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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFF11D it is the complementary color #100EE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFF11D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFF11D shade: #F4F118, #FFFF2B, #FFFF3E, #FFFF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFF11D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFF11D shade: #EFF11D, #DEDF0A, #CDCD00, #BCBB00 and #ABA900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFF11D shade: #EFF11E, #F1BA1E, #F1811E, #F1481E and #F11E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFF11D shade: #EFF11E, #B6F11E, #7DF11E, #44F11E and #1EF130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFF11D shade matches the following richer shades: #EFF11E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFF11D shade: #EFF11E, #DCDD31, #C9CA44, #B6B658 and #A3A36B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFF11D shade: #F1801E, #F1B81E, #F1F11E, #B8F11E and #80F11E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFF11D shade: #AFB10B, #D5D70E, #EFF11E, #F1F344 and #F4F66B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFF11D shade: #EFF11D, #1EF148 and #9C1EF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFF11D shade: #EFF11D, #1EF1F1 and #F11EF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFF11D shade: #EFF11D, #1EF148, #1E1EF1 and #F11EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFF11D shade: #EFF11D, #1EF187, #1E1EF1 and #F11E87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 88 / 5

HEX #EFF11D

RGB 239 241 29

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.16, 87.42

 

Complementary color

CMYK 93 / 94 / 0 / 11

HEX #100EE2

RGB 16 14 226

HSL 240.57, 0.88%, 0.47%

LAB 29.2, 69.86, -96.6

 

CMYK 0 / 1 / 90 / 4

HEX #F4F118

RGB 244 241 24

HSL 59.18, 0.91%, 0.53%

LAB 92.67, -19.18, 88.63

 

CMYK 0 / 0 / 83 / 0

HEX #FFFF2B

RGB 255 255 43

HSL 60, 1%, 0.58%

LAB 97.21, -20.98, 89.33

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3E

RGB 255 255 62

HSL 60, 1%, 0.62%

LAB 97.28, -20.42, 84.68

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11D

RGB 239 241 29

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.16, 87.42

 

CMYK 0 / 0 / 96 / 13

HEX #DEDF0A

RGB 222 223 10

HSL 60.28, 0.91%, 0.46%

LAB 86.17, -19.81, 84.46

 

CMYK 0 / 0 / 100 / 20

HEX #CDCD00

RGB 205 205 0

HSL 60, 1%, 0.4%

LAB 79.98, -18.29, 80.15

HEX #CDCD00

CMYK 0 / 1 / 100 / 26

HEX #BCBB00

RGB 188 187 0

HSL 59.68, 1%, 0.37%

LAB 73.7, -16.64, 74.93

HEX #BCBB00

CMYK 0 / 1 / 100 / 33

HEX #ABA900

RGB 171 169 0

HSL 59.3, 1%, 0.34%

LAB 67.3, -14.95, 69.62

HEX #ABA900

CMYK 1 / 0 / 88 / 5

HEX #EFF11E

RGB 239 241 30

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.14, 87.26

 

CMYK 0 / 23 / 88 / 5

HEX #F1BA1E

RGB 241 186 30

HSL 44.36, 0.88%, 0.53%

LAB 78.41, 7.35, 76.36

 

CMYK 0 / 46 / 88 / 5

HEX #F1811E

RGB 241 129 30

HSL 28.15, 0.88%, 0.53%

LAB 65.35, 37.18, 66.12

 

CMYK 0 / 70 / 88 / 5

HEX #F1481E

RGB 241 72 30

HSL 11.94, 0.88%, 0.53%

LAB 55.51, 62.76, 58.49

 

CMYK 0 / 88 / 88 / 5

HEX #F11E1E

RGB 241 30 30

HSL 0, 0.88%, 0.53%

LAB 51.52, 73.95, 55.44

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11E

RGB 239 241 30

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.14, 87.26

 

CMYK 24 / 0 / 88 / 5

HEX #B6F11E

RGB 182 241 30

HSL 76.78, 0.88%, 0.53%

LAB 88.42, -43.85, 82.52

 

CMYK 48 / 0 / 88 / 5

HEX #7DF11E

RGB 125 241 30

HSL 92.99, 0.88%, 0.53%

LAB 85.69, -63.16, 79.13

 

CMYK 72 / 0 / 88 / 5

HEX #44F11E

RGB 68 241 30

HSL 109.19, 0.88%, 0.53%

LAB 84.09, -76.22, 77.13

 

CMYK 88 / 0 / 80 / 5

HEX #1EF130

RGB 30 241 48

HSL 125.12, 0.88%, 0.53%

LAB 83.65, -79.81, 72.53

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11E

RGB 239 241 30

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.14, 87.26

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11E

RGB 239 241 30

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.14, 87.26

 

CMYK 0 / 0 / 78 / 13

HEX #DCDD31

RGB 220 221 49

HSL 60.35, 0.72%, 0.53%

LAB 85.58, -18.86, 76.86

 

