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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFD272 it is the complementary color #102D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFD272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFD272 shade: #F4D26D, #FFE480, #FFF693, #FFFFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFD272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFD272 shade: #EFD272, #DEC05F, #CDAE4C, #BC9C39 and #AB8A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFD272 shade: #EFD271, #EFB071, #EF8E71 and #EF7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFD272 shade: #EFD271, #EAEF71, #C8EF71, #A6EF71 and #84EF71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFD272 shade matches the following richer shades: #EFD271 and #FCD964

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFD272 shade: #EFD271, #E2CB7E, #D6C48A, #C9BD97 and #BCB6A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFD272 shade: #EF8E71, #EFB071, #EFD271, #EBEF71 and #C9EF71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFD272 shade: #E7BA26, #EBC64C, #EFD271, #F3DE96 and #F7E9BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFD272 shade: #EFD272, #75EF71 and #9F71EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFD272 shade: #EFD272, #71EFD2 and #D271EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFD272 shade: #EFD272, #75EF71, #718EEF and #EB71EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFD272 shade: #EFD272, #71EF92, #718EEF and #EF71CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 52 / 6

HEX #EFD272

RGB 239 210 114

HSL 46.08, 0.8%, 0.69%

LAB 84.82, -1.69, 50.81

 

Complementary color

CMYK 89 / 68 / 0 / 45

HEX #102D8D

RGB 16 45 141

HSL 226.08, 0.8%, 0.31%

LAB 23.37, 28.93, -55.62

 

CMYK 0 / 14 / 55 / 4

HEX #F4D26D

RGB 244 210 109

HSL 44.89, 0.86%, 0.69%

LAB 85.22, -0.06, 53.76

 

CMYK 0 / 11 / 50 / 0

HEX #FFE480

RGB 255 228 128

HSL 47.24, 1%, 0.75%

LAB 90.92, -3.22, 51.79

 

CMYK 0 / 4 / 42 / 0

HEX #FFF693

RGB 255 246 147

HSL 55, 1%, 0.79%

LAB 95.7, -10.43, 48.57

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 12 / 52 / 6

HEX #EFD272

RGB 239 210 114

HSL 46.08, 0.8%, 0.69%

LAB 84.82, -1.69, 50.81

 

CMYK 0 / 14 / 57 / 13

HEX #DEC05F

RGB 222 192 95

HSL 45.83, 0.66%, 0.62%

LAB 78.49, -0.9, 52.01

 

CMYK 0 / 15 / 63 / 20

HEX #CDAE4C

RGB 205 174 76

HSL 45.58, 0.56%, 0.55%

LAB 72.08, 0.04, 53.14

 

CMYK 0 / 17 / 70 / 26

HEX #BC9C39

RGB 188 156 57

HSL 45.34, 0.53%, 0.48%

LAB 65.56, 1.15, 54.08

 

CMYK 0 / 19 / 78 / 33

HEX #AB8A26

RGB 171 138 38

HSL 45.11, 0.64%, 0.41%

LAB 58.95, 2.48, 54.59

 

CMYK 0 / 12 / 53 / 6

HEX #EFD271

RGB 239 210 113

HSL 46.19, 0.8%, 0.69%

LAB 84.81, -1.77, 51.27

 

CMYK 0 / 26 / 53 / 6

HEX #EFB071

RGB 239 176 113

HSL 30, 0.8%, 0.69%

LAB 76.43, 15.96, 41.06

 

CMYK 0 / 41 / 53 / 6

HEX #EF8E71

RGB 239 142 113

HSL 13.81, 0.8%, 0.69%

LAB 68.67, 33.9, 31.19

 

CMYK 0 / 53 / 53 / 6

HEX #EF7171

RGB 239 113 113

HSL 0, 0.8%, 0.69%

LAB 62.8, 48.52, 23.46

 

CMYK 0 / 12 / 53 / 6

HEX #EFD271

RGB 239 210 113

HSL 46.19, 0.8%, 0.69%

LAB 84.81, -1.77, 51.27

 

CMYK 2 / 0 / 53 / 6

HEX #EAEF71

RGB 234 239 113

HSL 62.38, 0.8%, 0.69%

LAB 91.87, -18.26, 59.45

 

CMYK 16 / 0 / 53 / 6

HEX #C8EF71

RGB 200 239 113

HSL 78.57, 0.8%, 0.69%

LAB 89.49, -31.41, 56.07

 

CMYK 31 / 0 / 53 / 6

HEX #A6EF71

RGB 166 239 113

HSL 94.76, 0.8%, 0.69%

LAB 87.5, -43.65, 53.23

 

CMYK 45 / 0 / 53 / 6

HEX #84EF71

RGB 132 239 113

HSL 110.95, 0.8%, 0.69%

LAB 85.92, -54.4, 50.97

 

CMYK 0 / 12 / 53 / 6

HEX #EFD271

RGB 239 210 113

HSL 46.19, 0.8%, 0.69%

LAB 84.81, -1.77, 51.27

 

CMYK 0 / 14 / 60 / 1

HEX #FCD964

RGB 252 217 100

HSL 46.18, 0.96%, 0.69%

LAB 87.6, -1, 60.8

 

CMYK 0 / 12 / 53 / 6

HEX #EFD271

RGB 239 210 113

HSL 46.19, 0.8%, 0.69%

LAB 84.81, -1.77, 51.27

 

CMYK 0 / 10 / 44 / 11

HEX #E2CB7E

RGB 226 203 126

HSL 46.2, 0.63%, 0.69%

LAB 82.05, -2.25, 41.24

 

