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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFEA5E it is the complementary color #1015A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFEA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFEA5E shade: #F4EA59, #FFFC6C, #FFFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFEA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFEA5E shade: #EFEA5E, #DED84B, #CDC638, #BCB425 and #ABA212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFEA5E shade: #EFEA5D, #EFC25D, #EF9B5D, #EF735D and #EF5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFEA5E shade: #EFEA5D, #CDEF5D, #A5EF5D, #7EEF5D and #5DEF63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFEA5E shade matches the following richer shades: #EFEA5D and #FDF74E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFEA5E shade: #EFEA5D, #E0DC6B, #D2CF79, #C4C288 and #B5B496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFEA5E shade: #EF9A5D, #EFC15D, #EFE85D, #CFEF5D and #A8EF5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFEA5E shade: #E3DC16, #EBE537, #EFEA5D, #F3EF82 and #F6F4A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFEA5E shade: #EFEA5E, #5DEF73 and #AD5DEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFEA5E shade: #EFEA5E, #5DEFE8 and #E85DEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFEA5E shade: #EFEA5E, #5DEF73, #5D64EF and #EF5DD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFEA5E shade: #EFEA5E, #5DEF9E, #5D64EF and #EF5DAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 61 / 6

HEX #EFEA5E

RGB 239 234 94

HSL 57.93, 0.82%, 0.65%

LAB 90.78, -15.19, 66.55

 

Complementary color

CMYK 90 / 87 / 0 / 37

HEX #1015A1

RGB 16 21 161

HSL 237.93, 0.82%, 0.35%

LAB 20.9, 49.67, -72.03

 

CMYK 0 / 4 / 64 / 4

HEX #F4EA59

RGB 244 234 89

HSL 56.13, 0.88%, 0.65%

LAB 91.14, -13.47, 69.09

 

CMYK 0 / 1 / 58 / 0

HEX #FFFC6C

RGB 255 252 108

HSL 58.78, 1%, 0.71%

LAB 96.81, -16.6, 67.63

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5E

RGB 239 234 94

HSL 57.93, 0.82%, 0.65%

LAB 90.78, -15.19, 66.55

 

CMYK 0 / 3 / 66 / 13

HEX #DED84B

RGB 222 216 75

HSL 57.55, 0.69%, 0.58%

LAB 84.56, -14.41, 67.22

 

CMYK 0 / 3 / 73 / 20

HEX #CDC638

RGB 205 198 56

HSL 57.18, 0.6%, 0.51%

LAB 78.26, -13.48, 67.52

 

CMYK 0 / 4 / 80 / 26

HEX #BCB425

RGB 188 180 37

HSL 56.82, 0.67%, 0.44%

LAB 71.87, -12.38, 67.15

 

CMYK 0 / 5 / 89 / 33

HEX #ABA212

RGB 171 162 18

HSL 56.47, 0.81%, 0.37%

LAB 65.39, -11.06, 65.65

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5D

RGB 239 234 93

HSL 57.95, 0.82%, 0.65%

LAB 90.77, -15.25, 66.95

 

CMYK 0 / 19 / 61 / 6

HEX #EFC25D

RGB 239 194 93

HSL 41.51, 0.82%, 0.65%

LAB 80.59, 5, 55.75

 

CMYK 0 / 35 / 61 / 6

HEX #EF9B5D

RGB 239 155 93

HSL 25.48, 0.82%, 0.65%

LAB 71.27, 25.55, 44.98

 

CMYK 0 / 52 / 61 / 6

HEX #EF735D

RGB 239 115 93

HSL 9.04, 0.82%, 0.65%

LAB 62.85, 46.06, 34.72

 

CMYK 0 / 61 / 61 / 6

HEX #EF5D5D

RGB 239 93 93

HSL 0, 0.82%, 0.65%

LAB 58.95, 56.24, 29.8

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5D

RGB 239 234 93

HSL 57.95, 0.82%, 0.65%

LAB 90.77, -15.25, 66.95

 

CMYK 14 / 0 / 61 / 6

HEX #CDEF5D

RGB 205 239 93

HSL 73.97, 0.82%, 0.65%

LAB 89.63, -31.15, 64.99

 

CMYK 31 / 0 / 61 / 6

HEX #A5EF5D

RGB 165 239 93

HSL 90.41, 0.82%, 0.65%

LAB 87.25, -45.89, 61.7

 

CMYK 47 / 0 / 61 / 6

HEX #7EEF5D

RGB 126 239 93

HSL 106.44, 0.82%, 0.65%

LAB 85.48, -58.27, 59.24

 

CMYK 61 / 0 / 59 / 6

HEX #5DEF63

RGB 93 239 99

HSL 122.47, 0.82%, 0.65%

LAB 84.46, -65.88, 55.22

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5D

RGB 239 234 93

HSL 57.95, 0.82%, 0.65%

LAB 90.77, -15.25, 66.95

 

CMYK 0 / 2 / 69 / 1

HEX #FDF74E

RGB 253 247 78

HSL 57.94, 0.98%, 0.65%

LAB 95.14, -16.73, 77.51

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5D

RGB 239 234 93

HSL 57.95, 0.82%, 0.65%

LAB 90.77, -15.25, 66.95

 

CMYK 0 / 2 / 52 / 12

HEX #E0DC6B

RGB 224 220 107

HSL 57.95, 0.65%, 0.65%

LAB 86.05, -13.4, 55.24

 

