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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFECE3 it is the complementary color #10131C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFECE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFECE3 shade: #F4ECDE and #FFFEF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFECE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFECE3 shade: #EFECE3, #DEDAD0, #CDC8BD, #BCB6AA and #ABA497

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFECE3 shade: #EEEBE1, #EEE7E1, #EEE4E1 and #EEE1E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFECE3 shade: #EEEBE1, #EEEEE1, #EAEEE1, #E7EEE1 and #E3EEE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFECE3 shade matches the following richer shades: #EEEBE1, #F1EDDE, #F5EEDA, #F9F0D6 and #FDF2D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFECE3 shade: #EEEBE1, #EAE9E5, #E6E7E9, #E3E5EC and #DFE3F0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFECE3 shade: #EEE4E1, #EEE7E1, #EEEBE1, #EEEEE1 and #EAEEE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFECE3 shade: #D0C7AD, #DFD9C7, #EEEBE1 and #FDFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFECE3 shade: #EFECE3, #E2EEE1 and #E6E1EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFECE3 shade: #EFECE3, #E1EEEB and #EBE1EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFECE3 shade: #EFECE3, #E2EEE1, #E1E4EE and #EDE1EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFECE3 shade: #EFECE3, #E1EEE4, #E1E4EE and #EEE1EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 5 / 6

HEX #EFECE3

RGB 239 236 227

HSL 45, 0.27%, 0.91%

LAB 93.4, -0.54, 4.7

Complementary color

CMYK 43 / 32 / 0 / 89

HEX #10131C

RGB 16 19 28

HSL 225, 0.27%, 0.09%

LAB 5.96, 1.19, -6.54

 

CMYK 0 / 3 / 9 / 4

HEX #F4ECDE

RGB 244 236 222

HSL 38.18, 0.5%, 0.91%

LAB 93.67, 0.34, 7.73

 

CMYK 0 / 0 / 5 / 0

HEX #FFFEF1

RGB 255 254 241

HSL 55.71, 1%, 0.97%

LAB 99.41, -1.88, 6.32

 

