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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFE86E it is the complementary color #101791. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFE86E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFE86E shade: #F4E869, #FFFA7C, #FFFF8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFE86E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFE86E shade: #EFE86E, #DED65B, #CDC448, #BCB235 and #ABA022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFE86E shade: #EFE86C, #EFC46C, #EFA16C, #EF7E6C and #EF6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFE86E shade: #EFE86C, #D3EF6C, #AFEF6C, #8CEF6C and #6CEF6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFE86E shade matches the following richer shades: #EFE86C and #FCF35F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFE86E shade: #EFE86C, #E1DC79, #D4D087, #C7C494 and #BAB9A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFE86E shade: #EFA06C, #EFC36C, #EFE66C, #D5EF6C and #B2EF6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFE86E shade: #E6DC22, #EBE247, #EFE86C, #F3EE91 and #F7F3B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFE86E shade: #EFE86E, #6CEF7E and #B26CEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFE86E shade: #EFE86E, #6CEFE6 and #E66CEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFE86E shade: #EFE86E, #6CEF7E, #6C75EF and #EF6CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFE86E shade: #EFE86E, #6CEFA5, #6C75EF and #EF6CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 54 / 6

HEX #EFE86E

RGB 239 232 110

HSL 56.74, 0.8%, 0.68%

LAB 90.41, -13.08, 59.22

 

Complementary color

CMYK 89 / 84 / 0 / 43

HEX #101791

RGB 16 23 145

HSL 236.74, 0.8%, 0.32%

LAB 19.09, 43.68, -65.2

 

CMYK 0 / 5 / 57 / 4

HEX #F4E869

RGB 244 232 105

HSL 54.82, 0.86%, 0.68%

LAB 90.76, -11.44, 61.95

 

CMYK 0 / 2 / 51 / 0

HEX #FFFA7C

RGB 255 250 124

HSL 57.71, 1%, 0.74%

LAB 96.45, -14.44, 60.23

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 3 / 54 / 6

HEX #EFE86E

RGB 239 232 110

HSL 56.74, 0.8%, 0.68%

LAB 90.41, -13.08, 59.22

 

CMYK 0 / 4 / 59 / 13

HEX #DED65B

RGB 222 214 91

HSL 56.34, 0.66%, 0.61%

LAB 84.16, -12.42, 60.21

 

CMYK 0 / 4 / 65 / 20

HEX #CDC448

RGB 205 196 72

HSL 55.94, 0.57%, 0.54%

LAB 77.83, -11.64, 61.03

 

CMYK 0 / 5 / 72 / 26

HEX #BCB235

RGB 188 178 53

HSL 55.56, 0.56%, 0.47%

LAB 71.41, -10.7, 61.5

 

CMYK 0 / 6 / 80 / 33

HEX #ABA022

RGB 171 160 34

HSL 55.18, 0.67%, 0.4%

LAB 64.9, -9.57, 61.32

 

CMYK 0 / 3 / 55 / 6

HEX #EFE86C

RGB 239 232 108

HSL 56.79, 0.8%, 0.68%

LAB 90.39, -13.23, 60.09

 

CMYK 0 / 18 / 55 / 6

HEX #EFC46C

RGB 239 196 108

HSL 40.31, 0.8%, 0.68%

LAB 81.24, 5.05, 49.42

 

CMYK 0 / 33 / 55 / 6

HEX #EFA16C

RGB 239 161 108

HSL 24.27, 0.8%, 0.68%

LAB 72.84, 23.49, 39.17

 

CMYK 0 / 47 / 55 / 6

HEX #EF7E6C

RGB 239 126 108

HSL 8.24, 0.8%, 0.68%

LAB 65.24, 41.7, 29.49

 

CMYK 0 / 55 / 55 / 6

HEX #EF6C6C

RGB 239 108 108

HSL 0, 0.8%, 0.68%

LAB 61.79, 50.5, 24.95

 

CMYK 0 / 3 / 55 / 6

HEX #EFE86C

RGB 239 232 108

HSL 56.79, 0.8%, 0.68%

LAB 90.39, -13.23, 60.09

 

CMYK 12 / 0 / 55 / 6

HEX #D3EF6C

RGB 211 239 108

HSL 72.82, 0.8%, 0.68%

LAB 90.17, -27.66, 59.29

 

CMYK 27 / 0 / 55 / 6

HEX #AFEF6C

RGB 175 239 108

HSL 89.31, 0.8%, 0.68%

LAB 87.93, -41.02, 56.13

 

CMYK 41 / 0 / 55 / 6

HEX #8CEF6C

RGB 140 239 108

HSL 105.34, 0.8%, 0.68%

LAB 86.2, -52.6, 53.66

 

CMYK 55 / 0 / 54 / 6

HEX #6CEF6F

RGB 108 239 111

HSL 121.37, 0.8%, 0.68%

LAB 85.03, -61.04, 50.61

 

CMYK 0 / 3 / 55 / 6

HEX #EFE86C

RGB 239 232 108

HSL 56.79, 0.8%, 0.68%

LAB 90.39, -13.23, 60.09

 

CMYK 0 / 4 / 62 / 1

HEX #FCF35F

RGB 252 243 95

HSL 56.56, 0.96%, 0.68%

LAB 94.15, -14.27, 70.05

 

CMYK 0 / 3 / 55 / 6

HEX #EFE86C

RGB 239 232 108

HSL 56.79, 0.8%, 0.68%

LAB 90.39, -13.23, 60.09

 

CMYK 0 / 2 / 46 / 12

HEX #E1DC79

RGB 225 220 121

HSL 57.12, 0.63%, 0.68%

LAB 86.29, -11.77, 48.95

 