CMYK 0 / 1 / 42 / 18

HEX #D2CF79

RGB 210 207 121

HSL 57.98, 0.5%, 0.65%

LAB 81.68, -11.2, 42.99

 

CMYK 0 / 1 / 31 / 23

HEX #C4C288

RGB 196 194 136

HSL 58, 0.34%, 0.65%

LAB 77.34, -8.34, 29.5

 

CMYK 0 / 1 / 17 / 29

HEX #B5B496

RGB 181 180 150

HSL 58.06, 0.17%, 0.65%

LAB 72.67, -4.78, 15.46

 

CMYK 0 / 36 / 61 / 6

HEX #EF9A5D

RGB 239 154 93

HSL 25.07, 0.82%, 0.65%

LAB 71.04, 26.08, 44.71

 

CMYK 0 / 19 / 61 / 6

HEX #EFC15D

RGB 239 193 93

HSL 41.1, 0.82%, 0.65%

LAB 80.34, 5.52, 55.47

 

CMYK 0 / 3 / 61 / 6

HEX #EFE85D

RGB 239 232 93

HSL 57.12, 0.82%, 0.65%

LAB 90.25, -14.27, 66.39

 

CMYK 13 / 0 / 61 / 6

HEX #CFEF5D

RGB 207 239 93

HSL 73.15, 0.82%, 0.65%

LAB 89.76, -30.37, 65.17

 

CMYK 30 / 0 / 61 / 6

HEX #A8EF5D

RGB 168 239 93

HSL 89.18, 0.82%, 0.65%

LAB 87.41, -44.84, 61.92

 

CMYK 0 / 3 / 90 / 11

HEX #E3DC16

RGB 227 220 22

HSL 57.95, 0.82%, 0.49%

LAB 85.79, -16.09, 82.99

 

CMYK 0 / 3 / 77 / 8

HEX #EBE537

RGB 235 229 55

HSL 58, 0.82%, 0.57%

LAB 88.91, -16.32, 78.57

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5D

RGB 239 234 93

HSL 57.95, 0.82%, 0.65%

LAB 90.77, -15.25, 66.95

 

CMYK 0 / 2 / 47 / 5

HEX #F3EF82

RGB 243 239 130

HSL 57.88, 0.82%, 0.73%

LAB 92.75, -13.26, 52.84

 

CMYK 0 / 1 / 32 / 4

HEX #F6F4A8

RGB 246 244 168

HSL 58.46, 0.81%, 0.81%

LAB 94.79, -10.58, 36.94

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5E

RGB 239 234 94

HSL 57.93, 0.82%, 0.65%

LAB 90.78, -15.19, 66.55

 

CMYK 61 / 0 / 52 / 6

HEX #5DEF73

RGB 93 239 115

HSL 129.04, 0.82%, 0.65%

LAB 84.64, -63.91, 48.18

 

CMYK 28 / 61 / 0 / 6

HEX #AD5DEF

RGB 173 93 239

HSL 272.88, 0.82%, 0.65%

LAB 55.02, 58.08, -61.1

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5E

RGB 239 234 94

HSL 57.93, 0.82%, 0.65%

LAB 90.78, -15.19, 66.55

 

CMYK 61 / 0 / 3 / 6

HEX #5DEFE8

RGB 93 239 232

HSL 177.12, 0.82%, 0.65%

LAB 86.94, -40.23, -8.25

 

CMYK 3 / 61 / 0 / 6

HEX #E85DEF

RGB 232 93 239

HSL 297.12, 0.82%, 0.65%

LAB 62.69, 71.77, -48.41

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5E

RGB 239 234 94

HSL 57.93, 0.82%, 0.65%

LAB 90.78, -15.19, 66.55

 

CMYK 61 / 0 / 52 / 6

HEX #5DEF73

RGB 93 239 115

HSL 129.04, 0.82%, 0.65%

LAB 84.64, -63.91, 48.18

 

CMYK 61 / 58 / 0 / 6

HEX #5D64EF

RGB 93 100 239

HSL 237.12, 0.82%, 0.65%

LAB 49.1, 38.27, -71.03

 

CMYK 0 / 61 / 9 / 6

HEX #EF5DD9

RGB 239 93 217

HSL 309.04, 0.82%, 0.65%

LAB 62.67, 69.95, -36.09

 

CMYK 0 / 2 / 61 / 6

HEX #EFEA5E

RGB 239 234 94

HSL 57.93, 0.82%, 0.65%

LAB 90.78, -15.19, 66.55

 

CMYK 61 / 0 / 34 / 6

HEX #5DEF9E

RGB 93 239 158

HSL 146.71, 0.82%, 0.65%

LAB 85.27, -57.01, 27.86

 

CMYK 61 / 58 / 0 / 6

HEX #5D64EF

RGB 93 100 239

HSL 237.12, 0.82%, 0.65%

LAB 49.1, 38.27, -71.03

 

CMYK 0 / 61 / 28 / 6

HEX #EF5DAD

RGB 239 93 173

HSL 327.12, 0.82%, 0.65%

LAB 60.95, 63.84, -13.7

 

Description

Color code: HEX #EFEA5E | qconv.com Color code: HEX #EFEA5E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 234 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 234 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 61 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 61% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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