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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFED3ACE it is the complementary color #1012C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFED3ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFED3ACE shade: #F4ED35CE, #FFFF48CE, #FFFF5BCE, #FFFF6ECE and #FFFF81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFED3ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFED3ACE shade: #EFED3ACE, #DEDB27CE, #CDC914CE, #BCB701CE and #ABA500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFED3ACE shade: #EFED39, #EFBC39, #EF8B39, #EF5A39 and #EF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFED3ACE shade: #EFED39, #C0EF39, #8FEF39, #5EEF39 and #39EF45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFED3ACE shade matches the following richer shades: #EFED39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFED3ACE shade: #EFED39, #DEDC4A, #CCCB5C, #BBBA6D and #AAA97E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFED3ACE shade: #EF8B39, #EFBB39, #EFEC39, #C1EF39 and #91EF39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFED3ACE shade: #C5C310, #EBE913, #EFED39, #F2F05F and #F5F485

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFED3ACE shade: #EFED3A, #39EF5A and #A339EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFED3ACE shade: #EFED3A, #39EFEC and #EC39EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFED3ACE shade: #EFED3A, #39EF5A, #393CEF and #EF39CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFED3ACE shade: #EFED3A, #39EF91, #393CEF and #EF3997

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 61 / 5

HEX #EFED3ACE

RGBA 239 237 58 0.81

HSLA 59.34, 0.85%, 0.58%, 0.81

LABA 91.34, -18.45, 80, 0.81

 

Complementary color

CMYK 74 / 74 / 0 / 18

HEX #1012C5CE

RGBA 16 18 197 0.81

HSLA 239.34, 0.85%, 0.42%, 0.81

LABA 25.48, 61.16, -85.95, 0.81

 

CMYK 0 / 2 / 63 / 3

HEX #F4ED35CE

RGBA 244 237 53 0.81

HSLA 57.8, 0.9%, 0.58%, 0.81

LABA 91.71, -16.57, 81.9, 0.81

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF48CE

RGBA 255 255 72 0.81

HSLA 60, 1%, 0.64%, 0.81

LABA 97.33, -20.03, 81.69, 0.81

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF5BCE

RGBA 255 255 91 0.81

HSLA 60, 1%, 0.68%, 0.81

LABA 97.44, -19.1, 75.13, 0.81

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF6ECE

RGBA 255 255 110 0.81

HSLA 60, 1%, 0.72%, 0.81

LABA 97.59, -17.91, 67.66, 0.81

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF81CE

RGBA 255 255 129 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.78, -16.46, 59.54, 0.81

 

CMYK 0 / 1 / 61 / 5

HEX #EFED3ACE

RGBA 239 237 58 0.81

HSLA 59.34, 0.85%, 0.58%, 0.81

LABA 91.34, -18.45, 80, 0.81

 

CMYK 0 / 1 / 67 / 10

HEX #DEDB27CE

RGBA 222 219 39 0.81

HSLA 59.02, 0.73%, 0.51%, 0.81

LABA 85.17, -17.35, 79.12, 0.81

 

CMYK 0 / 2 / 73 / 16

HEX #CDC914CE

RGBA 205 201 20 0.81

HSLA 58.7, 0.82%, 0.44%, 0.81

LABA 78.93, -16.07, 77.18, 0.81

 

CMYK 0 / 2 / 81 / 21

HEX #BCB701CE

RGBA 188 183 1 0.81

HSLA 58.4, 0.99%, 0.37%, 0.81

LABA 72.6, -14.6, 74.02, 0.81

 

CMYK 0 / 3 / 81 / 27

HEX #ABA500CE

RGBA 171 165 0 0.81

HSLA 57.89, 1%, 0.34%, 0.81

LABA 66.19, -12.89, 68.81, 0.81

 

CMYK 0 / 1 / 76 / 6

HEX #EFED39

RGB 239 237 57

HSL 59.34, 0.85%, 0.58%

LAB 91.33, -18.49, 80.29

 

