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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFCE6B it is the complementary color #103194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFCE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFCE6B shade: #F4CE66, #FFE079, #FFF28C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFCE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFCE6B shade: #EFCE6B, #DEBC58, #CDAA45, #BC9832 and #AB861F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFCE6B shade: #EECE6C, #EEAA6C, #EE876C and #EE6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFCE6B shade: #EECE6C, #ECEE6C, #C8EE6C, #A5EE6C and #82EE6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFCE6B shade matches the following richer shades: #EECE6C and #FBD45E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFCE6B shade: #EECE6C, #E1C779, #D4C086, #C7BA93 and #B9B3A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFCE6B shade: #EE886C, #EEAB6C, #EECE6C, #ECEE6C and #C9EE6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFCE6B shade: #E6B521, #EAC146, #EECE6C, #F2DA91 and #F6E6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFCE6B shade: #EFCE6B, #72EE6C and #996CEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFCE6B shade: #EFCE6B, #6CEECE and #CE6CEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFCE6B shade: #EFCE6B, #72EE6C, #6C8CEE and #E86CEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFCE6B shade: #EFCE6B, #6CEE8C, #6C8CEE and #EE6CCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 55 / 6

HEX #EFCE6B

RGB 239 206 107

HSL 45, 0.8%, 0.68%

LAB 83.73, -0.2, 52.85

 

Complementary color

CMYK 89 / 67 / 0 / 42

HEX #103194

RGB 16 49 148

HSL 225, 0.8%, 0.32%

LAB 25.09, 28.99, -57.13

 

CMYK 0 / 16 / 58 / 4

HEX #F4CE66

RGB 244 206 102

HSL 43.94, 0.87%, 0.68%

LAB 84.14, 1.48, 55.77

 

CMYK 0 / 12 / 53 / 0

HEX #FFE079

RGB 255 224 121

HSL 46.12, 1%, 0.74%

LAB 89.84, -1.78, 53.81

 

CMYK 0 / 5 / 45 / 0

HEX #FFF28C

RGB 255 242 140

HSL 53.22, 1%, 0.77%

LAB 94.59, -9.12, 50.56

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 14 / 55 / 6

HEX #EFCE6B

RGB 239 206 107

HSL 45, 0.8%, 0.68%

LAB 83.73, -0.2, 52.85

 

CMYK 0 / 15 / 60 / 13

HEX #DEBC58

RGB 222 188 88

HSL 44.78, 0.67%, 0.61%

LAB 77.4, 0.69, 54.02

 

CMYK 0 / 17 / 66 / 20

HEX #CDAA45

RGB 205 170 69

HSL 44.56, 0.58%, 0.54%

LAB 70.98, 1.72, 55.08

 

CMYK 0 / 19 / 73 / 26

HEX #BC9832

RGB 188 152 50

HSL 44.35, 0.58%, 0.47%

LAB 64.47, 2.96, 55.87

 

CMYK 0 / 22 / 82 / 33

HEX #AB861F

RGB 171 134 31

HSL 44.14, 0.69%, 0.4%

LAB 57.85, 4.43, 56.05

 

CMYK 0 / 13 / 55 / 7

HEX #EECE6C

RGB 238 206 108

HSL 45.23, 0.79%, 0.68%

LAB 83.65, -0.53, 52.26

 

CMYK 0 / 29 / 55 / 7

HEX #EEAA6C

RGB 238 170 108

HSL 28.62, 0.79%, 0.68%

LAB 74.83, 18.32, 41.61

 

CMYK 0 / 43 / 55 / 7

HEX #EE876C

RGB 238 135 108

HSL 12.46, 0.79%, 0.68%

LAB 66.97, 36.73, 31.69

 

CMYK 0 / 55 / 55 / 7

HEX #EE6C6C

RGB 238 108 108

HSL 0, 0.79%, 0.68%

LAB 61.64, 50.15, 24.73

 

CMYK 0 / 13 / 55 / 7

HEX #EECE6C

RGB 238 206 108

HSL 45.23, 0.79%, 0.68%

LAB 83.65, -0.53, 52.26

 

CMYK 1 / 0 / 55 / 7

HEX #ECEE6C

RGB 236 238 108

HSL 60.92, 0.79%, 0.68%

LAB 91.71, -17.37, 61.53

 

CMYK 16 / 0 / 55 / 7

HEX #C8EE6C

RGB 200 238 108

HSL 77.54, 0.79%, 0.68%

LAB 89.16, -31.4, 57.94

 

CMYK 31 / 0 / 55 / 7

HEX #A5EE6C

RGB 165 238 108

HSL 93.69, 0.79%, 0.68%

LAB 87.11, -44.07, 55.03

 

CMYK 45 / 0 / 55 / 7

HEX #82EE6C

RGB 130 238 108

HSL 109.85, 0.79%, 0.68%

LAB 85.49, -55.16, 52.72

 

CMYK 0 / 13 / 55 / 7

HEX #EECE6C

RGB 238 206 108

HSL 45.23, 0.79%, 0.68%

LAB 83.65, -0.53, 52.26

 

CMYK 0 / 16 / 63 / 2

HEX #FBD45E

RGB 251 212 94

HSL 45.1, 0.95%, 0.68%

LAB 86.21, 0.75, 61.87

 

CMYK 0 / 13 / 55 / 7

HEX #EECE6C

RGB 238 206 108

HSL 45.23, 0.79%, 0.68%

LAB 83.65, -0.53, 52.26

 

