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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFD43F it is the complementary color #102BC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFD43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFD43F shade: #F4D43A, #FFE64D, #FFF860, #FFFF73 and #FFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFD43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFD43F shade: #EFD43F, #DEC22C, #CDB019, #BC9E06 and #AB8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFD43F shade: #EFD43E, #EFA43E, #EF743E, #EF443E and #EF3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFD43F shade: #EFD43E, #DBEF3E, #ABEF3E, #7BEF3E and #4BEF3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFD43F shade matches the following richer shades: #EFD43E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFD43F shade: #EFD43E, #DEC84E, #CDBD5F, #BDB170 and #ACA581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFD43F shade: #EF733E, #EFA23E, #EFD23E, #DEEF3E and #AEEF3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFD43F shade: #CAAE10, #ECCC17, #EFD43E, #F2DD64 and #F6E58A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFD43F shade: #EFD43F, #3EEF44 and #8B3EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFD43F shade: #EFD43F, #3EEFD2 and #D23EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFD43F shade: #EFD43F, #3EEF44, #3E5BEF and #EF3EE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFD43F shade: #EFD43F, #3EEF79, #3E5BEF and #EF3EB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 74 / 6

HEX #EFD43F

RGB 239 212 63

HSL 50.8, 0.85%, 0.59%

LAB 84.89, -5.87, 72.44

 

Complementary color

CMYK 92 / 78 / 0 / 25

HEX #102BC0

RGB 16 43 192

HSL 230.8, 0.85%, 0.41%

LAB 28.5, 48.82, -78

 

CMYK 0 / 13 / 76 / 4

HEX #F4D43A

RGB 244 212 58

HSL 49.68, 0.89%, 0.59%

LAB 85.31, -3.97, 74.67

 

CMYK 0 / 10 / 70 / 0

HEX #FFE64D

RGB 255 230 77

HSL 51.57, 1%, 0.65%

LAB 90.96, -7.61, 73.8

 

CMYK 0 / 3 / 62 / 0

HEX #FFF860

RGB 255 248 96

HSL 57.36, 1%, 0.69%

LAB 95.68, -15.44, 71.34

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43F

RGB 239 212 63

HSL 50.8, 0.85%, 0.59%

LAB 84.89, -5.87, 72.44

 

CMYK 0 / 13 / 80 / 13

HEX #DEC22C

RGB 222 194 44

HSL 50.56, 0.73%, 0.52%

LAB 78.63, -4.62, 72.23

 

CMYK 0 / 14 / 88 / 20

HEX #CDB019

RGB 205 176 25

HSL 50.33, 0.78%, 0.45%

LAB 72.3, -3.17, 71.07

 

CMYK 0 / 16 / 97 / 26

HEX #BC9E06

RGB 188 158 6

HSL 50.11, 0.94%, 0.38%

LAB 65.87, -1.48, 68.51

 

CMYK 0 / 18 / 100 / 33

HEX #AB8C00

RGB 171 140 0

HSL 49.12, 1%, 0.34%

LAB 59.36, 0.48, 63.93

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43E

RGB 239 212 62

HSL 50.85, 0.85%, 0.59%

LAB 84.89, -5.92, 72.78

 

CMYK 0 / 31 / 74 / 6

HEX #EFA43E

RGB 239 164 62

HSL 34.58, 0.85%, 0.59%

LAB 73.06, 19.07, 61.34

 

CMYK 0 / 51 / 74 / 6

HEX #EF743E

RGB 239 116 62

HSL 18.31, 0.85%, 0.59%

LAB 62.67, 43.89, 50.74

 

CMYK 0 / 72 / 74 / 6

HEX #EF443E

RGB 239 68 62

HSL 2.03, 0.85%, 0.59%

LAB 54.9, 64.46, 42.37

 

CMYK 0 / 74 / 74 / 6

HEX #EF3E3E

RGB 239 62 62

HSL 0, 0.85%, 0.59%

LAB 54.18, 66.45, 41.58

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43E

RGB 239 212 62

HSL 50.85, 0.85%, 0.59%

LAB 84.89, -5.92, 72.78

 

CMYK 8 / 0 / 74 / 6

HEX #DBEF3E

RGB 219 239 62

HSL 66.78, 0.85%, 0.59%

LAB 90.39, -27.39, 77.37

 

CMYK 28 / 0 / 74 / 6

HEX #ABEF3E

RGB 171 239 62

HSL 83.05, 0.85%, 0.59%

LAB 87.36, -45.87, 73.43

 

CMYK 49 / 0 / 74 / 6

HEX #7BEF3E

RGB 123 239 62

HSL 99.32, 0.85%, 0.59%

LAB 85.15, -61.57, 70.52

 

CMYK 69 / 0 / 74 / 6

HEX #4BEF3E

RGB 75 239 62

HSL 115.59, 0.85%, 0.59%

LAB 83.74, -72.79, 68.67

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43E

RGB 239 212 62

HSL 50.85, 0.85%, 0.59%

LAB 84.89, -5.92, 72.78

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43E

RGB 239 212 62

HSL 50.85, 0.85%, 0.59%

LAB 84.89, -5.92, 72.78

 

CMYK 0 / 10 / 65 / 13

HEX #DEC84E

RGB 222 200 78

HSL 50.83, 0.69%, 0.59%

LAB 80.4, -6.17, 61.69

 