CMYK 0 / 8 / 36 / 16

HEX #D6C48A

RGB 214 196 138

HSL 45.79, 0.48%, 0.69%

LAB 79.39, -2.08, 31.45

 

CMYK 0 / 6 / 25 / 21

HEX #C9BD97

RGB 201 189 151

HSL 45.6, 0.32%, 0.69%

LAB 76.71, -1.79, 20.77

 

CMYK 0 / 3 / 13 / 26

HEX #BCB6A4

RGB 188 182 164

HSL 45, 0.15%, 0.69%

LAB 74.08, -0.99, 9.91

 

CMYK 0 / 41 / 53 / 6

HEX #EF8E71

RGB 239 142 113

HSL 13.81, 0.8%, 0.69%

LAB 68.67, 33.9, 31.19

 

CMYK 0 / 26 / 53 / 6

HEX #EFB071

RGB 239 176 113

HSL 30, 0.8%, 0.69%

LAB 76.43, 15.96, 41.06

 

CMYK 0 / 12 / 53 / 6

HEX #EFD271

RGB 239 210 113

HSL 46.19, 0.8%, 0.69%

LAB 84.81, -1.77, 51.27

 

CMYK 2 / 0 / 53 / 6

HEX #EBEF71

RGB 235 239 113

HSL 61.9, 0.8%, 0.69%

LAB 91.95, -17.86, 59.56

 

CMYK 16 / 0 / 53 / 6

HEX #C9EF71

RGB 201 239 113

HSL 78.1, 0.8%, 0.69%

LAB 89.55, -31.03, 56.16

 

CMYK 0 / 19 / 84 / 9

HEX #E7BA26

RGB 231 186 38

HSL 46.01, 0.8%, 0.53%

LAB 77.43, 3.23, 73.2

 

CMYK 0 / 16 / 68 / 8

HEX #EBC64C

RGB 235 198 76

HSL 46.04, 0.8%, 0.61%

LAB 81.06, 0.22, 63.58

 

CMYK 0 / 12 / 53 / 6

HEX #EFD271

RGB 239 210 113

HSL 46.19, 0.8%, 0.69%

LAB 84.81, -1.77, 51.27

 

CMYK 0 / 9 / 38 / 5

HEX #F3DE96

RGB 243 222 150

HSL 46.45, 0.79%, 0.77%

LAB 88.69, -2.75, 37.94

 

CMYK 0 / 6 / 24 / 3

HEX #F7E9BB

RGB 247 233 187

HSL 46, 0.79%, 0.85%

LAB 92.42, -2.28, 24.11

 

CMYK 0 / 12 / 52 / 6

HEX #EFD272

RGB 239 210 114

HSL 46.08, 0.8%, 0.69%

LAB 84.82, -1.69, 50.81

 

CMYK 51 / 0 / 53 / 6

HEX #75EF71

RGB 117 239 113

HSL 118.1, 0.8%, 0.69%

LAB 85.36, -58.53, 50.15

 

CMYK 33 / 53 / 0 / 6

HEX #9F71EF

RGB 159 113 239

HSL 261.9, 0.8%, 0.69%

LAB 57.48, 44.33, -57.24

 

CMYK 0 / 12 / 52 / 6

HEX #EFD272

RGB 239 210 114

HSL 46.08, 0.8%, 0.69%

LAB 84.82, -1.69, 50.81

 

CMYK 53 / 0 / 12 / 6

HEX #71EFD2

RGB 113 239 210

HSL 166.19, 0.8%, 0.69%

LAB 86.95, -41.97, 3.36

 

CMYK 12 / 53 / 0 / 6

HEX #D271EF

RGB 210 113 239

HSL 286.19, 0.8%, 0.69%

LAB 63.13, 57.27, -47.91

 

CMYK 0 / 12 / 52 / 6

HEX #EFD272

RGB 239 210 114

HSL 46.08, 0.8%, 0.69%

LAB 84.82, -1.69, 50.81

 

CMYK 51 / 0 / 53 / 6

HEX #75EF71

RGB 117 239 113

HSL 118.1, 0.8%, 0.69%

LAB 85.36, -58.53, 50.15

 

CMYK 53 / 41 / 0 / 6

HEX #718EEF

RGB 113 142 239

HSL 226.19, 0.8%, 0.69%

LAB 60.86, 16.77, -52.06

 

CMYK 2 / 53 / 0 / 6

HEX #EB71EF

RGB 235 113 239

HSL 298.1, 0.8%, 0.69%

LAB 66.29, 63.82, -42.71

 

CMYK 0 / 12 / 52 / 6

HEX #EFD272

RGB 239 210 114

HSL 46.08, 0.8%, 0.69%

LAB 84.82, -1.69, 50.81

 

CMYK 53 / 0 / 39 / 6

HEX #71EF92

RGB 113 239 146

HSL 135.71, 0.8%, 0.69%

LAB 85.66, -54.78, 34.56

 

CMYK 53 / 41 / 0 / 6

HEX #718EEF

RGB 113 142 239

HSL 226.19, 0.8%, 0.69%

LAB 60.86, 16.77, -52.06

 

CMYK 0 / 53 / 14 / 6

HEX #EF71CD

RGB 239 113 205

HSL 316.19, 0.8%, 0.69%

LAB 65.41, 59.39, -25.1

 

Description

Color code: HEX #EFD272 | qconv.com Color code: HEX #EFD272 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 210 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 210 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 52 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 52% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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