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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFF441 it is the complementary color #100BBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFF441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFF441 shade: #F4F43C, #FFFF4F, #FFFF62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFF441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFF441 shade: #EFF441, #DEE22E, #CDD01B, #BCBE08 and #ABAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFF441 shade: #EFF443, #F4C943, #F49A43, #F46A43 and #F44343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFF441 shade: #EFF443, #BFF443, #90F443, #60F443 and #43F456

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFF441 shade matches the following richer shades: #EFF443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFF441 shade: #EFF443, #E0E453, #D1D463, #C2C473 and #B2B483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFF441 shade: #F49943, #F4C843, #F1F443, #C2F443 and #93F443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFF441 shade: #D2D80D, #ECF21C, #EFF443, #F2F66A and #F6F991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFF441 shade: #EFF441, #43F469 and #B043F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFF441 shade: #EFF441, #43F1F4 and #F443F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFF441 shade: #EFF441, #43F469, #4643F4 and #F443CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFF441 shade: #EFF441, #43F49F, #4643F4 and #F44399

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 73 / 4

HEX #EFF441

RGB 239 244 65

HSL 61.68, 0.89%, 0.61%

LAB 93.2, -21.55, 79.6

 

Complementary color

CMYK 92 / 94 / 0 / 25

HEX #100BBE

RGB 16 11 190

HSL 241.68, 0.89%, 0.39%

LAB 23.89, 61.13, -84.48

 

CMYK 0 / 0 / 75 / 4

HEX #F4F43C

RGB 244 244 60

HSL 60, 0.89%, 0.6%

LAB 93.56, -19.71, 81.58

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 2 / 0 / 73 / 4

HEX #EFF441

RGB 239 244 65

HSL 61.68, 0.89%, 0.61%

LAB 93.2, -21.55, 79.6

 

CMYK 2 / 0 / 80 / 11

HEX #DEE22E

RGB 222 226 46

HSL 61.33, 0.76%, 0.53%

LAB 87.06, -20.56, 79.02

 

CMYK 1 / 0 / 87 / 18

HEX #CDD01B

RGB 205 208 27

HSL 60.99, 0.77%, 0.46%

LAB 80.83, -19.4, 77.51

 

CMYK 1 / 0 / 96 / 25

HEX #BCBE08

RGB 188 190 8

HSL 60.66, 0.92%, 0.39%

LAB 74.53, -18.05, 74.69

 

CMYK 1 / 0 / 100 / 33

HEX #ABAC00

RGB 171 172 0

HSL 60.35, 1%, 0.34%

LAB 68.14, -16.49, 70.24

 

CMYK 2 / 0 / 73 / 4

HEX #EFF443

RGB 239 244 67

HSL 61.69, 0.89%, 0.61%

LAB 93.21, -21.46, 78.97

 

CMYK 0 / 18 / 73 / 4

HEX #F4C943

RGB 244 201 67

HSL 45.42, 0.89%, 0.61%

LAB 82.6, 2.02, 68.95

 

CMYK 0 / 37 / 73 / 4

HEX #F49A43

RGB 244 154 67

HSL 29.49, 0.89%, 0.61%

LAB 71.38, 26.64, 57.7

 

CMYK 0 / 57 / 73 / 4

HEX #F46A43

RGB 244 106 67

HSL 13.22, 0.89%, 0.61%

LAB 61.61, 50.73, 47.34

 

CMYK 0 / 73 / 73 / 4

HEX #F44343

RGB 244 67 67

HSL 0, 0.89%, 0.61%

LAB 55.74, 66.5, 40.8

 

CMYK 2 / 0 / 73 / 4

HEX #EFF443

RGB 239 244 67

HSL 61.69, 0.89%, 0.61%

LAB 93.21, -21.46, 78.97

 

CMYK 22 / 0 / 73 / 4

HEX #BFF443

RGB 191 244 67

HSL 77.97, 0.89%, 0.61%

LAB 89.94, -40.38, 74.71

 

CMYK 41 / 0 / 73 / 4

HEX #90F443

RGB 144 244 67

HSL 93.9, 0.89%, 0.61%

LAB 87.5, -56.82, 71.49

 

CMYK 61 / 0 / 73 / 4

HEX #60F443

RGB 96 244 67

HSL 110.17, 0.89%, 0.61%

LAB 85.8, -69.86, 69.23

 

CMYK 73 / 0 / 65 / 4

HEX #43F456

RGB 67 244 86

HSL 126.44, 0.89%, 0.61%

LAB 85.28, -73.66, 61.44

 

CMYK 2 / 0 / 73 / 4

HEX #EFF443

RGB 239 244 67

HSL 61.69, 0.89%, 0.61%

LAB 93.21, -21.46, 78.97

 

CMYK 2 / 0 / 73 / 4

HEX #EFF443

RGB 239 244 67

HSL 61.69, 0.89%, 0.61%

LAB 93.21, -21.46, 78.97

 

CMYK 2 / 0 / 64 / 11

HEX #E0E453

RGB 224 228 83

HSL 61.66, 0.73%, 0.61%

LAB 87.95, -19.03, 67.64

 

CMYK 1 / 0 / 53 / 17

HEX #D1D463

RGB 209 212 99

HSL 61.59, 0.57%, 0.61%

LAB 82.67, -16.13, 54.68

 