CMYK 0 / 8 / 54 / 20

HEX #CDBD5F

RGB 205 189 95

HSL 51.27, 0.52%, 0.59%

LAB 76.19, -6.42, 48.94

 

CMYK 0 / 6 / 41 / 26

HEX #BDB170

RGB 189 177 112

HSL 50.65, 0.37%, 0.59%

LAB 71.85, -5.11, 34.78

 

CMYK 0 / 4 / 25 / 33

HEX #ACA581

RGB 172 165 129

HSL 50.23, 0.21%, 0.59%

LAB 67.48, -3.38, 19.61

 

CMYK 0 / 52 / 74 / 6

HEX #EF733E

RGB 239 115 62

HSL 17.97, 0.85%, 0.59%

LAB 62.47, 44.38, 50.54

 

CMYK 0 / 32 / 74 / 6

HEX #EFA23E

RGB 239 162 62

HSL 33.9, 0.85%, 0.59%

LAB 72.59, 20.13, 60.87

 

CMYK 0 / 12 / 74 / 6

HEX #EFD23E

RGB 239 210 62

HSL 50.17, 0.85%, 0.59%

LAB 84.38, -4.9, 72.29

 

CMYK 7 / 0 / 74 / 6

HEX #DEEF3E

RGB 222 239 62

HSL 65.76, 0.85%, 0.59%

LAB 90.6, -26.18, 77.65

 

CMYK 27 / 0 / 74 / 6

HEX #AEEF3E

RGB 174 239 62

HSL 82.03, 0.85%, 0.59%

LAB 87.52, -44.78, 73.65

 

CMYK 0 / 14 / 92 / 21

HEX #CAAE10

RGB 202 174 16

HSL 50.97, 0.85%, 0.43%

LAB 71.46, -3.6, 71.93

 

CMYK 0 / 14 / 90 / 7

HEX #ECCC17

RGB 236 204 23

HSL 50.99, 0.85%, 0.51%

LAB 82.42, -4.22, 80.58

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43E

RGB 239 212 62

HSL 50.85, 0.85%, 0.59%

LAB 84.89, -5.92, 72.78

 

CMYK 0 / 9 / 59 / 5

HEX #F2DD64

RGB 242 221 100

HSL 51.13, 0.85%, 0.67%

LAB 87.73, -7.12, 60.7

 

CMYK 0 / 7 / 44 / 4

HEX #F6E58A

RGB 246 229 138

HSL 50.56, 0.86%, 0.75%

LAB 90.54, -6.36, 46.32

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43F

RGB 239 212 63

HSL 50.8, 0.85%, 0.59%

LAB 84.89, -5.87, 72.44

 

CMYK 74 / 0 / 72 / 6

HEX #3EEF44

RGB 62 239 68

HSL 122.03, 0.85%, 0.59%

LAB 83.53, -74.45, 66.34

 

CMYK 42 / 74 / 0 / 6

HEX #8B3EEF

RGB 139 62 239

HSL 266.1, 0.85%, 0.59%

LAB 45.86, 65.85, -76.13

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43F

RGB 239 212 63

HSL 50.8, 0.85%, 0.59%

LAB 84.89, -5.87, 72.44

 

CMYK 74 / 0 / 12 / 6

HEX #3EEFD2

RGB 62 239 210

HSL 170.17, 0.85%, 0.59%

LAB 85.71, -50.2, 1.41

 

CMYK 12 / 74 / 0 / 6

HEX #D23EEF

RGB 210 62 239

HSL 290.17, 0.85%, 0.59%

LAB 55.46, 78.42, -60.12

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43F

RGB 239 212 63

HSL 50.8, 0.85%, 0.59%

LAB 84.89, -5.87, 72.44

 

CMYK 74 / 0 / 72 / 6

HEX #3EEF44

RGB 62 239 68

HSL 122.03, 0.85%, 0.59%

LAB 83.53, -74.45, 66.34

 

CMYK 74 / 62 / 0 / 6

HEX #3E5BEF

RGB 62 91 239

HSL 230.17, 0.85%, 0.59%

LAB 45.27, 39.63, -77.34

 

CMYK 0 / 74 / 3 / 6

HEX #EF3EE9

RGB 239 62 233

HSL 302.03, 0.85%, 0.59%

LAB 59.6, 83.16, -49.9

 

CMYK 0 / 11 / 74 / 6

HEX #EFD43F

RGB 239 212 63

HSL 50.8, 0.85%, 0.59%

LAB 84.89, -5.87, 72.44

 

CMYK 74 / 0 / 49 / 6

HEX #3EEF79

RGB 62 239 121

HSL 140, 0.85%, 0.59%

LAB 84.04, -68.42, 44.46

 

CMYK 74 / 62 / 0 / 6

HEX #3E5BEF

RGB 62 91 239

HSL 230.17, 0.85%, 0.59%

LAB 45.27, 39.63, -77.34

 

CMYK 0 / 74 / 25 / 6

HEX #EF3EB4

RGB 239 62 180

HSL 320, 0.85%, 0.59%

LAB 57.16, 75.94, -23.51

 

Description

Color code: HEX #EFD43F | qconv.com Color code: HEX #EFD43F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 212 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 212 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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