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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFE74E it is the complementary color #1018B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFE74E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFE74E shade: #F4E749, #FFF95C, #FFFF6F, #FFFF82 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFE74E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFE74E shade: #EFE74E, #DED53B, #CDC328, #BCB115 and #AB9F02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFE74E shade: #EFE74E, #EFBB4E, #EF904E, #EF644E and #EF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFE74E shade: #EFE74E, #CBEF4E, #A0EF4E, #74EF4E and #4EEF52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFE74E shade matches the following richer shades: #EFE74E and #FEF53E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFE74E shade: #EFE74E, #DFD85D, #CFCA6D, #BFBC7D and #B0AE8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFE74E shade: #EF914E, #EFBC4E, #EFE64E, #CCEF4E and #A1EF4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFE74E shade: #D6CC14, #EBE128, #EFE74E, #F2EC73 and #F6F199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFE74E shade: #EFE74E, #4EEF66 and #A64EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFE74E shade: #EFE74E, #4EEFE6 and #E64EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFE74E shade: #EFE74E, #4EEF66, #4E56EF and #EF4ED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFE74E shade: #EFE74E, #4EEF96, #4E56EF and #EF4EA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

Complementary color

CMYK 91 / 86 / 0 / 31

HEX #1018B1

RGB 16 24 177

HSL 237.02, 0.83%, 0.38%

LAB 23.46, 53.28, -77.44

 

CMYK 0 / 5 / 70 / 4

HEX #F4E749

RGB 244 231 73

HSL 55.44, 0.89%, 0.62%

LAB 90.26, -12.84, 74.25

 

CMYK 0 / 2 / 64 / 0

HEX #FFF95C

RGB 255 249 92

HSL 57.79, 1%, 0.68%

LAB 95.91, -16.15, 73.16

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 0 / 4 / 73 / 13

HEX #DED53B

RGB 222 213 59

HSL 56.69, 0.71%, 0.55%

LAB 83.67, -13.7, 72.12

 

CMYK 0 / 5 / 80 / 20

HEX #CDC328

RGB 205 195 40

HSL 56.36, 0.67%, 0.48%

LAB 77.38, -12.58, 71.67

 

CMYK 0 / 6 / 89 / 26

HEX #BCB115

RGB 188 177 21

HSL 56.05, 0.8%, 0.41%

LAB 71, -11.26, 70.17

 

CMYK 0 / 7 / 99 / 33

HEX #AB9F02

RGB 171 159 2

HSL 55.74, 0.98%, 0.34%

LAB 64.53, -9.72, 67.34

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 0 / 22 / 67 / 6

HEX #EFBB4E

RGB 239 187 78

HSL 40.62, 0.83%, 0.62%

LAB 78.72, 7.74, 60.4

 

CMYK 0 / 40 / 67 / 6

HEX #EF904E

RGB 239 144 78

HSL 24.6, 0.83%, 0.62%

LAB 68.64, 30.4, 49.43

 

CMYK 0 / 58 / 67 / 6

HEX #EF644E

RGB 239 100 78

HSL 8.2, 0.83%, 0.62%

LAB 59.9, 52.24, 39.37

 

CMYK 0 / 67 / 67 / 6

HEX #EF4E4E

RGB 239 78 78

HSL 0, 0.83%, 0.62%

LAB 56.44, 61.52, 35.21

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 15 / 0 / 67 / 6

HEX #CBEF4E

RGB 203 239 78

HSL 73.42, 0.83%, 0.62%

LAB 89.38, -32.91, 70.56

 

CMYK 33 / 0 / 67 / 6

HEX #A0EF4E

RGB 160 239 78

HSL 89.44, 0.83%, 0.62%

LAB 86.88, -48.78, 67.19

 

CMYK 51 / 0 / 67 / 6

HEX #74EF4E

RGB 116 239 78

HSL 105.84, 0.83%, 0.62%

LAB 84.99, -62.37, 64.63

 

CMYK 67 / 0 / 66 / 6

HEX #4EEF52

RGB 78 239 82

HSL 121.49, 0.83%, 0.62%

LAB 83.95, -70.61, 61.64

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 0 / 4 / 76 / 0

HEX #FEF53E

RGB 254 245 62

HSL 57.19, 0.99%, 0.62%

LAB 94.62, -16.02, 82.24

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 0 / 3 / 58 / 13

HEX #DFD85D

RGB 223 216 93

HSL 56.77, 0.67%, 0.62%

LAB 84.79, -12.87, 60.05

 