CMYK 0 / 1 / 5 / 6

HEX #EFECE3

RGB 239 236 227

HSL 45, 0.27%, 0.91%

LAB 93.4, -0.54, 4.7

HEX #EFECE3

CMYK 0 / 2 / 6 / 13

HEX #DEDAD0

RGB 222 218 208

HSL 42.86, 0.18%, 0.84%

LAB 87.11, -0.37, 5.39

HEX #DEDAD0

CMYK 0 / 2 / 8 / 20

HEX #CDC8BD

RGB 205 200 189

HSL 41.25, 0.14%, 0.77%

LAB 80.72, -0.19, 6.1

HEX #CDC8BD

CMYK 0 / 3 / 10 / 26

HEX #BCB6AA

RGB 188 182 170

HSL 40, 0.12%, 0.7%

LAB 74.22, 0.01, 6.85

HEX #BCB6AA

CMYK 0 / 4 / 12 / 33

HEX #ABA497

RGB 171 164 151

HSL 39, 0.11%, 0.63%

LAB 67.61, 0.23, 7.64

HEX #ABA497

CMYK 0 / 1 / 5 / 7

HEX #EEEBE1

RGB 238 235 225

HSL 46.15, 0.28%, 0.91%

LAB 93.03, -0.71, 5.19

HEX #EEEBE1

CMYK 0 / 3 / 5 / 7

HEX #EEE7E1

RGB 238 231 225

HSL 27.69, 0.28%, 0.91%

LAB 92.03, 1.33, 3.74

HEX #EEE7E1

CMYK 0 / 4 / 5 / 7

HEX #EEE4E1

RGB 238 228 225

HSL 13.85, 0.28%, 0.91%

LAB 91.28, 2.88, 2.66

HEX #EEE4E1

CMYK 0 / 5 / 5 / 7

HEX #EEE1E1

RGB 238 225 225

HSL 0, 0.28%, 0.91%

LAB 90.53, 4.42, 1.58

HEX #EEE1E1

CMYK 0 / 1 / 5 / 7

HEX #EEEBE1

RGB 238 235 225

HSL 46.15, 0.28%, 0.91%

LAB 93.03, -0.71, 5.19

HEX #EEEBE1

CMYK 0 / 0 / 5 / 7

HEX #EEEEE1

RGB 238 238 225

HSL 60, 0.28%, 0.91%

LAB 93.78, -2.24, 6.28

HEX #EEEEE1

CMYK 2 / 0 / 5 / 7

HEX #EAEEE1

RGB 234 238 225

HSL 78.46, 0.28%, 0.91%

LAB 93.48, -3.6, 5.81

HEX #EAEEE1

CMYK 3 / 0 / 5 / 7

HEX #E7EEE1

RGB 231 238 225

HSL 92.31, 0.28%, 0.91%

LAB 93.27, -4.62, 5.47

HEX #E7EEE1

CMYK 5 / 0 / 5 / 7

HEX #E3EEE1

RGB 227 238 225

HSL 110.77, 0.28%, 0.91%

LAB 92.98, -5.97, 5.02

HEX #E3EEE1

CMYK 0 / 1 / 5 / 7

HEX #EEEBE1

RGB 238 235 225

HSL 46.15, 0.28%, 0.91%

LAB 93.03, -0.71, 5.19

HEX #EEEBE1

CMYK 0 / 2 / 8 / 5

HEX #F1EDDE

RGB 241 237 222

HSL 47.37, 0.4%, 0.91%

LAB 93.69, -1.2, 7.73

HEX #F1EDDE

CMYK 0 / 3 / 11 / 4

HEX #F5EEDA

RGB 245 238 218

HSL 44.44, 0.57%, 0.91%

LAB 94.15, -0.97, 10.51

HEX #F5EEDA

CMYK 0 / 4 / 14 / 2

HEX #F9F0D6

RGB 249 240 214

HSL 44.57, 0.74%, 0.91%

LAB 94.87, -1.2, 13.65

HEX #F9F0D6

CMYK 0 / 4 / 17 / 1

HEX #FDF2D3

RGB 253 242 211

HSL 44.29, 0.91%, 0.91%

LAB 95.62, -1.25, 16.29

HEX #FDF2D3

CMYK 0 / 1 / 5 / 7

HEX #EEEBE1

RGB 238 235 225

HSL 46.15, 0.28%, 0.91%

LAB 93.03, -0.71, 5.19

HEX #EEEBE1

CMYK 0 / 0 / 2 / 8

HEX #EAE9E5

RGB 234 233 229

HSL 48, 0.11%, 0.91%

LAB 92.32, -0.36, 2.05

HEX #EAE9E5

CMYK 1 / 1 / 0 / 9

HEX #E6E7E9

RGB 230 231 233

HSL 220, 0.06%, 0.91%

LAB 91.62, 0.03, -1.1

HEX #E6E7E9

CMYK 4 / 3 / 0 / 7

HEX #E3E5EC

RGB 227 229 236

HSL 226.67, 0.19%, 0.91%

LAB 90.97, 0.61, -3.64

HEX #E3E5EC

CMYK 7 / 5 / 0 / 6

HEX #DFE3F0

RGB 223 227 240

HSL 225.88, 0.36%, 0.91%

LAB 90.28, 1.09, -6.79

HEX #DFE3F0

CMYK 0 / 4 / 5 / 7

HEX #EEE4E1

RGB 238 228 225

HSL 13.85, 0.28%, 0.91%

LAB 91.28, 2.88, 2.66

 

CMYK 0 / 3 / 5 / 7

HEX #EEE7E1

RGB 238 231 225

HSL 27.69, 0.28%, 0.91%

LAB 92.03, 1.33, 3.74

 