CMYK 0 / 21 / 76 / 6

HEX #EFBC39

RGB 239 188 57

HSL 43.19, 0.85%, 0.58%

LAB 78.82, 6.23, 68.81

 

CMYK 0 / 42 / 76 / 6

HEX #EF8B39

RGB 239 139 57

HSL 27.03, 0.85%, 0.58%

LAB 67.36, 32.02, 57.81

 

CMYK 0 / 62 / 76 / 6

HEX #EF5A39

RGB 239 90 57

HSL 10.88, 0.85%, 0.58%

LAB 58, 55.71, 48.33

 

CMYK 0 / 76 / 76 / 6

HEX #EF3939

RGB 239 57 57

HSL 0, 0.85%, 0.58%

LAB 53.57, 67.82, 43.66

 

CMYK 0 / 1 / 76 / 6

HEX #EFED39

RGB 239 237 57

HSL 59.34, 0.85%, 0.58%

LAB 91.33, -18.49, 80.29

 

CMYK 20 / 0 / 76 / 6

HEX #C0EF39

RGB 192 239 57

HSL 75.49, 0.85%, 0.58%

LAB 88.56, -38.26, 76.54

 

CMYK 40 / 0 / 76 / 6

HEX #8FEF39

RGB 143 239 57

HSL 91.65, 0.85%, 0.58%

LAB 85.94, -55.76, 73.14

 

CMYK 61 / 0 / 76 / 6

HEX #5EEF39

RGB 94 239 57

HSL 107.8, 0.85%, 0.58%

LAB 84.18, -69.3, 70.84

 

CMYK 76 / 0 / 71 / 6

HEX #39EF45

RGB 57 239 69

HSL 123.96, 0.85%, 0.58%

LAB 83.46, -75.07, 65.89

 

CMYK 0 / 1 / 76 / 6

HEX #EFED39

RGB 239 237 57

HSL 59.34, 0.85%, 0.58%

LAB 91.33, -18.49, 80.29

 

CMYK 0 / 1 / 76 / 6

HEX #EFED39

RGB 239 237 57

HSL 59.34, 0.85%, 0.58%

LAB 91.33, -18.49, 80.29

 

CMYK 0 / 1 / 67 / 13

HEX #DEDC4A

RGB 222 220 74

HSL 59.19, 0.69%, 0.58%

LAB 85.61, -16.44, 68.67

 

CMYK 0 / 0 / 55 / 20

HEX #CCCB5C

RGB 204 203 92

HSL 59.46, 0.52%, 0.58%

LAB 79.8, -14.22, 54.48

 

CMYK 0 / 1 / 42 / 27

HEX #BBBA6D

RGB 187 186 109

HSL 59.23, 0.36%, 0.58%

LAB 74.05, -10.94, 39.08

 

CMYK 0 / 1 / 26 / 33

HEX #AAA97E

RGB 170 169 126

HSL 58.64, 0.21%, 0.58%

LAB 68.34, -6.74, 22.39

 

CMYK 0 / 42 / 76 / 6

HEX #EF8B39

RGB 239 139 57

HSL 27.03, 0.85%, 0.58%

LAB 67.36, 32.02, 57.81

 

CMYK 0 / 22 / 76 / 6

HEX #EFBB39

RGB 239 187 57

HSL 42.86, 0.85%, 0.58%

LAB 78.57, 6.75, 68.57

 

CMYK 0 / 1 / 76 / 6

HEX #EFEC39

RGB 239 236 57

HSL 59.01, 0.85%, 0.58%

LAB 91.07, -18.01, 80.05

 

CMYK 19 / 0 / 76 / 6

HEX #C1EF39

RGB 193 239 57

HSL 75.16, 0.85%, 0.58%

LAB 88.62, -37.87, 76.62

 

CMYK 39 / 0 / 76 / 6

HEX #91EF39

RGB 145 239 57

HSL 90.99, 0.85%, 0.58%

LAB 86.03, -55.11, 73.26

 