CMYK 1 / 0 / 41 / 23

HEX #C2C473

RGB 194 196 115

HSL 61.48, 0.41%, 0.61%

LAB 77.39, -12.62, 40.35

 

CMYK 1 / 0 / 27 / 29

HEX #B2B483

RGB 178 180 131

HSL 62.45, 0.25%, 0.61%

LAB 72.06, -8.72, 24.83

 

CMYK 0 / 37 / 73 / 4

HEX #F49943

RGB 244 153 67

HSL 29.15, 0.89%, 0.61%

LAB 71.16, 27.16, 57.47

 

CMYK 0 / 18 / 73 / 4

HEX #F4C843

RGB 244 200 67

HSL 45.08, 0.89%, 0.61%

LAB 82.35, 2.54, 68.71

 

CMYK 1 / 0 / 73 / 4

HEX #F1F443

RGB 241 244 67

HSL 61.02, 0.89%, 0.61%

LAB 93.37, -20.65, 79.17

 

CMYK 20 / 0 / 73 / 4

HEX #C2F443

RGB 194 244 67

HSL 76.95, 0.89%, 0.61%

LAB 90.13, -39.24, 74.95

 

CMYK 40 / 0 / 73 / 4

HEX #93F443

RGB 147 244 67

HSL 92.88, 0.89%, 0.61%

LAB 87.64, -55.86, 71.66

 

CMYK 3 / 0 / 94 / 15

HEX #D2D80D

RGB 210 216 13

HSL 61.77, 0.89%, 0.45%

LAB 83.36, -21.42, 81.64

 

CMYK 2 / 0 / 88 / 5

HEX #ECF21C

RGB 236 242 28

HSL 61.68, 0.89%, 0.53%

LAB 92.32, -22.89, 87.51

 

CMYK 2 / 0 / 73 / 4

HEX #EFF443

RGB 239 244 67

HSL 61.69, 0.89%, 0.61%

LAB 93.21, -21.46, 78.97

 

CMYK 2 / 0 / 57 / 4

HEX #F2F66A

RGB 242 246 106

HSL 61.71, 0.89%, 0.69%

LAB 94.24, -19.01, 65.36

 

CMYK 1 / 0 / 42 / 2

HEX #F6F991

RGB 246 249 145

HSL 61.73, 0.9%, 0.77%

LAB 95.74, -15.56, 49.44

 

CMYK 2 / 0 / 73 / 4

HEX #EFF441

RGB 239 244 65

HSL 61.68, 0.89%, 0.61%

LAB 93.2, -21.55, 79.6

 

CMYK 73 / 0 / 57 / 4

HEX #43F469

RGB 67 244 105

HSL 132.88, 0.89%, 0.61%

LAB 85.46, -71.54, 53.59

 

CMYK 28 / 73 / 0 / 4

HEX #B043F4

RGB 176 67 244

HSL 276.95, 0.89%, 0.61%

LAB 51.58, 71.26, -69.42

 

CMYK 2 / 0 / 73 / 4

HEX #EFF441

RGB 239 244 65

HSL 61.68, 0.89%, 0.61%

LAB 93.2, -21.55, 79.6

 

CMYK 73 / 1 / 0 / 4

HEX #43F1F4

RGB 67 241 244

HSL 181.02, 0.89%, 0.61%

LAB 87.31, -41.4, -14.05

 

CMYK 0 / 73 / 1 / 4

HEX #F443F1

RGB 244 67 241

HSL 301.02, 0.89%, 0.61%

LAB 61.31, 83.93, -51.6

 

CMYK 2 / 0 / 73 / 4

HEX #EFF441

RGB 239 244 65

HSL 61.68, 0.89%, 0.61%

LAB 93.2, -21.55, 79.6

 

CMYK 73 / 0 / 57 / 4

HEX #43F469

RGB 67 244 105

HSL 132.88, 0.89%, 0.61%

LAB 85.46, -71.54, 53.59

 

CMYK 71 / 73 / 0 / 4

HEX #4643F4

RGB 70 67 244

HSL 241.02, 0.89%, 0.61%

LAB 40.97, 56.03, -87.2

 

CMYK 0 / 73 / 16 / 4

HEX #F443CE

RGB 244 67 206

HSL 312.88, 0.89%, 0.61%

LAB 59.62, 78.9, -34.57

 

CMYK 2 / 0 / 73 / 4

HEX #EFF441

RGB 239 244 65

HSL 61.68, 0.89%, 0.61%

LAB 93.2, -21.55, 79.6

 

CMYK 73 / 0 / 35 / 4

HEX #43F49F

RGB 67 244 159

HSL 151.19, 0.89%, 0.61%

LAB 86.21, -62.98, 28.52

 

CMYK 71 / 73 / 0 / 4

HEX #4643F4

RGB 70 67 244

HSL 241.02, 0.89%, 0.61%

LAB 40.97, 56.03, -87.2

 

CMYK 0 / 73 / 37 / 4

HEX #F44399

RGB 244 67 153

HSL 330.85, 0.89%, 0.61%

LAB 57.6, 72.62, -7.02

 

Description

Color code: HEX #EFF441 | qconv.com Color code: HEX #EFF441 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 244 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 244 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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