CMYK 0 / 1 / 5 / 7

HEX #EEEBE1

RGB 238 235 225

HSL 46.15, 0.28%, 0.91%

LAB 93.03, -0.71, 5.19

HEX #EEEBE1

CMYK 0 / 0 / 5 / 7

HEX #EEEEE1

RGB 238 238 225

HSL 60, 0.28%, 0.91%

LAB 93.78, -2.24, 6.28

HEX #EEEEE1

CMYK 2 / 0 / 5 / 7

HEX #EAEEE1

RGB 234 238 225

HSL 78.46, 0.28%, 0.91%

LAB 93.48, -3.6, 5.81

HEX #EAEEE1

CMYK 0 / 4 / 17 / 18

HEX #D0C7AD

RGB 208 199 173

HSL 44.57, 0.27%, 0.75%

LAB 80.33, -1.17, 14.15

 

CMYK 0 / 3 / 11 / 13

HEX #DFD9C7

RGB 223 217 199

HSL 45, 0.27%, 0.83%

LAB 86.72, -1, 9.59

 

CMYK 0 / 1 / 5 / 7

HEX #EEEBE1

RGB 238 235 225

HSL 46.15, 0.28%, 0.91%

LAB 93.03, -0.71, 5.19

HEX #EEEBE1

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

HEX #FDFCFC

CMYK 0 / 1 / 5 / 6

HEX #EFECE3

RGB 239 236 227

HSL 45, 0.27%, 0.91%

LAB 93.4, -0.54, 4.7

HEX #EFECE3

CMYK 5 / 0 / 5 / 7

HEX #E2EEE1

RGB 226 238 225

HSL 115.38, 0.28%, 0.91%

LAB 92.91, -6.3, 4.91

HEX #E2EEE1

CMYK 3 / 5 / 0 / 7

HEX #E6E1EE

RGB 230 225 238

HSL 263.08, 0.28%, 0.91%

LAB 90.25, 4.04, -5.73

HEX #E6E1EE

CMYK 0 / 1 / 5 / 6

HEX #EFECE3

RGB 239 236 227

HSL 45, 0.27%, 0.91%

LAB 93.4, -0.54, 4.7

HEX #EFECE3

CMYK 5 / 0 / 1 / 7

HEX #E1EEEB

RGB 225 238 235

HSL 166.15, 0.28%, 0.91%

LAB 93.08, -4.84, -0.05

HEX #E1EEEB

CMYK 1 / 5 / 0 / 7

HEX #EBE1EE

RGB 235 225 238

HSL 286.15, 0.28%, 0.91%

LAB 90.64, 5.7, -5.12

HEX #EBE1EE

CMYK 0 / 1 / 5 / 6

HEX #EFECE3

RGB 239 236 227

HSL 45, 0.27%, 0.91%

LAB 93.4, -0.54, 4.7

HEX #EFECE3

CMYK 5 / 0 / 5 / 7

HEX #E2EEE1

RGB 226 238 225

HSL 115.38, 0.28%, 0.91%

LAB 92.91, -6.3, 4.91

HEX #E2EEE1

CMYK 5 / 4 / 0 / 7

HEX #E1E4EE

RGB 225 228 238

HSL 226.15, 0.28%, 0.91%

LAB 90.63, 0.84, -5.21

HEX #E1E4EE

CMYK 0 / 5 / 0 / 7

HEX #EDE1EE

RGB 237 225 238

HSL 295.38, 0.28%, 0.91%

LAB 90.79, 6.37, -4.87

HEX #EDE1EE

CMYK 0 / 1 / 5 / 6

HEX #EFECE3

RGB 239 236 227

HSL 45, 0.27%, 0.91%

LAB 93.4, -0.54, 4.7

HEX #EFECE3

CMYK 5 / 0 / 4 / 7

HEX #E1EEE4

RGB 225 238 228

HSL 133.85, 0.28%, 0.91%

LAB 92.91, -6.11, 3.34

HEX #E1EEE4

CMYK 5 / 4 / 0 / 7

HEX #E1E4EE

RGB 225 228 238

HSL 226.15, 0.28%, 0.91%

LAB 90.63, 0.84, -5.21

HEX #E1E4EE

CMYK 0 / 5 / 1 / 7

HEX #EEE1EB

RGB 238 225 235

HSL 313.85, 0.28%, 0.91%

LAB 90.79, 6.16, -3.29

HEX #EEE1EB

Description

Color code: HEX #EFECE3 | qconv.com Color code: HEX #EFECE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 236 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 236 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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