CMYK 0 / 1 / 92 / 23

HEX #C5C310

RGB 197 195 16

HSL 59.34, 0.85%, 0.42%

LAB 76.64, -16.57, 75.7

 

CMYK 0 / 1 / 92 / 8

HEX #EBE913

RGB 235 233 19

HSL 59.44, 0.85%, 0.5%

LAB 89.85, -19.12, 86.79

 

CMYK 0 / 1 / 76 / 6

HEX #EFED39

RGB 239 237 57

HSL 59.34, 0.85%, 0.58%

LAB 91.33, -18.49, 80.29

 

CMYK 0 / 1 / 61 / 5

HEX #F2F05F

RGB 242 240 95

HSL 59.18, 0.85%, 0.66%

LAB 92.59, -16.84, 68.14

 

CMYK 0 / 0 / 46 / 4

HEX #F5F485

RGB 245 244 133

HSL 59.46, 0.85%, 0.74%

LAB 94.23, -14.66, 53.26

 

CMYK 0 / 1 / 76 / 6

HEX #EFED3A

RGB 239 237 58

HSL 59.34, 0.85%, 0.58%

LAB 91.34, -18.45, 80

 

CMYK 76 / 0 / 62 / 6

HEX #39EF5A

RGB 57 239 90

HSL 130.88, 0.85%, 0.58%

LAB 83.62, -73.08, 57.91

 

CMYK 32 / 76 / 0 / 6

HEX #A339EF

RGB 163 57 239

HSL 274.95, 0.85%, 0.58%

LAB 48.19, 71.69, -72.2

 

CMYK 0 / 1 / 76 / 6

HEX #EFED3A

RGB 239 237 58

HSL 59.34, 0.85%, 0.58%

LAB 91.34, -18.45, 80

 

CMYK 76 / 0 / 1 / 6

HEX #39EFEC

RGB 57 239 236

HSL 179.01, 0.85%, 0.58%

LAB 86.33, -43.77, -11.32

 

CMYK 1 / 76 / 0 / 6

HEX #EC39EF

RGB 236 57 239

HSL 299.01, 0.85%, 0.58%

LAB 58.97, 84.85, -54.29

 

CMYK 0 / 1 / 76 / 6

HEX #EFED3A

RGB 239 237 58

HSL 59.34, 0.85%, 0.58%

LAB 91.34, -18.45, 80

 

CMYK 76 / 0 / 62 / 6

HEX #39EF5A

RGB 57 239 90

HSL 130.88, 0.85%, 0.58%

LAB 83.62, -73.08, 57.91

 

CMYK 76 / 75 / 0 / 6

HEX #393CEF

RGB 57 60 239

HSL 239.01, 0.85%, 0.58%

LAB 38.43, 57.12, -88.6

 

CMYK 0 / 76 / 14 / 6

HEX #EF39CE

RGB 239 57 206

HSL 310.88, 0.85%, 0.58%

LAB 57.78, 80.7, -37.5

 

CMYK 0 / 1 / 76 / 6

HEX #EFED3A

RGB 239 237 58

HSL 59.34, 0.85%, 0.58%

LAB 91.34, -18.45, 80

 

CMYK 76 / 0 / 39 / 6

HEX #39EF91

RGB 57 239 145

HSL 149.01, 0.85%, 0.58%

LAB 84.3, -65.08, 33.02

 

CMYK 76 / 75 / 0 / 6

HEX #393CEF

RGB 57 60 239

HSL 239.01, 0.85%, 0.58%

LAB 38.43, 57.12, -88.6

 

CMYK 0 / 76 / 37 / 6

HEX #EF3997

RGB 239 57 151

HSL 329.01, 0.85%, 0.58%

LAB 55.6, 74.18, -8.93

 

Description

Color code: HEX #EFED3ACE | qconv.com Color code: HEX #EFED3ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 237 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 237 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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