CMYK 0 / 2 / 47 / 19

HEX #CFCA6D

RGB 207 202 109

HSL 56.94, 0.51%, 0.62%

LAB 79.96, -11.04, 46.72

 

CMYK 0 / 2 / 35 / 25

HEX #BFBC7D

RGB 191 188 125

HSL 57.27, 0.34%, 0.62%

LAB 75.15, -8.56, 32.3

 

CMYK 0 / 1 / 20 / 31

HEX #B0AE8C

RGB 176 174 140

HSL 56.67, 0.19%, 0.62%

LAB 70.45, -5.03, 17.75

 

CMYK 0 / 39 / 67 / 6

HEX #EF914E

RGB 239 145 78

HSL 24.97, 0.83%, 0.62%

LAB 68.86, 29.88, 49.68

 

CMYK 0 / 21 / 67 / 6

HEX #EFBC4E

RGB 239 188 78

HSL 40.99, 0.83%, 0.62%

LAB 78.96, 7.21, 60.66

 

CMYK 0 / 4 / 67 / 6

HEX #EFE64E

RGB 239 230 78

HSL 56.65, 0.83%, 0.62%

LAB 89.62, -14.15, 71.66

 

CMYK 15 / 0 / 67 / 6

HEX #CCEF4E

RGB 204 239 78

HSL 73.04, 0.83%, 0.62%

LAB 89.45, -32.52, 70.65

 

CMYK 33 / 0 / 67 / 6

HEX #A1EF4E

RGB 161 239 78

HSL 89.07, 0.83%, 0.62%

LAB 86.93, -48.44, 67.25

 

CMYK 0 / 5 / 91 / 16

HEX #D6CC14

RGB 214 204 20

HSL 56.91, 0.83%, 0.46%

LAB 80.48, -13.71, 78.71

 

CMYK 0 / 4 / 83 / 8

HEX #EBE128

RGB 235 225 40

HSL 56.92, 0.83%, 0.54%

LAB 87.81, -14.82, 81.53

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 0 / 2 / 52 / 5

HEX #F2EC73

RGB 242 236 115

HSL 57.17, 0.83%, 0.7%

LAB 91.73, -13.46, 58.55

 

CMYK 0 / 2 / 38 / 4

HEX #F6F199

RGB 246 241 153

HSL 56.77, 0.84%, 0.78%

LAB 93.8, -10.8, 43.1

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 67 / 0 / 57 / 6

HEX #4EEF66

RGB 78 239 102

HSL 128.94, 0.83%, 0.62%

LAB 84.13, -68.47, 53.41

 

CMYK 31 / 67 / 0 / 6

HEX #A64EEF

RGB 166 78 239

HSL 272.8, 0.83%, 0.62%

LAB 51.6, 63.68, -66.66

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 67 / 0 / 4 / 6

HEX #4EEFE6

RGB 78 239 230

HSL 176.65, 0.83%, 0.62%

LAB 86.54, -42.99, -7.83

 

CMYK 4 / 67 / 0 / 6

HEX #E64EEF

RGB 230 78 239

HSL 296.65, 0.83%, 0.62%

LAB 60.34, 77.08, -52.15

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 67 / 0 / 57 / 6

HEX #4EEF66

RGB 78 239 102

HSL 128.94, 0.83%, 0.62%

LAB 84.13, -68.47, 53.41

 

CMYK 67 / 64 / 0 / 6

HEX #4E56EF

RGB 78 86 239

HSL 237.02, 0.83%, 0.62%

LAB 44.95, 44.5, -77.83

 

CMYK 0 / 67 / 10 / 6

HEX #EF4ED6

RGB 239 78 214

HSL 309.32, 0.83%, 0.62%

LAB 60.48, 75.22, -37.82

 

CMYK 0 / 3 / 67 / 6

HEX #EFE74E

RGB 239 231 78

HSL 57.02, 0.83%, 0.62%

LAB 89.88, -14.65, 71.92

 

CMYK 67 / 0 / 37 / 6

HEX #4EEF96

RGB 78 239 150

HSL 146.83, 0.83%, 0.62%

LAB 84.77, -61.18, 31.19

 

CMYK 67 / 64 / 0 / 6

HEX #4E56EF

RGB 78 86 239

HSL 237.02, 0.83%, 0.62%

LAB 44.95, 44.5, -77.83

 

CMYK 0 / 67 / 31 / 6

HEX #EF4EA6

RGB 239 78 166

HSL 327.2, 0.83%, 0.62%

LAB 58.56, 68.92, -13.27

 

Description

Color code: HEX #EFE74E | qconv.com Color code: HEX #EFE74E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 231 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 231 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 67 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 67% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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