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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFD3E5 it is the complementary color #102C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFD3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFD3E5 shade: #F4D3E0, #FFE5F3, #FFF7FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFD3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFD3E5 shade: #EFD3E5, #DEC1D2, #CDAFBF, #BC9DAC and #AB8B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFD3E5 shade: #EFD2E5, #EFD2DD, #EFD2D5 and #EFD2D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFD3E5 shade: #EFD2E5, #EFD2EC, #EAD2EF, #E2D2EF and #DAD2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFD3E5 shade matches the following richer shades: #EFD2E5, #F4CDE6, #F9C8E7 and #FEC3E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFD3E5 shade: #EFD2E5, #EAD7E3, #E5DCE2, #E0E1E0 and #DBE6DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFD3E5 shade: #EAD2EF, #EFD2EC, #EFD2E5, #EFD2DD and #EFD2D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFD3E5 shade: #D995C1, #E4B4D3, #EFD2E5, #FAF0F6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFD3E5 shade: #EFD3E5, #EFE2D2 and #D2EFED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFD3E5 shade: #EFD3E5, #E5EFD2 and #D2E5EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFD3E5 shade: #EFD3E5, #EFE2D2, #D2EFDC and #D2DFEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFD3E5 shade: #EFD3E5, #EFEAD2, #D2EFDC and #D2D6EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 4 / 6

HEX #EFD3E5

RGB 239 211 229

HSL 321.43, 0.47%, 0.88%

LAB 87.29, 12.76, -5.28

 

Complementary color

CMYK 64 / 0 / 41 / 83

HEX #102C1A

RGB 16 44 26

HSL 141.43, 0.47%, 0.12%

LAB 15.41, -15.81, 8.54

 

CMYK 0 / 14 / 8 / 4

HEX #F4D3E0

RGB 244 211 224

HSL 336.36, 0.6%, 0.89%

LAB 87.58, 13.61, -2.15

 

CMYK 0 / 10 / 5 / 0

HEX #FFE5F3

RGB 255 229 243

HSL 327.69, 1%, 0.95%

LAB 93.35, 11.21, -3.55

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 12 / 4 / 6

HEX #EFD3E5

RGB 239 211 229

HSL 321.43, 0.47%, 0.88%

LAB 87.29, 12.76, -5.28

 

CMYK 0 / 13 / 5 / 13

HEX #DEC1D2

RGB 222 193 210

HSL 324.83, 0.31%, 0.81%

LAB 80.92, 13.13, -4.71

 

CMYK 0 / 15 / 7 / 20

HEX #CDAFBF

RGB 205 175 191

HSL 328, 0.23%, 0.75%

LAB 74.45, 13.54, -4.12

 

CMYK 0 / 16 / 9 / 26

HEX #BC9DAC

RGB 188 157 172

HSL 330.97, 0.19%, 0.68%

LAB 67.86, 13.98, -3.5

 

CMYK 0 / 19 / 11 / 33

HEX #AB8B99

RGB 171 139 153

HSL 333.75, 0.16%, 0.61%

LAB 61.15, 14.47, -2.85

 

CMYK 0 / 12 / 4 / 6

HEX #EFD2E5

RGB 239 210 229

HSL 320.69, 0.48%, 0.88%

LAB 87.05, 13.28, -5.63

 

CMYK 0 / 12 / 8 / 6

HEX #EFD2DD

RGB 239 210 221

HSL 337.24, 0.48%, 0.88%

LAB 86.83, 11.91, -1.71

 

CMYK 0 / 12 / 11 / 6

HEX #EFD2D5

RGB 239 210 213

HSL 353.79, 0.48%, 0.88%

LAB 86.63, 10.58, 2.22

 

CMYK 0 / 12 / 12 / 6

HEX #EFD2D2

RGB 239 210 210

HSL 0, 0.48%, 0.88%

LAB 86.55, 10.09, 3.7

 

CMYK 0 / 12 / 4 / 6

HEX #EFD2E5

RGB 239 210 229

HSL 320.69, 0.48%, 0.88%

LAB 87.05, 13.28, -5.63

 

CMYK 0 / 12 / 1 / 6

HEX #EFD2EC

RGB 239 210 236

HSL 306.21, 0.48%, 0.88%

LAB 87.24, 14.52, -9.05

 

CMYK 2 / 12 / 0 / 6

HEX #EAD2EF

RGB 234 210 239

HSL 289.66, 0.48%, 0.88%

LAB 86.91, 13.4, -11.18

 

CMYK 5 / 12 / 0 / 6

HEX #E2D2EF

RGB 226 210 239

HSL 273.1, 0.48%, 0.88%

LAB 86.25, 10.77, -12.22

 

CMYK 9 / 12 / 0 / 6

HEX #DAD2EF

RGB 218 210 239

HSL 256.55, 0.48%, 0.88%

LAB 85.62, 8.16, -13.24

 

CMYK 0 / 12 / 4 / 6

HEX #EFD2E5

RGB 239 210 229

HSL 320.69, 0.48%, 0.88%

LAB 87.05, 13.28, -5.63

 

CMYK 0 / 16 / 6 / 4

HEX #F4CDE6

RGB 244 205 230

HSL 321.54, 0.64%, 0.88%

LAB 86.31, 17.78, -7.2

 

CMYK 0 / 20 / 7 / 2

HEX #F9C8E7

RGB 249 200 231

HSL 322.04, 0.8%, 0.88%

LAB 85.61, 22.28, -8.72

 

CMYK 0 / 23 / 8 / 0

HEX #FEC3E9

RGB 254 195 233

HSL 321.36, 0.97%, 0.88%

LAB 84.99, 26.94, -10.66

 

