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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFD659 it is the complementary color #1029A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFD659. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFD659 shade: #F4D654, #FFE867, #FFFA7A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFD659. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFD659 shade: #EFD659, #DEC446, #CDB233, #BCA020 and #AB8E0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFD659 shade: #EED558, #EEAD58, #EE8458, #EE5C58 and #EE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFD659 shade: #EED558, #DFEE58, #B6EE58, #8EEE58 and #65EE58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFD659 shade matches the following richer shades: #EED558 and #FDDF49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFD659 shade: #EED558, #E0CB67, #D1C276, #C2B884 and #B3AE93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFD659 shade: #EE8558, #EEAD58, #EED558, #DFEE58 and #B7EE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFD659 shade: #DEBD16, #EBCC32, #EED558, #F2DF7D and #F6E8A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFD659 shade: #EFD659, #58EE5D and #9958EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFD659 shade: #EFD659, #58EED5 and #D558EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFD659 shade: #EFD659, #58EE5D, #5871EE and #EE58E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFD659 shade: #EFD659, #58EE8A, #5871EE and #EE58BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 63 / 6

HEX #EFD659

RGB 239 214 89

HSL 50, 0.82%, 0.64%

LAB 85.59, -5.54, 63.04

 

Complementary color

CMYK 90 / 75 / 0 / 35

HEX #1029A6

RGB 16 41 166

HSL 230, 0.82%, 0.36%

LAB 25.1, 40.94, -68.09

 

CMYK 0 / 12 / 66 / 4

HEX #F4D654

RGB 244 214 84

HSL 48.75, 0.88%, 0.64%

LAB 85.99, -3.76, 65.7

 

CMYK 0 / 9 / 60 / 0

HEX #FFE867

RGB 255 232 103

HSL 50.92, 1%, 0.7%

LAB 91.66, -7.13, 64.08

 

CMYK 0 / 2 / 52 / 0

HEX #FFFA7A

RGB 255 250 122

HSL 57.74, 1%, 0.74%

LAB 96.43, -14.6, 61.11

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 10 / 63 / 6

HEX #EFD659

RGB 239 214 89

HSL 50, 0.82%, 0.64%

LAB 85.59, -5.54, 63.04

 

CMYK 0 / 12 / 68 / 13

HEX #DEC446

RGB 222 196 70

HSL 49.74, 0.7%, 0.57%

LAB 79.3, -4.56, 63.82

 

CMYK 0 / 13 / 75 / 20

HEX #CDB233

RGB 205 178 51

HSL 49.48, 0.61%, 0.5%

LAB 72.93, -3.41, 64.22

 

CMYK 0 / 15 / 83 / 26

HEX #BCA020

RGB 188 160 32

HSL 49.23, 0.71%, 0.43%

LAB 66.47, -2.05, 63.89

 

CMYK 0 / 17 / 92 / 33

HEX #AB8E0D

RGB 171 142 13

HSL 48.99, 0.86%, 0.36%

LAB 59.92, -0.43, 62.3

 

CMYK 0 / 11 / 63 / 7

HEX #EED558

RGB 238 213 88

HSL 50, 0.82%, 0.64%

LAB 85.24, -5.51, 63.06

 

CMYK 0 / 27 / 63 / 7

HEX #EEAD58

RGB 238 173 88

HSL 34, 0.82%, 0.64%

LAB 75.31, 15.28, 52.09

 

CMYK 0 / 45 / 63 / 7

HEX #EE8458

RGB 238 132 88

HSL 17.6, 0.82%, 0.64%

LAB 66.05, 36.83, 41.3

 

CMYK 0 / 61 / 63 / 7

HEX #EE5C58

RGB 238 92 88

HSL 1.6, 0.82%, 0.64%

LAB 58.54, 56.02, 32.1

 

CMYK 0 / 63 / 63 / 7

HEX #EE5858

RGB 238 88 88

HSL 0, 0.82%, 0.64%

LAB 57.91, 57.73, 31.3

 

CMYK 0 / 11 / 63 / 7

HEX #EED558

RGB 238 213 88

HSL 50, 0.82%, 0.64%

LAB 85.24, -5.51, 63.06

 

CMYK 6 / 0 / 63 / 7

HEX #DFEE58

RGB 223 238 88

HSL 66, 0.82%, 0.64%

LAB 90.57, -23.94, 68.39

 

CMYK 24 / 0 / 63 / 7

HEX #B6EE58

RGB 182 238 88

HSL 82.4, 0.82%, 0.64%

LAB 87.87, -39.76, 64.7

 

CMYK 40 / 0 / 63 / 7

HEX #8EEE58

RGB 142 238 88

HSL 98.4, 0.82%, 0.64%

LAB 85.81, -53.54, 61.86

 

CMYK 58 / 0 / 63 / 7

HEX #65EE58

RGB 101 238 88

HSL 114.8, 0.82%, 0.64%

LAB 84.29, -64.89, 59.76

 

CMYK 0 / 11 / 63 / 7

HEX #EED558

RGB 238 213 88

HSL 50, 0.82%, 0.64%

LAB 85.24, -5.51, 63.06

 

CMYK 0 / 12 / 71 / 1

HEX #FDDF49

RGB 253 223 73

HSL 50, 0.98%, 0.64%

LAB 88.99, -5.13, 73.27

 

CMYK 0 / 11 / 63 / 7

HEX #EED558

RGB 238 213 88

HSL 50, 0.82%, 0.64%

LAB 85.24, -5.51, 63.06

 