CMYK 0 / 0 / 66 / 21

HEX #C9CA44

RGB 201 202 68

HSL 60.45, 0.56%, 0.53%

LAB 79.08, -16.57, 63.81

 

CMYK 0 / 0 / 52 / 29

HEX #B6B658

RGB 182 182 88

HSL 60, 0.39%, 0.53%

LAB 72.3, -12.97, 47.24

 

CMYK 0 / 0 / 34 / 36

HEX #A3A36B

RGB 163 163 107

HSL 60, 0.23%, 0.53%

LAB 65.78, -8.87, 29.15

 

CMYK 0 / 47 / 88 / 5

HEX #F1801E

RGB 241 128 30

HSL 27.87, 0.88%, 0.53%

LAB 65.15, 37.69, 65.96

 

CMYK 0 / 24 / 88 / 5

HEX #F1B81E

RGB 241 184 30

HSL 43.79, 0.88%, 0.53%

LAB 77.92, 8.39, 75.97

 

CMYK 0 / 0 / 88 / 5

HEX #F1F11E

RGB 241 241 30

HSL 60, 0.88%, 0.53%

LAB 92.44, -20.32, 87.45

 

CMYK 24 / 0 / 88 / 5

HEX #B8F11E

RGB 184 241 30

HSL 76.21, 0.88%, 0.53%

LAB 88.54, -43.1, 82.67

 

CMYK 47 / 0 / 88 / 5

HEX #80F11E

RGB 128 241 30

HSL 92.13, 0.88%, 0.53%

LAB 85.8, -62.27, 79.27

 

CMYK 1 / 0 / 94 / 31

HEX #AFB10B

RGB 175 177 11

HSL 60.72, 0.88%, 0.37%

LAB 69.88, -17.13, 70.37

 

CMYK 1 / 0 / 93 / 16

HEX #D5D70E

RGB 213 215 14

HSL 60.6, 0.88%, 0.45%

LAB 83.33, -19.66, 81.62

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11E

RGB 239 241 30

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.14, 87.26

 

CMYK 1 / 0 / 72 / 5

HEX #F1F344

RGB 241 243 68

HSL 60.69, 0.88%, 0.61%

LAB 93.11, -20.13, 78.61

 

CMYK 1 / 0 / 57 / 4

HEX #F4F66B

RGB 244 246 107

HSL 60.86, 0.89%, 0.69%

LAB 94.4, -18.14, 65.15

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11D

RGB 239 241 29

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.16, 87.42

 

CMYK 88 / 0 / 70 / 5

HEX #1EF148

RGB 30 241 72

HSL 131.94, 0.88%, 0.53%

LAB 83.79, -78.12, 65.05

 

CMYK 35 / 88 / 0 / 5

HEX #9C1EF1

RGB 156 30 241

HSL 275.83, 0.88%, 0.53%

LAB 44.73, 78.87, -79.02

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11D

RGB 239 241 29

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.16, 87.42

 

CMYK 88 / 0 / 0 / 5

HEX #1EF1F1

RGB 30 241 241

HSL 180, 0.88%, 0.53%

LAB 86.77, -45.17, -13.33

 

CMYK 0 / 88 / 0 / 5

HEX #F11EF1

RGB 241 30 241

HSL 300, 0.88%, 0.53%

LAB 58.02, 91.51, -56.87

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11D

RGB 239 241 29

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.16, 87.42

 

CMYK 88 / 0 / 70 / 5

HEX #1EF148

RGB 30 241 72

HSL 131.94, 0.88%, 0.53%

LAB 83.79, -78.12, 65.05

 

CMYK 88 / 88 / 0 / 5

HEX #1E1EF1

RGB 30 30 241

HSL 240, 0.88%, 0.53%

LAB 33.04, 69.65, -98.72

 

CMYK 0 / 88 / 18 / 5

HEX #F11EC6

RGB 241 30 198

HSL 312.23, 0.88%, 0.53%

LAB 55.79, 85.75, -36.01

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11D

RGB 239 241 29

HSL 60.57, 0.88%, 0.53%

LAB 92.29, -21.16, 87.42

 

CMYK 88 / 0 / 44 / 5

HEX #1EF187

RGB 30 241 135

HSL 149.86, 0.88%, 0.53%

LAB 84.45, -70, 38.12

 

CMYK 88 / 88 / 0 / 5

HEX #1E1EF1

RGB 30 30 241

HSL 240, 0.88%, 0.53%

LAB 33.04, 69.65, -98.72

 

CMYK 0 / 88 / 44 / 5

HEX #F11E87

RGB 241 30 135

HSL 330.14, 0.88%, 0.53%

LAB 53.36, 79.17, -2.69

 

Description

Color code: HEX #EFF11D | qconv.com Color code: HEX #EFF11D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 241 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 241 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 88 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 88% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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