CMYK 0 / 12 / 4 / 6

HEX #EFD2E5

RGB 239 210 229

HSL 320.69, 0.48%, 0.88%

LAB 87.05, 13.28, -5.63

 

CMYK 0 / 8 / 3 / 8

HEX #EAD7E3

RGB 234 215 227

HSL 322.11, 0.31%, 0.88%

LAB 87.79, 8.61, -3.52

 

CMYK 0 / 4 / 1 / 10

HEX #E5DCE2

RGB 229 220 226

HSL 320, 0.15%, 0.88%

LAB 88.61, 4.13, -1.85

 

CMYK 0 / 0 / 0 / 12

HEX #E0E1E0

RGB 224 225 224

HSL 120, 0.02%, 0.88%

LAB 89.43, -0.51, 0.36

 

CMYK 5 / 0 / 3 / 10

HEX #DBE6DF

RGB 219 230 223

HSL 141.82, 0.18%, 0.88%

LAB 90.31, -4.94, 2.13

 

CMYK 2 / 12 / 0 / 6

HEX #EAD2EF

RGB 234 210 239

HSL 289.66, 0.48%, 0.88%

LAB 86.91, 13.4, -11.18

 

CMYK 0 / 12 / 1 / 6

HEX #EFD2EC

RGB 239 210 236

HSL 306.21, 0.48%, 0.88%

LAB 87.24, 14.52, -9.05

 

CMYK 0 / 12 / 4 / 6

HEX #EFD2E5

RGB 239 210 229

HSL 320.69, 0.48%, 0.88%

LAB 87.05, 13.28, -5.63

 

CMYK 0 / 12 / 8 / 6

HEX #EFD2DD

RGB 239 210 221

HSL 337.24, 0.48%, 0.88%

LAB 86.83, 11.91, -1.71

 

CMYK 0 / 12 / 11 / 6

HEX #EFD2D5

RGB 239 210 213

HSL 353.79, 0.48%, 0.88%

LAB 86.63, 10.58, 2.22

 

CMYK 0 / 31 / 11 / 15

HEX #D995C1

RGB 217 149 193

HSL 321.18, 0.47%, 0.72%

LAB 69.54, 32.19, -12.39

 

CMYK 0 / 21 / 7 / 11

HEX #E4B4D3

RGB 228 180 211

HSL 321.25, 0.47%, 0.8%

LAB 78.37, 22.34, -8.96

 

CMYK 0 / 12 / 4 / 6

HEX #EFD2E5

RGB 239 210 229

HSL 320.69, 0.48%, 0.88%

LAB 87.05, 13.28, -5.63

 

CMYK 0 / 4 / 2 / 2

HEX #FAF0F6

RGB 250 240 246

HSL 324, 0.5%, 0.96%

LAB 95.7, 4.39, -1.7

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 12 / 4 / 6

HEX #EFD3E5

RGB 239 211 229

HSL 321.43, 0.47%, 0.88%

LAB 87.29, 12.76, -5.28

 

CMYK 0 / 5 / 12 / 6

HEX #EFE2D2

RGB 239 226 210

HSL 33.1, 0.48%, 0.88%

LAB 90.5, 1.79, 9.39

 

CMYK 12 / 0 / 1 / 6

HEX #D2EFED

RGB 210 239 237

HSL 175.86, 0.48%, 0.88%

LAB 92.38, -9.81, -2.24

 

CMYK 0 / 12 / 4 / 6

HEX #EFD3E5

RGB 239 211 229

HSL 321.43, 0.47%, 0.88%

LAB 87.29, 12.76, -5.28

 

CMYK 4 / 0 / 12 / 6

HEX #E5EFD2

RGB 229 239 210

HSL 80.69, 0.48%, 0.88%

LAB 93.03, -8.32, 12.9

 

CMYK 12 / 4 / 0 / 6

HEX #D2E5EF

RGB 210 229 239

HSL 200.69, 0.48%, 0.88%

LAB 89.85, -4.32, -7.01

 

CMYK 0 / 12 / 4 / 6

HEX #EFD3E5

RGB 239 211 229

HSL 321.43, 0.47%, 0.88%

LAB 87.29, 12.76, -5.28

 

CMYK 0 / 5 / 12 / 6

HEX #EFE2D2

RGB 239 226 210

HSL 33.1, 0.48%, 0.88%

LAB 90.5, 1.79, 9.39

 

CMYK 12 / 0 / 8 / 6

HEX #D2EFDC

RGB 210 239 220

HSL 140.69, 0.48%, 0.88%

LAB 91.95, -13.01, 5.99

 

CMYK 12 / 7 / 0 / 6

HEX #D2DFEF

RGB 210 223 239

HSL 213.1, 0.48%, 0.88%

LAB 88.31, -1.22, -9.29

 

CMYK 0 / 12 / 4 / 6

HEX #EFD3E5

RGB 239 211 229

HSL 321.43, 0.47%, 0.88%

LAB 87.29, 12.76, -5.28

 

CMYK 0 / 2 / 12 / 6

HEX #EFEAD2

RGB 239 234 210

HSL 49.66, 0.48%, 0.88%

LAB 92.51, -2.3, 12.25

 

CMYK 12 / 0 / 8 / 6

HEX #D2EFDC

RGB 210 239 220

HSL 140.69, 0.48%, 0.88%

LAB 91.95, -13.01, 5.99

 

CMYK 12 / 10 / 0 / 6

HEX #D2D6EF

RGB 210 214 239

HSL 231.72, 0.48%, 0.88%

LAB 86.02, 3.48, -12.7

 

Description

Color code: HEX #EFD3E5 | qconv.com Color code: HEX #EFD3E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 211 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 211 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 4 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 4% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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