CMYK 0 / 12 / 46 / 12

HEX #E1C779

RGB 225 199 121

HSL 45, 0.63%, 0.68%

LAB 80.87, -1.07, 42.25

 

CMYK 0 / 9 / 37 / 17

HEX #D4C086

RGB 212 192 134

HSL 44.62, 0.48%, 0.68%

LAB 78.12, -1.25, 31.83

 

CMYK 0 / 7 / 26 / 22

HEX #C7BA93

RGB 199 186 147

HSL 45, 0.32%, 0.68%

LAB 75.68, -1.53, 21.47

 

CMYK 0 / 3 / 14 / 27

HEX #B9B3A0

RGB 185 179 160

HSL 45.6, 0.15%, 0.68%

LAB 72.95, -1.16, 10.46

 

CMYK 0 / 43 / 55 / 7

HEX #EE886C

RGB 238 136 108

HSL 12.92, 0.79%, 0.68%

LAB 67.18, 36.22, 31.97

 

CMYK 0 / 28 / 55 / 7

HEX #EEAB6C

RGB 238 171 108

HSL 29.08, 0.79%, 0.68%

LAB 75.07, 17.79, 41.9

 

CMYK 0 / 13 / 55 / 7

HEX #EECE6C

RGB 238 206 108

HSL 45.23, 0.79%, 0.68%

LAB 83.65, -0.53, 52.26

 

CMYK 1 / 0 / 55 / 7

HEX #ECEE6C

RGB 236 238 108

HSL 60.92, 0.79%, 0.68%

LAB 91.71, -17.37, 61.53

 

CMYK 16 / 0 / 55 / 7

HEX #C9EE6C

RGB 201 238 108

HSL 77.08, 0.79%, 0.68%

LAB 89.23, -31.02, 58.03

 

CMYK 0 / 21 / 86 / 10

HEX #E6B521

RGB 230 181 33

HSL 45.08, 0.8%, 0.52%

LAB 76.06, 5.29, 73.31

 

CMYK 0 / 18 / 70 / 8

HEX #EAC146

RGB 234 193 70

HSL 45, 0.8%, 0.6%

LAB 79.66, 2.08, 64.54

 

CMYK 0 / 13 / 55 / 7

HEX #EECE6C

RGB 238 206 108

HSL 45.23, 0.79%, 0.68%

LAB 83.65, -0.53, 52.26

 

CMYK 0 / 10 / 40 / 5

HEX #F2DA91

RGB 242 218 145

HSL 45.15, 0.79%, 0.76%

LAB 87.52, -1.65, 38.93

 

CMYK 0 / 7 / 26 / 4

HEX #F6E6B6

RGB 246 230 182

HSL 45, 0.78%, 0.84%

LAB 91.49, -1.8, 25.4

 

CMYK 0 / 14 / 55 / 6

HEX #EFCE6B

RGB 239 206 107

HSL 45, 0.8%, 0.68%

LAB 83.73, -0.2, 52.85

 

CMYK 52 / 0 / 55 / 7

HEX #72EE6C

RGB 114 238 108

HSL 117.23, 0.79%, 0.68%

LAB 84.9, -59.53, 51.87

 

CMYK 36 / 55 / 0 / 7

HEX #996CEE

RGB 153 108 238

HSL 260.77, 0.79%, 0.68%

LAB 55.76, 45.4, -59.47

 

CMYK 0 / 14 / 55 / 6

HEX #EFCE6B

RGB 239 206 107

HSL 45, 0.8%, 0.68%

LAB 83.73, -0.2, 52.85

 

CMYK 55 / 0 / 13 / 7

HEX #6CEECE

RGB 108 238 206

HSL 165.23, 0.79%, 0.68%

LAB 86.4, -43.49, 4.65

 

CMYK 13 / 55 / 0 / 7

HEX #CE6CEE

RGB 206 108 238

HSL 285.23, 0.79%, 0.68%

LAB 61.67, 58.48, -49.69

 

CMYK 0 / 14 / 55 / 6

HEX #EFCE6B

RGB 239 206 107

HSL 45, 0.8%, 0.68%

LAB 83.73, -0.2, 52.85

 

CMYK 52 / 0 / 55 / 7

HEX #72EE6C

RGB 114 238 108

HSL 117.23, 0.79%, 0.68%

LAB 84.9, -59.53, 51.87

 

CMYK 55 / 41 / 0 / 7

HEX #6C8CEE

RGB 108 140 238

HSL 225.23, 0.79%, 0.68%

LAB 59.99, 16.59, -52.9

 

CMYK 3 / 55 / 0 / 7

HEX #E86CEE

RGB 232 108 238

HSL 297.23, 0.79%, 0.68%

LAB 65.01, 65.14, -44.21

 

CMYK 0 / 14 / 55 / 6

HEX #EFCE6B

RGB 239 206 107

HSL 45, 0.8%, 0.68%

LAB 83.73, -0.2, 52.85

 

CMYK 55 / 0 / 41 / 7

HEX #6CEE8C

RGB 108 238 140

HSL 134.77, 0.79%, 0.68%

LAB 85.11, -56.54, 36.8

 

CMYK 55 / 41 / 0 / 7

HEX #6C8CEE

RGB 108 140 238

HSL 225.23, 0.79%, 0.68%

LAB 59.99, 16.59, -52.9

 

CMYK 0 / 55 / 13 / 7

HEX #EE6CCE

RGB 238 108 206

HSL 314.77, 0.79%, 0.68%

LAB 64.45, 61.55, -27.16

 

Description

Color code: HEX #EFCE6B | qconv.com Color code: HEX #EFCE6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 206 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 206 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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