CMYK 0 / 2 / 36 / 17

HEX #D4D087

RGB 212 208 135

HSL 56.88, 0.47%, 0.68%

LAB 82.3, -9.4, 36.77

 

CMYK 0 / 2 / 26 / 22

HEX #C7C494

RGB 199 196 148

HSL 56.47, 0.31%, 0.68%

LAB 78.32, -6.63, 24.54

 

CMYK 0 / 1 / 13 / 27

HEX #BAB9A1

RGB 186 185 161

HSL 57.6, 0.15%, 0.68%

LAB 74.64, -3.82, 12.32

 

CMYK 0 / 33 / 55 / 6

HEX #EFA06C

RGB 239 160 108

HSL 23.82, 0.8%, 0.68%

LAB 72.61, 24.02, 38.88

 

CMYK 0 / 18 / 55 / 6

HEX #EFC36C

RGB 239 195 108

HSL 39.85, 0.8%, 0.68%

LAB 81, 5.57, 49.12

 

CMYK 0 / 4 / 55 / 6

HEX #EFE66C

RGB 239 230 108

HSL 55.88, 0.8%, 0.68%

LAB 89.87, -12.24, 59.5

 

CMYK 11 / 0 / 55 / 6

HEX #D5EF6C

RGB 213 239 108

HSL 71.91, 0.8%, 0.68%

LAB 90.3, -26.89, 59.48

 

CMYK 26 / 0 / 55 / 6

HEX #B2EF6C

RGB 178 239 108

HSL 87.94, 0.8%, 0.68%

LAB 88.1, -39.96, 56.37

 

CMYK 0 / 4 / 85 / 10

HEX #E6DC22

RGB 230 220 34

HSL 56.94, 0.8%, 0.52%

LAB 86.07, -14.6, 81.23

 

CMYK 0 / 4 / 70 / 8

HEX #EBE247

RGB 235 226 71

HSL 56.71, 0.8%, 0.6%

LAB 88.21, -14.18, 72.71

 

CMYK 0 / 3 / 55 / 6

HEX #EFE86C

RGB 239 232 108

HSL 56.79, 0.8%, 0.68%

LAB 90.39, -13.23, 60.09

 

CMYK 0 / 2 / 40 / 5

HEX #F3EE91

RGB 243 238 145

HSL 56.94, 0.8%, 0.76%

LAB 92.68, -11.31, 45.55

 

CMYK 0 / 2 / 26 / 3

HEX #F7F3B6

RGB 247 243 182

HSL 56.31, 0.8%, 0.84%

LAB 94.85, -7.97, 29.98

 

CMYK 0 / 3 / 54 / 6

HEX #EFE86E

RGB 239 232 110

HSL 56.74, 0.8%, 0.68%

LAB 90.41, -13.08, 59.22

 

CMYK 55 / 0 / 47 / 6

HEX #6CEF7E

RGB 108 239 126

HSL 128.24, 0.8%, 0.68%

LAB 85.21, -59.04, 43.78

 

CMYK 26 / 55 / 0 / 6

HEX #B26CEF

RGB 178 108 239

HSL 272.06, 0.8%, 0.68%

LAB 58.44, 51.66, -55.59

 

CMYK 0 / 3 / 54 / 6

HEX #EFE86E

RGB 239 232 110

HSL 56.74, 0.8%, 0.68%

LAB 90.41, -13.08, 59.22

 

CMYK 55 / 0 / 4 / 6

HEX #6CEFE6

RGB 108 239 230

HSL 175.88, 0.8%, 0.68%

LAB 87.31, -38.1, -6.61

 

CMYK 4 / 55 / 0 / 6

HEX #E66CEF

RGB 230 108 239

HSL 295.88, 0.8%, 0.68%

LAB 64.79, 64.81, -45.12

 

CMYK 0 / 3 / 54 / 6

HEX #EFE86E

RGB 239 232 110

HSL 56.74, 0.8%, 0.68%

LAB 90.41, -13.08, 59.22

 

CMYK 55 / 0 / 47 / 6

HEX #6CEF7E

RGB 108 239 126

HSL 128.24, 0.8%, 0.68%

LAB 85.21, -59.04, 43.78

 

CMYK 55 / 51 / 0 / 6

HEX #6C75EF

RGB 108 117 239

HSL 235.88, 0.8%, 0.68%

LAB 54.18, 30.7, -62.76

 

CMYK 0 / 55 / 8 / 6

HEX #EF6CDD

RGB 239 108 221

HSL 308.24, 0.8%, 0.68%

LAB 65.2, 64.15, -34.39

 

CMYK 0 / 3 / 54 / 6

HEX #EFE86E

RGB 239 232 110

HSL 56.74, 0.8%, 0.68%

LAB 90.41, -13.08, 59.22

 

CMYK 55 / 0 / 31 / 6

HEX #6CEFA5

RGB 108 239 165

HSL 146.11, 0.8%, 0.68%

LAB 85.82, -52.57, 25.12

 

CMYK 55 / 51 / 0 / 6

HEX #6C75EF

RGB 108 117 239

HSL 235.88, 0.8%, 0.68%

LAB 54.18, 30.7, -62.76

 

CMYK 0 / 55 / 24 / 6

HEX #EF6CB6

RGB 239 108 182

HSL 326.11, 0.8%, 0.68%

LAB 63.72, 58.41, -14.69

 

Description

Color code: HEX #EFE86E | qconv.com Color code: HEX #EFE86E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 232 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 232 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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