CMYK 0 / 9 / 54 / 12

HEX #E0CB67

RGB 224 203 103

HSL 49.59, 0.66%, 0.64%

LAB 81.59, -5.13, 51.88

 

CMYK 0 / 7 / 44 / 18

HEX #D1C276

RGB 209 194 118

HSL 50.11, 0.5%, 0.64%

LAB 78.14, -5.24, 40.03

 

CMYK 0 / 5 / 32 / 24

HEX #C2B884

RGB 194 184 132

HSL 50.32, 0.34%, 0.64%

LAB 74.46, -4.42, 27.74

 

CMYK 0 / 3 / 18 / 30

HEX #B3AE93

RGB 179 174 147

HSL 50.63, 0.17%, 0.64%

LAB 70.84, -2.81, 14.52

 

CMYK 0 / 44 / 63 / 7

HEX #EE8558

RGB 238 133 88

HSL 18, 0.82%, 0.64%

LAB 66.26, 36.32, 41.55

 

CMYK 0 / 27 / 63 / 7

HEX #EEAD58

RGB 238 173 88

HSL 34, 0.82%, 0.64%

LAB 75.31, 15.28, 52.09

 

CMYK 0 / 11 / 63 / 7

HEX #EED558

RGB 238 213 88

HSL 50, 0.82%, 0.64%

LAB 85.24, -5.51, 63.06

 

CMYK 6 / 0 / 63 / 7

HEX #DFEE58

RGB 223 238 88

HSL 66, 0.82%, 0.64%

LAB 90.57, -23.94, 68.39

 

CMYK 23 / 0 / 63 / 7

HEX #B7EE58

RGB 183 238 88

HSL 82, 0.82%, 0.64%

LAB 87.93, -39.39, 64.78

 

CMYK 0 / 15 / 90 / 13

HEX #DEBD16

RGB 222 189 22

HSL 50.1, 0.82%, 0.48%

LAB 77.27, -2.57, 76.22

 

CMYK 0 / 13 / 79 / 8

HEX #EBCC32

RGB 235 204 50

HSL 49.95, 0.82%, 0.56%

LAB 82.42, -3.99, 74.25

 

CMYK 0 / 11 / 63 / 7

HEX #EED558

RGB 238 213 88

HSL 50, 0.82%, 0.64%

LAB 85.24, -5.51, 63.06

 

CMYK 0 / 8 / 48 / 5

HEX #F2DF7D

RGB 242 223 125

HSL 50.26, 0.82%, 0.72%

LAB 88.51, -6.14, 50.05

 

CMYK 0 / 6 / 34 / 4

HEX #F6E8A3

RGB 246 232 163

HSL 49.88, 0.82%, 0.8%

LAB 91.66, -5.18, 35.33

 

CMYK 0 / 10 / 63 / 6

HEX #EFD659

RGB 239 214 89

HSL 50, 0.82%, 0.64%

LAB 85.59, -5.54, 63.04

 

CMYK 63 / 0 / 61 / 7

HEX #58EE5D

RGB 88 238 93

HSL 122, 0.82%, 0.64%

LAB 83.97, -67.24, 57.21

 

CMYK 36 / 63 / 0 / 7

HEX #9958EE

RGB 153 88 238

HSL 266, 0.82%, 0.64%

LAB 51.75, 56.02, -65.92

 

CMYK 0 / 10 / 63 / 6

HEX #EFD659

RGB 239 214 89

HSL 50, 0.82%, 0.64%

LAB 85.59, -5.54, 63.04

 

CMYK 63 / 0 / 11 / 7

HEX #58EED5

RGB 88 238 213

HSL 170, 0.82%, 0.64%

LAB 86.02, -45.45, 0.35

 

CMYK 11 / 63 / 0 / 7

HEX #D558EE

RGB 213 88 238

HSL 290, 0.82%, 0.64%

LAB 59.25, 69.24, -53.48

 

CMYK 0 / 10 / 63 / 6

HEX #EFD659

RGB 239 214 89

HSL 50, 0.82%, 0.64%

LAB 85.59, -5.54, 63.04

 

CMYK 63 / 0 / 61 / 7

HEX #58EE5D

RGB 88 238 93

HSL 122, 0.82%, 0.64%

LAB 83.97, -67.24, 57.21

 

CMYK 63 / 53 / 0 / 7

HEX #5871EE

RGB 88 113 238

HSL 230, 0.82%, 0.64%

LAB 51.9, 29.21, -65.94

 

CMYK 0 / 63 / 2 / 7

HEX #EE58E9

RGB 238 88 233

HSL 302, 0.82%, 0.64%

LAB 62.54, 74.18, -45.25

 

CMYK 0 / 10 / 63 / 6

HEX #EFD659

RGB 239 214 89

HSL 50, 0.82%, 0.64%

LAB 85.59, -5.54, 63.04

 

CMYK 63 / 0 / 42 / 7

HEX #58EE8A

RGB 88 238 138

HSL 140, 0.82%, 0.64%

LAB 84.51, -61.11, 36.9

 

CMYK 63 / 53 / 0 / 7

HEX #5871EE

RGB 88 113 238

HSL 230, 0.82%, 0.64%

LAB 51.9, 29.21, -65.94

 

CMYK 0 / 63 / 21 / 7

HEX #EE58BC

RGB 238 88 188

HSL 320, 0.82%, 0.64%

LAB 60.59, 67.55, -22.87

 

Description

Color code: HEX #EFD659 | qconv.com Color code: HEX #EFD659 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 214 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 214 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 63 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 63% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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