 / 86 / 4

HEX #EFF522

RGB 239 245 34

HSL 61.71, 0.91%, 0.55%

LAB 93.35, -22.97, 87.42

 

CMYK 85 / 0 / 67 / 4

HEX #24F551

RGB 36 245 81

HSL 132.92, 0.91%, 0.55%

LAB 85.14, -78.01, 63.12

 

CMYK 33 / 85 / 0 / 4

HEX #A524F5

RGB 165 36 245

HSL 277.03, 0.91%, 0.55%

LAB 46.78, 79.49, -77.86

 

CMYK 2 / 0 / 86 / 4

HEX #EFF522

RGB 239 245 34

HSL 61.71, 0.91%, 0.55%

LAB 93.35, -22.97, 87.42

 

CMYK 85 / 2 / 0 / 4

HEX #24F1F5

RGB 36 241 245

HSL 181.15, 0.91%, 0.55%

LAB 86.94, -43.69, -15.17

 

CMYK 0 / 85 / 2 / 4

HEX #F524F1

RGB 245 36 241

HSL 301.15, 0.91%, 0.55%

LAB 59, 91.27, -55.27

 

CMYK 2 / 0 / 86 / 4

HEX #EFF522

RGB 239 245 34

HSL 61.71, 0.91%, 0.55%

LAB 93.35, -22.97, 87.42

 

CMYK 85 / 0 / 67 / 4

HEX #24F551

RGB 36 245 81

HSL 132.92, 0.91%, 0.55%

LAB 85.14, -78.01, 63.12

 

CMYK 84 / 85 / 0 / 4

HEX #2724F5

RGB 39 36 245

HSL 240.86, 0.91%, 0.55%

LAB 34.57, 68.88, -98.42

 

CMYK 0 / 85 / 19 / 4

HEX #F524C7

RGB 245 36 199

HSL 313.21, 0.91%, 0.55%

LAB 56.88, 85.68, -34.83

 

CMYK 2 / 0 / 86 / 4

HEX #EFF522

RGB 239 245 34

HSL 61.71, 0.91%, 0.55%

LAB 93.35, -22.97, 87.42

 

CMYK 85 / 0 / 41 / 4

HEX #24F590

RGB 36 245 144

HSL 151, 0.91%, 0.55%

LAB 85.85, -69.35, 35.51

 

CMYK 84 / 85 / 0 / 4

HEX #2724F5

RGB 39 36 245

HSL 240.86, 0.91%, 0.55%

LAB 34.57, 68.88, -98.42

 

CMYK 0 / 85 / 44 / 4

HEX #F52489

RGB 245 36 137

HSL 331, 0.91%, 0.55%

LAB 54.53, 79.23, -2.07

 

Description

Color code: HEX #EFF522 | qconv.com Color code: HEX #EFF522 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 245 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 245 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 86% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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